Member Reviews
Tales from Behind the Window tells very important stories. With the help of beautiful illustrations, this book took us to Turkey and made the stories of women back in the 1950s be heard. It is based on the personal experience of the author’s grandmother, Sureyya, and other women that her grandmother knew. It had three parts: Sureyya’s Tale, which is about Sureyya being forced into marriage and sold by her brother. Gulhanim’ Tale, which is about Sureyya’s mother and her experience as a single mother. And Done’s Tale, which is about Sureyya’s friend being sold off in the market just like her sisters.
Tales from Behind the Window highlights the oppression women face in a world where men’s words are the law. This is quite a quick read and could be read within an hour or two. I really love this book and I genuinely wish more people would be able to read this and hear these women’s stories. But how I also wish that we live in a world where these stories doesn’t exist and these women didn’t experience what they did. This book is heart-wrenching but truthful. It makes us face the reality about human trafficking and forced marriage that these women experienced and could still be happening to others. It also shows what poverty does to people. I loved how the story was told. It made me really feel the emotions the characters were feeling. I also love the art style. It was beautiful and I love Kuntman’s choice of when to use muted and bright colors.
Tales from Behind the Window is important. With the help of stunning illustrations, it tells stories that we all should acknowledge and listen to. I highly recommend.
A very short but extremely powerful book that should absolutely enrage the reader, as it tells the stories of women who have absolutely no personal agency about anything that happens in their lives. These women and girls (one was just TWELVE) are literally sold off to strange men by the men in their own families and are simply expected to do as they are told and never once complain.
Tales From Behind the Window is the true story of three women from Turkey, and the systematic male dominance their experienced on a daily basis throughout their lives. Edanur Kuntman wrote and illustrated this novel as a way to honor and showcase everything her grandmother went through. And it’s a beautiful tribute, as well as being a powerful reminder of how far we’ve come.
From now on, when I think of a graphic novel that carried with it some serious weight and impact, I’m going to think of Tales From Behind the Window. One of the reasons it was so powerful is the fact that it is all based on true stories. It certainly increased the emotional intensity of it all – tenfold.
I honestly can’t encourage everyone enough to go ahead and give Tales From Behind the Window a read. It’s worth it – trust me. It may break you just a little bit, but the end result is something utterly empowering and beautiful.
What Edanur Kuntman created here was truly beautiful. Not only the story itself, but the message and the artwork as well. Everything about this piece was lovely and memorable.
Arranged marriages and other Islamist perniciousness. If that subject floats your boat, this quiet and well-designed graphic novel will appeal; otherwise it will just float by like a bit of gossamer above the Bosphorus.
In many ways, <em>Tales from Behind the Window </em>by Edanur Kuntman is an extremely difficult read. A graphic novel that follows the story of the author's grandmother, an Anatolian woman whose life was filled with many hardships as a result of the male dominance within her culture. The most egregious of which was the forced marriage at the hands of her own brother's betrayal. As the story is inspired by a series of personal interviews, it jumps around to various impactful moments of the woman's life.
A beautifully portrayed collection of important stories from the life of a young woman forced through a number of struggles, <em>Tales from Behind the Window</em> seeks to comment on the horrors of an unequal society. For me, it was incredibly devastating to see Süreyya and her friends find themselves in situations where they were treated like property and sold into forced marriages at the behest of their male family members.
I see this very much as a sort of biography for the author's grandmother, as much of one as could be written with the limited information that she gave. And stories like this are so immensely important. I cannot quite fully imagine what it must have been like to go through what Süreyya lived, but I am glad that her story was told. In so many ways, stories such as this one have been swept under the rug for disturbing lengths of time. To have them brought to light is essential if progress is to be made.
<em>I was provided a free copy of this book via NetGalley in exchange for an honest review.</em>
| <a href="https://www.instagram.com/spasciuti/">Instagram</a> | <a href="https://mobile.twitter.com/SPasciuti_">Twitter</a> | <a href="spasciuti.com">Reader Fox Blog</a> | <a href="https://www.bloglovin.com/@spasciuti">Bloglovin’</a> | <a href="https://m.facebook.com/SteffPasciutiReaderFox/">Facebook</a> |
An emotional and simple portrayal of Anatolian women, suffering male dominance.
A great way to know more about their conditions via comics.
