Thank you to Netgalley and Bloomsbury Publishing for picking me to receive an advanced copy of Cinderella is Dead!

200 years after Cinderella found her “happily ever after,” her story is being used to oppress and control an entire kingdom. At the age of sixteen, every girl is required to attend the royal ball, where the stakes to find a suitable match are life and death. If someone fails to select a girl, they are never seen again, leaving many girls desperate to be chosen regardless of how terrible the man may be. Following her sixteenth birthday, Sophia’s time to attend the ball arrives, filling her with more desire to escape than ever before. She would much rather marry her best friend, Erin, but the kingdom’s rules would spell death if they even attempted such a thing. After fleeing the ball, Sophia finds herself on the run, accompanied by the last known descendant of the Cinderella story, a girl named Constance. Together, they must work to save their kingdom, but first they must uncover the truth of Cinderella’s past.

You can get your copy of Cinderella is Dead in July 7th from Bloomsbury YA!

Kalynn Bayron has powerfully reshaped the traditional Cinderella story in Cinderella is Dead! This book forces readers to examine the truth of who stories are being told for. History has inherent power and those with control over the narrative can use that authority to shape the world. Though this story is fictitious, it provides a stark reminder of the consequences of real world actions. For me, Cinderella is Dead is one of the most empowering retellings I’ve ever read!

My Recommendation-
If you’ve been searching for a fantasy novel that speaks to the realities of the world today, Cinderella is Dead is certain to delight you! This book would be a fantastic pick for anyone looking to read a story about a queer Black girl smashing the patriarchy!

Book Review for “Cinderella is Dead” By Kalynn Bayron. I read this book as an ARC from NetGalley. Thanks NetGalley!

Synopsis from Goodreads: It’s 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl’s display of finery. If a suitable match is not found, the girls not chosen are never heard from again. Sixteen-year-old Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. At the ball, Sophia makes the desperate decision to flee, and finds herself hiding in Cinderella’s mausoleum. There, she meets Constance, the last known descendant of Cinderella and her step sisters. Together they vow to bring down the king once and for all–and in the process, they learn that there’s more to Cinderella’s story than they ever knew . . .

This book was great! I give it a 4 out of 5 stars. Without meaning to, I’ve read a lot of books lately by people of color with strong female lead characters who are also people of color. This book is no exception. Sophia is black and gay. So yay for LBGTQ+ representation in a fairy tale spin off! The driving force behind this novel is that Sophia wants to be able to love who she loves, and not fit within the male dominated confines of her world. (Hmm, sounds a little like the world we live in right now.) This book also has witchcraft and magic. And who doesn’t love a book with a little magic? I highly recommend this book, and it’s a very modern and feminist take on an old classic.

Readers will never think about Cinderella the same way again! In this fresh retelling of the classic story, the young maiden Sophia does not want to go to the ball because she is in love with her best friend Erin. Sophia sees the injustices to women that the king allows and wants to flee and live the life she has always dreamed about instead of following the sacred story of Cinderella. After some mishaps at the ball Sophia runs away and meets a beautiful young girl named Constance. Constance allows Sophia to learn that the story of Cinderella is not the truth the king wants everyone to believe. The story turns into a race against time to stop the king, bring freedom to the women of the land, and try to make a change so that everyone may have the happy ending they always dreamed of!

This was not what I expected, but in a good way. Bloomsbury always picks such magical reads and I think this one was super magical, super queer, and fun. I enjoyed immensely

I enjoyed this book so much. I love the diversity this brought to the YA fairytale retelling world.

This is a story about Sophia, who lives in a very oppressive society, who has to attend a ball honoring Cinderella to get picked to get married. If you are not picked after three tries then you are forced into indentured servitude. But the only problem is, Sophia is falling for the girl next door, not some stuffy old man.

I loved Sophia as a main character. She was really fun to read and such a strong female character. Her struggles and her obstacles felt so real and hurt as if they were things I was going through.

