Wowza we have a stunner on our hands. A History of Burning was such a well crafted and brilliant novel in my opinion. It will really make you think about a lot of things including humanity and how we deal with power. It will also make you feel a lot of feels. If you love multigenerational stories you will not want to miss this one.

we often speak of reading books we love in relation to sating a fierce hunger. we devour, consume, inhale books with urgency, feverishly. the shocking quickness with which we finish these books a sign of how profoundly they touched us.

but what of the books we savor, slowly? what of the books that resemble the scoop of ice cream we enjoyed as children on a summer’s day? which, in spite of the sweltering heat and our childlike impatience we were forced to ingest delicately, with care, one single lick followed by another. what of the books whose words imprint on us like the subtle but persistently present trail of melted ice cream that trickled down our arms, its stickiness lingering there well into the evening?

janika oza’s debut novel “a history of burning” was the type of book i wanted to take my time with. this was not a book i wanted to consume or devour in a single sitting, nor did its rich historical content allow me to. if ever i found my mind drifting, even if slightly distracted, i stopped reading. i wanted to be completely present as i absorbed oza’s intentional and exacting prose.

this is a triumph of a novel. it’s a nuanced testament to the dangers of ethnonationalism, of national borders, of the various ways we’ve constructed categories delineating between “us” and “them” and the harms in doing so.

i can confidently say this has been the best read of 2023 thus far. i’d recommend it to everyone.

thank you net-galley and grand central publishing for the e-arc in exchange for an honest review.

A History of Burning is a multigenerational family sage that begins in India and treks the reader through Kenya, Uganda, the UK and Canada. Pirbhai was only a boy when he was lured by a man who promised him work to support his mother and sisters. Instead, he ended up on a boat to Kenya where he was forced to work on the railway being constructed in East Africa by the British. As he grows older and leaves the railway work, a chance encounter at a local merchant's shop gives him a job, a place to sleep and eventually a wife. With his wife, Pirbhai moves to Uganda and begins a family of how own. It is in Uganda that Pirbhai's children and grandchildren will once again be uprooted as political and racial unrest forces those of Indian descent to flee.

I absolutely loved this novel! I knew nothing of the history of Indians in Africa and the circumstances that brought them there and forced many to flee. The story is heartbreaking at times as families are separated voluntarily and involuntarily. It's a story of being an immigrant and starting over repeatedly in multiple countries. But it's also a story of resilience and courage, the meaning of "home" and shows the true strength of familial bonds.

Thank you to so much to Grand Central Publishing for this gifted early review copy.

These people were very amazing how they survived a lot of different things.. IRPNAI. Use this village in India and goes over to the African continental to build a railroad for the British government.. It was very harsh conditions so he eventually left and I met a person who would help I like the book because it showed how people were up against the British in Uganda but this cost the family to leave too. You can see in this book how? You can see in this book. Out of the country was up against the English and then in Uganda but the person who took over from the British was not very nice. He just plays a lot of people who are not you're a African. him in a pharmacy. The pharmaceutical is working the father said you must marry my daughter. So he marries the daughter and then moves to a different part Of the country because her father owned another business. So they start. A? Family. They had a really good life and they had a daughter and then she married another man. Things were going well until the British decided to leave your Ganda and this is when the hate and the violence started with these people because they were Indian descent.. They had radical groups and. They have three daughters and two sons. The Sons died. And they had problems with the oldest one because she was with a radical and she believed in this her name was. L a n h. She eventually married this man but things weren't going too well. She had a baby but when he was arrested and they had to flee the country. She gave the baby to her mother. S*** rest of the family love to go to toronto. They had it live there but it was very difficult. They had a life there but it was very difficult but the father tried so hard to keep everybody going.. You can see when people get displaced. It's hard because they don't speak the language and they don't really have social services from these people. Was a doctor and she went over to india to study but eventually she made her way back to To toronto i'm married to man. The grandmother was raising the sun from the missing daughter and they never told him what really happened to. Her because she never kept in contact. He eventually found out he was very angry about it and couldn't realize this. This is what happens when you're displaced and families get broken up and have to go to another country to live to survive. It was really hard for him. Was really good because he tried so hard and he bought a house and things that never went really well for him but he kept trying. You'll find out what happens to the missing sister it's pretty interesting how she somehow survived all this. People don't realize when you're displaced from a country I have to leave everything behind to go. It's very hard.

