Member Reviews

This was an incredibly good read! The story was beautifully written and the characters were flushed out really well! Definitely worth the read!

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This book is a Not For Me title. I mark titles with competitive qualitative content NFM when I find the content personally disinteresting or the writing style to be dissonant to my preferences.

Marked overall as 3 because, while I randomize checks for qualitative markers I do not read anywhere near enough of the book to give either more or less than that rating and a blank rating is not an option.

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I received a copy of this book as part of the 2018 Hugo Awards voter's packet and therefore won't be reviewing it on NetGalley.

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Another win for Frances Hardinge. A Skinful of Shadows has a well-fleshed world and engaging characters all wound up in a clever, twisted plot. I highly recommend it, especially for the paranormal fantasy fans!

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I didn't read The Lie Tree prior, so no idea if it would have changed my reading experience. I did enjoy this dark, atmospheric historical fantasy. Will definitely give her other books a try!

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Very, very weird as most Hardinge books are. Also beautifully written, as ditto; and intriguing and delightful characters, as ditto; and a completely unexpected setting - the English Civil War, no less. Except for the odd book that seems to verge too far into horror I happily read basically everything by Hardinge, and this book confirms my intention to keep doing so.

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Frances Hardinge somehow always manages to write the most unique books all the time. This story is so unique and unlike anything I've read before. I love that its a standalong, its a beautifully complete story, and I loved that is wasn't made into a series just because. It's hard to really describe this book without giving too much away, and I think it's best to go into it not knowing too much. The book is filled with political intrigue, ghosts, murder, unexplainable happenings, essentially all of the elements you need for a great story.

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At this point, and after reading this book, Verdigris Deep, A Face Like Glass and Cuckoo Song, I can safely say that Frances is a genius, a prodigy, a master storyteller, has an incredibly creative brain and is overall brilliant. I don't think Frances Hardinge can do any wrong, she really is PERFECT. A 5 star rating is not enough.

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I've yet to find a Frances Hardinge book I did not enjoy. She's really a masterful writer. This one was creepy, upsetting, thoughtful, and uplifting.

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I made extensive notes as I read A Skinful of Shadows, but most of them I cannot use without spoiling something, which I don’t want to do. This is a very odd book. It’s set in an alternate English Civil War with a narrator who is a little girl and grows to a young woman through the course of the story. I only remember one large time gap, though, as the progression is otherwise tied smoothly into historical events.

What’s so special about Makepeace? Well, beyond her father’s inheritance (the alt-world aspect), nothing much. She’s an unwanted, poor relative turned kitchen girl who has a huge flaw. Makepeace fails to appreciate what she’s been given, doesn’t know her place, and has the audacity to think for herself.

With that description, you might be expecting a powerful, commanding presence who stands out in a crowd.

Instead, Makepeace is a tortured, ignorant girl who doesn’t understand the stakes until she’s imprisoned and beaten at someone else’s whim. She stays quiet, keeps her head down, and doesn’t let on what’s spinning in her mind as she dissects plan after plan to escape the unpleasant future laid out for her.

It’s an odd choice for a narrator. While the narrative voice, especially in the beginning, is a little more knowing, we see most through Makepeace’s eyes. Her lack of understanding creates a disconnect when the clues are visible to the reader but she doesn’t recognize them. She’s often alone, but that doesn’t mean her perspective is one-sided or that she’s isolated. There are things to be experienced at the right time that make this story and Makepeace compelling.

Don’t think Makepeace stays ignorant, though. She’s canny and suspicious. She’s able to translate her experiences into a broader sense of economy and class differences. Makepeace is wise with the kind of wisdom drawn from brutal experience. She has built a sense of right from wrong drawn not from any one position but from the spaces where those positions meet. Having been beneath the feet of wealthy and poor alike, she has no illusions about either. Her portrayal shows the kindness and abuse to be found in any class, along with circumstances that mark class differences.

This is a fascinating redrawing of a chaotic period in English history where one odd talent makes a power-hungry family as close to unbeatable as they can be. But Makepeace is not afraid of hardship. She has faced horrible things that made her determined to own her choices and control her destiny. This makes her unpredictable when her father’s family has built a legacy on predictability. I can’t say more without crossing the line, but the clash of worldviews is part of my fascination.

I enjoy “boots on the ground” stories, but this is not one. To fall in that category, the characters must have some stake in the conflict. Makepeace has seen both sides and learns how easy it is to be swayed by strong beliefs. She is that random piece thrown into a puzzle that fits nowhere but the hints at its picture keep drawing you back even when you know the effort is fruitless.

