This is a story about denial.

This book was not for me 🤷‍♀️. It was atmospheric & conceptually very cool- I loved the occult vibes and undercurrent of tension. Unfortunately, I hated the protagonist, and most of the side characters. I also felt like the interesting aspects of the magic system weren’t explored enough, and the miserable inner workings of the characters brain were explored too heavily. I think some readers will probably love this, but alas.

Thank you so much Netgalley, Macmillan & Tor/Forge for this eArc!

This book was amazing, LGBTQ+ and I enjoyed it immensely. I definitely recommend this book and I suggest adding it to your Fall TBR. I gave the book 4.5 stars and I don't give such high ratings easily.

This was such a difficult read for me. It was written in a way that was confusing and didn’t keep my interest. It felt all over the place. The supernatural elements to the story is what made me continue reading. It felt way too long for what it was and the characters all seemed to blend into one.

This neo southern gothic novel is a compendium of the best of the genre. Set in Nashville, it tells the story of two young men that grew up together and were secretly in love with each other, in a kind of unhealthy and almost sadistic relationship.
When Eddie dies of an apparent suicide, Andrew inherits Eddie's possessions. He was going to join his friend in Nashville in the graduates program at Vanderbilt University, but Eddie's unexpected death sets him for a completely different journey in which he will have to deal with new relationships and a ghost that keeps haunting him and is seeking for revenge. Andrew finds himself fighting against his own impulses in a permanent state of alienation. As the storyline progresses we find all those elements that make the south such a prosperous background for this kind of story: slavery, patriarchy with all the traits of a very toxic masculinity and the racism that still live across the institutions and the society.
Mandelo's writing is flawless and his prose is in line with a literary genre that is characterized by being dark, oppressive and highly symbolic. An author that I look forward to read in the future.

5/5 stars. I absolutely LOVED this. It was fan-fucking-tastic. Please excuse my language. I got major the Raven Cycle vibes from the paranormal-fantasy aspect, but I also got those vibes from the friendships and relationships. The writing had been complex, but also understandable and written in a way where you had no choice but to connect with the characters and feel for what they were doing and going through. Sam and Andrews relationship was very exploratory for Andrew, but not in a bad way at all. Andrew was able to start to figure out his sexuality and the feelings that he had had towards Eddie through his relationship with Sam, but Andrew was also falling for Sam and being open to the relationship. This book is definitely a new 2021 favorite of the year.

I'm here to say that Summer Sons needs to be on everyones radar. Lee Mandelo delivers some truly lush prose in their debut, while telling a propulsive, nightmarish story of grief & love & obsession & betrayal. This book is INTENSE. With drag racing, the dark academia vibe, and more than a little bit of the occult in the mix, SUMMER SONS definitely shares a bit in common with THE RAVEN BOYS. That said, this is unequivocally a horror novel, and it’s frequently quite disturbing.
Full review to come on YouTube.

“I don’t want to share not even with a dead man.”

Survivors of a traumatic event in their teen years, best friends Andrew and Eddie are inseparable. Bonded beyond brotherhood.

When Eddie gets early admission to Vanderbilt, for a program they both will be attending, they spend an agonizing spring apart. Andrew can’t wait to join him but Eddie seems less eager for him to come to Nashville.

When Eddie turns up dead from an apparent suicide, Andrew refuses to believe that happened.

So Andrew heads to Nashville and steps into Eddie’s life. His house and his friends, his thesis and the research that could’ve got him killed.

What follows is a story dripping grief from every page. Fast cars and bad decisions. Dark academia and pitch black family histories. Violence, curses, ghosts and haunted houses. I’d be remiss to not mention all the angst and sexual tension 😅. Sam. Oh, Sam.

This queer neo-noir southern gothic horror was exactly what I needed.

4.5 stars rounded up.

This is a really hard book to rate because while it is well written and has great representation of queer characters, it wasn't the story for me. I definitely wanted more horror elements and dark academia in the first half of the novel. The mystery part of the novel picks up in the second half, but it seemed a bit too late. I want to give a shoutout to the character of Sam, who is so memorable and complex. I really loved him.

