Write Fight Scenes: From Dojo to Page by Christine Haggerty is book 2 in the Six Simple Steps series. As a newbie in writing, I found this book helpful. It does a great job being brief and still helping you figure out the why and how before a fight occurs. This book is not a comprehensive guide to fighting, and you will definitely need another resource to describe how the actual fight occurs. But it is still a valuable guide, especially for newbies like me. I received a digital copy of this book from the publisher with no obligations. These opinions are entirely my own.

Thank you to NetGalley and Christine Nelson for providing me with an ARC in exchange for an honest review.

I teach creative writing and am always on the lookout for books that will help my students learn more about their craft. This book was not it. For a book that is supposed to be about writing advice, there is surprisingly little writing or advice. It doesn't give detail or enough explanation as to how you get action/fighting scenes to come off as realistic.

Perfect companion for any author gearing up to write fight scenes! This is something I’ve struggled with, and look forward to getting myself a new copy of this book to add to my collection of books on writing craft.

Review copy from NetGalley

Christine Nielson’s ‘Write Fight Scenes’ is a simple guide introducing you to six steps of writing fight scenes. Though very short, ‘Write Fight Scenes’ pinpoints the essence of writing fight and action scenes. It’s also very easy to navigate. From thinking through your target audience and characters’ motivations and characteristics (both physical and mental) to advice regarding how to structure your fighting scenes and what verbs to use, ‘Write Fight Scenes’ is a quick tool to get you started. Though I wished that some aspects were explored in a greater depth, I think that this guide can be useful for both new writers and those who have been writing for a while. The author’s tone is conversational and her advice honest and full of ways of tackling the issue and approaching the next steps in the creation of fight scenes.

Write Fight Scenes: Six Simple Steps to Action Sequences That Will Wow Your Readers
by Christine Nielson

Writing craft books that purport to have a specific focus often fail on one of two fronts--they end up being general how-to books with that focus tacked on in a small, unhelpful way, or they go so deep into that focus that they lose the average reader. This book, however, suffers from a third option. It’s simply too short to give the level of specificity most writers yearn for.

Make no mistake, she knows her stuff—Nielson has a second-degree black belt in Shotokan karate and has instructed students for sixteen years. But as a writer who wants to create more authentic fight scenes, reading a chapter called “Anatomy” that asks me to “go online or through some old human anatomy books and find a diagram of the body that clicks for you” isn’t the solution I wanted. Neither is a list of verbs Nielson likes to use in her own fight scenes (it’s only thirty-five words long).

That’s not to say this book misses the mark entirely. I’m quite charmed when Nielson explains sequencing fights by asking you to bring out gummy bears and set up your scenes of action and reaction in a cardboard box landscape. That sounds fun. More of that, please!

To be fair, this book is far cheaper ($7.99 print/$2.99 kindle) than most writing how-to books. But I simply was left wanting more. It’s maybe a fine start to a larger conversation, however.

3.5 out of 5 coffee cups

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This is a short book with some good advice for aspiring writers. It tells you how to make a "rap sheet" for characters who will get into a fight so that you know their backgrounds, their skills, their mental attitudes and anything else that might affect how they respond in a confrontation. It also gives some home truths about how fights actually happen and how long they (don't) last for the sake of realism.

Much of the author's perspective comes from experience in martial arts, but most of what she talks about can easily be transferred to other fight scenarios, like medieval sword fights and such.

The one thing she doesn't go into is how to describe actual moves. For this, you need to research the fighting technique you intend to depict. She does, however, finish with some excellent advice about taking the aftermath of a fight into consideration and reflecting that in your plot. Is your character someone who normally has fights? Was this one a first? What physical AND psychological effects is s/he feeling after the actual battle?

Despite being short, the book covers things not often considered and brings the writer's attention to dealing with those details to make the fight scene believable.

This book is short, sweet and super helpful!

I am not currently working on anything involving a physical fight scene, but I'm really glad I've read this - it covers more than I expected it to. Not only does it focus on the fight scene itself (mechanics such as how long the fight is likely to last) but it also considers other vital aspects - what is your characters' feelings about violence? What about the culture or religion they grew up in, or their past experiences, how do those impact it? What kind of physical condition are they in? What will they experience in the aftermath of the fight?

Ultimately, the advice in this book not only seeks to improve how you write fight scenes itself; it also makes you approach your characters from new angles, and contains lessons you can apply to all parts of your writing.