I enjoyed the book even if I would have loved to get more into the depth of the problem.
Beautiful illustrations accompany the three stories contained in this graphic novel.
Tales from the Window is beautifully drawn and colored grabbing you in from the beginning.
The author explained that she was unable to get her grandmother's story so the book isn't truly complete and I must agree. There is true emotion and culture but there isn't an over story arc.
This is important work that needs to saved for posterity of the culture and the fights those with in it have/had to endure. But it's not a full blown tale for a casual reader.
The artwork in this graphic novel was STUNNING. It might be my favorite of the year. It was simplistic, but at the same time, so gripping and it really was a part of telling the story. The story was a little jumbled and they were really so short that we only got a surface level understanding about these Anatolian women and their world, but the design more than made up for that fault. It was a very short graphic novel, and I feel like the time could have been better spent deepening the characters in the first two, and the one with the friend was really just repetitive. Overall though I definitely recommend it.
The illustrations in this graphic novel are beautifully done.
It deals with an interesting aspect of some cultures - that of arranged marriages. The preface was useful to provide the context and the afterword really provided food for thought.
I did find that there were too many perspectives and it therefore lost some of the depth that I would have liked.
Thanks to Netgalley and Europe Comics for the advanced copy.
✨ 3.5 / 5 ✨
GoodReads Review: https://www.goodreads.com/review/show/2985195391
This book is based on the author’s own grandmother’s experiences and seeks out to give her a voice concerning events she had no control over.
I think the art style fits the story perfectly and the colour scheme and chosen panels told the story beautifully. I think there was a lot of stunning imagery used in this book and it could’ve been a very impactful read.
However, I think there was just one story too many. We have the overarching story of Süreyya’s tale, then her mother’s short story and her friend’s short story. I liked the mother’s story because it showed male dominance in a more subtle and very different way to what Süreyya is experiencing. Her friend’s story, on the other hand, while heart-breaking and chilling did not add to the narrative. It just seemed to be a repetition of what we’d already seen. It was definitely there to show how common this fate was for women in this town but for me, it just did not quite fit in here.
My other issue is that a lot of times a beautiful panel or page would be undercut by the text accompanying it. The writing wasn’t my favourite and I think that instead of trusting the reader with what they saw on the page, the author overexplained it and undercut the emotion of the scene. I think that the text could’ve benefitted with a bit more editing to be more impactful.
Overall, this graphic novel was a quick read with very important topics and it was heart-warming to see the author being able to tell their grandmother’s story.
Tales from behind the window was a beautiful graphic novel that I wish there was more of. This was told in an unique way of expressing the culture and life in Northern Turkey. Combined in this short novella are stories of three women and how they are all connected. Together this book revolves around terrifying emotional burdens, such as forced marriages, being betrayed by patriarchs, and lost love. It did evoke a feeling in me that I do hope in the present and future, more stories will be heard and hopefully will be changed.
Tales From Behind The Window is a graphic novel created by Edanur Kuntman, who tells a story based on the memories of her grandmother born and raised in Samsun, Turkey.
The concept alone is heartbreaking . . . Forced marriages and patriarchal practices of the most emotional kind make this graphic novel so real that it’s impossible not to feel for the women in the story, and every woman facing the same injustices. Kuntman portraits all of this in a way that the story flows well through beautifully illustrated pages, depicting realistic images of her grandmother’s neighbourhood and capturing emotions, moments, and characters with very fine colouring. Pictures can express what words cannot describe and, like in this case, they give voice to important matters that should never be forgotten.
Sad, real, and evocative. I strongly recommend to read this in paperback, so that you don’t miss the great job this author/illustrator has done depicting such a poignant memoir.
*Received via NetGalley for review*
A beautiful, muted color palette with shocks of more "free-form" illustrations lend themselves perfectly to this interwoven story of three women in Turkey who were forced to get married.
The metaphor of the women as cattle to be sold and kept was effective.
A good introduction for young readers to these issues.
This graphic novel was very good!! it’s the story of three women in Turkey. It’s was the first time that I red a book set in Turkey. I really like the subject of the graphic novel because we never know what’s happening in others countries in the past. Thanks to Netgalley for the e-arc in exchange of my honest review ! I give this book 4.75 stars
I am not sure how I feel about this graphic novel at first I loved it, but now I have mixed feelings. the illustrations were amazing and how the colors were selected. the idea that she is trying to show us the world from her grandmothers eyes in-which it was interesting. Living in a male dominated society and how the man’s word is the law since I come from a country with similar views or ideas it hit close to home. However I did not like how it focused mainly on the grandmothers POVs there wasn’t any mention of the brother who was a silent character.
