This is essential reading for all high schools classrooms. It can be used for interdisciplinary analysis, not just social science classrooms. The narrative style of Smith is a master class of interviewing and primary source integration. Not only well written, but incredibly informative and factual.

It is rare to read a book that captures both the nuance of history and the emotion of the present day. Clint Smith, with his poet’s gift for language, captures both for an effortlessly informative and deeply moving memoir as history/history as memoir. His exploration of the unique horrors of American chattel slavery and its long and ongoing shadow on our present day is a story we need to know more fully. At a time when so much of our nation’s troubled history is being denied and legally scrubbed from curricula, this book could not be more necessary. I have not stopped recommending this book since finishing it.

How The Word Is Passed by Clint Smith is an excellent work of nonfiction. I don''t often read nonfiction but I enjoyed this one and would recommend it to anyone.

Smith visits historical monuments and landmarks and gives the history that we don't hear but DO need to hear about all of the places he visits. It is carefully researched and I learned so much from reading this book. I am surprised that I am not hearing more about this book or seeing more of this book on social media platforms. I would also venture to say that this book should find it's way into high school and colleges.

I would recommend this book to anyone and everyone! I learned so much much from this book and am grateful for the opportunity to have read it

I think that this will easily be one of the most important books of the year. Sweeping, memorable, heartbreaking, empowering… all the good things. Highly recommend.

WOW. This book is incredible. The author effortlessly weaves in historical fact and present-day voices - both his own and others - and manages to find just the right blend of both so that his work is both appealing and still clearly rooted in fact. I learned a lot from this book, and it was especially poignant to be reading the chapter on the Juneteenth celebration on Juneteenth. His words helped bring these stories of people not often heard from in history to life; he made their voices heard. I really took my time with this book, wanting his words to seep in; even so, I'm sure I missed things and I look forward to listening to this book in a reread. 10/10, drop everything and read this immediately.

I liked this book. It is a good primer for anyone trying to understand why it's just to take down confederate statues. It feels like a road trip through the South and beyond, learning how deeply embedded (the history of) slavery is in the daily landscape there.

As a young white woman born with privilege, I cannot possibly express how much I needed this book and how my views have shifted. The author’s empathy and patience was noticed and appreciated as he slowly walked us through all our misunderstandings and preconceived notions and helped overcome what was clearly a serious lack of education due to whitewashed history. His conversation with his grandparents at the end was thought provoking as well. I can trace my European lineage back to the 1400s.

Would not hesitate for a moment to recommend.

This book is one of the most important things you could read right now. Clint Smith visits places like plantations, prisons, and New York City to see how different sites and organizations are dealing with their history of slavery and racism. He connects the past to the present, and shows how this country was founded and built on slavery, and how this inequality continues on. And he shows how critical it is that we change the way we teach children about slavery, and the stories we tell about slavery and the United States.

While the book deals with serious historical topics, it is also a story about his personal experiences visiting these places, and it flows like a narrative in many ways. Smith is a beautiful writer and poet, and this book is never dry or boring in any way. I felt fully captivated by it in a way that feels rare in nonfiction (outside of memoirs).

I learned so much from this book—so much that I wish was taught to me in school, that I wish was taught to everyone. I learned history that informs my opinions on mass incarceration, the Civil War, constitutional law, Wall Street, the Emancipation Proclamation, capitalism, colonization, and more. I took a lot of notes (and screenshots) while reading this book, and I don't know where to begin trying to include them in a review like this. But here are a couple quotes that stood out to me:

"oppression is never about humanity or lack thereof. It is, and always has been, about power."

"In 1863, when the Emancipation Proclamation was signed, Black Americans owned only 0.5 percent of the total wealth in the United States. Today, that number has barely increased: Black people own about 1-1.5 percent of the nation's wealth. Despite the role Black Americans played in generating this country's wealth, they don't have access to the vast majority of it."

"I do not yet have all the words to discuss a crime that is still unfolding."

I normally say things like "people interested in (blank) should read this," or, "I would highly recommend this book to anyone," but this time I'm going to directly recommend this book to you. You, specifically, whoever is reading this—you should read How the Word Is Passed by Clint Smith, as soon as possible.

Thank you to Netgalley and Little, Brown and Company for the chance to review this ARC.

