When I requested this book, I did not realize it was a graphic novel. Primo Levi is one of my favorite authors but I don't think this is the right genre forvnr.

Primo Levi is a graphic novel about the story of the Italian Jewish chemist who survived Auschwitz. In the novel, Levi visits a group of schoolchildren to tell them about his life and to keep the memory of the Holocaust alive. The children ask innocent questions and Levi answers them with hard truths.

Books about World War Two can be intimidating and heavy to read. As graphic novels, these stories are a bit easier to be consumed. This novel is pure, informative, and the message of this book is important.

"Every passing day there's fewer of us to bear the weight of the memory of Auschwitz because even today our greatest fear remains the same. That we won't be believed, that everything will be forgotten."

There’s no literary genre more intimidating than the writing about the Holocaust. While it’s really fun to read about military maneuvers and the strategies of World War II, if you don’t read about the Holocaust as well, you’re not getting a full picture of what was happening in Europe. And as the years go by, the Holocaust becomes more of an idea or a story than an experience: each year there are fewer survivors, and these people’s stories are crucial to our historical record.
Where to start? There are no easy books, there are no light-hearted feel-good triumphant stories. The survivals are not victories as we think of them. Perhaps it is the best illustration of survivor’s guilt. And the books are often hefty tomes with small print; they often feel like a textbook in the hands.
Primo Levi joins Maus in an accessible, entry-level literature that doesn’t pull any punches. Emotionally, these books are just as heavy as their prose counterparts, but as graphic novels, they’re more easily consumed. If you’re an adult who reads graphic novels, you’ve probably read Maus already, and this is, after all, a review of Primo Levi, so I’m going to focus on this book. Also, I don’t have the space here to explain to you who Primo Levi is, other than he is one of the best-known survivors of Auschwitz.
Allesandro Ranghiasci’s artwork took a while to assimilate in my brain. It’s usually sparse, with thin line work. At first, when the story was set in its present, as Primo Levi tells his story to a room full of school children, the artwork seems little more than average. But as the story recounts Levi’s past in Auschwitz, the artwork shows its true power, becoming like a horrible memory, hazy, but unforgettable, the details maybe forgotten in the mind of the old man, but the horror and tragedy clear and defined.
Matteo Mastrogostino’s effort is likewise remarkable. This story was written from many accounts that Levi has made about his experience. What to say and what to leave out is always an issue in adapting any kind of work from one genre to another. To evoke the same amount of emotion with a smaller word count is a difficult task, indeed.
We have the first effort both as an illustrator and writer by these two. By the end of the book, I was wondering why I hadn’t heard of them before. I assumed I was out of touch with the world of graphic novels, but it’s their mutual debut. I will definitely pick up their next project.

"Every age has its own fascism, and we see the warning signs wherever the concentration of power denies citizens the possibility and the means of expressing and acting on their own free will. There are many ways of reaching this point, and not just through the terror of police intimidation, but by denying and distorting information, by undermining systems of justice, by paralyzing the education system, and by spreading in a myriad subtle ways nostalgia for a world where order reigned, and where the security of a privileged few depends on the forced labor and the forced silence of the many.”

In Primo Levi's "A Past We Thought Would Never Return," Levi warns of the constant threat of fascism's return. Reading this graphic novel interpretation of his biography with these words in mind, three weeks past an armed white supremacist uprising in DC and one day past the inauguration of a new President seeking to stem this tide, it's a clear reminder that, as the strange Greek character Levi mentions in his farewell, "War is never over. War is always."

This is an incredible graphic novel, telling a story of Primo Levi giving a talk to a class of school children, about his experiences during World War Two. To say that the book is harrowing would be an understatement but I should think that this would be the case with any books on this topic. It is so important that these books are written because, as Primo Levi says near the end, "every passing day there's fewer of us to bear the weight of the memory of Auschwitz...because even today our greatest fear remains the same. That we won't be believed, that everything'll be forgotten." These stories must continue to be told and this graphic novel, with Alessandro Ranghiyasci's incredible illustrations, will hopefully contribute to more people learning of the horrors of the Holocaust.

A beautifully illustrated graphic memoir of Italian Jewish writer Levi's experiences during World War II, specifically the time he spent in concentration camp Auschwitz, from 1944 to 1945.

Primo Levi has always been a writer I have heard about, but never read any of his work, or even knew much about him. In this book Levi visits a middle school, quite a while after the war, to tell his story about Auschwitz. This is then used as a framework to tell the story, now and then slipping back to the children, to see their reactions to Levi's shocking story.

