I was introduced to the works of L'Engle in my 20's and that was 20 years ago. In the last 20 years I have read over thirty of her books, and few authors have had such a huge impact on my life, my faith, and ironically my returning to the Catholic church. But I read most of her books before I got into reviewing, and have yet to write a review of any of her work. And for the most part that is what this book is about, it is about the impact L'Engle has had on art and artists. Earlier this year I read Becoming Madeleine A Biography of the Author of a Wrinkle in Time written by L'Engle's granddaughters Charlotte Jones Voiklis and Léna Roy. The two books are completely different and yet both give us greater insight into L'Engle the woman, the artist, and the icon.

There is of course great interest in all things Madeleine L'Engle of late, as we are fast approaching the centaury of her birth, November 29th, 1918. And the release early in 2018 or the politically correct adaptation of A Wrinkle In Time. Likely part of the reason both books include in their subtitle 'Author of A Winkle in Time'. The chapters in this volume are:

Foreword by Charlotte Jones Voiklis
Introduction
1 Icon and Iconoclast
2 Sacred and Secular
3 Truth and Story
4 Faith and Science
5 Religion and Art
6 Fact and Fiction
7 Light in the Darkness
Epilogue: Tesser Well
Acknowledgments
Notes
Recommended Books

But what makes this book unique in the emerging field of L'Engle Studies is that it was written after a series of interviews. Charlotte Jones Voiklis in the forward writes:

"… as Sarah asked me questions and shared her thoughts about my grandmother, I knew I'd met someone with deep compassion, curiosity, and intellect. We talked about my grandmother's life: her habits, milestones, and challenges, and what we each knew to be her impact on others. As we spoke, what moved me to tears was Sarah's willingness to look at Madeleine and accept her as a full and flawed human being; an icon and iconoclast, not an idol."

And that is what we get in this volume, an honest look at L'Engle flaws and all. Not a Saint placed upon a pedestal, but a human, and a human that had faults. Arthur presents L'Engle not in an intentionally unfavorable light, but also not glossing over faults and failures. She presents the artist who lived blurry lines between art and reality, between what she believed and what actually happened. But someone who strived to live her life in line with her faith. Arthur states that her purpose was to trace L'Engle's journey, and the impact of her works. She decided to do so through Seven themes:

"Chapter One-We'll survey her life and works as a whole, attempting to identify her spheres of influence, both as a cherished friend and mentor as well as a complex, flawed human being.

Chapter Two-We'll dive into her story where many readers do, with A Wrinkle in Time-a book that, like Madeleine herself, somehow bridges the often vastly different worlds of sacred and secular in American culture.

Chapter Three-We'll step back and trace her own spiritual formation as a child through the influence of great stories that gave her hints and glimpses of God's truth.

Chapter Four-We'll track the life-changing
impact of scientists on her conversion to Christianity when she was a youngish write-at- home mom.

Chapter Five-We'll chart her profound spiritual influence on others during her prolific middle age, particularly her continued assertion that artistic practice is a religious vocation.

Chapter Six-We'll make the difficult turn toward her personal challenges later in life-the loss of her son, among other things-and her troubling propensity to blur fact and fiction.

Chapter Seven-Finally, we'll identify the ways that Madeleine attempted to battle the darkness, especially in her own soul, and to cling with resolute desperation to the light."

As such the book is a great addition to the growing canon of work on L'Engle's life and influence. It is well written and engaging. It can easily be read by older teen fans of L'Engle's works, and those of us even older than that will appreciate it greatly. Personally, as a fan of all of her works, especially her religious works this book sheds so good light on the icon and her process. L'Engle was an enigma in her lifetime, many Christians disliked her work as not orthodox enough, and non-Christians and the intelligentsia looks at her works with suspicion because of all the religious content. This book in part looks at how she handled that, and how the artist in her continued on and continued to create. Well worth the read for any fan of her works, and looking for a glimpse of the impact she has had on authors and artists over the last 60 plus years.

Note: I in part owe my own writing reviews to L'Engle, I met her at a conference in 1997, I grew up with a dual form of dyslexia and was told by a high school teacher that half of what I wrote was worth publishing, the other half for wiping his a.. L'Engle encouraged me to write, and I have published over 2000 reviews and written for 8 different publications.