I also adored the female/female relationship. They had so much chemistry both platonically and romantically. It was so sweet to read their relationship and to see them grow. It is so often that we see in YA relationships that are just there for the sake of there being romance in the book; however, I definitely felt this relationship was valuable, meaningful, and perfect for this book.

The reason this book lost a star was due to how it felt flat a majority of the time. The plot was really simple and honestly felt a little seen-before at times. That paired with the lack of worldbuilding caused the book to fall flat for me and I wish there was something more unique that the book could offer me other than the diverse character and the lgbtq+ aspect.

Overall this was a wonderful read I would recommend to YA readers who love fairytales.

Thank you, NetGalley for a free copy of the ARC in exchange for my honest opinion.

-- 4 stars --

*Received a free ecopy from Netgalley in exchange for an honest review!*

So, this one was pitched as "queer black girls overthrowing the patriarchy", and that's so valid.

Sophia lives in a society where women have zero rights and every year, there is a ball held in the memory of the great Cinderella, where every unmarried girl must attend in their finest and hopefully leave with a fiance. You have three shots at the ball, and if you're not chosen, you get forced into indentured servitude. Alas, what do you do when you'd rather run away with the cute girl next door than be forced to marry an old creep?

Well, start a revolution of course!

First things first: the queer representation. Sophia's struggles are likely to resonate with any sapphic girl living in a heteronormative world. She may not be ashamed of who she is, but that doesn't mean that society will take her rebellion lying down, and that includes her own family, as her parents fear for her safety. There's also some heartwarming gay solidarity. And, of course, we have plenty of female camaraderie. My favorite part about wlw books is that they're full of girl love, both platonic and romantic. The wlw in this book was sweet and supportive, and we even managed to avoid that dastardly love triangle. Indeed, so much of the story is spent uplifting other women and halting girl-hate in its tracks. Even better, we get casual racial diversity and interracial romances.

My main gripes with the book came from how the plot was fairly simple, and the overall theme took precedent over any substantial worldbuilding, or even characterization at times. The magic system was plain, standard witchcraft. I didn't feel much of a sense of suspense until the end, because the overall plot was formulaic. I couldn't get a good sense of the world that the story took place in, as the story was more focused on spreading the girlpower and highlighting the injustice. Compared to a book like The Handmaid's Tale, a book that crafted a reasonable idea of how Gilead came to be while also having extreme patriarchy strip women of their rights, the balance just felt very off.

The villain felt like a caricature, symbolic of the theme of the story without any dimension. Perhaps a story like this doesn't require a three-dimensional villain, but I personally prefer villains with more nuance and motivations beyond "I'm evil for the sake of being evil". There was also a certain twist in the story that felt abrupt and didn't quite make sense.

Slight nitpick, but I always get annoyed whenever corsets are depicted as death traps. Certainly, they make excellent symbols of oppression in our media, but the history of corsets as garments crafted by women FOR women has long been mired by a lot of false information. It's worth noting that much of the criticism of corsets at the time came from men who mocked women for vapidly worrying about their appearances (as if men didn't also wear corsets...) and suffragettes who denied their femininity in order to be taken more seriously. For more information, I'd recommend watching Karolina Żebrowska's video on the matter: https://www.youtube.com/watch?v=zNwTq...

At the end of the day, Cinderella is Dead is a straightforward story about a queer black girl who wants to create a world where she can live as an equal to any man and love freely. Alas, here is a book that reminds you that as long as you're willing to fight for them, dreams do come true, even after the clock strikes midnight.

Three words: Oh. My. Gosh.
This story is amazing! First, the representation of people of colour (many people Sophia describes are not white). Second, the griping story of women’s oppression and one girl trying to make the world a better place. Third, the struggles of young LGBT+ people in a world they are not accepted.
The story is detailed, beautiful, and really draws you in. This take on a classic fairytale is so interesting and different from anything I’ve ever read. It’s almost like a dystopian twist that isn’t futuristic. I would definitely love to read more tales like this from the author.