(With thanks to BooksGoSocial and NetGalley for a copy of the ebook in exchange for an honest review)

WRITE FIGHT SCENES is a short, how-to guide on writing fight scenes. While Haggerty gives some good advice, there was nothing new presented that I hadn’t read before in other guides or online. My main complaint was that there were no examples of fight scenes. It would have been nice to see some examples of well written fight scenes and a breakdown of what made them work. Same with some examples of poorly written fight scenes.
Thanks to NetGalley and the publisher for the ARC.

Very short book with very little information. I was very surprised how little information was presented in this book.

This book is clear, concise, and easy to read.
It is helpful for explaining what thought process to go through in order to write believable and interesting scenes.
It is a short and quick read and provides some great tips, so if this is something you're interested in, it is worth the read.

Thanks to Netgalley and the publisher for an advanced copy.

Write Fight Scenes is an effective writing guide on exactly what the title says, writing fight scenes. For a writing guide, the book is short. However, it does the job it promises to do. It gives a writer inexperienced in writing fight scenes a concrete plan to write realistic fight scenes. The advice covers the realities of fighting (pain, recovery, etc), while also covering how the fight scenes will be character-dependent. It's not the absolute most-comprehensive guide to fighting. It doesn't compare medieval sword-fighting to modern ring boxing or anything of that sort. It's a general guide that will be a great jumping off point for writers. Some writing guides leave me feeling like I'd have no idea how to cover the gaps they left. After reading Write Fight Scenes, I feel confident that I can use the guide to draft a fight scene and figure out what's missing from my scene to look up more detailed information. I recommend this book to anyone who has no idea how to begin writing a fight scene.

Christine Nielson has a karate background (black belt) and inspires the reader to write the best fight scenes imaginable using her experience. Perfect for the aspiring writer who's stuck on how to make their fight scene epic.

I requested to read this book because I am interested in learning how to write better fight scenes and what it did instead was prepare me for the writing, and you know what they say about results, 99% effort and 1% results, so thanks Netgalley for the eARC, I feel like anyone who approaches this book with the desire to learn about the process of writing of what it takes to get there will learn a lot.

Nielson's book, Write Fight Scenes, is a very short writing advice book that focuses more on the preparation to write than writing itself. The book is divided into sections which makes navigation easy but presents only one way of writing: plotting. Using character sheets to know the ins and outs of a character's childhood, interests, experience, training, etc. is handy but excludes "pantsers" (writers who do not do much planning before writing). Suggesting a writer use gummy bears (or anything, really) to act out the fight scene is fun and applicable to any scene. Nielson briefly touched on using active versus passive sentences and descriptive verbs, but this was cursory at best and did not provide examples of "good fight scenes" where their advice was implemented. Many fight scenes boil down to a step-by-step (or blow-by-blow) telling of the scene and it would have been more beneficial to writers to see the difference between passive and active fight scenes. Overall, the advice found here can be found on many writing advice websites and I was left looking for some hint of unique advice or a novel approach that would warrant buying another "how-to" book. While very novice writers will find the book a quick read and encouraging, there is not much here.

Thank you NetGalley and Books Go Social for the opportunity to read an advance reading copy.

Thanks to Net galley for an ARC on this title.

Christine Nelson's Write Fight Scenes: Six Simple Steps to Action Sequences That Will Wow Your Readers is a small ebook that for writing action scenes that are physical for both the characters and the readers. The approach is simulate to screen writing, understand your characters and what violence means to them to make the scene more visceral and mean more. Most writers use an right scene more as a way of making the character more alpha than other characters, Ms. Nelson's approach is to make it as important to the plot as it can be. A small book, with many good writing ideas.

I`ve received this book from <i>NetGalley</i> in exchange for an honest review.
As I was drafting and I had some fight scenes sketched but did not know how to land them (pun intended) I found this book quite in handy. <b>It is a very short one</b>. You can quickly flip through it to reach the info that interests you.
It is divided in clear cut parts that take you from the beginning to the end. For example I thought that it was useful to read the advice about connecting your character`s fighting technique with its childhood experience.
So, small book, but good book.

I liked the short book on how to write fight scenes. It lays out the process for constructing believable and thrilling fight scenes for an average author. I'll read it again.