A family saga very rich in historical detail. I learned so much of India’s history by reading this book. (Of course I was googling to learn more). I highly recommend.
Many thanks to Grand Central Publishing and to NetGalley for providing me with a galley in exchange for my honest opinion.

A multi-generational story about an Indian community living in Uganda. Pirbhai was looking for work to support his family and is unknowingly taken from India to work for the East African Railway. In his new life of dangerous work, he's just trying to survive. He marries Sonal, the daughter of the store owner who helped him after the railway, and together they try to build a new life in Uganda to support both of their families. Uganda is still under British rule, which develops discontent among the various communities and as Uganda heads towards independence, there is increasing hatred against the Asian community. Pirbhai's son Vinod marries Rajni, who came to Uganda partly to escape the Partition, and as their three daughters come of age, they're faced with the Asian Expulsion decree. They are forced to leave their home and find refuge elsewhere, along with thousands of other families, leading to the split of their family and community all across the globe. Overall, a sweeping and heart-wrenching tale of a family trying to stay together and make a life but having to make extremely difficult decisions in the face of danger and hatred.

A beautifully told, often harrowing story about a part of history we don't get to read much about, in fiction or even non-academic nonfiction: Gujaratis who were taken to Africa as indentured servants and had to then leave everything behind in the 1970s due to a dictatorial political edict.

Multigenerational sagas are tricky because they sweep across vast landscapes and time periods. For a debut novel, Oza's work is an impressive feat.

My only wish is that Oza might have given us occasional flickers of laughter in the dark.

Astounding, remarkable debut, unlike anything I've read before and one that will stay with me long after reading. Excited for this book to be out in the world and to read everything Janika Oza writes!

Thank you to NetGalley and Grand Central Publishing for the advanced copy.

This is an epic story of one family that spans across multiple generations. It's beautifully written and jumps around the various family members as they age and how their lives change. So be prepared to memorize all the family members or write them down so you can remember who is who.

A HISTORY OF BURNING by Janika Oza is a sweeping, multigenerational historical fiction novel that traces the story of a family with roots in India, displaced to Uganda. From Partition to British colonial rule to Idi Amin’s reign of terror, Oza highlights how the forces of history played out in the lives of ordinary people.

Spanning four generations, there’s no focus on a single protagonist, but rather, we witness how the choices that the elder generations make to survive have consequences on the younger. Skipping around in perspective and time, Oza does a fantastic job of keeping the reader oriented. Her prose is so evocative, and I found myself nostalgic in a perfectly complicated way for the months I lived in neighboring Kenya, from the Swahili phrases to the familiar foods to the multiracial history and tensions.

The narrative is propulsive historical fiction for the first half, then shifts to more introspective family drama in the second half. I would have loved to dwell more on the events in Uganda, as I’m not sure if readers unfamiliar with Idi Amin will grasp how singularly despotic he was. However, that’s not the author’s focus here, and instead she does a masterful job exploring how fractured the South Asian Ugandan community becomes after expulsion and how families rebuild after crushing loss. Themes of family secrets, belonging, class, national identity, white colonialism pitting communities of color against one another, and migration permeate the book and give it muscle.

This novel reminds me two other faves, Mai Al-Nakib’s AN UNLASTING HOME for its multigenerational saga crisscrossing national borders and Rachel Heng’s THE GREAT RECLAMATION for how it illuminates the epic history of a young post-colonial nation through the story of its characters.

Thank you @grandcentralpub for the gifted copy! 4.5 stars rounded up.