And a shocking story it certainly is, delving into the specifics of life in the Lager (German for prison). The art is quirky (but not silly), and does a great job of illustrating the memoir, especially good at conveying the despair.

Since reading this book, I have read the first book (If This Is A Man) in Levi's war memoir trilogy, and I will certainly read the rest. Deeply moving, and every survivor memoir has something to add to the overall Holocaust history.

Many thanks to NetGalley and the publishers, Between the Lines, for sending me this graphic novel for review.
It is a pity we cannot read the original version written in Italian by Matteo Mastragostino; however, the graphic novel has been extremely well translated by Alberto Toscano. Though Toscano seems to have a very intellectual list of publications to his credit, his translation is fluent and easy to read. I’m glad that the illustrator, Alessandro Ranghiasci, decided to make the illustrations in black and white and not in color. The visuals are hard hitting and visceral and give it a sense of gravity and seriousness—a book not to be taken lightly. Though most of the illustrations are ones we have seen before, Ranghiasci manages to do more in his visuals than the written word. The images of the crowded trains, the fear of the prisoners who are chosen for the showers, the emaciated Jews add to the poignancy of the text.

Though I knew that Levi was a prisoner in Auschwitz, I was not aware of his background in Chemistry and that fact that this saved his life. Though the novel is set in a present-day classroom of elementary school students, the narrative works backward and forward. The present carefree reality makes the grim scenes of the concentration camp seem even more horrendous. When the students are told that they were going to listen to a man’s experiences in the war, they expect a young and dashing soldier—a superman, a man with a gun. When Levi, now an old man, speaks about his not being able to use a gun, a youngster feels it was pointless to have given him one in the first place—a waste of bullets. Levi’s reply is stunning and revealing: “To resist, you don’t need guns. Your only weapon is the desire not to give up.” Of course, what Levi has to say is heart wrenching, but it is also interesting to note the changes he achieves in the thought processes of these youngsters. They are forced to abandon their stereotypes by the end of the novel.
This book is easy to read and should form an essential part of every school library so that children are made aware of this unpleasant period in our history. My only regret is that it is could not have been longer.

Dark illustrations, grim and unforgettable. It highlights Levi’s time in Aushwitz at a time when the world is darker again. Levi’s plea at the end on behalf of Halocaust survivors was heartbreaking as it seems we are at a time when people are willfully forgetting or remaining purposely ignorant of historical events.

A brief sojourn into the life of Levi. Have always planned to read more of his books, this was an excellent bio on his time in the war. As with all holocaust stories, its an invaluable depiction of a story that should be told often and never forgotten.

The artwork is unique, it clearly depicts the misery of the moment, without overwhelming you with it. This lets the story continue to do the heavy-lifting without the need to put the book down.

I absolutely loved this graphic novel. I found that the art style was very fitting and conveyed just the right atmosphere and feelings. The text and storyline, in general, was excellent, and the flashback present were relevant. I liked the parts they choose to show about Primo Levi and the graphic novel is a good introduction or complement for those who want to know more about Levi. I recommend.

Primo Levi must be one of the best known survivor of the Holocaust. A young Italian man, he managed to get into university just before the fascist government started enacting tougher legislation against Jews and he took part in the Italian resistance around the Alps before being captured and sent to Auschwitz, where he barely made it out alive; and then on the long march back to a ravaged Italy.

The authors made the right choice by focusing on Levi's later life and using a curious fact about him to present his story: Levi found work in his field, Chemistry, after the war, but he knew he had to tell his experience of the Holocaust, and he did so not only through his written work, but also by visiting his school every year and answering children's questions. This helps us see the Shoah from Levi's memory, and the kids can ask questions that may feel forced or silly in other situations.

The art is relatively simple, grey, bleak, sad, tough. It feels well suited for this story, impactful. You can almost feel the cold seeping through the pages and sending chills down your spine.

I knew a bit about Primo Levi before reading this comic, but even then, I ended it with tears in my eyes. It is a good testament to his life; not what happened to him, but what he chose to do afterward.

