As our narrator, Bacon speaks directly to the the reader in language that is far from courtly; it is full of wit and satire, self-deprecating humor, crude observations and commentary, gossip and inuendo. It is a bawdy, sexually explicit tale that some will find refreshingly comical with a dash of Pythonesque tongue-in-cheek whilst others may find themselves tut-tutting and being personally offended whilst yet reading ever onward.

The author has taken some liberties with history when crafting this tale - Bacon's wife is conveniently forgotten while the court resembles something more akin to the set of a Carry On film (and strangely, I kept picturing King James as "Fat Bastard" from the Austin Powers franchise). Finally, like many other readers, I felt that the ending was a little rushed - but then again, the aim of the tale was documenting Bacon's role as royal pimp not documenting Bacon's life as a whole.


Warning: contains swearing, sex scenes, homosexuality - so if you are easily offended, turn away now.

In The Dangerous Kingdom of Love, lawyer, parliamentarian and philosopher Francis Bacon struggles to advance his place at the court of James I.

Bacon, in his own telling, is world-weary, cynical, but also fired by conviction. This is a court and a nation where he believes intellect is despised, and nothing is valued but noble birth or beauty. The king, meanwhile, only has eyes for his lover, Robert Carr, who is happily plotting against anyone he sees as a threat, including Bacon.

Bacon thinks he has an ingenious solution – to find another beautiful young man who can supplant Carr, who will be clever enough to blend in at court and manipulate the king, and yet remain steadfastly loyal to Bacon’s interests. What could possibly go wrong?

The Dangerous Kingdom of Love is such fun. Bacon’s voice is defiantly irreverent and (post)-modern. From railing against the excesses and absurdities of the court, to bitching about Shakespeare, to anticipating how the world will change (not least because of his own writings) it is witty, arch and satirical. There are lots of sly allusions to our present predicament (I won’t spoil them for you) and a vivid sense of the oddity of the court (a historical note from the author confirms that the most unlikely anecdotes are true).

Despite that, it doesn’t shy away from the darker aspects of the age and the jeopardy of becoming too close to the court. It also, poignantly, highlights the sadness in Bacon’s life, not just in his fluctuating fortunes but the loneliness of the outsider, the way he is so clever in seeing into the souls of others but has a blind spot when it comes to his own.

In this portrayal, Bacon is deeply conflicted. He believes in the law and justice, but engages in underhand schemes. He rails against the vapidity and vanity of the court, yet he can’t resist the lure of power and patronage. He can procure a male lover for the king, but his own attraction to men could mean a death sentence.

Bacon discusses his own ideas and writings as he tells the story, almost in passing, with a light, playful touch. And as with all the best historical fiction, reading The Dangerous Kingdom of Love has made me want to learn more about the real Francis Bacon.
*
I received a copy of The Dangerous Kingdom of Love from the publisher via Netgalley.

i could not follow anything in this book while reading it. it felt like we were going from scene to scene so fast. it was all just very confusing, thus making the book quite unreadable to me

While not for those looking for a feel-good book with a happy ending, "The Dangerous Kingdom of Love" is a nuanced and insightful look into the political and personal life of Francis Bacon in London's early 17th-century. With a bright and engaging voice, Neil Blackmore draws the reader in, bringing to life a cast of characters you love to hate (and love and hate and love again) and a plot that keeps you wondering when the next trap will snap shut.

A really juicy historical read - full of politics, intrigue and sex.

Francis Bacon is the narrator, confidant to the king yet therefore ever at risk from his political enemies who also seek to prosecute his homosexuality.

Packed full of exciting feisty characters., this is a real fun spin on this historical period.

As an absolute nut for historical fiction, I just knew I had to read this one. And I absolutely was not disappointed. Palace intrigues? Check! Queer machinations? Check! Historical figures engaged in shoddy business? Check! Check and check!

A definite recommendations for fans of Hilary Mantel!

Before I begin, thank you to Netgalley for an ARC in exchange for an honest review.

