Morgan went to jail for something that she didn't do and she has an opportunity to change her life but there are secrets behind that offer. I really liked this book, it was weird as it jumped back and forth between the past and the present but it all came together at the end and I really didn't want it to end. I enjoyed it and am really glad that I read this book.

Review coming soon. Fell behind due to illness, amd working on all of the old ones now.

This one will not be forgotten. Diane Chamberlain has her own lane and I love it! I’ll read all of her books. I was getting my infusion and both another patient and I were reading a Diane Chamberlain book.
Thanks to the author, publisher and NetGalley for the ARC; opinions are mine.


Pub Date was January 14, 2020
#BigLiesInASmallTown #DianeChamberlain #NetGalley

So good and a lot of mystery that makes sense at the end, who knew. Morgan in prison for a DUI that severely changed the life of the person she and her boyfriend Trey hit. Morgan is granted an early release if she restores a mural. Her idol in the art world Jesse Jameson Williams will has offered her this option delivered by his surviving daughter and attorney. From there, we learn about the truth of that night, Morgan's deadbeat parents and how she survived and what she plans to do in the future. Love her friendship with Oliver and how that transpires. Would definitely look for other books by this author as she wove the tale in such a way it was really great.

This was an engaging historical mystery that tells an intertwined story of two very different artist from different timelines. Modern artist Morgan has just got out of prison and is need of a job and is offered an amazing opportunity to revive a mural work in a rural town. As she works she learn more about the original artist and her time spent in the town,. The story gives us the POV of both women and their lives in this town.

This is mostly an emotional, historical reading deals with so many heavy issues starting from racism, women equality, abuse, mental illness but is also questions family bounds, secrets, love and meaning of the life.

I recommend any and all books by this prolific writer. Well-developed characters, interesting story lines and superb writing as expected by Diane Chamberlain. I think I have read all of her books and look forward to the next!

I requested this book from NetGalley because I thoroughly enjoyed Chamberlain's earlier novel, [Necessary Lies]. This one did not disappoint. Although different in subject matter, this novel also addressed some forms of prejudice in the United States in the early 19th century. More directly however, this novel is the story of a young artist, Anna Dale, who, in 1940, beat out more experienced, local artists to win the opportunity to paint a mural for the town's post office depicting the history of Edenton, North Carolina.
When, in 2018, the painting, hidden for many years, is to be restored, Morgan Christopher finds there is more to this mural than just the history of Edenton.
Well constructed novel with nicely drawn characters and, like paint to a canvas, totally absorbing.
Thanks to NetGalley, the author and publisher for allowing me to read this advanced copy. I regret I did not read it on a more timely basis but I intend to spread the word that this novel should not be missed.

I loved the setting in North Carolina, the small town, and the selection of characters. The plot is built around sexism, mental illness and racism, with two protagonists from different time spans telling their stories until a fine denouement ends the mystery on a good note. Anna Dale in the 1940s and Morgan Christopher in 2018.

I was a tad disappointed with the ending. It was as though a follow-up might be in the works, although there isn't any indication that it might be the case. A necessary ending to complete all the circles, though. Nevertheless, I still enjoyed the rest of the story with its intricate web of what ifs. And I could imagine the outcome, which is actually a good idea.

Morgan Christopher is given a chance to leave the jail cell she's been in for the past year. The task she has been given though, seems to be beyond her ability. Prior to her arrest, she was a mildly talented art student. Now she is expected to restore a mural more than 70 years old, and she is clueless as to where to begin. In the process of learning to restore the mural, she learns much more - about a mysterious painter, the hidden history in a small NC town, and her own life.
I was given an ARC by Netgalley in exchange for an honest review.
#netgalley
#dianechamberlain
#artists
#southerntowns

Loved, loved, loved this book. I listened to the audiobook version and was eager to listen each day.

I loved how the author wove the past and the present together through the mural. While I suspected the twist at the end, I was only partially correct, which made the ending even more perfect.

I enjoyed it so much, I grabbed another book by this author that I've had sitting on my shelf for several years and dove right in.

I am sorry for the inconvenience but I don’t have the time to read this anymore and have lost interest in the concept. I believe that it would benefit your book more if I did not skim your book and write a rushed review. Again, I am sorry for the inconvenience.

5 stars!

Another hit by Diane Chamberlain! Thanks to the Publisher for an ARC.

After an accident leaves Morgan in prison, she gets an unexpected offer to restore an old mural. A former art student, Morgan knows nothing about restoration but jumps at the chance to get out of prison.

Ms. Chamberlain does a wonderful job of blending past and present. As Morgan starts the restoration, she finds the mural holds secrets no one seems to have answers for. The further along she goes, the more she needs to know about mural artist Anna Dale. Why did she add the strange items? What really happened to her?

Great read!