This book was amazing, have to say its my all time fave f/f now. The characters and story telling were impeccable in this one. I love the dark, dystopian twist on Cinderella's classic tale. Also? Black lesbian overthrowing a corrupt leader? How could anyone not want that! The protagonist is fierce, brave, and a character we should all look up too. I seriously adored this book!

This book reminded me of everything that I love about a good retelling. You get exactly what it says: queer Cinderella with a side of fighting the patriarchy.

From the moment I heard about Cinderella is Dead, I was excited. A black queer dystopian Cinderella retelling? I was almost worried there was no way a book like that could possibly live up to my expectations, but I shouldn't have worried. Kalynn Bayron did such an amazing job writing a beautiful F/F romance that had complicated, flawed, loveable characters that you couldn't help but root for.

The writing set the scene beautifully with a tone that was just the right mixture of fairy tale and dystopian. There were even a few Easter eggs and hat tips that I caught and very much appreciated as a lover of classic fairytales. There was a little bit of overly heavy handed foreshadowing early on that spoiled one of the major twists for me, but overall I greatly enjoyed this one.

Thank you to Netgalley and the publisher for an early review copy of this one in exchange for my honest review. I would definitely recommend this book to lovers of fairytales, retellings, and all the little girls who want to know why the damsel can't save herself- she can!

Just want to say that some of this review contains semi-spoilers for the first 30% of the book. I’ll put the big ones in a spoiler tag, but don’t read on if you don’t want any spoilers.

A sapphic story starring a black rebellious girl that takes place 200 years after Cinderella dies? Sounds amazing. This was something different, which is what I was looking for. I really wanted to love this, but unfortunately it didn’t hit the spot for me. I think the main reason this wasn’t a big win for me is because I was hoping for some amazing sapphic love story with some badass black girl magic, and the writing just fell short of my expectations in that regard. So maybe the fault is with me and my high expectations. I will definitely check out this author’s work in the future because I did enjoy this enough to finish it, and I really like the idea of this story and the idea of the characters. I just enjoyed the idea of it a lot more than the actual book. I couldn’t connect with the characters like I wanted and I kept finding myself getting distracted. There just wasn’t enough development. The problem here could also be that this one seemed a little too YA for my tastes, despite some of the very heavy subject matter.

This book is written in first-person present tense, which I love. The plot reminds me of <i>The Selection</i>, which is both good and not so good. The good is that there are parts that are compulsively readable, and <i>Cinderella is Dead</i> has much better representation. The not so good is that it does more telling than showing. Also (and this is a personal preference I don’t think many people will agree with me about) I’m not big on lengthy descriptions of things. There are a lot of paragraphs simply describing how the palace looks and smells, and I honestly couldn’t care less. That’s how I am with most books, and I know I’m in the minority there. I tend to like my descriptions to be sharp and to the point, allowing my imagination to take over and fill in the blanks. I’m a much more character driven reader, and although descriptions are important, I don’t need to know what every corner looks like to be able to imagine the grandeur of the area in my head.

This book has a lot of strengths. One of them is that there will occasionally be very important messages hidden amidst things of less import. <i> “Just because they deny us doesn’t mean we cease to exist.”</i> In Sophia’s world, where queerness is treated as an extremely rare disease, lines like that were much needed. There were some pretty heavy themes here, and a little hope here and there was appreciated. On the other hand, there were some pretty cheesy lines too. Like Sophia answering the question of if she’s lost with “Maybe I am. But the difference is that I want to be found.” Lines like this bordered on big cheese for me.

