I really enjoyed reading this book. One summer Sam becomes friends with a South African girl in Canada. Sam and Hilary spend the summer riding and swimming with horses. Then Hilary vanishes and leaves behind a dead local man. Now Sam has grown up and sets out to solve the mysteries. The book is very well written and easy to read. I really enjoyed the characters and the settings. The ending does have some surprises. Enjoy

A MUST READ. It’s a MUST READ because it is such a profound and beautifully written book.

“Her departure merely confirmed what they had believed all along. That girl was trouble. And she was. I know she was. I know better than anyone.” This is Sam Mitchell’s description of Hilary Anson, a South African girl in her late teens who arrives in the Summer of1963 to work as a groom for Colonel Barker at his equitation yard in Kelso, known as horse country, northwest of Toronto.

Hilary is not like anyone young naïve Sam has ever met before. They strike up a friendship, based mainly around their love for horses. Sam is not a very good rider, but with Hilary’s very free-spirited, sometimes reckless lessons in schooling horses, he starts to improve dramatically, even making the local competition team.

It’s through these days out riding with Hilary that Sam gets some idea about the reason Hilary is in Canada. They spend hours during that summer swimming with their horses.

Hilary Anson is the daughter of Daniel Anson, an influential businessman and Member of Parliament (National Security) in HF Verwoerd’s very conservative apartheid government. She first meets Muletsi Dadla, a groom working on her father’s horse stud, situated near Mooi River when he comes to her defence against her father's farm manager, Jack Tanner.

Muletsi Dadla has a degree in English Literature from the University of Fort Hare. The only university where black students could study during the apartheid regime. He is working undercover for the ANC to find out as much as possible about Daniel Anson’s activities, and report on the various visitors he receives.

Jack Tanner had repeatedly been raping Hilary for years, and when Muletsi sees him trying to attack her (yet again), he intervenes and injures the man. For someone who hates black people (always referring to them as Kaffirs) this is like a red rag to a bull, and Jack Tanner sets out to destroy not just Muletsi, but also Hilary.

This is one of the most powerful, realistic novels I’ve ever read about South Africa. 1962/3 were hugely important years in my life (yes, I’m admitting I was around then!). It saw my last two years at school. Closeted from the real horrors that were being committed in South Africa by the reprehensible Verwoerd government. Oakland Ross, who is NOT South African, has managed to capture the very essence of what it must have been like for both Hilary and Muletsi meeting and falling in love at that very critical time.

I have an affinity and connection to horses, so the riding, swimming and competitive side of this storyline had me enthralled. (Especially as I read the book while watching my daughter school horses in South Africa).

I must salute Oakland Ross, not a South African, but Canadian, for taking the time and effort to ensure that this book is totally authentic. His portrayal of Hilary’s life, her family, the trauma she suffered at the hands of Jack Tanner, and her subsequent escape to Canada, was outstanding. His use of South African slang and the term “kaffir” to describe how Blacks were referred to during this period, was particularly pleasing to me. Few authors go to this amount of trouble when writing a book about a country they are not that familiar with.

Oakland Ross has written a book I'd love everyone to read. The storyline is easy to follow, and the characters are so unique and so real. I could “see” them and follow their journey. The ending was particularly poignant. It reminded me of the horrors that the South African Government was prepared to go to, to destroy their enemies.

Treebeard

Breakaway Reviewers received a copy of the book to review.

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Sam is a Canadian teenager with a love for horses. Hilary is the slightly older girl from South Africa with an amazing connection with horses and a reputation as being trouble. She offers to give him some riding lessons so he can make the grade for selection in an upcoming riding competition. Their lives have been very different yet they become friends via horses. What should be an idyllic time of their lives is threatened by the past and the present.
Jack is the older man in charge of her father’s horse stud in South Africa. He is a gifted horse person with a particular skill at manipulating young women.
Muletsi is the well-educated African working as a stable boy who forms a relationship with Hilary.
There was magic in this story. It sounds a little corny but it drew me in an almost spell like way and left me feeling like a spectator. Also discrimination is outside of my experience and those parts of the book left me slightly sad the characters did not receive basic human rights. There were a few moments when I held my breath eg maybe only a horse person can appreciate the problem posed by losing both stirrups during a cross country competition.
I absolutely loved this book and there were so many things I could have said at the risk of giving too much away. You definitely don’t have to like horses to enjoy this. The author weaves the innocence of youth, racial discrimination/Apartheid, murder and more into a great storyline. Just want to say well done!
A big thanks to Netgalley and the publisher for a free digital copy of the book in return for an honest review.