Impressive storyline with characters that have stories that intertwine, about 70 years apart. Super creative book. Somewhat of a historical time piece but the author kept me intrigued.

I finally picked up this book after deciding to grab the oldest one in my TBR pile. I was ambivalent picking it up, and was ambivalent as I read it. One moment, I was captivated and couldn't put it down, the next, I was skim reading to get through it. I think my issue was that I didn't like Morgan, but I loved Anna. I loved the story, I loved the way it was told. This one was just a miss for me

Thank you netgalley, for a copy of this book in exchange for an honest review

https://www.goodreads.com/review/show/4613864500

Diane Chamberlain is an author I've always enjoyed and this one is no different. A compelling read that gave me all the feels.

This is one of the best books I’ve read in a very long time. Diane Chamberlain tells a deeply touching and engrossing story. Her idea to use a painting over time as a focal point was a bit of genius, and her execution of the intricate plot was flawless. The solution to the mystery at its heart was clever and believable, and I found it impossible to guess, despite trying diligently. Set in two time periods (1940 and 2018) in the same small town in North Carolina, the story unfolds at just the right pace as it slowly makes clear that these two timelines are related. Her vivid descriptions transported me to a very different time and place, and introduced me to a variety of multidimensional characters so realistic I felt I knew them.
This is storytelling at its very best. Highly recommended.

Big Lied in a Small Town by Diane Chamberlain was fantastic! A great story that goes between the 1940s and present day.
This is another great book by Ms Chanberlain. I highly recommend it.
Thank you to NetGalley and the publisher for a copy of htis book. All opinions are my own.

This was my first Diane Chamberlain book and she did not disappoint. The book moves back and forward through time solving a mystery while providing closure to the family. Serving a sentence for a crime she did not commit Morgan Christopher is given the opportunity to paint in a small town fixing a mural painting for a small town. There she begins to investigate the past and try to make since of what happened. Well written and truly vivid descriptions.

Two female artists both work on the same mural over seven decades apart in a small southern town. In 1939, Anna Dale, a young artist living in New Jersey, wins a national competition to paint a mural for the post office in Edenton, North Carolina. She travels to NC to learn more about the town and it’s people. There she meets Jesse Williams, a young black art student with tremendous talent. The dual timelines,(1940 & 2019) the spinning of both artists' stories was very engaging. I wanted to know how the two would intersect and solve the mystery of what really happened to Anna Dale all those years ago.

Bestselling author Diane Chamberlain says the stories she tells "are often filled with twists and surprises and –- I hope -– they also tug at the emotions." All of her book have one thing in common. They "focus on relationships — between men and women, parents and children, sisters and brothers, friends and enemies." Big Lies in a Small Town is no exception.

The story opens in June 2018 at the North Carolina Correctional Facility for Women in Raleigh, North Carolina, where Morgan, age twenty-two, has been incarcerated for a year. Via Morgan's first-person narrative, readers learn that two unexpected visitors dramatically change the trajectory of Morgan's life on that day. Raised by alcoholic parents who never really wanted her, Morgan also developed a drinking problem which culminated in a catastrophic vehicle accident and Morgan's conviction for a crime she didn't commit, but should have prevented. At the time, she was an art major, but irresponsible and misguided decisions derailed her education and the life she envisioned after graduation.

Now Morgan is face to face with Lisa, the daughter of famed artist Jesse Jameson Williams, and her attorney. She learns that Jesse died five months earlier at the age of ninety-five. He spent the last twenty-five years of his life helping young artists "he thought had promise but were having a hard time with school or family or maybe just heading down the wrong path." None of the women know how or why Morgan was on Jesse's "Good Samaritan radar" -- Morgan never met him -- but he had decided she would be his "next project." Now Morgan is being offered an early release from prison and $50,000 if she agrees to restore an old 1940s mural. Among the complications is the fact that Morgan has no expertise in art restoration, she must live in Edenton, North Carolina, while performing the work, and the restoration must be completed in time for the opening of the gallery Jesse was building before his death. The restored mural must be hung in the foyer and the gallery must open on August 5th. The mural was supposed to be painted by Anna Dale and hung in the Edenton Post Office, but Anna never completed the painting. Jesse told Lisa that Anna "lost her mind while she was working on it," but Lisa does not know how Jesse came into possession of the mural. Although Morgan has no idea how she will complete the work on the mural in time, she can't pass up the "get out of jail free" card being offered to her.

