Member Reviews
Published by Little, Brown and Company on February 5, 2019
The stories in the collection differ in style, but they all have substance. In “Heroes of the Revolution,” a writer from Sarajevo tours Chicago with a group of Eastern European journalists. When their bubbly tour guide wants the writer to open up about her life, she is unprepared for the story she hears, yet it feels familiar to one of the journalists. The experiences that two characters associate with apple orchards illustrate the vast differences in people’s lives, differences that prevent them from bonding despite their commonalities.
“This Is Not a Love Song” is a lengthy character sketch of a singer named Kat who became a bit famous before she died, as sketched by her photographer, a former roommate and friend who seems to have been obsessed with her. “My Last Attempt to Explain to You What Happened with the Lion Tamer” is told from the perspective of a jealous circus clown who falls in love with a trapeze artist. The setting suggests a less serious story than the others, but the themes (working without a net as a metaphor for life) are just as somber as those advanced in the other entries.
“Salvage” describes a man who earns cash to tear apart buildings in the decaying Midwest to salvage treasure for his boss. Faced with a father who wants him to “man up,” a boss who abuses him, and the unattainability of his dreams, the man hits bottom before realizing that the treasure he needs to salvage is his life.
Many of the stories are about families and relationships. “How Long Does the First Part Last?” recounts a guy’s thoughts during a lengthy drive, memories of the past and glimpses of the future, all beginning when he hears “Can we not talk?” as the prelude to a long, silent trip. Another story set in a car, “The Drive,” is about the generation gap between dads and the girls they drive home.
Dan is sure the house has toxic mold, Jenna is sure it doesn’t. It is the marriage in “Airborne” that has become toxic. Told largely from Jenna’s perspective, the story is one of uncertainty and growing fears about choices she has made, all leading to an abrupt and entirely unexpected ending.
“Henry and His Brother” is told in alternating sections, one narrated by Harry and the other by his brother. The story is interesting for the differing perspectives of two brothers who love each other but need to find a way to accept each other. If they both agree on one thing, it is probably this: “It’s the years invested in loving another person, or trying to love them as best you can, that can turn your heart to stone and drag you down, deeper than you ever thought you could go.” As for the brothers, maybe “keeping each other close is the only way to keep pressure on the wound.”
“Dunn & Sons” closely examines three brothers and their father. The narrative voice belongs to the son of one of the brothers who is home from the Army but, feeling now like an outsider, isn’t likely to join the family business. The males in the family give ownership rights to a family story based on who tells it best, but they have never learned to talk to each other. The tension that builds during a family golf outing is palpable. The spotlight illuminating the difference between family stories and family communication makes “Dunn & Sons” my second favorite story in the volume.
Dugan is from Chicago but moved to Durham to further a romance that burned out. While taking pictures for a photography class, Dugan accidentally burns down a black church. When another church burns, Dugan wonders whether he inadvertently inspired an arsonist, perhaps someone he knows. “Look at Everything,” my favorite story in the collection, explores Dugan’s sense of guilt as he asks himself why he took picture after picture as the church burned.
RECOMMENDED
There is so much uniqueness and control in this book of short stories. Each character was so interesting and compiled a mini masterpiece in these stories. I loved the writing style and polish of these stories and will be recommending these to others to read. Thanks for the ARC, Net Galley.
I wrote about this collection on my blog and will provide details to the publisher in the next step of this process.
First of all thanks to NetGalley and Brendan for the ARC. When marriages, friendships, and families come undone, to what lengths do we go to keep it all together? That question lies at the heart of Brendan Mathews's buoyant and unforgettable debut story collection.
I adore short stories. They are always handy and almost never a waste of words.Brendan Matthews hit a home run for me. Each story is one I was connected with the characters. I did not want the last story to be the end.
I HIGHLY recommend This Is Not a Love Song.
Last year I enjoyed reading Brendan Mathew's first novel The World of Tomorrow. Reading his first collection of stories This is Not a Love Song brought me a new appreciation of Mathews. If World was a fun romp into the past with an action ending, the short stories are an examination of the human experience on a deeper level. I was moved, I related, and I was entertained.
There are stories about we believe we know--about love and family and life--but discover aren't true. Stories about coming to terms with life, or not coming to terms.
The first story, Heroes of the Revolution, was also one of my favorites. An American female college student is responsible for providing visiting foreign journalists with typical American experiences. She takes them to pick apples, but walking through the orchard stirs memories, revealing the student's sheltered life while the journalists grapple with the lasting damage of the atrocities they personally lived through.
This is Not a Love Song questions the nature of art and friendship as one woman pursues a music career while her friend captures her life on film.
I loved Airborne, the story of how having a child transformed a couple's life and relationship, the crazy obsession over a child's safety, which in the story goes to an extreme, but which I well remember with the birth of my only child.
How Long Does the First Part Last? is about unrequited love.
Dunn & Sons is "the story my father never tells;" three generations of men share stories that connect them and those that split them, and the stories that "might save us" if "ever told the right way."
Look at Everything is an amazing story about a photography student who by accident causes a fire and responds by taking photographs instead of reporting it.
The Drive takes an ironic peek behind the ubiquitous story of a dad taking the babysitter home.
Henry and his Brother speaks to the bonds of fraternal love and a mutual need that transcends family ties.
In Salvage, a man working in the shady business of removing architectural pieces from ruined buildings finds the item that he thinks will finally change his luck and life.
The last story, My Last Attempt to Explain to You What Happened with the Lion Tamer, reads like a parody and comedy but feels like a tragedy involving a love triangle between a clown, a tightrope walker, and a lion tamer.
I can't wait to see what Mathews does next.
I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.
I’ve always loved short stories, the ability to get through a story quickly always appealed to me. Especially now since I’ve had a stroke, being able to read longer works is hard and I can’t quite focus on them how I used to. So this was a nice break between them. They were quick to get through, but never lacked. There were some stories that kind of abruptly ended (like the first one), that left you wanting more or wondering what happened.
But the author did a good job with getting the point of each out there. To bring the first one up again, I really did enjoy the dynamic between the journalists, the confusion on the female’s part and how things could go if she’d let go of the past. Despite the abrupt ending. It made me think of how things would have been different if I were from a country where wars or fighting was prevalant.
The book is definitely on my wishlist for February!