I didn’t realise this was the third in a series, so I spent the early chapters fairly lost (I really need to stop requesting ARCs that sound interesting without realising they’re not standalones). There were intriguing elements to this – it’s a Southeast Asian spin on The Snow Queen in a unique fantasy world, the setting is lush, there’s lots of lovely description and the cast is entirely diverse, which was refreshing. (It’s also impressively gory, if you’re bothered or intrigued by that sort of thing.)

Unfortunately I didn’t like the style at all; there is a type of lyricism in writing that serves and crystallises a story, and then there’s the kind that seems to actively muddy it. This was the latter kind. It’s very dramatic and grandiose and full of these ten dollar words, but it doesn’t flow well and it seems so determined to be beautiful that it renders the actual narrative opaque. I frequently had no idea what was meant to be going on in a scene because the writing was too busy preening and meandering all over the place. Which didn’t help when the actual scenes were clearly meant to be dramatic and emotionally impactful. I found the pacing odd as well – it’s a fairly short book but good lord did it drag in places. Great concept, but the execution didn’t work for me.

I want to start off by saying that this author is undoubtedly talented. They have a way with words that can truly paint a picture and build a world. There is no denying that. It is obvious just by reading the first few sentences that you are in for a well thought out and beautiful story.

That being said I felt that sometimes the description or detailed writing was a little long winded at times. There were several occasions I found myself forgetting or losing the plot within all extracurricular writing around what was going on. Was it beautiful? Absolutely. But it really drew me out of the story and sometimes stalled the progress.

The world and characters built in this trilogy (this is book three if you are unaware) was well thought out and something I hadn't really come across very often. That is what initially drew my attention to the story. I liked the concept and the way the world was a mix of science and magic was very much the type of thing that gets me excited to dive into. The way this author was able to add so much queer representation into the main thread of the story as well was something I think any one that identifies as such is always searching for in stories. This author shows you can have people all over the spectrum of gender and sexuality and have it not take away from a great story in the least. I think more people should strive for that when they write.

That being said, I felt the conclusion was a little anti-climatic for me. There were three books of build up that was leading to an inevitable moment and I felt that moment came and went in a blink. I was left wanting more in that sense. There was so much building to this pinnacle showdown that I, for one, felt a bit let down by the conclusion of that.

All in all the themes, emotions, and story were all very well thought out and portrayed. If you like sci-fi, fantasy type stories with some queer love and sex mixed into the intrigue and mystery of the main story line then I would absolutely suggest you give this trilogy a read!

My hopes were high for this final part in the Her Pitiless Command trilogy, Sriduangkaew's take on the Snow Queen fairy tale, set in South East Asia, with queer characters started out really, really well. Sadly, the second book already lost momentum and direction. This conclusion to the series fared no better and felt to me like the author just wanted to get it over with.

I could technically copy and paste my review of the second book in this trilogy, Mirrorstrike, because everything about that one still holds true with this final instalment. Except, this time, my patience was more tried, this one is the ending of the story so I had higher expectations, and it's also just a little bit more chaotic and less coherent than its predecessor. But okay, I guess, let's get into it.

Nuawa and Lussadh are getting married - hooray for the happy couple - so the first half of this 160 page novella is about them being lovey dovey and having lots of sex. Which, you know, is fine if that's what you're in the mood for and I actually found the sex scenes to be very well written. But the reason this book even exists - to tell the story of Nuawa fighting the Winter Queen - is completely ignored for almost half the book.
The romantic dialogue also makes me cringe every time because Sriduangkaew likes using big words and so her characters tend to make grand statements with polysyllabic vocabulary. It sounds over the top and overly dramatic to me but that's a matter of taste and your mileage may vary.

One more thing that made reading this hard was the use of various different pronouns. It's great to read about a world that includes all sorts of genders and relationship constellations, but using she/her, he/him, they/them, xe/xer, and ey/eir/em in a book this slim felt like overkill. Especially because sometimes, when we were in Nuawa's point of view and she just met a character for the first time and couldn't know what pronouns ey used, she was thinking about that person as ey/em, and that just felt strange. Like how do you see if someone goes by they/them, ey/em, or something else entirely?? So again, I love the inclusion but it didn't feel organic.

Something that is a fact, though, rather than personal preference, is the lack of plot. Now that the trilogy is finished, I have come to the conclusion that the author had a great idea, wrote the first book, and then didn't quite know where to go from there. Everything feels so up in the air, every scene on its own reads okay but there is very little connecting these scenes to each other. The whole Snow Queen theme got lost along the way and it reads like the author pantsed her way through it all and then just left the book as it was. I get it, writing a book is difficult and writing a trilogy even more so, but that's what editing and drafting is for. Also, maybe spend at least half a page reminding your readers of what happened before? Yes, the book then might be 200 pages long but those would be pages well used.

The characters also never quite recovered after the first book. In Mirrorstrike they already felt like shadows of themselves, occupied mostly with swooning over each other rather than what they've been spending their entire lives doing up until then. Nuawa from Shattersteel is barely recognizable as Nuawa from Winterglass anymore. The same goes for Lussadh. I did enjoy some minor characters in this book but they don't get enough time to shine because this is still a very short book.

The resolution to what was set up in the first book is relatively simple and had a deus ex machina feel to it. Nuawa originally set out to destroy the Winter Queen, avenge her people, and free her land and she went a good part of the way on her own strenght and intellicenge. Sadly, she lost her agency along the way as well, so it's not really even her to battles the Winter Queen at the end but someone else. Any satisfaction I might have felt in finally achiving the big goal was dampened by the fact that Nuawa was, at best, a messenger rather than the saviour of the people.

All things considered, I'm mostly disappointed. I will forever love and adore Winterglass but I don't see much of a reason to recommend books two or three. They add very little to the world building and characters. What little plot they offer is merely a convoluted vehicle to get to the ending (defeat the Queen and have a relationship with Lussadh, that's all there is to it, really). I'll give Sriduangkaew another chance and try her Machine Mandate series but as much as I enjoy beautiful language and deep characters, the books I read still need some kind of plot. And this one couldn't decide what it wanted to be when it grew up so now it's a jumbled mess of pretty words.

MY RATING: 6/10 - Good