Rich storytelling taken from African folklore, this exciting blend of science fiction and fantasy will appeal to readers of Tochi Onyebuchi and P. Djèlí Clark.

I have very little to say about this book other than that it is gorgeous. The writing is beautiful, the world-building is sublime. Think a more poetic J.R.R. Tolkein. Best of all: queer representation. It is a lengthy tome, and it can feel rerepetitive, but it is such a wonderful read.

I wanted to love this book. From the very beginning I was caught up in the intricately woven descriptions, the worldbuilding that was distinct and complex and all the things I could possibly want. But… I think that’s what got in my way. I ultimately never really engaged with the characters or their story. I could feel the setup for something more, something to come, but there was so much and everything moved so slowly that I found myself putting it down over and over again. Ultimately I chose to DNF at around the halfway point, though with the caveat that I may give it a try down the road when I’m in a different headspace for it.

This book is one I would recommend to anyone who is a fan of N.K. Jemison. So, let's start with that.
This was an amazing epic fantasy that talked about culture, climate and what it is to be human.

I didn't expect to love this as much as I did. I know not everyone is going to. BUT If you like a lushly described world with heavy worldbuilding? This is for you.


Thank you NetGalley & Tor for giving me an e-ARC in exchange for my honest opinion.

** 3 stars **

Thank you to Netgalley and TOR for an ARC of this novel in exchange for an honest review.

This novel was such a surprise - the writing style is not at all what I expected, the narration, the way the story was put together was a total surprise. Good, in the way that I experienced a completely new way of storytelling and narration; but not-so-good because I didn’t connect as well with the story and characters, and I believe many of the nuances just went above my head, so to speak.
This will likely be even richer upon re-read, I think.

The atmosphere in this story was something else, the way it was written and narrated felt ethereal, nuanced, like I was constantly surrounded by something spiritual or fantastical, that I didn’t quite understand. The world building also felt similarly, I understood a good portion of it, but also, there were things about the magical system and worlds that didn’t totally click for me. 

The plot was straightforward in some ways, and in other ways it was confusing for me. Again, I think it was a case of “it’s me, not you” of not completely understanding all the nuances that were being fleshed out. The parallels to our world and the themes explored in this novel were really intriguing, but challenges to catch on when there was so much else in the story, and so many new factors that I was still trying to digest. I enjoyed the way everything wrapped in the story, and I really enjoyed the relationships, romances and interactions in many of the characters.

Yari and Awa were my favorite of all the characters, and I absolutely love that there was LGBTQIA+ rep and non-binary rep in this novel. Yari’s attitude and her way with the other characters was unmistakable, she made an impression on each character, including me, the reader. Awa’s tenacity and resilience were admirable and relatable traits, and I really loved her character arc and the way she grew into herself.

Overall, this is a story that was complex and challenging, and will stay with me for a while. One that I think will be richer and more vivid upon re-read and will reveal more layers and understanding the more it’s read. If you’re looking for a new narration style, and a new style of fantasy story steeped in folklore, then this will likely be for you!

We interviewed Andrea Hairston about Master of Poisons in Episode 392 of The Skiffy and Fanty Show.

I'll admit that I had some difficulty with this because I kept thinking I was missing something. Turns out that I was. There's a stylistic thing here that Hairston talked about in our interview, and I need to do a reread in 2023 to better grapple with it (not a bad thing; I like a challenge). Good stuff!

A difficult book to read, with a lot of dense world building and not quite enough character focus. I did enjoy the plot, but I had to force myself to finish and returned to it after some time away, and found slogging through a lot of the book a chore. I'll be honest, I skim read some sections just to move on to the actual plot. With the correct editing, this could have been much better, as you could cut it in half. Not reviewed publicly, but thank you for the opportunity.

This book is a work of literary genius. The wording was beautiful, and the story moved at just the right pace. I got the impression that the narrative was being told to me by someone who was weaving it all around me. I felt like I was whisping about the smoke lands alongside the actors. This was a completely fresh and original environment, and it took me a while to get my head around it. It was a very enjoyable book to read.

Each every character has their own personality and perspective. It seemed as if Awa were a much younger lady, just starting out in life (after she began her journey as a child). The violence depicted in the pirate scenes was consistent with the lifestyle depicted and wasn't gratuitous. I also appreciated the inclusion of lgbtq+ characters and would like to see more of it in future works of fantasy.

The book's politics were also written quite nicely. No character ever appeared to be invulnerable to the story's twists, and I was always aware of the stakes. The book struck a nice mix between political intrigue and fantastical elements. A human connection was formed with me as a reader, and the experience was quite realistic.

I think this was a case of me just not gelling with the book more than anything. I really struggled to get into the story and ended up DNF'ing it at around 35%.