So this was a slow start but it built up to a point where I, dare I say it, really enjoyed it? It is a retelling of the lives of James I (of England, VI of Scotland - and that is important) and Francis Bacon, told from Bacon's perspective. It is a romp through court affairs and looks at the intricacies of how you get power and, fundamentally, keep it. What makes James I/VI so interesting, however, is his dalliances with homosexuality (however controversial at the time) and how this could be manipulated.

It is a really interesting story and once I understood where it was going, I actually really enjoyed it. I can find historical retellings hard work, but this one was just fascinating and if it was half this mad, it would have been a riot to be a fly on the wall in London at the start of the Stuart era.

I was stung though by the end which felt especially depressing - but then again, it is real life (to a degree) and therefore, it cannot be too outlandish as an end, to remain in keeping with reality. Does not mean I cannot be hurt though!

I did infact, judge this book by the cover. I don't know why, I thought it was shouting murder mystery, history thriller...Turns out to be a little bit murdery, hugely deceptive and quite a sad love(kind of) story.

You see, Francis Bacon,. (cleverest man in England back in the day,if you didn't know)had never experienced love, and that suited him just fine.
Until he met George Villiers.

They come together through ways of trickery,  Bacon needs to get Robert Carr out of the way. George is being trained by Bacon to take his place, woo the king, and all well that ends well, right?

Of course not!!
This highly interesting book, based on some true events and characters, with an amazing story inbetween. Francis Bacon is our narrator throughout, explaining the ways of court, politics and law. I was most starting to imagine a very posh voice for him in my head, the monologues were that great!!

It's not all romancey, scheme making monologues. There's lots of humour all through out the book, quite abit of sass actually too.

I should genuinely start just choosing books without reading the blurb more often, because I really enjoyed this. I really enjoyed popping in and out of reading the book, and searching up the characters names to learn more about them.

Safe to say, I'll be looking for books similar!

After really enjoying The Intoxicating Mr Lavelle, I was keen to read something else by Neil Blackmore and was excited to read another historical fiction book with love and desire at its heart.

The Dangerous Kingdom of Love reimagines the story of Francis Bacon who presents a beautiful young man to King James I as a potential new lover, in order to replace Carr, the King's current lover, who is a sworn enemy of Bacon's. Drama ensues when Bacon struggles to control his own feelings for the young man and a plot full of power plays, manipulation and betrayal follows.

I found this to be a highly entertaining and enjoyable romp through an interesting and dramatic period of history. Blackmore's writing is easy to read and the pacing is perfect for the action-filled story being told. I liked his version of Francis Bacon and the exploration of his drive and fears and how that influences his actions. While I did not find the story as compelling as The Intoxicating Mr Lavelle, in both books Blackmore depicts unrequited love brilliantly and I found the romantic relationships in both books to be moving and well developed.

I would have liked to have seen more depth or detail to some of the other side characters to feel more invested in their stories but overall I really enjoyed this book and would like to read more from Neil Blackmore in the future.

Thank you to Netgalley and Random House UK for the ARC.

I had the joy of listening to the audiobook version of this and I enjoyed it so much that I requested the written copy, too.

The audiobook is a joy and my review makes this clear. The book itself is just as good. This is what I want when people write about historical fiction...the normal, every day filthy side of life and not the stuffy, boring and drawn out political machinations that certain historical fiction authors write.

The story would be at home in any time, Jacobean, Elizabethan, the 60's, the 80's, the 90's and even now.

This is a saga, by turn hilarious, heartbreaking and very very filthy. It made me laugh with how clever some of the jokes were and how crude the others were.

I am going to search out more material written by Neil Blackmore and read it immediately.

Where to even start with this book?! It was absolutely wild from start to finish, made even better by the fact it’s based on real people and events, and I couldn’t put it down.

In the Jacobean court, power is a slippery thing to hold on to. Keeping the king on your side is an immensely difficult task, especially when the only person he listens to is his ‘favourite’ – that is, his lover. So the solution? Plant your own favourite.

The King is a fool, a child, and he is in love – the worst possible combination.

The rein of James I (VI in Scotland) is discussed far less than his charismatic Tudor predecessors, but his court was one just as filled with spies, corruption, and power plays. Francis Bacon, the main character and (often unreliable) narrator of this book, is a name we all know but his political manoeuvrings are less well known.