How the Word is Passed is a super-accessible tour of different places in the USA (and one abroad) that tell necessary stories about the history of this country and slavery, and how we understand them. Places include Monticello, Angola Prison, Galveston Island, New York City, etc. Even those who think they already know the history of these places are still likely to find new details or fresh perspectives on the events that defined them.

If you're not likely to pick up a thick history book, but you want to better understand American slavery and why it still echoes today, choose this book.

“The history of slavery is the history of the United States. It was not peripheral to our founding; it was central to it. It is not irrelevant to our contemporary society; it created it. This history is in our soil, it is in our policies, and it must, too, be in our memories.”

The author is a poet, educator and scholar from New Orleans who describes his visits to several locations in the United States and Africa, each with a relationship to slavery. He uses each locale as a catalyst to discuss how these various places can inform us; how history can be passed on if we question and listen.

Monticello Plantation was his first stop. There, disturbingly, tours in the 1930s and 1940s were conducted by Black men dressed as slaves. Monticello now attempts to include a more complete picture of Thomas Jefferson than history books used to deliver. A current tour guide said “Slavery is an institution. In Jefferson’s lifetime it becomes a system. So what is this slave system? It is a system of exploitation, a system of inequality and exclusion, a system where people are owned as property and held down by physical and psychological force, a system being justified even by people who know slavery is morally wrong. By doing what? Denying the very humanity of those who are enslaved solely on the basis of the color of their skin.” They also now include discussion of Sally Hemmings and her descendants.

In the United States, the author also visited: Whitney Plantation, whose primary focus is on the enslaved people who lived there; Angola Prison, built on a plantation; Blandford Cemetery, where 30,000 Confederate soldiers are buried, including a discussion of the 11 states that still observe Confederate holidays and observances like Confederate Memorial Day and Robert E. Lee Day (his birthday is celebrated on the same day as Martin Luther King Jr Day in Alabama and Mississippi); Galveston, Texas and history of Juneteenth; New York City, including it’s role in the slave trade; and the Museum of African American History, that evoked the memories of his elderly grandparents.

The only African location was Gor e Island in Senegal. It’s actual significance to the transatlantic slave trade has been disputed, but it is still a place that has major impact. “When I stood in the room in the House of Slaves that sat adjacent to the ocean, when I opened my arms and touched its wet stone walls, did it matter exactly how many people had once been held in that room? Or was it more important that the room pushed me into a space of reflection on what the origins of slavery meant? When I bent down and crawled inside that small space where I had been told enslaved people who resisted were held, when the darkness of that hole washed itself over me, did it matter whether enslaved people had actually been held there or did it matter that my sense of what bondage meant for millions of people had been irreversibly heightened? Can a place that misstates a certain set of facts still be a site of memory for a larger truth?

The author writes well. Most of the time the book read like history although more personal and less dry than history books, but sometimes the poet in him came out, especially in his use of repetition to make a point. This was a very good book and I would read more by him.

I received a free copy of this book from the publisher.

This is an amazing work, and Smith stunningly blends a sharp historical focus with his poet's instincts for language. It's one of the most beautifully written nonfiction/historical works I've read in a long time, while its focus on the horrors of slavery and racism in this country and throughout the world leaves more than a lasting impression.