<b>This next part I wrote when I hit 30% complete on my kindle. Just had to write down some thoughts at that point. The reason I stopped to take a break and gather my thoughts is because the story changes direction here, and I want to keep track of my initial thoughts before forgetting them. Feel free to skip all this. It’s kind of rambling. </b>

There’s some mean girl cattiness and bullying between girls as well as boys, which are some of my least favorite things to read about. I did try really hard to set that aside in favor of viewing this as a comment on how women should not follow this example, that they should instead stand together in situations like that, but that we also shouldn’t always expect all women to take that path and be prepared if they don’t. Maybe? And as for the men bullying the gay character, Luke, I’ll admit that while those scenes were hard to read, they also felt shallow. The typical gay bashing lines were repeated over and over. I was frustrated with the bullies and also with the author for not giving Luke better lines to defend himself. Luke resorts to violence in more than one occasion, which wouldn’t have been my first choice for him, and then refers to Sophia to handle his battles in others. I wanted more from these encounters. More strength or depth or spirit.

There were also a few moments early on when I was so frustrated with Sophia. I kept thinking, “girl, <i>please</i> pick your battles!” I like that she’s strong and “different,” but she picks a fight with a guard at one point, in situation that could be very dangerous for her and the girl she loves, just because he pushes the girl into line with the other girls. Potentially getting herself forfeited just to make a stand on that one small thing really pissed me off. There are so many atrocious things happening, make a plan or pick a bigger and more important field to battle on. I just hated that she risked Erin’s future like that. I’m also not crazy about Sophia’s plan from the start. She just wants to leave the town with Erin. Leave all the other women to their fates. Knowing her own family will be screwed by her disappearance. There’s another instance early on <spoiler>when one of her friends is publicly humiliated and dragged off, possibly never to be seen again, and Sophia’s response to this is “We need to get as far away from here as possible.” So basically she just wants to leave her friend to her doom. That rubbed me the wrong way because it seems to be Sophia’s modus operandi. Erin was right when she said Sophia was selfish. I don’t expect every female protagonist to be a hero, but I was kind of expecting Sophia to be just that. Maybe that’s my fault. I wanted this sapphic story to be about a strong black lesbian who uses her brains to help people.</spoiler>

Most of men are straight up evil. One who isn’t is gay, and being gay is unacceptable in this world, so he’s kind of in the same situation as the women. The other men who are somewhat decent all seem to be cowards. I didn’t love that aspect because they all felt like flat characters because of it, even the villains. There just wasn’t any depth to them, they were either evil or cowards (not counting Luke, but honestly he’s only in it for like 5 seconds), and there wasn’t much else to them. I just didn’t believe it.

<b>Ok, that’s all my notes from the 30% mark. Wrote a lot more than I’d planned to so early on in my reading, sorry!</b>

If I were rating just the first 30%, my rating would be very different. Thankfully, Sophia eventually comes into herself, and after experiencing some trauma, she starts to lose her naivete. I also welcomed the introduction of a new character, but I can’t say I really connected to Constance. I always seemed a few steps removed from her. I did enjoy finally learning the true history, which happens around the halfway point. <i> “The truth is tricky. People want to know it, but when they do, sometimes they wish they didn’t.” </i>

Lots of trigger warnings for this book, but if you know what it’s about then you know what you’re getting yourself into with it. Abuse, bullying, homophobia, to name a few. Overall, I mostly enjoyed this book. I think I might not have been in the right headspace for it honestly, so maybe don’t take my opinion super seriously. I definitely appreciate what the author is trying to do, and I’m glad to have read <i>Cinderella is Dead</i> as part of my Pride month reads.

I have always loved classic fairy tales and a great twist to the story! This one did not disappoint! Sophia was such a brave, strong character that stood up for her beliefs and would not bend to society. I admired her strength!

I loved this darker take on Cinderella's story and could not put it down!

Thank you Netgalley for my copy!

It’s hard to resist a twist on any classic fairytale, especially when it features the type of representation that Cinderella is Dead has to offer. I knew that this book featured a woman of color as the protagonist, but didn’t realize until starting the book that this story would have strong LGBT representation as well.

