This is my first outing with this author. And I must say I was quite impressed.

The Descriptions of Venice were spot on as I have visited several times.

It stars of slow but trust me when I say stick with it. It develops into this crazy rollercoaster ride. It deals with murder, love and revenge.

Enjoy!

I honestly could tell by the writing of the first 2 chapters that it wouldn't be a good fit for our box and had to put it down. I may read it again in the future!

Princess Fuzzypants here:
Momma and I really wanted to like this book. She loves Venice and figured any story that was centred around that magical city would be fun. We are not saying this is a bad book. It is not. The story was interesting if somewhat oonvoluted but we never became invested in any of the characters.
That is a shame as it can mean the difference between reading a book and experiencing a book. I felt we just read it.
It does have it moments including a rather huge surprise at the end of the story. Perhaps I should have seen it coming, but I did not.
Still, I will give it a lukewarm three purrs and one paw up.

This book was beautifully written and I love the back drop of Venice. It was an enjoyable read & I would read another book by this author.

Thank you to NetGalley for my copy of this book.

I loved this story for the setting in Venice, but I wasn't wowed by the story or the writing. I think the book suffered from having too many subplots and therefore, being a bit too long. I didn't really care for Anna as she blamed everyone else for her problems. It was sometimes difficult to keep track of the other characters and the ending was too abrupt.

***This book was reviewed for She Writes Press via Netgalley & for the Manhattan Book Review

Volker's Venetian Blood weaves alluring language, seductive setting, the charm of shadowed history, and cunning intrigue into a (modern) historical mystery so tantalising you will be swept away from word one.

Anna Lucia Lottol, a financial investigator for the US Department of Treasury falls under suspicion by Italian officials in the death of one Count Sergio Corrin whilst visiting that most beautiful of riparian cities, Venice. In order to avoid being arrested for the murder, Anna begins looking into Sergio's death on her own. It is true, she knew Sergio, had even met him not long before. She turns her own particular skills to her task, digging deeper into Corrin’s finances. Anna knew him to be a money launderer, and thinks perhaps his death was tied to that. Anna’s friend Margo, a journalist, joins her in the effort to clear Anna's name.

The search leads her to some odd places, including the family archives of Count Alessandro Favier, a friend of Margo's, whose house is alive with history, and to Corrin’s Galleria, which currently houses an impressive amount of tribal art from Tanzania, some done by Azizi, a Tanzanian artist Corrin sponsored. While there are plenty with reason to wish Sergio dead, Anna and Margo can find no concrete proof. Gradually, others, such as Agatha and Dudley, and Roberto Cavallin, are drawn into confidence. But can Anna trust them? When a cart accident lands Anna in a canal, nearly costing her life, she knows she must be getting close to the truth. But who to truly trust?

This story drew me in straightaway, and I was loathe to stop, to leave the wind- and water-swept lure of an ancient city with a modern puzzle. The language and phrasing are delicious, pure poetry, reflective of the Italian language itself. Volker has interspersed liberal Italian into the story, while we are on said language. It prompted my rusting beginners Italian to kick in, breathing music and proper pronunciation, even if I couldn't always suss out the meaning. Volker tended that aspect as well, translating into English, or giving enough English context to make an educated guess at meaning. This city on paper and its people felt so real, the culture authentic.

While Corrin's murder, and Anna's plight are threads woven all throughout, there are dozens of smaller stories, old and new, that draw you to the other characters as well. What are the true circumstances of the death of Alessandro's family? Why did Pablo, another guest of Alessandro, and an acquaintance of Sergio, really lose his medical license? What is Roberto Cavallin hiding? Like delicate drops of ink on watercolour, bits of history are added in, daubed with a sense of romantic mystery. Why did Torcello become mostly abandoned? Who is the singer Anna heard, when the clerk at her pensione insists there was no such thing?

But most of all, can Anna let go of the past and open herself up to trust again?

📚📚📚📚📚 Highly recommended

Very disappointed. I love stories set in Venice, which is why I picked this one up. The descriptions of Venice are lovely. Unfortunately, I couldn’t relate to the character Anna at all—in fact, I disliked her. While the synopsis describes her as forty, she reacts more like twenty, and for all her intelligence and “athleticism” (I don’t have any idea why that was included in the book’s description) she just runs around over-reacting to everything.

The writing style is quite a rough jumble and many times I thought her reactions and observations were also off the mark. The Italian men were all horny, a terrible stereotype, and one description totally threw me, as she described someone’s accent as if he “just got off the boat.” What? Pretty offensive.

The women are cardboard cutouts.

As far as the mystery plot—I couldn’t find it. There was no reason at all for the police to simply put a tail on her and for them not to appear to actively investigate the murder of Sergio, a prominent Venetian businessman. In this, I found the plot too contrived and illogical. I didn’t expect them to investigate like Americans, but I had hoped for something more along the lines of Donna Leon or Aurelius Zen.

It felt like the author was trying to turn a mystery into a suspense story, which are two different things and have different structures. I liked the ending, it’s the execution that turned me off as a reader.

I realize this is an ARC and that more editing will likely be done. I don’t plan on posting this review to my blog until after the release, if at all. I don’t like giving bad reviews, but I don’t like to be less than honest, either.

In a story reminiscent of something the great Mary Stewart could have cooked up, U.S. Treasury agent Anna Lottoi journeys to Venice to catch up with an old friend and to try to forget about her rapidly dissolving marriage. But she has no chance to see the sights, she’s arrested and accused of murdering a man she had a short affair with. It turns out her beau had some unsavory secrets and even more unsavory acquaintances. Anna must navigate the twist streets and byways of one of the most romantic…and sinister cities in the world to prove her innocence and save her life. An atmospheric, intelligent thriller