2020 was the year I was reading craft books and improving myself. Although I never meant to dive fully into fantasy writing and writing battles of fight scenes, I think it is important to actually read books on craft whatever it may be as it can help you to find some light on other matters.
This e-book is way too small, which in itself is a red flag but it can't be considered a good book on writing fight scenes, but a basic how-to-write book. I expected details on how to make a compelling fight scene, not some magical formula that I can adapt, but a few tricks and tips, maybe even create line a prompt for someone to get your point, Instead, we some help with research on more technical terms and common verbs used (which I thought the list could be improved), and probably some assessment of already published books, with "this one does a brilliant job because of this, and this one doesn't because of that". In all the books on craft I've read, authors usually show their points with concrete examples, and with other works and other authors that are important to the genre or to the message they want to convey. Honestly, the assess your audience, and pre-write, and cast as stuff, should be something you have in mind when you actually start to plot the book.

Thank you Netgalley for the ARC.

Who doesn't love a book which manages to utilize the sentence "I felt like a granddaddy cobra" in a genuinely useful manner?

Christine Haggert has managed what I always needed but never quite realized I wanted: an actual, useful guide to writing fight scenes. She tackles this topic in a friendly, conversational voice rather than a detached and cold one; rather than feeling intimidated as I often do with guidebooks, I felt encouraged and cheered on by someone who understands the struggle and wants to make things easier. Not only does she explain how to set up and handle fight scenes, but she also takes the time to explain the nuances of how to handle the repercussions and how to believably write characters who win (or lose) these altercations - and when it's best to leave out the detailed fight scene altogether.

I already knew I was in love with this book by the second chapter, but once I reached the section where she insists that writers should actually keep track of injuries and cover the lingering wounds both psychological and physical... There were stars in my eyes and little heart emojis all over the place, I tell you. Okay, not literally, but I was thrilled all the same!

One of my biggest pet peeves in writing - both televised and literary - is watching a character get beaten half to death only to have their wounds make zero impact within ten minutes or less. I gave up on a television show I once loved, in fact, when my favourite character went from being nearly presumed dead with a disfigured face and flayed skin to having a small bandage and perfectly functional eyes in the next scene, not even a black eye or 'permanent' scar. (I can understand the limitations of makeup budgets, but at least make it last the entire episode which only spans a day to a week.) Given that few other fans of the show cared so much about this, I thought I was just crazy for caring so much about these kinds of details. I thought maybe I was doing it wrong myself when injuries in my writing held realistically timed repercussions for the characters. Heck, I thought it was just my OCD flaring up and making me latch onto things which others found meaningless. So reading this published author explain that these things truly are important? Yeah, that made me feel validated. It made me feel like maybe I have what it takes to become a published author myself someday and that there ARE people out there who'll care enough to appreciate the effort and thought I place into these things.

But I digress. That's but a small blip on the radar when it comes to this book. Written with the paper format in mind - Haggart often encourages readers to write on the pages for future reference - this is almost a workbook or a journal of sorts: the aspiring author's scratchpad for figuring out the elusive beast that is Fight Scene Writing. It includes step-by-step guides, cheat sheets, recommendations, and - for want of a better term - discussion questions to ponder about the characters involved, the environment, and the fight itself. In fact, it's made to guide you through actually writing a fight scene of your own while reading; the only reason I didn't do such is because I'm currently on a binge of writing things without combat. Maybe I'll come back to this another time and give it a go!

Overall, I'm pleasantly surprised that a book which is so relatively short packs such a punch... pun intended. Some of the information was new to me, even though I've read what must amount to hundreds of "how to write a fight scene" guides online over the past two decades. For that alone, I say this book is absolutely worth every penny for those considering the purchase: it brings new information and techniques to the table, in a way which doesn't act self-superior like so many other guides.

That said, I wouldn't call this book perfect. The fact it references character sheets and anatomy diagrams available on the author's website rather than providing those within the book is somewhat detrimental to following the guide. After all, not everyone has constant internet access or even owns a printer (or has access to one), and I tend to expect that all necessary instruments other than perhaps an ink pen are included in workbooks and guidebooks. It's for this reason - and this reason alone - that I chose a 4-star rating instead of awarding 5 stars. I hope to see this change when the new edition is published, rather than remaining as-is.

{ Note: I received a digital review copy of the second edition of this book through NetGalley. My review is solely my own opinion, and the only condition for receiving this review copy was that, if I choose to provide a review, it be genuine and honest. }

The book gives you exactly what it says - advice on how to write fight scenes. I learnt a lot from this book, so I definelty recommed it to anyone who has or plans to write some fight scenes.
I just wished it would use prober examples to show how it's done well and not well....
Received a free copy from Netgalley in exchange for an honest review.