A multi-generational tale of family and heartbreak spanning multiple continents over more than a century. It is no easy feat to craft a sweeping saga with so many different characters, locations and perspectives, but Oza succeeds here. A debut that will leave you feeling breathless and anxious for Oza’s next work.

The story begins in India and then moves to East Africa. The backdrop of colonialism is present throughout and the history of Indo-Ugandan people was something I knew next to nothing about. Their oppression during British colonial rule does not abate when Uganda gains independence. In August of 1972, the president of Uganda Idi Amin, ordered the Indian minority to leave the country within 90 days. We follow the family in the story as they flee and settle in Toronto, but many also ended up in the UK and India. Oza shows how the South Asian community and Black Ugandans were both victims of white colonialism.

Burning, both literally and figuratively, is a theme that threads its way through the story. We watch the family try to come to terms with a past that continues to haunt them all, one generation after another, and how they are determined to fight for a better future. This book is a testament to survival, hope and home.

Wow, A History of Burning is an epic, ambitious, multi-generational saga. The book spans over the course of (almost) an entire century as well as multiple continents, multiple languages, and several deep and challenging issues like exile, colonialism, racism, and immigration. Perhaps most importantly, it is a story of how one family overcomes all of that trauma; it is the story of their survival.

While I refer to the book as "ambitious", I am happy to say that it exceeds those ambitions. Oza does a beautiful job of weaving the stories of multiple generations together. I have read many historical fiction books, most of which had multiple (often just dual) timelines. I don't think I have ever read a book quite like this. Where we are given a window into every generation of one family (with supporting characters) over the span of nearly a century. Some of the things I loved about how this was executed was that the book mostly went in chronological order. While that may sound like common sense, if you've ever read a multiple-timeline historical fiction book, you know that they typically bounce back and forth between distinctly different time periods. I love that with this book, the reader follows the characters from their childhood through adulthood, sometimes to their death and what comes after. I also loved that I could see how the parents interacted with their children and I could understand their motives and behaviors, specifically because the book provided me with the story of their upbringing. I understood their history and trauma and could see how it played out in later years.

I felt that the characters were very authentic and real. The way the traumas that they experienced caused them to sometimes drift apart, and other times drift closer. The love, the pain, the memories - it all tied so beautifully together.

One of the other things I really appreciate about this book is that I learned about a period of time and an entire part of history that I knew nothing about. I even talked to my husband about it and was able to share this part of history with him (which is extremely rare, because I did not grow up with a love or appreciation of history, whereas he is pretty knowledgeable in that space). The book had me doing more research about this part of history, and I love that I'm walking away from this book not just having enjoyed an incredible story, but also having learned from it.

I only had a few minor struggles with the book and they are not problems with the book, but rather with me as a reader. The first is that I was initially having a lot of trouble keeping all the characters straight and keeping track of the timeline. I'm so used to books that jump all over the place with timelines that it took me a little while to realize that it was progressing chronologically (I'm still not sure that it was 100% chronological because I went into this book blind, not realizing what it was about or that it was going to be a multi-generational book, so I didn't pay as close attention as I should have to the years until I was at least 1/3 of the way through it). So if you struggle with books that contain a large number of characters, I would strongly recommend taking basic notes about characters and years when you start reading. It will help you along the way.

The other struggle I had is that some paragraphs were so chock full of words from other languages that I was conflicted about whether to stop and look up each word or stay immersed in the reading. I did my best to determine what the words were from context, but there were some instances where I had to either skip past the words entirely or stop to look them up. Again, this is not a problem with the book. I actually LOVE that the author included these languages. I think it adds to the authenticity and teaches me even more. I just know that when I'm really sucked into a story, it's hard for me to have to stop and look words up (because I don't want to tear myself away from the reading). So there were some instances where I felt I was missing out a little bit because I wasn't benefitting from a complete understanding of all of the words, but it was never to the point that I couldn't understand what was going on. I just had to decide between my curiosity/desire for knowledge and my desire to keep reading.

