Africa Is Not a Country is an engaging & enraging corrective to the narrow depictions of an entire continent in western media. Faloyin’s audiobook narration made for great listening on a road trip.
I can’t pick favorites—there are two many great parts: why so many countries are struggling with freedom fighters who became dictators after independence; misguided charitable and social media campaigns of white saviors who don’t understand the needs of African countries; the paper-thin rationale used by museums with many stolen artifacts in their collections; terrible scripts for Hollywood movies set in Africa; and the international affront of Jamie Oliver’s jollof recipe. Highly recommended.

Slow clap, folks, slow clap. I’m standing up for this one. Africa Is Not A Country: Notes On A Bright Continent is everything it aims to be: a sharp, well-researched critique of white-centric historical narrative and a sharp, well-researched critique of racial “enlightenment” today. For all the progress the world collectively has made in the direction of decolonization, we have not gotten very far. In so many ways, we’ve just gone in circles, retracing the road of colonialism with new vehicles. The route of racism is well-worn, a hard path to diverge from. What’s that phrase…The road to hell is paved with good intentions… that’s the one. That’s what Faloyin highlights in Africa Is Not A Country: the fact that colonization has continued to perpetuate, only in different modes — and still insidiously, under a familiar guise of tolerance and progressivism. Ugh, now that I write that I can see nothing has changed, even the veneer of human compassion.

The “Civilizing Mission” lives. Paternalism thrives in our media-frenzied, self-care touting, feel-good-no-matter-who-pays-for-it society. For the love of biscuits, will it ever just die? No. No, it won’t. That’s Faloyin’s message. It is a dismal one, but Africa Is Not A Country delivers it with witty, authentic, impassioned prose that balances intellect with humor. Faloyin does not hold back; words are weaponized in this work, they aim with accuracy at whiteness and the continuing erasure of Africa in all its dimensions. This use of language is especially poignant; it has been for so long used against the “formerly” colonized world, it is refreshing to see the ammunition firing from the other side.

On that note: The language is highly accessible and the case studies within appeal across generations. I am seriously considering assigning this in my courses on the history of racism. It is is not academic in the strict sense, but the historical content is sound and importantly, it communicates without pedantism, without supercilious lordliness. It’s downright funny in parts (well, as funny as history can be.) The case studies Faloyin examines are recognizable; students will be able to relate to this material with little explanation. For example, Africa Is Not A Country discusses white saviorism in entertainment, film, and on social media. Even if they are unfamiliar with specific events, they are savvy enough with the world of entertainment and social media to understand the historical implications and contemporary consequences.

The structure of the book is also well-suited to the classroom (and for any reader). It maps a chronological logic for the reader. The first chapters are focused on history, giving the reader ample and necessary context to understand what follows. Specifically, it provides necessary context about the Berlin Conference of the 1880s in which the powers of Europe literally carved up the African continent to assuage their imperial satisfaction. Prior to this international conspiracy and violation, the continent was autonomous and its peoples organically organized, if not always harmoniously, then at least according to their own choices and actions. The eradication of African sovereignty, identity, complexity, and visibility occurs rapidly from that point, undergirded by a much older and very established historical foundation of Orientalism and pseudo-scientific racism. The remaining chapters reveal to the reader how such erasure has continued and been actively perpetuated, purposefully and unintentionally. The division of these chronological events into short, assignable chapters serve classroom/course use well.

My courses are built for students of color, students who come from immigrant backgrounds, are first generation college students, and generally have little experience with academia and the culture of the academic elite. Africa Is Not A Country is perfect for the student population I serve.

Africa Is Not A Country is written with the African continent and its peoples in mind, but coming from a former British colony I found deep connection with this historical/contemporary commentary. Faloyin is Nigerian; in parts where he brought forth his own history I smiled at particularly British colonial references and uses of language. I could almost hear my mother’s voice in some of the words… I could not help but laugh out loud sardonically every now and then. The chapter on “We are the world” (yes, that ubiquitous song touting a generic Let’s-all-get-along-we-just-have-to-try message) summoned up memories and a bit of shame; I loved that song, sang it at all my family’s karaoke-pot-luck parties as a child. I remember believing so wholeheartedly that I was that future.

And that’s the horror of white paternalism. Colonialism was so successful; we are all complicit in it, regardless of our heritage, our race, our histories. That too is Faloyin’s message.

That said, ultimately, Africa Is Not A Country is also about keeping up the fight. Despite everything and all the obstacles we all must continue to work towards decolonization. This book serves as a necessary eye-opener for everyone. For some readers it is a reminder, an epiphany for others. This is a book for everyone: People of color, from any “former” or current colony, for those of European descent, for those at the beginning of their decolonization or those in the thick of it (who might need a jolt or encouragement). We are all descendants and inheritors of colonial culture.