I really enjoyed this. The characters were interesting, the plot was interesting. The ending was unexpected... a lot of things were unexpected. A very well written book making me want to pick it up anytime I could.

I remember reading an article about dead girl books. I’m not sure I would recommend this. At times it was clunky. I’m glad I read it, but I don’t think I would recommend it to anyone

It was good, but I lost momentum. This meanders in unexpected ways and falls a little short on delivering what the reader is looking for. Marketing problem or writing problem?

I was disappointed in this story. From the misleading blurb I'd assumed it was about a mysterious black woman named Hilary Anson from apartheid-riven South Africa who moved to Canada and later disappeared, leaving a murder behind her. Sam Mitchell, who Hilary helped with his learning to ride a horse, later sets out for South Africa to solve the 'mystery' of her disappearance like it's any of his business.

I went into this under the impression that this would all take place when Sam was an adult, but after reading a third of the story and seeing it go literally nowhere, I DNF'd it. It was boring. The characters are uninteresting, and literally nothing was happening. Even by a third the way through, it had not even remotely progressed to the point where, as an older man, he decided to investigate her disappearance. I have better things to do with my time than read ponderous, pedantic, and sluggish novels like this which seem to promise one thing and deliver quite another.

Hilary wasn't black, she was white, which for this particular story framework reduced my interest significantly. The entire first third of the story switch-backed between her time in South Africa - the easily-manipulated, spineless and wayward daughter of a wealthy rancher, and her time teaching Sam how to ride his horse during her 'exile' in Canada. Throughout this entire time there was no mystery to solve and nothing whatsoever that was new, original, engaging, or even appealing. We never actually got to know Hilary at all. Everything we read about her was vague allusion, with nothing really happening and no information as to why Canada had been her destination; Canada being nothing like South Africa.

From what little I learned of her, I developed no interest at all in getting to know this foolish and clueless girl better, so it was of no consequence to me that she later disappeared. I honestly didn't care. Sam was a complete non-entity, and what I read of him in that first third offered no reason at all why he should go off to South Africa looking for her or why I should care if he did. Maybe things happened later, but an entire third of a novel to read through without anything of interest occurring was way too much of my time wasted and I frankly did not care what came next. In short, there was nothing about either of these characters that appealed to me or invited me to continue reading and I had no idea what the title had to do with the novel! I normally avoid books with this kind of a pretentious John Green-style title, so I guess I learned my lesson!

Frankly I had wanted to quit this long before I did, but I kept reading on in the hope it might improve. In the end it was a classic example of the sunk cost fallacy where people believe that if they have invested a certain amount in something, they need to stick with it. Well, I don't subscribe to that delusion and while I was willing to go a little further since this is an ARC, I didn't sign up to be bored to death. This just goes to show that you should go with your first instinct. If a novel starts out unappealingly, it's highly unlikely to turn around no matter how much more you read. I wish the author all the best, but I cannot recommend this based on what I read.

Okay, yeah I really liked this! I read it a lot slower than I probably should have, and I guess as a result the momentum of the plot was a bit lost on me; but, it's very well-written, and the characterisation is superb. Very niche context; I do enjoy a good murder-mystery engrained in political injustice featuring a small-town Canadian horse-riding teenager. Deserves a re-read from me, I think.

Looking forward to reading more Oakland Ross in the future.

Screaming with real life and full of characterization, this is a book that offers literary perspective. It’s the first time that I’ve read Oakland Ross’s work, but hopefully not the last time.