Sophia has lived her entire life in Mersailles where an evil patriarchal ruler holds all women to the strictest of laws in the name of Cinderella and her 200-year-old legacy. In this kingdom, all girls must attend the king’s ball when they are of age, including Sophia who would much rather live her happily ever after with her friend, Erin. When it comes time for a man to claim Sophia as his wife based on her looks and his entitlement to a women’s life, Sophia flees the ball, making her the king’s most wanted rebel.

While the story started out slow, I was hooked the moment we met Constance and learned who she was. I enjoyed the dynamic she had with Sophia and following their journey together. My only wish was that we got to see more of Luke. I really loved what little we saw of him and was disappointed when he was taken out of a majority of the story, though I also understand the choice to keep women at the forefront of Sophia’s adventure.

I also didn’t feel there was enough chemistry between the two love interests, but they were still cute enough together that I enjoyed reading it and wanted them together by the end of the book.

Overall, this is definitely a book I would add to any classroom library. It’s written for a younger audience for myself and I could see many of my students really loving it.

Thank you NetGalley and Bloomsbury for the digital ARC in exchange for an honest review.

I knew I wanted to read this book the second I saw it. I mean, a black Cinderella? We have not been this blessed since the Brandi movie. If that wasn't exciting enough, after reading the description I found out it also had lgbtq+ representation. I was 100% here for this story.

Like most fairytales, this one begins with romance, a wish, and a ball. Only, Sophia, our wonderful main character, wants out of this twisted tale. Sophia has grown up in the patriarchal kingdom of Mersailles and is about to come of age. She must attend a ball where, assuming she looks beautiful enough, a man will select her as his wife, just like Cinderella was chosen 200 years ago. However, Sophia would rather marry her girlfriend Erin, and when someone tries to claim her Sophia flees and finds herself enmeshed in a far more deadly story than she ever thought was possible.

I really loved this story. Sophia is one of my favorite characters of the story, besides being a black lesbian (hell yeah) she's also brave, outspoken, and determined. Sophia speaks her mind throughout the story, often causing tension between herself and her friends and family. Sophia sees the way women and anyone considered "abnormal" is treated within society, and is vocal in her admonishment of such behavior. While Sophia revels in small acts of defiance, she doesn't truly start trying to take action until there is no other choice, which is something I really enjoyed. Her original goal was to simply leave, to get herself out of a bad situation. Sophia feels like a real person. She's not power hungry, she's not brave for the sake of being brave; instead, Sophia is just a person who is doing her best to exist, and wants to make the world better for everyone else in the process.

The second Constance showed up I knew I would love her. Constance is a descendent of Cinderella and her stepsisters, and while I won't say who she's descended from, I will say I adored the twist. Constance is a great balance to Sophia. She's brash, and loud, and intelligent in a different way. Constance is quick to make jokes but carries the weight of her ancestors. She has been trying to save Mersailles for as long as she remembers.

The other side characters (and main characters that I'm not talking about because of spoilers) are just a varied and wonderful. I wished they had been better integrated into the story, as I wanted to know more about them. While Cinderella is Dead is clearly a standalone, I would have loved to learn more about the side characters. (Looking at you Luca).

My only complaint about the book is the pacing of the plot and the world building could have been better integrated. The story itself is wonderful. I like the idea, it's unique and not something I've heard of before. However, sometimes I felt like the tension was just starting to build when the scene would be resolved, and I would have liked a bit more detail about the world in general. I had a few questions left at the end, and most of them were regarding the world. As I did read an arc, I'm not sure if the published edition with have a map (it would help). I would also like to know more about the witches and magic in general within the world.

Overall, I really did enjoy the book. I do have really high standards, and this book was a solid four stars. I will always be here for queer women of color taking down the patriarchy in a fairytale world!

Many thanks to Bloomsbury and NetGalley for the ARC!

