Published by Gallery/Scout Press on March 3, 2020

The Companions would have benefitted from a more purposeful plot. The story recycles themes that are common in science fiction — storage of human memory in an artificial body, the exploitation of artificial constructs that have a connection to humanity, the faint line that separates what is human and what is machine — yet the exploration of those themes serves an unclear end. While characters occasionally have moral reservations about their conduct, the story never brings into focus the message, if any, that Katie Flynn wants to convey.

Companions are cheap robots that have been programmed with memories uploaded from people who are about to die. They are available for lease, not for ownership. They are said to have consciousness but no soul. Companions are useful for people who are quarantined or living in eldercare facilities. Plenty of people need them because of a virus that continues to do its deadly business. The quarantine is in the background so if you are looking for a story that provides insight into the world’s present plight, this isn’t it.

The story begins with a girl named Dahlia and her companion Lilac. Lilac retains the memory of her death as a teenager at the hands of another teen. She knows her friend Nikki was present when she died but doesn’t know what became of her. Her consciousness was uploaded shortly before her death. It then became the property of Metis, the company that manufactures companions. Flynn largely ignores the legal and ethical questions that surround private ownership of another person’s consciousness, except to suggest the obvious, that it might be a bad thing to own the equivalent of another person’s living brain.

Dahlia and her mother live in San Francisco. Dahlia’s mother resents paying for Lilac, despite purchasing a first-generation unit with an inexpensive processor that does not allow Lilac’s mind to mature. As Dahlia begins to outgrow her need for Lilac, and as it seems clear that Lilac will be recycled, Lilac lets loose the rage that she has kept contained.

From that opening chapter, the novel covers a period of years. For the most part, each chapter is told from the perspective of a different character. Novels that change narrators in each chapter must find a way to build a connection between the reader and at least some of the narrators. Flynn never made me care about any of them. Part of the problem is that few of the narrators felt like a unique individual. With the exception of Gabe, whose uneducated dialect is exaggerated, the characters speak in the same narrative voice. If the chapter headings did not announce the narrator, it would be difficult to understand whose voice the reader is hearing.

In any event, a damaged Lilac visits the person she believes to have killed her human body. She thereafter goes through various incarnations, hooks up with other renegade companions, and deals with an evolving world that eventually decides companions should be recalled and scrapped. A pivotal chapter in the novel’s middle tells of a woman approaching death whose plan to upload her consciousness to a companion is interrupted by an attempt to hijack the companion so that another consciousness will have a body. A later chapter introduces a farmer who takes on the recycling of defective companions as a side job and the daughter who eventually carries on that business. Those chapters also introduce a disturbed child named Andy who seems to prefer the company of companions, if only to have control over a consciousness other than his own.

Because it jumps from character to character, the story has a disjointed feel. Investing in or sympathizing with any character is difficult. That’s a drawback in a novel that is probably intended to make readers feel something for the plight of companions. Lilac turns out to be a disagreeable consciousness; her eventual reinterpretation of her own death made me shrug. A good deal of care went into the construction of a plot that is intermittently interesting, but if Flynn had a purpose in mind when telling this story, it eluded me.

RECOMMENDED WITH RESERVATIONS

The description called to me as it mentioned Station Eleven, but I think that set my expectations too high. It was fine, but nothing special.

This was such an intriguing concept, but unfortunately it fell a bit flat to me. I wanted more from the characters and the plot. It never really held my interest.

In 2009 Flynn was writing short stories, while finding her voice. She began to look at dystopian worlds as a way to comment on our present times. Her journals and sketches evolved into her debut novel, The Companions. A prescient look at a pandemic along with the possibility of 'immortality; as designed by the corporate world.

What if a life could be extended by placing a consciousness into an android? What if a virus was so virulent people willingly confined themselves to lock downs. What if the person's immortality came at a price; they have been redesigned as a compliant caregiver helpmate to the wealthy. In a very real sense, slavery exists again.

Flynn tells the story from many points of view, occasionally the voice is muddled, leading some confusion for the reader. Told over a long period of time with abrupt jumps from one location to the next, we follow Lilac one of the oldest companions. With so many characters, some are not as fully developed, their stories pop up, and are dropped with out a full resolution. More philosophy, than science fiction, this novel would be an interesting choice for book clubs in today's rapidly changing world.

Recommended

Full disclosure: I received and ARC copy of this book from netgalley in exchange for an unbiased review.

The Companions by Katie M. Flynn was a disappointing read for me. I found it difficult to understand from the outset and this discouraged me significantly. The plot appealed to me and I’d hoped to become engrossed. I was not much interested in the characters whether living human or otherwise.