Makepeace is both grounded and philosophical as well as wary and trusting. She trusts by choice not because she believes herself safe from betrayal but rather because she expects it and chooses to try anyway. It’s a hard book to describe because it’s different in so many ways, but the novel drew me in and held my attention so much so I’ve already recommended it in person.

I’ll conclude with one of the non-spoilery comments from my notes: This is very much mythpunk in my opinion. The story is powerful and elemental in a way that defies the expectations of modern fantasy where rules govern. It draws on a deeper past of lore half-forgotten but which still walks in the world despite our ignorance.

P.S. I received this book as part of the 2018 Hugo packet and did not have the chance to read it until now. Though A Skinful of Shadows did not win, there is no question in my mind that it deserved its nomination.

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In her first novel since The Lie Tree (2016), Hardinge again summons history and fantasy, intermingling them in a most unusual way. Set against a backdrop of the English Civil War, the story opens in a small Puritan village, where a girl named Makepeace wrestles with vivid nightmares. When her mother is accidentally killed, the girl is sent to her father’s family, of whom she knows nothing. The Fellmottes, it turns out, are an old aristocratic clan with an insidious secret—they are able to “house” the spirits of the dead, a gift they have twisted, and the inherited cause of Makepeace’s clawing nightmares. The narrative opens slowly as Hardinge lays deliberate groundwork and conjures a palpably eerie atmosphere, which mounts in horror as the story progresses. It picks up after Makepeace, now 15, has spent two years as a kitchen girl at the Fellmotte estate, gathering information about the family. The plot becomes populated by spymistresses—whose ranks Makepeace fleetingly joins—and vengeful spirits, and is punctuated by her escape attempts and wartime battles. Yet much of the action unfolds in Makepeace’s head, as she acquires her own coterie of ghosts, most memorably that of an ill-treated bear. Hardinge’s writing is stunning, and readers will be taken hostage by its intensity, fascinating developments, and the fierce, compassionate girl leading the charge.
— Julia Smith, Booklist (Oct. 15, 2017; https://www.booklistonline.com/A-Skinful-of-Shadows-Frances-Hardinge/pid=9128397)

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A Skinful of Shadows is another novel nominated for this year's (Not-A-)Hugo Award for Best SciFi/Fantasy Young Adult Novel of 2017. I hadn't heard of the book until it's nomination for the award, but it was included in full in the Hugo Packet. That said, it's a pretty good novel, well worthy of the nomination I'd think. In terms of how it fits as YA, A Skinful of Shadows is aimed at a slightly older age group than Summer in Orcus, but only slight - and definitely not aimed at more mature readers as other nominees such as The Art of Starving or In Other Lands (the book contains no sexual activity or even hint of the same, so it's not a book that would be inappropriate necessarily for young readers).

----------------------------------------------Plot Summary----------------------------------------------------

Makepeace grew up only knowing her mother, who lived with her in an attic of the house owned by one of their cousins. Together they lived in 17th Century England, which is rife with unrest as supporters of Parliament and supporters of the Crown begin to be set at odds. But Makepeace has bigger concerns - namely nightmares where spirits seem to be trying to get into her head. And when Makepeace tells her mother about these nightmares, her mother forces her to sleep in a graveyard to learn to keep the spirits out.



But when Makepeace's mother dies when caught up in an anti-monarchist riot, Makepeace finds herself taken to the house of her father's family, the powerful and rich Fellmotte family. But the Fellmottes are not an ordinary family of aristocrats - they, like Makepeace, possess the ability to both see and be possessed by ghosts. And the Fellmottes do not have the best of Makepeace's interests at heart....or at least not her mind's interests, and Makepeace is not one to give up her own mind without a fight.



But in a Country torn apart by Civil War, with members of the Fellmotte family on both sides, where exactly can she turn?

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I've kept the plot summary above as vague as possible - while a reader with no prior knowledge will still see some of the twists coming, I was pretty frequently surprised by where the book was going at times, in a pleasant way. It probably helps that the book uses an uncommon plot setting for me - I admit to not having read any books I can think of set during the English Civil War. So while I had some general idea how the setting was to play out, the uncertainty made the world very interesting to read through.

And the worldbuilding in this book is very good - the war is vivid and understandable, as Makepeace finds herself alongside characters on both sides of the conflict, the Fellmotte mansion is appropriately creepy, as are the Fellmotte's themselves, and their ghost-possessing abilities make for a fascinating story. This is not the first book I've read involving communication between living people and ghosts as a foundation for the plot (for a very different story involving such a thing, see Mary Robinette Kowal's "Ghost Talkers"), but the book's use of people who can willing be possessed by ghosts is done in a very different way than I've seen before, and it results in an interesting plot, especially as with how it's done by both our main character and our antagonists. In a way, this book is kind of a horror story, which is not usually my cup of tea, but the use of such possession by ghosts is very different than what I've seen before and makes it an effective story of that genre.