I approached this book hoping to find some unique concepts and new twists on “Cinderella,” and it didn’t disappoint! 200 years after her death, Cinderella’s story has become almost like a religion and a method to keep women subservient to men. Girls try to emulate the heroine in hopes of earning a visit from a fairy godmother and families bankrupt themselves paying for gowns so their daughters will be chosen as brides at the annual ball. But it turns out the story they (and we) all know so well isn’t quite the truth. I read a lot of fairy tale retellings and many authors take on “Cinderella,” so I’m always impressed to find an author who does something completely new and different. Bayron definitely manages to do this. I loved how she twists the tale and incorporates it into her dystopian society.

I also appreciated the representation in the book. Sophia, our protagonist, is a lesbian woman of color. Anyone who has read some of my Fairy Tale Friday posts will know I always love finding LGBT+ retellings. In addition to Sophia and her love interest, there are also a few secondary LGBT+ characters. Fairy tale retellings tend to be a very white genre, so it’s also great to see some racial diversity.

My main issue is the lack of character development. I’d say it’s probably most noticeable with Sophia, Constance, and King Manford. Sophia’s personality boils down to outspoken and rebellious. That’s all I really know about her, and I had a similar problem with Constance. King Manford as a villain suffers from a lack of clear motivation. As the story unfolds we learn what he did, but we never learn why he did any of it. It seems that he just does evil things because he’s evil, and I prefer complex villains with more nuance than that.

Another result of the lack of character development is that relationships between the characters come off as incredibly rushed. Trust, anger, and love all come out of nowhere at various points. This isn’t helped by the fact that more than the first half of the book takes place over just a few days. The romance developing so quickly was particularly disappointing to me because Bayron does a great job deconstructing the love at first sight trope when revealing the true story of Cinderella.

Overall this a fun spin on a classic fairy tale full of fantastic and creative concepts.

So I love a good retelling, and I thought the plot of this one would suck me right in, but I just thought it was okay.
There were parts of this book that I really enjoyed, like when Sophia ends up meeting Constance, a decendant of Gabrielle one of Cinderella's "evil step-sisters." Or when they find the fairy godmother and learned the truth about the King, Cinderella and her not evil stepmother and step-sisters. and necromancy! um also the ending when Sophia and Constance try and stop the king, and sophia ends up finding some of the forfited? girls in the dungeon, and find Luke again. I really liked him. He was doing is best, and trying to help Sophia so she wouldn't end up with some random guy that would probably beat her. So Im really happy that he survived.
This had a really slow burn romance that also seemed to happen kind of fast. if that makes sense. Sophia is in love with Erin, and wants to run away with her before the ball, and during the ball. But she ends up having feelings for Constance pretty quickly after escaping the king and fleeing into the forest.
So while I think the premise was good, I just found my self kind of bored with it. Especailly during the middle portions. With the occasionally tid bit that kept me interested enough to keep going.

I saw the cover of this book and a brief synopsis on Twitter and it was enough for me to want to read it. I was fortunate to snag an ARC, and I’m glad I did. This is a really cool twist on the ‘princess saves herself’ trope, with a very unique callback to fairy tales, legends, and how they relate to society and culture. The points made here aren’t subtle, but frankly, they don’t need to be. What’s cool is that the narrative voice embraces it; Sophia’s inner monologue tells you what she’s thinking about her society and its problems, without sugar coating it. A lot of us will recognize the fear she lives in; it might be drawn out to the extreme in this fantasy world but it’s damned familiar. (I do wish I’d seen a warning about the level of domestic violence discussion in this book; while there is, of course, a happy ending, it can be harrowing to get there if this stuff impacts you at all.)

Without giving anything away, a title I thought was simply cool is actually extremely meaningful and has a lot to do with the twists and turns the story takes. It’s this kind of hidden subtlety that’s woven throughout the book; there are plot twists upon plot twists (some of which are predictable, some of which were a surprise) and a satisfying ending that takes on the nature of cultural change in plain language. This book has a lot to say, and it’s saying it on several different levels.