Thank you to Netgalley and Simon and Schuster Publishers for the opportunity to read this debut novel.

The Companions was an interesting story. I like to see where stories about the dead being reanimated go. It's such a creepy idea and what I liked about this book was the idea that the dead can be uploaded to machines, and are kept around to be companions who provide a service to the living. Even in this scenario of the dead being reanimated, there are class systems and as usual, the wealthy have more options than the less wealthy. The wealthy can afford to upload their consciousness before they die and are therefore able to remain in the custody of their families. The less wealthy are treated like rental cars and are loaned to strangers once they die. The downside is that all companions are now a new class of people and are the intellectual property of Meltis Corp. They have no legal rights to free will.

Thank you to the publisher and Netgalley for the opportunity to read and review this book. Unfortunately, I did not download this in time to read and review. I will pay attention next time and not let it happen again. Thank you.

When I saw this book on Netgalley, I immediately requested it because I thought to myself, "a book about a pandemic in the middle of real life a pandemic? Sounds interesting." I was slightly disappointed by this story though. What I figured would be a story about a pandemic was actually more a story about "the companions" then it is about the quarantine and the virus. I guess that could be expected from the name. I liked the premise of the story, but the multiple narrators got a bit confusing because they all sounded very similar. It made it hard for me to keep my interest in the story. I'm giving it three stars because it was not a bad book, but it wasn't really the book for me! Thank you Netgalley for my arc!

Well written story. Kept me engaged the entire time. A page turner for sure! Looking forward to reading more books by this author!

While it is true that The Companions is set during and in relationship to a pandemic, which is eerily well timed to today, it was never the most important part of the book for me. If you are wanting a fiction story that touches on what we are going through in the world now, I don’t really think this is it. That said, what this is about for me is the idea of life and why it means - artificial or recreated life vs “real” life, what it means a to be family, and the power of memories. For me, this book was captivating in all the right ways. I was hopeful that I would like it based on the description, and after glancing at a few reviews before reading, I was a little scared it would be a let down. However, I loved it. The story and the characters drew me in and I found myself flying through this book. The only thing that really frustrates me was the first chapter with Gabe. Her voice and the intentional grammatical and dialect mess that was meant to introduce her was just frustrating to me. It almost pulled me out of the story. After that chapter (very early in the book), that style of writing thankfully disappeared, and the book was much better for the fact that it was gone. It was just hard to read and comprehend and I think there are much better ways to convey her character than by making the reader slog though it.

Overall, I loved the characters and the rotating points of view. I loved that all of the characters were tied back together in some way. It was always interesting to see how each one fit back in. It was not always how I expected, which is a good thing. I would definitely recommend this book to anyone!

This book was riveting from the first page. I was loving it. And then COVID-19 came along and the world went into lockdown, and the whole thing felt just a little too close to home, a little too prescient, and I had to stop. I will finish this book, though, and I have a feeling it will be one of my top ten, up there with Station Eleven and Never Let Me Go. Beautifully written, intriguing, exciting...just a little too on the nose at the beginning of 2020.

We are in the midst of a pandemic. Covid-19 is making history as it infects and takes lives around the world. The Companions couldn't come out at a better time or so I thought until I started to read it and found out that the virus in the book have very little to do with the actual story. It's just background information. A virus has hit resulting in mass deaths, people are under quarantine, borders are closed and companions become common place. They are robots, that act and look human to different degrees dependent upon what you can afford. Companions (some) develop consciousness and our main character companion, Lilac enters the story. Lilac was murdered as a teen and she has been "uploaded" into a companion. Lilac goes rouge and and bunch of other characters both human and companion enter the story. Eight or maybe more (I lost count) viewpoints are told centering around Lilac as she hops from body to body.

This book is strange and I am not sure what exactly to make out of it. Do I like it? Not sure but I finished reading it so that must mean something, right? Perhaps it's a bit too sci-fiction for me. I wanted to read about the virus, what it was, how it affected people, the breakdown of society and the sociological ramifications of these changes instead I got robots, quarantines and humans.

I can say this though. It's really quite fascinating to read a book about (a pandemic) in real time.

The Companions is a tale of robot like Companions which can be uploaded with the consciousness of the dead and obviously only the wealthy enrol in this companionship!! The less fortunate people are rented, somewhat similar to slavery.
Lilac is one such less fortunate. When she realised she can break the rules, she flees to find her killer!!
The concept is amazing.. the dystopian future setting and the build is really impressive. But it fell short in captivating the reader and keeping the focus on the plot. The story has 8 povs, I really couldn’t keep up with who is and who is not a companion. Had a lot of potential, but the confusion led to the downfall!!
3.5/5
Thank u Netgalley, Katie.M.Flynn and publisher for the ARC.