In alternating chapters, Chamberlain employs a third-person narrative to tell the story of Anna Dale, who is notified in December 1939 that she has won the "Special 48-States Mural Competition" and awarded the opportunity to create a mural not for her hometown of Bordentown, New Jersey, but for the Edenton Post Office. Anna has never been to North Carolina and is not prepared for life in a small Southern town. "She'd never had any yearning to travel south of the Mason-Dixon line, and she was glad she'd only be here for a few days. The South seemed so backward to her" with its segregation laws. But the mural must be 12' by 6' and completed by June 3, 1940, in order for Anna to claim the prize money that she desperately needs. Initially, Anna plans to visit Edenton for three days in order to learn about the town and create her sketch of the mural which must be approved by the selection committee. She has just buried her mother and is reeling from her death. Soon it becomes clear that she will need to remain in Edenton so she agrees to rent a room from Myrtle Simms, a widow whose daughter, Pauline, has just married and moved out of her mother's home. Ann brings few belongings to Edenton, but among them is a brown leather journal her mother gifted her shortly before she died, and strikes up a friendship with Pauline.

Chamberlain deftly advances the dual storylines as the two women face the challenges of creating and restoring the mural. Anna has a hard time adjusting to life in Edenton. She is pressured by the male leaders of the community about what scenes should be depicted in the mural. And there is Martin Drapple, the artist who was born and raised in Edenton. Of course, everyone in town knows him and most residents have one of his paintings hanging in their home. Everyone expected him to win the competition -- especially Martin. His wife lets her resentment be known, but Martin offers to assist Anna with the mural after she adapts an abandoned warehouse outside of town into her makeshift studio. Does Martin have an ulterior motive? And Anna becomes the subject of gossip and speculation when a high school teacher asks her to let one of her most talented students join two other youngsters who are helping Anna with the mural. He's failing most of his classes because all he wants to do is draw, and he needs more advanced tutelage than the teacher can give him. The only thing keeping him from dropping out of school is art class, but his future looks grim because his parents need him to remain at home and work alongside them on the family farm. Anna does not understand why the townspeople look down on her being alone with the young African American man in the warehouse as work on the mural proceeds. She is outraged by their blatant bigotry. The young man is indeed talented and Anna wants to guide him toward a future as an artist. He is none other than Jesse Williams, and he and Anna are destined to help each other in ways neither can foresee.

In 2018, Morgan's work on the mural proceeds slowly as she resides with Lisa in the home Jesse left her. Her stress is exacerbated as she learns more about the strict provisions contained in his will and the penalties for noncompliance. The condition of the unfinished mural makes the restoration more challenging and time-consuming than Morgan anticipated, and the scenes it depicts are mysterious and troubling. Did Anna indeed suffer from mental illness while working on the mural? Morgan seeks answers from Lisa's family members, but the one who might be able to answer Morgan's many questions suffers from dementia. As Morgan works on the mural, she finds herself increasingly drawn to Oliver Jones, the gallery's curator who, like her, is eager to unravel the mysteries of the mural and Anna, whose fate remains unknown. Morgan is hesitant to get involved with Oliver for a number of reasons, including the way her previous relationship ended. She is required to attend Alcoholics Anonymous meetings and meet with her parole agent regularly, and is determined not to squander the chance she has been given to remain free. But she is haunted by memories of the night that ruined her life, as well as that of a young woman named Emily Maxwell. Can she forgive herself? Should she attempt to find Emily in an attempt to make amends?

Chamberlain explores the emotions Morgan and Anna experience during the months they spend in Edenton in a credible, compassionate manner. She gradually reveals details about Anna's relationship with her mother and her fear that she might be more like her mother than she wants to be. She also believably depicts Anna's difficulties adjusting to life in Edenton, particularly the misogyny and racism that shock and sadden her. Likewise, Morgan is a sympathetic, fully-developed character -- a young woman who had a terrible childhood and must break free of the behavior patterns and beliefs she carried into adulthood that caused her to demonstrate extremely poor judgment. She is earnestly struggling to accept her mistakes and learn to forgive herself so that she can find peace. She develops a deep connection not just to the work she is performing on the mural, but to Anna, becoming extremely protective of her legacy and doggedly searching for clues to her fate. Both narratives move forward at a steady pace, ultimately merging as all of the big secrets and lies that have remained unknown for nearly eighty years are disclosed.

Once again, Chamberlain's storytelling prowess makes Big Lies in a Small Town engrossing and emotionally resonant. Her characters are flawed, but endearing and empathetic. Chamberlain explores racial injustice, domestic violence, and mental illness and its destructive legacy. Betrayal, retribution, and murder factor into an intriguing mystery. True to her writing style, Chamberlain's story is, at its core, focused on her characters' relationships -- friendship, loyalty, resilience, and, of course, forgiveness. And she succeeds at doing what she always does: Big Lies in a Small Town tugs at readers' emotions. Chamberlain provides her memorable characters with a satisfying conclusion to their story.

I'm not usually an historical fiction fan but I do enjoy Diane Chamerlain's writing style.
Always enjoy a bit of intrigue and strong, well-developed characters.