You can’t help but warm to Bacon as a narrator. He’s witty, droll, and self-deprecating enough to hint at his real vulnerabilities. What’s remarkable though, is how not only is Bacon convinced he is always in the right but he convinces us too. It’s not until the last few chapters (I won’t spoil the details but what an ending!) that we witness not only his fall from his position, but the carefully constructed lies he believes about himself collapse around him. George Villiers, famously a long-time favourite and believed lover of James I, had dealings with Bacon and, in this telling of events, was groomed for the position by Bacon. The steady reveal of his true feelings kept both us and Bacon guessing and doubting what we knew. Neil Blackmore is clearly an expert in creating an unreliable narrator.

I do not love because I cannot be loved. It is not allowed.

The open secret of Bacon’s sexuality added an extra layer of danger to his dealings at court. As the story unfolded we got to see quite how much he had come to believe himself unworthy of love, having lived in that environment his entire life. His own inner conflict runs alongside the court dealings, and made this an unputdownable read.

Blackmore has vividly recreated a violent, bawdy and outrageous court life which it is impossible not to get drawn into. This book accomplished a lot of things: it made me want to learn more about Francis Bacon, and it made me want to read more of Blackmore’s books. But most importantly, it completely absorbed me from the start to the end.

I received a free ARC in exchange for an honest review.

I loved The Intoxicating Mr Lavelle, a queer romance set amidst the bygone glories of the Grand Tour so Neil Blackmore’s latest novel The Dangerous Kingdom of Love had a lot to live up to. I am pleased to report that it did. I can’t put my finger on it, but Blackmore’s books epitomise the word ‘unputdownable’ – they are beautifully written, bawdy, intelligent, passionate, saucy, and ultimately heart wrenching.

I wasn’t aware of Francis Bacon, the narrator of The Dangerous Kingdom of Love, famed philosopher, and novelist in 1600 England. The story is set amidst the court of James I and charts Bacon’s epic rise and fall at court. Bacon is a schemer, and you won’t always be cheering him on from the side-lines, but as his life unravels and hurtles towards a heart-rending conclusion you will understand his motivations and feel his pain.

The Dangerous Kingdom of Love is about the power of love and the love of power and the battlefield of life that they exist upon. It dissects the often ruthless and impossible choices people will take to achieve both and the heart-breaking points they intersect.

A bold and contemporary historical novel 5 stars out of 5

Thank you to the publishers for giving me the opportunity to read this book.
I found this book fun!
I don't often read Historical Fiction books but this book definitely made me want to read more.

At times hilarious and heartbreaking but always clever, Neil Blackmore loose interpretation of Francis Bacon's life is a fabulous romp that is definitely worth picking up, even for those who don't normally venture into historical fiction. Bacon's narrative voice is incredibly strong and memorable, even modern at times, and (combined with the court intrigue) is one of the biggest draws of the book and helped make it unputdownable.

This book started out very strong. My favorite element was definitely Francis Bacon's voice as it was both very snarky, and clearly spoke of a man with a lot of intelligence, and knowledge of court intruige, which was interesting.
However, not only was this book extremely slow to read, I was also uncomfortable with the way a lot of these relationships progressed.

Thank you to netgalley for providing me with a copy of this book

The Dangerous Kingdom of Love focuses on the latter years of Francis Bacon, the revered early modern philosopher.

Under Neil Blackmore’s pen, Bacon becomes a complex figure, an ambitious outsider on the fringes of a great but dangerous court. Bacon is acerbic, brittle and a schemer. He is determined to find a place of power that he cannot secure through marriage as a ”sodomite.” His nature leads the “normal man” to mark him as a foe — mainly Southampton and Robert Carr — and Bacon rages.

The novel centres around Bacon’s plan to oust his foes by supplanting the king’s favourite, Robert Carr, with a new favourite in George Villiers. The project is a success, but Bacon soon finds a complication: he falls in love with Villiers. It is no surprise that Bacon falls, but Blackmore’s take is incredibly tragic.