The Companions certainly has a fantastic concept, and in some ways it is also a rather timely read. I was interested in the world of the book but I had problems connecting with the characters, and failed to find it as engaging as I would have liked.

Thank You to Gallery/Scout Press for providing me with a copy of Katie M. Flynn’s novel, The Companions, in exchange for an honest review.

In the near-future the world has suffered a deadly pandemic that has resulted in years of quarantine. Scientist have developed a way to transfer human souls into robots, allowing humans a way to become immortal, but the catch is they are property of the Metis Corporation. The Metis Corporation leases the robots, referred to as “Companions” to other humans. Sometimes those who take on the lease are the family members of the companion and sometimes, when a family member is unwilling or cannot afford the lease, the companions are sent out to be workers. The companions not only provide companionship to the lonely who are quarantined, but they can perform tasks without fear of catching the virus.

Lilac has been leased by a family to provide companionship to their young daughter. Although Lilac only has vague memories of her human life, she begins to recall certain events and with some internet sleuthing, she learns that she had been murdered as a teenager. It is now decades later and she wants to find her murderer to seek revenge, before that person dies.

The Companions offers an intriguing premise and brings up plenty of ethical issues. Would you be willing to lease your soul to a corporation in exchange for a longer life? What obligations does that company have to provide for your care? What happens when you out live those you knew in real life? Is a robot with a semi-human soul still human? The idea for The Companions caught my attention immediately. It reminded me of the series Black Mirror.

Unfortunately, the actual plot failed to hold my interest. It had strong moments, but I never felt connected to the characters. There are many characters and plots, so many that they become muddled. The plots do intersect, but I wasn’t satisfied. I think it would have worked better as a series of short stories based in the post-pandemic story world, each dealing with the various implications of having companions.

The Companions will benefit from buzz due to its eerie timing. It was published the first week in March, right as much of the world was about to be locked down due to the Covid-19 pandemic. Obviously, there is no way that Flynn could have realized this when she wrote The Companions, but many of her ideas about how a lock down would feel and heaviness of it all, are spot on. Our current world situation added to my discomfort and sense of unease, that I likely would not have felt if I had read The Companions at any other time.

The Companions by Katie M. Flynn is a timely book during the age of a very contagious viral pandemic. Companions are AI creations that have been downloaded with the consciousness of those fortunate enough; or unfortunate, depending on your point of view; to choose to live on, so to speak, within this new form of life. Remaining human life has been sequestered in their homes and many have these companions to cater to their beck and call. You could expect that many would regard them as servants but with them being so life-like, human relationships evolve.

Of course, in all utopian plans, there are rebels, faults and unanticipated outcomes. So too in the land of The Companions which centers the bulk of the story in California. Machine made parts break down, characters have other agendas and a particular companion becomes more than was intended. As life starts to ease for all as the contagion goes away, people age, machines lose their ability to function and humans and companions alike must adapt to life as it once was. This does not sit well with all.

The premise of the story is rather interesting though it sometimes got confusing with all of the body changing of the some of the consciousnesses. There were some interesting twists and turns but in some aspects, the story was a little shallow. I would have liked a bit more complexity regarding interpersonal relationships without feeling like only getting to know a few of these characters very superficially. With that said, I do believe that one particular consciousness was explored but still needed something to anchor her along the way as the deck was shuffled throughout the book. Granted, not an easy task. Maybe this was why, to me, I felt like this was a Science Fiction novel geared more towards Young Adults, I would also recommend it more for young females as the main characters were more relatable to young women.

The Companions by Katie M. Flynn is a dystopian science fiction novel in which the story is told by switching the point of view between multiple characters. While this one is science fiction the world that is built within actually hits a little close to home with our current pandemic situation with the world inside the novel under quarantine after a highly contagious virus outbreak.

With everyone trapped inside after the outbreak folks do tend to get a little bored being alone all the time so a company, Metis, comes up with Companions. Companions are made by downloading the brain of someone who has died into a lifelike robotic body. Of course the rich could keep their family but the poor that are downloaded are sold off to other families to become their companions. One such companion though finds that she can defy the programming and decides she is going to leave her new family to hunt for her killer.

I have to say at the time I actually read this novel our “real” world was still going on as normal and the idea that something like a pandemic could happen didn’t seem real… oh how wrong I was. Now I can see from a different prospective how a company like Metis would be welcomed when hearing all the time how everyone is bored being at home for so long. However, regardless of how realistic the world building now feels the story was one for me that was hard to dive into and really get engaged in which I felt was due to so many different POVs, I believe at least 8 to juggle and track. If you like a busier type of novel though perhaps give this one a go especially after experiencing a locked down society ourselves.