Africa is not a Country is a really interesting book dealing with colonialism, racism, and many other topics. I liked the author's humorous approach at times, and at other times action steps to take. This is a wonderful book to learn about so many countries of the world that are often lumped together into one identity as "Africa."

Informative and irreverent, blunt in its truth telling, and wonderfully hopeful about the future of the fifty-four countries of the African continent, Dipo Faloyin’s book is so, so good. And generous, to have taken the stories of so many countries - obviously not all of them, and not in depth, that would be so many books - and shared them with the knowledge that a lot of guilty white people would be reading it. Faloyin is unsparing in his criticism of the racism which still drowns any discussion of Africa in the West, and explores the colonial legacy which slid gently into the white-saviour voluntourism which became so popular; the refusal to return looted artefacts, and the insistence of most Western media to portray all African countries as the same and also poor and backward.

This was informative, funny, and also full of realistic actions to take. Faloyin is Nigerian, and that is the lens from which he writes - including a chapter on how Jollof rice is claimed by many African countries but really, only Nigerians know how to make it properly. Throughly enjoyed this book, and appreciated the ways in Faloyin singled out different facets of systemic racism and how it influences how we speak about any and all African countries.

An interesting book that is divided up into almost essays about various topics of African history, current events, etc. The structure wasn’t my favorite - even within sections, there were parts that didn’t seem as relevant/weirdly placed. There was lots of interesting info though.

I wanted to read this book based on its title! The number of times I said this sentence to my students in geography might not make me rich, but I certainly hope I said it enough that they remember! I immensely appreciate this book and its author Faloyin whose writing is exemplary in skill, beauty, intensity, satire and humor (sometimes one and the same and sometimes not).

I wish I were still teaching because I would make sure my students knew the facts in here. I got so caught up in the book, I can't recall if the language would be considered junior and high school appropriate or not. It definitely has appalling facts -- appalling facts of a colonial nature that extend clearly into modern history. I can't wait to buy my own copy (coming out in the US September 5, 2022) so that I can quote from the book. The UK version is already out.

This book is a full meal at the table (and it definitely brings much to the literary table): how the countries became countries (not of their own volition), how charities truly miss the mark (and what they can do about that), how the images we have of Africa mess with the truth (way to go, Hollywood and others), how 90% of artifacts/artefacts were stolen out of the continent (and good luck trying to get them back), how diverse the countries in Africa are and worth traveling to. As for politics, yes, Faloyin does include a narrative from recent US events which might throw a reader at first until one realizes we have these stereotypes about Africa that keep tourists away (thinking these countries on this continent are "backwards"), yet these same situations are happening in the US by people mostly of European descent.

Faloyin's chapters are filled not only with the appalling stuff we need to know but also of the heroes, beauty, and stories we need to know happening in various countries throughout this continent. I looked forward each day, from June 24 to June 28, to reading this book, and I was sad when it ended. I know that there are many more countries Faloyin could have discussed. I highly recommend this book. I loved reading Faloyin's acknowledgements from beginning to end, and his younger brother comment to his sisters made me laugh out loud (can't wait to share this with my baby brother who has six older sisters). Thank you to NetGalley and W.W. Norton for this ARC.

When I glanced over the table of contents and the various topics that Dipo Faloyin’s “Africa is Not a County” was to cover, I initially wasn’t sure what to make of them. Ranging from the carve-up of the continent by European powers, to the jollof rice rivalry that exists between several west African nations, to a brief visit to his native Lagos, it all felt a little disparate to me. But once I was several chapters in, I found myself completely engrossed. Faloyin’s selected subjects work as both a mercilessly fierce multi-pronged attack on the long-standing stereotypes of Africa as a famine/poverty/corruption/war-stricken, rural, backward “Lion King”-esque monolith of a land and also a fantastic introduction to the continent’s true diversity and complexity.

The book almost feels like a must-read for countless others, and not just for those caught in the thrall of a simplistic all-Africa-is-all-just-the-same mindset. I came into the book with a somewhat better grasp of reality than that. However, the avalanche of information that Faloyin provided through his sharp writing made me intensely aware of all that I didn’t really know (which turned out to be quite a lot, to say the least). Also, to my great appreciation it simultaneously gave me a large head start in filling in my relevant knowledge gaps. As I worked my way from chapter to chapter, I compiled a sizably long mental and also physical lists of people, places, and other items that I wanted to explore further on my own later - which to me, is always an indisputable mark of a high-quality work of myth-busting non-fiction.

Packed from beginning to start with immense informative and eye-opening power, “Africa is Not a Country” is definitely not a title to be overlooked. After I suggest this for purchase at both the academic library I work at and my local public library, I look forward to overzealously recommending it to my friends and family.