Too short for me. I really enjoyed this biography on Primo Levi but it sometimes felt like the graphic novel was, in a way, only superficially covering his life. However, that is proof that the story was nicely told since I was longing for more, for the author to go deeper and to tell the story of Primo Levi for more pages. The narrator did a great job with this book; it recounts well the experience of Primo Levi and I really liked how it was presented, going back and forth from the classroom with the students’ interaction to the past events of the Holocaust.
What I loved the most in this graphic novel are the drawings, just looking at some of them brings tears to my eyes. You could almost follow the story and get all the amotions just for the drawings. Alessandro Ranghiasci did an amazing work.
I have to admit it, I have never read the book Survival in Auschwitz by Primo Levi because I thought I was never in the mood for it, but now that I have read this graphic novel and learnt more about Levi, it is next in my TBR.
5/5

Well worth the read, this book covers the most brutal depths of the tragedy of the Holocaust, as experienced by the writer, philosopher and scientist Primo Levi. If you don't know anything about the Holocaust, this is a book that will haunt and give you a shock that you should be prepared for. Matteo Mastragostino has presented a good recount of Levi's experience, and it is well illustrated in all its horror by Alessandro Ranghiasci. Do no take this lightly, this is a book that tackles the subject in depth. As a graphic novels go, this one stretches the full power of the medium.

Now, even though I could speak of great praise for this book, it is not a book you can read alone in any sense. The material is very brutal and its best to have some one to talk to about what you see and read. Secondly it is not a book you should ever read without having read or an intention to read the works of Primo Levi. He wrestled with the experience and was able to present an optimistic picture of man, despite the experience. If you wish to start the journey with Primo Levi, you must go the distance and read how he was able to rise above this experience. He was one of the true heroic geniuses of literature in the twentieth century. This is a great companion to his books.

I don't know where to start this review...

Primo Levi was so beautiful and sad at the same time. I finished it a few days ago and I'm still thinking about it.

This is a graphic novel in which Primo Levi meets the students of the elementary school (in which he went as a kid) and tells them his story and about life in Auschwitz.

"To resist you don't need guns. Your only weapon is the desire not to give up."

Illustrations are black and white, drawn only with a pencil, I think. They look so raw, sad, and rigorous, which makes the story more powerful than it would be in color or some other drawing style. I'm speechless.

*The scene that got me crying like a baby*

Primo: A camp is a place where you are forced to stay against your will, captive. A grim place, where people are always unhappy.
Kid: That's practically like school!
Primo: NO!
Primo: You're here in your nice classroom, soon you'll go home to your parents. You have books, clothes and plenty of food. You're free. Because that's what school is for.
Primo: Want to know what I remember about the camp? The barbed wire.

*crying*

This is certainly a must-read book!

* Thanks to @netgalley and publisher for a copy of this book in exchange for an honest review *

Auschwitz stories always make me sad and scared.

This one was told to a class by a survivor and I really liked the black and white art, tho the faces made me rather uncomfortable.

There are also some typos here, so please fix that.

Primo Levi is a visually appealing and wonderfully written examination of the author's life. I appreciated this book as an opportunity to introduce an important literary voice to readers through both words and pictures.

The graphics are stunning and chilling, and bring this story to life. I have just finished reading, and I’m speechless....how do I say the book is excellent, when the content is horrific? I highly recommend everyone read this, it’s so important we don’t forget.

This book is exceedingly well drawn. I found the story lacking in the sense that there was just not enough there. Reading the afterwards gave me some additional context. This man had a life changing experience which obviously haunted him to his end days. he also made it his life’s work to tell his story of being at Auschwitz. I just wish the author had done that tale a bit more justice.

To say this left me shook feels like an understatement, Ranghiasci's art is as haunting as the pictures I remember first seeing as a young child, but also having this story told in the way it was naritavely felt very different from how I was initially introduced to this piece of history. I felt like it was impactful in such a different way,

This book would be such a great way to introduce this topic, rather then just diving into the history.

A successful graphic novel look at the life of Primo Levi, chemist by schooling, writer from necessity, and Auschwitz inmate through, well, a mix of bad luck and of course the Nazis' will. I got the inference Levi only joined the Resistance because he was chasing tail, but either way the pacifist was soon caught, and had to take the easier path, of declaring himself Jewish and therefore camp fodder, as opposed to calling himself some kind of freedom fighter and therefore being immediately shot. Dressed in spartan black and white, this book almost matches the infamous camp uniforms in colour, but framed as a talk given to a class of inquisitive young hot-headed kids back in his childhood school, it gets to skip through his life with ease. The imagery, even when touching on the almost stereotypical, the shuffle, the jam-packed barracks, the piled-up corpses, is starkly emotive, showing if it shows anything the complete reduction of dignity the camp produced. Several addenda take the book away from the school shelf where the core of it would succeed most, into the realm of historian's artefact, but that takes little away. As a debut work for both the author and the artist, this is sterling stuff. A strong four stars.