I received an advance copy from the publisher via NetGalley.

'People haven’t yet forgotten what happened, but someday they will— they always do.'

A wonderful experience as a reader is to pick up a book you know little about, and then to be blown away by the reading experience. This happened to with Katie M. Flynn’s rather wonderful The Companions, one of the most affecting novels about androids I have read in a long time.

The book seems to have garnered lukewarm appreciation on Goodreads, which I suspect is due to the fact that not only is it a bit of a slow burn, but its complexly intertwined narrative is told from about eight different viewpoints in alternating chapters. Do not let this put you off though. The book packs a real emotional wallop as the years, and then the decades, pass by.

A devastating virus has resulted in mass deaths, quarantine and closed-off borders, and has also (inevitably) increased the stratification and class divisions that modern society is rife with. Metis – which kind of reminded me of Wallace Corp from Blade Runner – develops what it calls ‘companions’, crude wheeled robot-like structures (though they do evolve into ‘skinjobs’ eventually) into which the dying’s final memories can be downloaded as a last bid for the wealthy to cling desperately to the final vestiges of their loved ones.
Of course, the last thing Metis anticipated was for its ‘companions’ to develop consciousness … Here the key character is Lilac, a V1 upload after being murdered in her teens. Once a companion, she then defies her security programming and embarks on a rather rambling quest to track down her murderer.

Lilac encounters a motley bunch of characters along the way. These include Cam, who works at an old age home (in the book it is referred to as an ‘elder-care facility’); Rolly, a teenager living on a slowly dying farm whose father supplements their income by running a machine that breaks down and incinerates ‘retired’ companions as they’re replaced with the latest models; to Gabe, a stubborn and damaged nine-year-old orphan.

How all these disparate characters are drawn into the arcs of each other’s orbits is what gives this book its gravitas. The centre though is always Lilac, whom we follow from the very inception of the Metis companions, to a point far in the future where they are ultimately deemed a threat to humanity and hence outlawed.
Robots and androids so often get the short end of the stick in science fiction as a handy deus ex machina. It is truly eye-opening to read a book that seriously looks at the ethical and psychosocial ramifications of uploaded consciousness.

Great science fiction is not only about ideas though, but has to have believable characters in order to allow for an immersive, lived-in reality. Flynn takes a risk with her diverse cast, especially a character as young and mercurial as Gabe, but it is a risk that pays off in spades. This is a deceptively ambitious, but hugely successful novel.

Flynn deftly handles a difficult subject matter without coming across as preachy or manipulative. Initially the murder subplot caused a raised eyebrow for me, as I saw the potential for melodrama. But the ultimate resolution of The Companions is as unexpected as it is heart-wrenching.

What I also especially liked about the book is that it wears its genre stripes lightly. It is a real treasure, and a must-read for any fans of good fiction. You do not have to be a science fiction geek to be deeply affected by it.
On the other hand, genre fans will pick up on the references and echoes that point to a larger dialectic about robot consciousness that is a staple of so much SF (a recent example is the Murderbot series by Martha Wells). The Companions is one of my top reads of 2020 thus far.

The settings and the power relationships in the Companions are all compelling when taken one at a time. Sometimes while reading I was reminded me of Jean Hegland's Into the Forest. Those settings haunt me to this day. Flynn brought me into some equally poignant circumstances in The Companions too. But, I would have given anything for a cast list and a flow chart to keep track of everyone's comings and goings. There's quite a bit of body-switching and several flashbacks that made it difficult for me to empathize with the characters. I found that I personally barely cared for any of the companions by the end -but maybe that was the author's intention? To bring the reader face-to-face with how difficult it is for human beings to empathize no matter how much time they give one another?

This was a really good idea and some parts of it were very interesting. There wasn't a lot of world-building, but I thought there was enough. Lilac was interesting if not always sympathetic, and was probably the easiest character to care for. Unfortunately, I had trouble connecting with the story, and I just didn't care one way or the other about most of the characters. There were so many stories, and characters changed names depending on which type of body they inhabited, so there were several times I paused to try and recall a particular individual's history.

Some things about the story never quite made sense to me, (spoiler alert - like how the families of companions could have been persuaded to allow the companions to be destroyed without fighting for them. It seemed people paid a lot to try and keep some version of their family members alive) but they were minor for the most part.

The story was interesting, even if some things about it didn't work for me. The author is talented, and I wouldn't discount reading more of her work.