As an avid hobby artist, I am always looking to learn new techniques to use in my favorite mediums. I recommend this book, not necessarily as a beginners guide but certainly as a refresher for experienced colored pencil artists. Also, it could definitely be a huge benefit as an art teaching course book. I highly recommend it and give it an enthusiastic 4 stars.

An excellent resource for anyone interested in coloured pencils. I can see myself referring to this book on a regular basis and will be buying copies as gifts for my colouring friends. An excellent book.

This book provides instructions on how to produce 101 textures using Prismacolor Premier colored pencils. She used white Stonehenge paper (a fine-toothed paper) and Prismacolor Premier colored pencils for all of the examples in the book. In her directions, she used the pencil names rather than describing the actual color. So we're told to "go over almost all the lemon yellow with a wash of a sharp Spanish orange" or "go over almost all the pale vermilion with a wash of a very sharp crimson lake." (The "sharp" refers to how sharp your pencil is, and "wash" refers to a technique that she described earlier.)

She assumed that you know the basics of drawing and even of using colored pencils, though she did explain the main techniques she used in making textures. There were four illustrations for each step-by-step description of how to produce a texture. Sometimes she demonstrated making a small patch of texture, like fur, but left it up to you to apply this to the animal's whole body. Other times, she demonstrated a completed object, like an eye. At the end, there was a short gallery of her finished works, and she indicated what textures from the book were in each picture.

You can see exactly what's covered in the table of contents, but she basically covered people (hair, skin, eyes, nose, lips), animals (fur, mane, scales, skin), fabrics (burlap to silk, leather, lace), woven basket, glass, stone, ceramic, wood, metal, various food textures, and nature textures like bark, grass, water, clouds, leaves, and fire. You can get an idea of how to create a texture from the directions, but this book is really most useful to a person who owns a Prismacolor Premier colored pencils set.

It is not made clear that the review is for a sample of the book, consisting of just 5 pages (front cover, publisher details and the table of contents, examples for drawing a feather and a butterfly wing, then ocean and clouds, and finally the back cover)

For each example, progress is shown at 4 different stages with a clearly drawn example and instructions on what to do. We cannot see any of the section about ‘how to use this book’, nor any description of materials to use. Would require a larger part of the book to make a more honest assessment.