How the Word Is Passed is on its way to being an enormous best seller and for good reason. It's a book about the author's trek across the US, telling the stories of his trips to nine different locations. Clint Smith was in search of Americans' lasting beliefs about the enslavement of Black people in this country. The first visit is to New Orleans, his home town, a rich source of living Black history. The second chapter is about Monticello and is especially compelling. Smith takes two different tours of Jefferson's home and plantation, seeking to know the beliefs of primarily white visitors and a few highly articulate tour guides (who are highly educated about every detail of Monticello). Some visitors had no idea or only a vague impression that Jefferson owned enslaved people and even fewer knew anything about Sally Hemings. Smith's conversations with all sorts of people are kind and open and not polemical. The result is that he gets to hear much more honest feelings.
This dynamic continues through the author's visits to another plantation which is also committed to offering truly historical information to those who tour the grounds and buildings. He visits a Confederate graveyard that is, predictably, primarily visited by people who subscribe to the Lost Cause view of the Civil War. Smith meets with some avoidance and even hostility from people he approaches. His visit to Angola prison is terribly grim with extensive reminders of the cruel exploitation of prisoners through to the present day.
Smith goes to Galveston on Juneteenth, where the Emancipation Proclamation is said to have been read by a Union army officer to gathered Black people. It was the first word they got that they were "free". To offset the widespread belief that people were only enslaved in the South, the author goes to New York City where there is still a great deal of evidence of the early experiences of Black people there. Even free Black people could be kidnapped, taken to a Confederate state, and exchanged for a substantial reward. Smith is deeply interested in what he learns about the Underground Railroad.
The final stop is Goree Isand off the coast of Senegal from which many sold/kidnapped Africans set off on the Middle Passage. The author has thoughtful conversations with historians about the incorrect information that is presented to tourists, exaggerating the actual number of Africans who were taken to Goree Island, etc. They discuss the human tendency to turn a story in the direction of the desired reaction in the listener. This is a deep issue that is discussed in earlier chapters, especially regarding the refusal of some Southerners to accept that slavery was the primary cause or even a major factor in starting the Civil War. (I highly recommend The Saddest Words: William Faulkner's Civil War by Michael Edward Gorra regarding Southern belief in the Lost Cause.)
I only have one quibble with this book: I'm surprised that Clint Smith's editor didn't make a case for pruning the lengthy descriptions of the sensory experiences of the author, including a great deal about the weather. My sense is that at times, the descriptions verged on the purple, but not everyone will feel that way. Descriptions of the overly-large shirt on a tour guide accompanied by his belt riding too high and other word pictures seemed to me to be unnecessary to what was happening. The author is a poet and I thought maybe he writes prose like this to merge his talents. But for me it was jarring to be immersed in a gripping part of a story and have it interrupted by vague metaphors and similes. This matter of tone, however, is outweighed by the author's ability to connect with people and learn from them, and then explore larger ramifications.

In How the Word Is Passed, Clint Smith tells the stories of places where slaves have lived in the US. Traveling to six places in the U.S. and one on the western coast of Africa, each with a distinct connection to slavery, including his home state of Louisiana, Thomas Jefferson’s Monticello, New York City and the island of Gorée, Senegal. Smith carefully mixes factual and contemporary details to tell the stories of enslaved people. He also provides critical context for the various forms of exploitation practiced by these individuals. He begins his book at Monticello, the home of Thomas Jefferson. There, he learns about Jeffersons ownership of over 400 enslaved people. He also learns about their lives and the business strategies used by slave owners.

"The Whitney Plantation," Michael Lewis depicts the horrific event that occurred after the Louisiana slave rebellion in 1811. Smith talks about how the slave trade was continued through the prison labor contract leasing system, which is what happened at Angola. At Blandford Cemetery in Virginia, Smith confronts the myth of the Lost Cause, which some Southerners have made. He shows how thoroughly the historical record disproves their assumptions.

The contrast between the contemporary image and the historical legacy is stark and striking in New York's financial district. Slavery in America's financial capital dates back to the time of the American Revolution. In this beautiful epilogue, the author talks about his grandfather and grandmother, who were both born into slavery. Like many of us, Smith was not taught about the full story of slavery in school. This book fills in the gaps. Thank you, Little Brown, for the gifted copy.

To keep this simple- this is probably the best history lesson I've ever gotten and am immediately figuring out how we get this into our history curriculum for next year.

This book is phenomenal.

As an historical text, as an exemplar for accessible but still challenging nonfiction, as an essential argument for how history is alive whether we pay attention to it or not. I can't recommend it enough.

Thank you to NetGalley and the publisher for an eARC and Libro FM for the complimentary audiobook.

Congratulations to @clintsmithiii on this upcoming Tuesday’s release of How the Word Is Passed!

I took my time reading this galley, letting the history, the narrative, and the reflective nature of Clint Smith’s writing ruminate in my thoughts.

With the pen of a poet, Smith’s text melds investigative journalism, historiography, memoir, and travellogue in a manner that defies simple genre conventions. That he approaches a complex subject—historical sites and their complicated relationship to slavery—in a complex manner is a fitting choice.

Ultimately, Smith’s writing has compelled me to interrogate sites of memory within my own locale, in order to better seek truth through the questioning of narratives that are steeped in “nostalgia.”

