I really liked this biography of Sydney Newman. I knew of Newman through Doctor Who, but this book shows his other accomplishments, especially during his time as Head of BBC Drama. It was well written, and enjoyable and informative. Well worth a read, especially for Doctor Who fans.

Born Shimshon Nudelman in the poor section of Toronto, media historians might know Sydney Newman as a former promising artist, or once a vital cog at the National Film Board of Canada or at ABC Television in Britain. But almost any fan of DOCTOR WHO's long history can tell you that Newman was the bloke who came up with the idea of an old man traveling in a time machine who can visit points in Earth history, and appointed a young woman named Verity Lambert to produce the show (a rarity in that day, as well as having a young man of Arab ancestry to direct the first story). He was determined not to have "bug-eyed monsters" on his new show, which he insisted should be about history, and was nonplussed when the second story in the series, about the pepperpot Daleks, made the series a hit.

The first half of the volume is a memoir by Newman of his life through 1987; it's frank and some of the language would be considered culturally insensitive today (although Newman uses it to refer to himself). He rises from struggling young artist to flirting with socialism to employment with the National Film Board of Canada to working in Britain where THE AVENGERS turned from a police procedural to the hip television series we remember today, and finally to the BBC as head of drama. Newman's colorful life and stubborn character is well-told in an unflinching narrative (although, as in all memoirs, he forgets some of the details, which are remedied with footnotes). At home he was married to the love of his life, Betty, until her death from polychondritis and they—well, mostly she, as was the tradition back then—raised three daughters.

Burk takes over after Newman's memoir leaves off, chronicling the final thirty years of his life as his career waned. In the 1980s he even lost touch with the series he was most associated with, DOCTOR WHO stating it should quit doing all those trite science fiction plots and go back to historical and scientific stories. (However, in a nod to current events, he also thought it would be appropriate if the Doctor regenerated into a woman!) As a treat—although it is a rather sad postscript—there is an afterword by Newman's daughter Deirdre, offering another short perspective on her father and also on her mother's death and how it affected him.

In a modern age where "get up and go" ambition has been replaced with the need for multiple college degrees, Newman's story of climbing the executive ladder on grit and blarney may be an eye-opener. If you have no knowledge of Canadian and British broadcasting, you may find the narrative dry or without purpose. On the other hand, if you're a fan of THE AVENGERS or DOCTOR WHO (especially if you saw the film AN ADVENTURE IN SPACE AND TIME and wondered about that bombastic man ordering Jessica Raine's Verity Lambert about), you probably will enjoy Newman's story.