The author does mention at the end of the comic that this is her (grandmother ) side of the story,how she did live a happy or a full life afterwards was an interesting thing to add at the end.
I’m not sure how I feel about it I liked and I didn’t at the same time I could connect with it /understand it ,but I didn’t like where she had to marry without her full consent and how the mother kind of insisted that she should not be alone and family is everything. How not being married in your 20s and how society views you as a spinster etc.
Recommended: YUP
To anyone curious about life elsewhere, to anyone who's ever learned about their elder family member's lives and thought 'Who are you' or 'How did I never know about this,' to anyone looking for a short read with a lot of beauty and value
Thoughts:
Gorgeous illustrations to convey the story; they set the mood just right for what you’re reading. Great use of the space on the pages, too. It was key for me to remember that this was based on memories of the author’s grandmother, Sureyya, and not just a story that ends when you finish the book.
The art style: gorgeous, and cleverly worked to reflect the emotions of the moment. When the colors are full tinted over the images, it brings focus to the characters themselves as the ones defining the moment. Then we get the more fluid, multi-color moments when she’s on her own or with people she loves. I would love to have a physical copy of this, as reading it digitally just can’t do justice to the beautiful dual-page spreads. I would term it a minimal style, with the focus on the people.
The story: heartbreaking in it’s reality. It would have been sad to begin with, but getting to the photo of his grandmother at the end and remembering this isn’t just a story, this is someone’s actual life story, that was a powerful moment for me. This is the story for so many people.
Thanks to NetGalley and Europe Comics for a free copy in exchange for a review!
First and foremost, the illustrations in this book are beautiful. They tell such a touching story that almost no words are needed. The author is telling her grandmother’s story of her arranged marriage, a marriage that appears to have been a business deal more than anything. Through the grandmother’s story we meet her brother, who was in charge of her life until money exchanged hands and she became her husband’s property. We also hear the stories of the grandmother’s childhood friend, and also the grandmother’s mother. Through these three women we meet the men of Çarşamba and understand our own history. Women’s history. Even if you have no ancestors from Turkey, these stories are part of who we are now. This book tells a story that’s been told several times before, yet it still found a way to touch my heart.
Heartfelt thanks to NetGalley for allowing me a copy in exchange for an honest review. And thanks also to the author for sharing the stories of these women, and assuring we never forget.
Beautifully written and the illustration is set up perfectly to capture the story. I cried when the great grandmother was saying her goodbyes to Sureyya. It seemed liked they had a wonderful mother and daughter relationship. Even though I really enjoyed this story, I wish there was more details into Sureyya life after getting married.
Some questions that I had while reading:
1. Why is there no illustration of the brother?
2. Why wasn't much detail given about the husband?
3. Did the grandmother know what her son did?
This graphic novel tells the true stories of three women from the author's family. Although this book is categorized as fiction, it is based on interviews have the author's grandmother.
This type of book is important because if we remember the past and the many injustices faced by women, we give them a voice. Those voices remind us of how far society has come and how far we still have to go.
Using the medium of a graphic novel, the author is able to convey emotions much more powerfully than if she had only described them in words.
The use of darker colors and austere illustrations, readers easily see the difference between the vibrant colors of the female illustrations and the grim male based illustrations. This is brilliantly rendered.
I rate TALES FROM BEHIND THE WINDOW as 4 OUT OF 5 STARS ⭐⭐⭐⭐
*Thank you to #NetGalley and #EuropeComics for providing me with a free copy of this book.*
Disclaimer: I received a digital copy via Netgalley
Kuntman’s wonderful and poignant graphic novel is an account of her grandmother’s life and the lives of other women in rural Anatolia.. The primary story if that of her grandmother and her marriage, but there are also two other tales about Kuntman’s great grandmother and a friend of her grandmother.
The stories detail the lives of women were option and control over one’s own fate was limited. Most of the action is interior. It isn’t a spy story, it isn’t a super hero story. It is a life story and the stakes are very real. The stories are moving and the simplicity and beauty of the illustrations fits perfectly.