This book has such an interesting concept and I loved the world that is was building. However, I struggled to connect to the characters or really get into the plot. It’s dense world building, with a lot more telling rather than showing upfront. I was not able to get past about an hour and a half of reading (which usually translates into 120-150 pages for me) on my Kindle. I’m setting to the side for now and will not review publicly. .

Many thanks to the publisher and Netgalley for this ARC copy.

I want to preface this by saying that if you're looking for a slow-burn type of fantasy with an interesting payoff, this would be your book. But please be reminded, this book is slow! Like Black Leopard, Red Wolf, but a little less verbose and winding.

Steeped in African fantasy and mythology, Master of Poisoms was a beautiful story of loyalty, self-discovery, revenge, and self-reliance. This story is also extremely diverse as there are non-binary characters that are fully realized. I loved Yari and vie's confidence, as well as vie's flaws. Djola is a conflicted man who wants to serve his king, but also protect his family. And then there's Awa, curious and headstrong, who has always been capable to traveling into the Shadowlands, but once her father sells her, she her life takes a drastic turn.

Thus book is slow, but I found it enjoyable. Had I not been ill, I would have finished this long ago.

I received a free digital copy of this book from NetGalley in exchange for an honest review.

The plot and the cover were quite interesting. But I can’t force myself to finish this book.

I got confused for half of it, and it didn’t convince me.

In a land where poisonous storms are overtaking crops and making livable areas unbearable, politician Djola is frustrated by the many years his recommendations of moderation and conversation have been ignored. Too late for these methods and desperate for a solution, his king banishes Djola from the kingdom, telling him he's not allowed to return until he tracks down a powerful magical spell that can drive the poison from the land. Meanwhile, Awa, a young farm girl, has been sold to a group of nomadic magicians, where she begins learning to be a powerful griot and speaker for the people and the land. Over the course of several years, Awa and Djola's paths become intertwined, as both hope to solve the ills of the land by ending the corrupting magic of the upper class.

This richly told story weaves African folklore into a creative new world, all the while offering some refreshing insights on power, corruption, the environment, and the role of everyday people in all of the above.

I'm about a quarter way through the book and unfortunately, find my attention wandering. This could easily be an issue of me, not the book, as I've had a lot of trouble tracking and getting into new epic fantasy series lately. I think my focus is off, and has been for a while now. So don't let this put you off from reading the book if you're interested in the premise! It just didn't work for me as there wasn't anything in the story that kept me riveted enough to continue.

I really tried this book. I really did. I got around 40% in to it, but it just confused me again and again. I had some problems with keeping up with all the characters and the nick names for them. I really really wanted to love this, cause' the premise sounded awesome and something that I would enjoy. But I'm sorry, it got over my head. DNF.

This book had an amazing world that I absolutely loved to read about! There are a variety of characters and locations, and it created a wonderful element for the story to live in! It was an exciting story that kept me wondering what was going to happen next. I think there were times where I became less interested in what was happening, but the story always came back around. Overall, it was a good story that fantasy readers will enjoy!

I was provided a gifted copy of this book for free. I am leaving my review voluntarily.

Tentative Star Rating Of 3.0/5.0 Stars, (required by NetGalley), which may change after I have reread the book.

MASTERS OF POISONS is a DNF for me at the fifty-six percent mark in the eBook. I purchased and listened to the Audiobook, hoping to get past the midway point, but as of yet, I haven't.

I love the story and worldbuilding in this book to the point I not only want but need to know how it ends.

I need to know how Awa and Djola’s lives connect. Is Awa key to what Djola is searching for?

I am definitely rereading this book!

Thank you, NetGalley and Tor Publishing, for loaning me an eGalley of MASTER OF POISONS in exchange for an honest review.

There is so much to love about Master of Poisons that, although I am DNF’ing it for now, I hope to come back to it one day when I’m able to give this novel the attention it deserves. The world-building in Master of Poisons is so complex and beautifully rendered. Plus I love the parallels with global warming. And, although I haven’t quite been able to fully figure it out, the magical system is so intriguing. Plus the diversity is absolutely incredible!

However, this is a dense book with very descriptive and lyrical writing. All of that combines to make this very much a slow burn fantasy. And, although I like the characters, I haven’t quite been able to connect with them and have been struggling to get through this book. I constantly feel like I’m missing pieces of the story but am not quite sure how I missed them.

I do fully believe that this is a case of “it’s me, not the book” so if Master of Poisons sounds good to you, I would still recommend giving this one a chance!

I feel sad about this but this is going to be my first DNF. I've been pushing myself to read it, I kind of like the characters, the diversity, the non binary ones, but I can't get involved.
Maybe it's the writing, maybe a bad moment, but I decided not to push myself anymore.