As an English teacher, I would love to supplement excerpts from this book in my units that currently feature August Wilson’s The Piano Lesson and Elie Wiesel’s Night, as my students—in their study of time, place, and memory—would benefit from Smith’s perspective and the questions he poses in How the Word is Passed. After reading the galley, I preordered a hardcover copy for my library.

Thanks to @netgalley for the galley, and thank you to @librofm for the pre-release audiobook.

Pre-order a copy today, or pick up a copy this Tuesday!

In the final pages of How the Word Is Passed, Clint Smith writes that "It was as a teacher that I first began to fully account for the way the history of this country shaped the landscape of my students' communities...I tried to write the sort of book that I would have wanted to teach them." He has certainly written a book that I am excited to teach, and though I didn't know about Smith's prior life as an educator before reading it, I can't say that I'm surprised to hear that he spent time in the classroom. How the Word Is Passed is as powerful and clear in its execution as any nonfiction I've read—the kind of illuminating, transformative experience that only the best teachers can pull off.

Smith's project in the book is undeniably ambitious: in an effort to untangle the historical narratives about slavery that have shaped our current beliefs about race, he visits 8 sites that explicitly or implicitly relay this history. In physical spaces ranging from Monticello to Angola Prison, New York City's sidewalks to a museum in Senegal, he takes tours, reads plaques, studies statues, and asks questions in an attempt to understand how so many Americans reached adulthood without a basic understanding of the role that slavery played in America's creation, development, and present day.

I first learned of Smith through his poetry, and his poetic sensibility is evident in the time he takes to orient the reader in space and time through detailed descriptions of his visits to these locations. Part of his project seems to be to expose the way that learning about slavery is an embodied experience and not merely an academic one: horror, discomfort, and grief are inextricable to this history. Smith's descriptions of reaching his arms to span a death row cell in Angola or imagining his son in a neglected plantation cemetery reveal that engaging with America's history of chattel slavery requires emotional as well as intellectual engagement, and his perspective as a black man descended from enslaved people clarifies the stakes of teaching this history poorly. Many of the places he visits seem to assume a white gaze (a plantation museum offering flyers for a Memorial Day event hosted by the Sons of Confederate Veterans is perhaps the clearest example), and the way his presence disrupts the placating, ahistorical narratives offered by employees is even more powerful than the information he shares to dispel the myths they propagate. The result is a text that feels both historically and emotionally informative, powerful both in its research and in its language.

How the Word Is Passed is beautiful and challenging, carefully researched and bracingly clear. I hope everyone reads it (and then tells me, so we can talk about it!).

Thank you to NetGalley and Little, Brown and Company for the ARC.

This book is a hard read, not because of subject matter or content, but because it makes me question everything that I ever knew. As a white southern woman, I learned a history that excluded the pain of the African race.

Please read this book.

book is divided into an author’s note about memorializing slavery, a prologue distinguishing between history and nostalgia, chapter one on a plantation, chapter two in a prison, chapter three remembering the confederacy, chapter four on Juneteenth, chapter five on northeastern elites’ attempts to distance from slavery, chapter six on memorizing slavery in practice, and an epilogue entitled “I lived it” incorporating Smith’s own perspectives and reflections. Smith explains: “I travel to eight places in the United States as well as abroad to understand how each reckons with its relationship to the history of American slavery… a mix of plantations, prisons, cemeteries, museums, memorials, houses, historical landmarks, and cities.” Smith’s writing style is profound, and the book as a whole interrogates how and why America has a long road ahead grappling with legacies of enslavement. extraordinary work of antiracism, history, memory, and public history

Read if you: Want a mesmerizing and unforgettable look at how slavery's impact continues to haunt this country.

As a Louisiana native and current Virginia resident, this immediately caught my attention. Smith visits and talks with tour guides (and visitors) at Monticello, Whitney Plantation, Angola Prison, a Confederate graveyard (as well as a Confederate Memorial Day program, which is one of the most harrowing parts of the book), a Juneteenth celebration in Texas, and the Wall Street section of New York. Readers are forced to consider both the history and parallels to current events at each landmark/event. This is poignant, eye-opening, shameful, and necessary reading.

Librarians/booksellers: This is deeply moving and poignant. A must-have for your contemporary issues/social justice collection.

Many thanks to Little, Brown and Company and NetGalley for a digital review copy in exchange for an honest review.