I found the contrast of the plainness of the narrative voice to the subtlety of the plot structure and its many twists intriguing. I also loved the treatment of Cinderella; what a satisfying re-imagining of a problematic classic! This book takes some of what Mercedes Lackey did with her Five Hundred Kingdoms series and dives much deeper (and darker) into what happens when legends become rules, and how dangerous rigid adherence to charismatic leadership can be.

And yes, this is a book for young readers, but you know I can’t let the romance pass me by! The relationship between Sophia and Constance was charming. It’s harder to build realistic romance into a book like this (without explicit details and with a LOT of plot going on to take up real estate), and occasionally the romantic arc leaps unaccountably forward, but the two characters more than make up for it. The contrast between Sophia’s feelings for Erin and her feelings for Constance is carefully explored, with a resolution that explains – with Sophia’s characteristic plainness – the difference between the two relationships with a nod to self-worth. I’m so glad to see more F/F relationships in YA!

First off, I love this feminist anthem. An all encompassing feminism sweeping through the land, in a place where women are seen as property. I thought the plot was not only unique, but exciting. I read this book in a single afternoon - I couldn't put it down.

The twists and turns of this story just prove how versatile the story of Cinderella could be. And I thought this was a great tale to tell. We have a POC main character who is also LGBTQIA+, because representation, and she is not a demure girl. She is ready to change the world.

I really enjoyed this new take on a classic fairytale, proving that men are trash. Well, most men are trash. In this world, men have all the power. Women have no rights and are property owned by their husbands - if they can manage to be married. The king hosts a ball every year allowing suitors and girls to come together and get engaged. Except it's mandatory for the women to attend while it's optional for men. Also, women only get three years to go and find a husband before they are forfeited and forced to work in the castle as a spinster.

Yeah - these men are TRASH.

I thought the writing was great, the message was great, and we have some awesome representation for girls everywhere. I don't think there was anything I disliked about the story, except maybe Sophia's obsessed with her crush Erin at the beginning. It was borderline creepy how pushy she was, but it's as indicative of a man as any, so maybe just proves once again that men are trash. Besides her pushiness at the beginning, and her quick ability to fall in and out of love, this was an awesome story and I am going to scream about it for a while.

Also men are trash lol

A refreshing take on an old tale that we need right now.

Cinderella is Dead is the gay, feminist, POC story that I've been waiting for. It is a standalone novel that hits all the marks without feeling forced.

Thank you Bloomsbury YA and Netgalley for giving me the chance to read and review this E-ARC. I will be posting this review on my blog (abookishstar.blogspot.com), Instagram (@abookishstar) and Amazon on July 1, 2020.

Kalynn Bayron has created a unique twist on the tale of Cinderella. I enjoyed the overall premise of this novel. I also love the diversity presented in this book. My favourite characters were Constance and the fairy godmother. I was fond of the interactions between the two of them and Sophia.

Bayron did a good job of plotting and unravelling the truth behind Cinderella's story. I thought Cinderella's story was well thought out in this standalone The author has also created a scary dystopian world for women. Mersailles is a highly patriarchal kingdom where women are oppressed and forced into marriages at annual balls.

I did not like Sophia at the very beginning of this story. However, she started to grow on me by the end. She is a very strong female lead and she starts off that way. She is not afraid to speak her mind and notice all that is wrong within Lille's society.

This book was a bit slow, in pace, for me. The story, including the ending, was also a bit predictable.

I felt the romance and character development could have been a bit stronger. The romance, that appears later in the book, was a bit rushed. The characters fall in love, almost, instantaneously without really getting to know one another.

I also felt that Sophia's relationships with her friends (Erin and in particular Liv) could have been stronger. I felt Liv, Luke, and even Erin to some extent were characters who were important one minute to Sophia and then forgotten a second later.

Overall, I encourage fans of fairytale retellings to check out Cinderella is Dead on July 7, 2020.