I didn't get very far into the book before giving up on it. It wasn't that it was bad. I thought it had some interesting ideas and the writing was okay, but it's just not my speed. It's very dark, broody, and angsty. If you like those things, then this book is for you. I don't mind a dark story once in a while, but I'm picky about how it presents itself, and this one just didn't do it for me. Maybe I'll pick it up again in the future, but that probably won't happen for a very long time.
I do love that cover though!

Aw man... this book was such bullshit. I should have listened to my gut and DNFd it. I don't know why I bother convincing myself to keep giving books a chance when I know... I KNOW... it's not for me. Omigerd I should just learn to let them go.

I acquired a digital arc for this one ages ago, before all the buzz started up around it. And that, that right there should have been a red flag, because me and big buzz books don't typically get along. But I'm usually in lock-step with tordotcom. It's unusual for me to NOT like a book they've put out... so I just kept hoping it might get better, go someplace I wasn't expecting it to go, that it might surprise me in the end.

But. NOPE!

I just... I think I need to sit here for a bit with my disappointment.

“That friendship was a muted fraction of the real thing, the marrow-thing, that tied them together…he couldn’t find a label that fit where he needed it to go. Maybe instead, just a hard stop: he was yours.”

Hot, smoldering southern nights. Fast cars and rough boys. A jealous revenant, insistent on being heard. Tattoos, shared in blood over clasped fists. Hungry land and family curses from a bygone era. An aching, insatiable want.

I would have read SUMMER SONS based on these vibes alone, but Mandelo delivers on so much more. The story, in brief: Eddie and Andrew have been best friends since childhood, closer than brothers. In the wake of Eddie’s apparent suicide, Andrew moves to Nashville and starts the same graduate program that Eddie was in, working to solve the mystery of his death and the darkness that has haunted them both for years.

This novel is a searing modern gothic about the weight of grief, the impenetrable uncertainty of why someone leaves us, and what it means to mourn a love that was never allowed to come to fruition. It’s very much about coming out, but not in a tidy, finished way (as if it’s ever that). Andrew’s realizations about himself are tied to bone-deep sorrow, unfulfilled desire, regret about his past actions, and confusion about what he wants now. Watching him slowly pull the pieces together about his queerness and the nature of his relationship with Eddie and start to work through some of his internalized homophobia absolutely tore my heart out - the ending just barely started to repair it.

The representation of masculinity in this book burns hot; these men remind me in many ways of the tough, rural boys I grew up with, branded by the toxic veins of masculinity, but with a vulnerable, soft underbelly that gutted me. Mandelo reckons with the crushing racism of academia, the legacy of slavery and how it manifests in the South, and how oblivious white people - even/especially white queers - can be to these facts. The immersive writing, combined with the powerful, almost sultry audiobook narration, stripped me bare; there is a raw physicality to this book, sometimes gritty and sometimes sensual, bringing to life both body horror and tender affection. And I haven’t even begun talking about the trans and poly rep!

An absolute favorite of this year and a book I won’t forget for a long time. Thank you to Tor.com for the ARC and Macmillan Audio for the ALC!

Content warnings: discussions of suicide, driving while intoxicated, violence, homophobia, dead/mutilated animals, death of a loved one

Thank you Netgallery and Tordotcom for this ARC!

Wow. The only word I can use to describe this is “dense”. It is a sweltering tale of southern heritage at its worst and finest. This has so much to it and is captivating in its uniqueness. It’s a tale of love and lost and finding yourself despite yourself. It’s incredibly detailed both in description and in emotion. The writing is DENSE with an empathy that radiates through the page. It’s a complex poetic piece of ART.
I both adore and despise Andrew with the same ferocity. Sam is a juxtaposition of a character and had me cheering for and against him all at once. And I would give my left lung for Riley. There’s really nothing like the haunted sticky south, with drugs, fast cars, and hot men.
You know it’s a good book when you learn more about yourself too (and all those new vocabulary words!). I absolutely adore this book. In fact, I’m going to re-read as soon as I post this.

I overall enjoyed this book, particularly as a fall read. It had a chilling atmosphere that lends itself to the Southern Gothic genre. I was pulled in by the wrenching narratives of grief and the realization of one's sexuality. I wasn't as interested in the drugs and street racing, and Andrew was very irritating, but it didn't make me dislike the book entirely.