It is hard to classify this novel — it’s part historical novel, part black comedy, as well containing elements of tragedy and farce. Despite its historical setting, it’s thoroughly contemporary and hurtles towards a bittersweet conclusion. I devoured it in two days.

It is thoroughly recommended, and I look forward to reading more from this author. Thank you to Penguin and NetGalley for the eARC.

I fell in love with the style of writing since the first page and couldn't put it down.
A gripping story, a mix of different genres (historical fiction, mystery) and a great portrait of Frances Bacon as human being living in a complex age.
The book is well researched and the historical background is vivid.
It's the first book I read by this author and won't surely be the last.
Highly recommended.
Many thanks to the publisher and Netgalley for this ARC, all opinions are mine

A funny, moving, heartbreaking look at the life of Francis Bacon. Neil Blackmore plays fast and loose with ‘historical accuracy’, but this brilliant satirical book is definitely worth a read.

First of all, I would just like to say I loved this book. The rule of James I isn't one of my favourite historical periods, but this book still managed to make me do outside research on Francis Bacon and George Villiers. The book is obviously well researched (which is always good for a historical fiction novel) and also manages to be witty in parts.
I would definitely recommend this book to anybody wanting a queer historical fiction.

“Everything is about sex. Except sex, which is about power” - the quote, apocryphally attributed to Oscar Wilde, sums up much of the machinations at the heart of Neil Blackmore’s brilliant The Dangerous Kingdom of Love - a thrilling retelling of the later years of Francis Bacon’s life told with the seductive frisson of Choderlos de Laclos’ Les Liaisons Dangereuses (or maybe Christopher Hampton’s theatrical adaptation, as Blackmore even opens the novel with a list of Dramatis Personae).

Weaving together true events and people with a dramatic flair, Blackmore brings us into a Britain of courtly politics, betrayals, sodomy and philosophy with a humourists wit - and just when you think the betrayals are over, the novel has one last sting in its tale.

Bacon narrates his own story here, on the outs in King James’s court, trying to maneuver his way around his enemies - the King’s lover Robert Carr and the Earls of Southampton and Suffolk. Together with Queen Anne, he decides to replace Carr with a new lover, one they can control.

This is not the revered Francis Bacon whose work in philosophy would shape much of modern thought, this is a struggling intellectual and philosopher, a man who is determined to take an elevated place in society - one which, as a homosexual, he can not secure through marriage or family. As he says, men like him can not have love so instead he will have power.

Blackmore’s Bacon has a sharp mind, and a sharper wit with a constant awareness that even his victories may be fleeting. But, like the furtive, anonymous sex he has with strangers in the woods, he takes his joys where he can get them. He is insightful into the inner-lives of gay men and the “Normal Men” around them. There is rage beneath the wit, even as there is a resignation to the way of the world. Bacon knows that as a “sodomite” he lives on a knife’s edge - he could be thrown in gaol or worse, beaten and killed in an instant. All it would take is a stray word or look. His practice at moving through the heterosexual world unseen makes him adept at manuveuring through court.

Bacon’s plan centers on a young man, George Villiers, whom he proceeds to turn into a weapon to remove Carr by winning the affections of the King. The Queen worries that the innocent, but not too innocent, Villiers may become a greater monster than the one they’re trying to get rid off.

Don’t worry if you don’t know the real history, it’s a neat backbone to the story but hardly where the real flavour lies. Blackmore’s real success comes from placing us straight into Bacon’s mind, with all its turning wheels and fears and predictions. Is Villiers using him or is he using Villiers? How much is he willing to lose to smite Carr? Is he falling in love with Villiers? Even when he’s winning, we know how easily it can all be taken away from him - we’ve watched him take it away from others. Blackmore’s prose, like Bacon’s mind, mixes both elevated and crude thoughts with scathing wit.

There is a seductively modern streak to the book as well. Bacon’s observations of others and himself give a knowing wink to the futures of psychology and medicine, and the book’s finale speaks to the modern moment in a surprisingly honest way.

I devoured this book over the course of two days, I could have easily read it in one had I started earlier. The prose flitters off the page with a mix of drama and humour that kept me entranced, and eagerly rushing to my computer to find more from Neil Blackmore.