Member Reviews
I love Keats and this did not disappoint. I ultimately did not purchase this title for the library because I think -- though the writing was personable -- it was still a bit too academic and dense for the types of literary criticisms that I would purchase for the library. Given our patrons' preference for American and Russian authors, Keats probably would not have gone over as well. However, I loved the way Neressian picked apart and explained the odes, and I loved her personal anecdotes as well. Everything I could hope for in a litcrit, and I'm definitely going to share it with some of my other Romantic-inclined friends..
"I love Keats not because I belong in his poetry, but because his poetry wants so much to belong to us".
SYNOPSIS:
This is a book about personal essays and analysis of John Keats’ most famous odes. The author analyses Keats’ six famous Odes (the Great Odes) and intertwines it with her own personal experiences and other literary issues.
OPINION:
John Keats is one of my favourite poets ever and I have studied a few of his poems at university, so when I saw an opportunity to learn more about him and his poetry, I went for it. I had read Ode on a Grecian Urn and Ode to a Nightingale, but the others it was my first time reading, and they were what you would expect of him; Keats has such a beautiful way with words it is almost mesmerizing.
I loved the author’s insight on these odes but not only that. She also explores Ovid’s Metamorphosis (which I also really like) and relates it to the Odes, mentions of philosophers and writers like Freud or Milton, and what gives this book a more original outlook, her own private life. I learned a lot and ended up empathising with the author. She puts more of herself that I originally thought, I expected it to be a little more academic, and less related to her life, but I found out I liked it better this way.
This book is an incredible dive into the life and times and above all the poetry of Keats. it's a wonderful rush! The prose is so clear, and the author's enthusiasms so infectious, that this literary analysis of Keats's odes was a joy to read. It dives deep into each ode, but never in a ponderous way, and never in a way that was less than revelatory.
I don't think the author knows how delightful her book is. My only criticism about this book is that Professor Nersessian should omit the first sentence where she declares "If you've never read anything on Keats's odes before, this book should not be your first step." That's wrong. I am decidedly -not- a Keats scholar and I never felt condescended to, or left behind in any way. I felt swept along.
The literary analysis here reminds me of George Steiner, only without the pomp. I learned so much, not only about Keats, and not only about these poems, but also about how to read, and how to pay attention to what I read. How to hear the language on the page. Just as it happens sometimes when you go to an art exhibit or a concert or a play, and come out with all your senses heightened--I came out of this book with all of my senses heightened.
Wonderful. Everyone should read it.