This book didn't hold my attention. Despite a very good audiobook narrator and this absolutely gorgeous cover, I found myself bored and kinda zoning out. I didn't care about the fast cars and drug scene (especially because they honestly weren't that important? Or at least they aren't dug into enough to make them important). Where this book really shines is in those spooky scenes where it's just Andrew and the revenant. But there weren't very many of those.

I would have loved to dig more into the old plantation families and their curses. We get to know the Fulton curse but we know by the end that other old families also dug into the occult but we don't actually know what that means? It's just conveniently tossed in there as an explanation for other stuff going down.

When Andrew Blur's best friend Eddie allegedly dies by suicide, Andrew must return to their childhood home to discover the truth. This was a queer, gothic ghost story for fans of sex, drugs, and street racing. Immersive, sucking the reader deep into a world that doesn't get a lot of page time in books. The characters were alive on the pages, vivid and interesting. I began recommending this book to friends before I even finished it.

Summer Sons was a gut punch in the absolute best way.

This book is utterly unputdownable, I picked it up around 3 am to read for a bit to go back to sleep and ended up being so enthralled that I read on until dawn. This was the October read that I have been searching for.

I truly am a sucker for a terrible protagonist and Summer Sons delivered with Andrew who is an absolute dick to pretty much every single person in the book. His single-minded search for the truth about his best friend's death was so achingly relatable, derailed only by his spiral into drinking, drugs, and drag racing to avoid dealing with both his own feelings and Eddie's ghost. Lee Mandelo doesn't necessarily let his protagonist get away with his behaviour though, he is called out on all fronts and has to take a step back to examine his behaviour and how he has hurt the people around him. He doesn't get a free pass at the end of the book, but an open door if he's willing to put in the work to deserve it.

The writing is gorgeously, painfully atmospheric and the lush, claustrophobic descriptions of the revenant that plagues Andrew is eerie, intimate, and had me holding my breath at certain passages. Watching Andrew try to navigate a situation where everyone around him has more information about aspects of his life that he has fought for over a decade to keep secret was brilliant. Both his affinity for seeing ghosts and his queerness is called out immediately by people he has just met. He is forced to be vulnerable with a whole cast of characters that he doesn't know if he can trust yet, and they all seem to know more about him than he does about them. He's forced to reckon with the persona that Eddie bestowed upon him, and the person he is without Eddie, who both saved him and cursed him, who Andrew's whole life revolved around.

This isn't necessarily a book that I would be quick to recommend to everyone I know, but it definitely struck a nerve for me personally.

TWs: suicide, death, gore, grief, body horror, drug abuse, alcohol abuse, racism, homophobia (including slurs), murder, animal death, references to child abuse, emesis, kidnapping, drugging.

I’m so bummed by this one. I really wanted to love it more than I did. Don’t get me wrong, the southern gothic vibes and the whole queer questioning and identity was great, but I really wasn’t interested in the fast cars and fast life aspect of this story.

This reading experience I think was definitely a product of reading it at the wrong time. I picked it up at the first of October to get into the spooky vibes and it was fine. I was having a difficult time finding my bearings in this novel and feel emotionally invested. I felt like the first 40% of the novel was redundant and almost no plot/character progress happens which made for an incredibly slow read. To make matters worse I had to put down the book for 10 days because I was on vacation and had ZERO time to read. However, when I picked the book back up I was more invested and interested in the story. I very much enjoyed the casual queerness and Andrew and Sam's budding relationship. But unfortunately, the spooky gothic southern vibes--which is normally my jam--just didn't give what I wanted it to give.

I really tried so hard to like this book. I think I struggled most with who the intended audience would be. The story revolves around male graduate students that get drunk, take drugs, start fights, and race cars all while having to get past the casual use of homophobic slurs. It was so incredibly juvenile I found myself rolling my eyes frequently throughout the first portion of the book. All the while there was supposed to be a ghost story about Andrew’s dead best friend going on. I felt like this book wasn’t sure what it wanted to be and came off completely obnoxious and unenjoyable for me at least. I genuinely couldn’t stand a single character and felt like the writing lacked depth.

Thank you Netgalley for the ARC of this book!

What an awesome read! This book not only provides for academia vibes but also explores grief and codependency. This book was so atmospheric and just a delight to read. Can't wait to see what Mandelo writes next!