It helps that Makepeace is an excellent character, and several of the side characters are great as well. Makepeace is great in her own right - a determined young teenage girl not to let others choose for her who improvises fantastically in a way to fight off the horrors that chase her. The group that accompanies Makepeace through the second half of the book are a bit more hit or miss - the doctor Makepeace first finds to accompany her is a pretty great character - cocky and overconfident and more than a bit smarmy/selfish but trying to help at times. And while he never actually has lines, the bear that accompanies Makepeace from near the very beginning of the book is a surprisingly interesting character in how he interacts with everyone else. And one of the more explored antagonist Fellmotte's (not spoiling which one) is a very interesting twist upon how someone with the family power can really be evil.

Not everyone works - a religious soldier Makepeace meets up with is kind of eh, and Makepeace's best friend, her half-brother James, is kind of bland and more of a plot device. And Makepeace's resolution to her biggest concern does come maybe a bit too easily.

Still, I liked A Skinful of Shadows a good bit, and am glad it got nominated for the award or I might have missed it. It won't be my pick for the award, but it's well deserving of the nomination and worth your read, and it's definitely a solid book for anyone middle school and up to pick up.

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Hardinge's novels are always a delight to read. I loved Lie Tree and loved this one too. Although a tad less feminist than The Lie Tree, still a great book for teens to read to see girls CAN be their own heros, without the need of a male company.

Such a refreshing and imaginative read in this world of love-obsessed young adult fiction.

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I received this work as part of the 2018 Hugo Voter Packet. This is a story which will appeal to those who enjoy ghost stories, but who are looking for something different from the usual. I found the cultural details interesting -- the author has done extensive research -- and the main character sympathetic. However, the other characters are less fleshed-out, and the pacing is fairly slow, especially at first. Recommended for those who enjoy stories of young people who start out scared and weak and gradually learn to become strong.

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Disappointed in this one. The concept seemed really cool, and I'm a sucker for the mashup of historical/paranormal. Unfortunately, the overall voice just didn't do it for me and there were too many convenient plot devices & historical inaccuracies that took me out of it.

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It was pretty interesting concept but had a slow pace. A Skinful of Shadows is definitely different than a lot of the YA novels nowadays and I liked watching the character development of Makepeace.

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I'm putting this book second on my Young Adult Not-A-Hugo ballot, which is high praise indeed; the category was very strong.

Trigger warning for the horrors of being caught up in a civil war.

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Another Hugo ballot book, this time something from the YA list, and again something I probably wouldn't have ended up reading otherwise - that's one good thing about these kind of awards, I guess, that you might come across stuff that's outside your usual stomping grounds...

A Skinful of Shadows is set in the run-up to and early days of the Civil War, the UK one. We first meet our protagonist, Makepeace, in the sternly-Puritan environment where she is living with her mother. Life is tough, to say the least, and the threat of outright war is still in the future while Makepeace tries to deal with the way her mother is attempting to toughen her up by making her stay in the local graveyard overnight. It's not until after the death of her mother in a riot some months later and an unwanted claim being made on her by her father's family that Makepeace discovers just what ghosts have to do with her own ancestry.

Once she has found her place in her family's home, even though that place is working in the kitchen since she's one of the former lord's illegitimate children, Makepeace discovers the truth about the family to whom she's related. The current crop of lords are literally being bred to exist as containers for the ghosts of their ancestors, with Makepeace and her half-brother James being convenient substitutes if the process doesn't work. Once she's realised just what fate awaits her, Makepeace begins to plot her escape although it takes a while for her plans to actually work out.

A Skinful of Shadows is an interesting book and probably one I would have absolutely loved as a teenager, with a clear attention to detail in terms of the ongoing history and the lives people lived in that period. Makepeace doesn't quite work as well as a character for me and I can't quite put my finger on why that is, which is irritating, hence my rating at 3 stars rather than 4.

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I didn't realize that this was a short story when I began it. You don't get that feel as you are reading it, which leads to a disappointing ending because there is no resolution nor does anything really happen. For me, I barely understood what exactly was going on. I don't believe the author made it clear nor was there any form of backstory that actually told you why/how this particular issue was happening to this girl.
I didn't like this book.

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I was just confused with this book. So many people loved it but I didn't which makes me wonder if I did something wrong. Maybe I'll try it again in the future.

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