A dense, rich adventure which puts its characters on very different, satisfying journeys

Master of Poisons took me approximately forever to read. Very little of that is the book's fault: while Andrea Hairston's writing style does require more attention than some, packing a great deal of worldbuilding and information into deceptively simple but poetic prose, its certainly no more than I would expect to give to an author of this calibre. It's not like Master of Poisons doesn't open with some super intriguing stuff: right off the bat, we've got poison deserts, scheming advisors, a deceptively confident first protagonist and a plucky young second one all conspiring to draw me in. It's even got an opening paragraph ("We are more likely to deny truth than admit grave error and change our minds...") that feels like an shoe-in for the pantheon of great literary opening statements about human nature. Unfortunately, 2020 being 2020, with all its effects on my confidence, reading ability and attention span, the experience of reading Master of Poisons turned in my mind from "will be awesome, just need to focus" to "insurmountable reading challenge". This is a book that I wanted to give my full attention to, and that meant leaving it on my bedside table for far longer than I wanted to. But! We would not be here if I had not Successfully Read the Book, and I'm here to tell you that this is a book that you, too, can and should read!

Master of Poisons centres around two characters on very different journeys, within a multiethnic African-inspired land dominated by the Arkhysian Empire. Djola is the Master of Poisons in that empire, a northerner who has risen to a senior position and won the trust of the empire within a set of scheming advisors. When we're introduced to him, he feels utterly comfortable in his position: middle-aged, married with children, happy with the political game he's playing and willing to take a risk or two to see his plans through. However, with the empire's attention taken by a poison desert which threatens to overtake the land on which the empire is built, Djola's plan to harness forbidden magic backfires on him, and he finds himself exiled, pushed to the margins of his home and separated from his wife and children until he returns with a solution. Djola's exile takes him out to sea, where he spends a considerable amount of time with slave-taking pirate captain Pezarrat and his awful crew, trying to figure out his own direction and what his empire needs from him. It's a journey that tears him down before we see any progress in his goals, and watching him grapple with his failures and try to uncover and harness magic that the empire he serves has driven to the margins is hard to watch, even as his initial overconfidence makes it a fitting arc.

The other main character is also embedded in magics outlawed by the empire. Awa is a "green sprite", 12 years old at the start of the book, who is being brought up among a group of Lahesh conjurers. Having been sold by her father after being exposed to the Smokelands, a supernatural realm which her mother has taught her to access, Awa has a traumatic entry into her new world, but her anger at her father and brothers for their actions is tempered by her flourishing in the Green Elders camp, where she learns to navigate the smokelands and begins training as a griot. Unfortunately, Awa's early sections were home to the language choice I just couldn't get on board with in Master of Poisons: the italicisation of the neopronoun "vie" for those who identify as veson, neither man nor woman. The empire doesn't recognise veson (are you starting to see a pattern here), meaning they are largely associated with marginalised supernatural groups; along with other italicisation choices, the italicisation of "vie" seems to be to show how the veson are an "othered" cultural element to the empire. However, when applied specifically to a neopronoun (which doesn't change with case, so he/him/his translates to vie/vie/vie) it's an uncomfortable choice, to say the least. That said, without familiarity with the cultures Master of Poisons is drawing on, I may be missing crucial context here, and apart from the italicisation I appreciated the book's portrayal of a range of queer and nonbinary characters.

The world of Master of Poisons is richly drawn, its different cultures intriguing and distinct even as the book portrays their erosion by a homogenising empire. After the initial set-up, both Djola and Awa take their time in their respective situations: Awa spends that time growing into her power and learning about what she can achieve in the Smokelands and in the waking world, while Djola, as mentioned, is sad and frustrated on a pirate ship. This initial period spans years, and its not until the midpoint when things suddenly take a sharp left turn, with Djola reclaiming agency over his mission and Awa being subjected to significant external forces that change her destiny and separate her from her found family, forcing her to draw on hidden resources (and make new friends) to survive as a captive in the empire's grasp. Things in the second half move significantly faster than the first, but the themes remain consistent: this is a book with lots to say about trust and survival in hostile circumstances. If there's a criticism to be had in this second half, its that some of these relationships don't land as effectively without the space to breathe of the slower first half.

While it's a great read throughout, Master of Poisons really sparkles from the point at which Djola and Awa's stories intersect. The two bring an initial scepticism to each other's missions that soon evolves into respect and then into genuine care, a chemistry that draws the reader in against the backdrop of an evocative supernatural journey. Their relationship re-energises the book's focus: which is, after all, about saving an empire from what is technically a poison desert but is actually about its own complacency and greed. That ending, when it comes, is fast paced but ultimately satisfying, a culmination of a serious journey of a book that left me very happy with the whole experience, despite how long it ultimately took me.