For me this book was a slow read, but I also felt that reading it slowly allowed me to best immerse myself in the story and truly appreciate it for everything it was. It's not a book to be rushed through or read in short increments. I enjoyed it most when I could sit down with it for an extended amount of time, without distractions.

This book was written so well with such beautiful prose, that it's shocking to me that this is Janika Oka's debut book. I am thoroughly impressed and look forward to whatever she comes out with next.

Thank you to NetGalley and Grand Central Publishing for the e-arc of this book in exchange for my honest review.

A History of Burning tells a story of four generations of a family across a century. This kind of historical fiction is slowly becoming a favorite of mine. It usually manages to make me care deeply about the characters and makes the motivations and dilemmas of characters very understandable. It also serves as a great tool to explain the historical events of the time and the impacts of it on people.
While I was aware of Amin's awful rule, I had little knowledge on the Indian minorities in Uganda and their expulsion. Well, this book remedied that. Staring in 1898 with Pirbhai, a teenager that was taken from India and forced to work in harsh conditions to build the East African Railway, the novel mostly tells the story of his children and great children and how a decision he made for survival impacts them.
The first 60% of the novel was fascinating historical fiction, while the rest of it mused on identity and belonging and the meaning of home, as the family escaped to Canada, topics I love reading about. While I found the ending a bit abrupt, I still absolutely loved this book.
Thank you so much to Grand Central Pub for the ARC and the finished copy of this one!

Janika Oza’s debut novel, A History of Burning, is a nuanced and layered epic that spans a hundred years, four generations and four different countries. It is a generational tale that begins in 1898 with Pirbhai, a 13-year-old from India who crosses the Arabian Sea with a crew of young boys who are promised work. The work is the brutal job of building the East African Railway for the British. This experience shapes his identity and future, and he goes on to settle in Uganda with the drive to make this foreign country a home for he and his family.

The story goes on to describe the lives of his children, grandchildren and great-grandchildren. During the 1970’s, the military dictatorship of Idi Amin forces South Indian residents in Uganda to flee or be killed in an often-overlooked act of genocide and terrorism. Communities and families are broken apart and dispersed throughout England, India, and North America, with Pirbhai’s descendants ending up in each of these places.

Told in alternating character points of view, this story moves through time and place with different family voices lending insights and fullness to the narrative. At its heart, this story is one of family and memory; what can be left behind and what is always with you. The plotline ebbs and flows much like water on the shores or memory in streams of human consciousness. It is a story of starting over and rebuilding, with love and community being the only stable foundation.

Oza’s writing is stirring and descriptive, infused with well-researched historical events. While the length of the novel offers up some scenes and character actions that tend toward banal, it complements the ebb and flow of the overall arch of the story. I am looking forward to more beautiful work from this talented author. Thank you to NetGalley and Grand Central Publishing for the chance to read and review an advanced copy.

A powerful saga spanning almost a century and several continents. Pirbhai is lured from his home in Gujarat to work the British railway project in far away Mombasa and so begins an unending quest for home, country, community and belonging. The story is long the characters are multiple and the pacing is slow but stay with it and you will find it well worth the ride. It is a story of human resilience and the will to survive against all odds, the power of new beginnings and the strength of family. An epic tour de force!!
Thank you NetGalley and Grand central publishing for the ARC

ARC from NetGalley
Pub Day: 3/23/23

I like to begin my reviews with a short synopsis of the book’s plot, but that is difficult here. The short version is that this book is about a single family and how they live, grow, and change over a century. But that doesn’t even begin to cover it.

Spanning nearly 100 years and seen through the eyes of 9 different characters the real story is the interpersonal dynamics between these multiple generations of a single family as each individual strives to find a place in their family and the societies they inhabit, where they feel accepted and fully themselves. And it is beautiful. Every character has to deal with the traditional, generational, and gendered expectations of not only their family, but the cultures they live in and the tension between these expectations and their individual desires.

Janika Oza’s writing is superb. Each character, beautifully crafted with all their beauty and flaws on full display for the reader. I yearned for each of them to find what it was they needed, but knew that too often the world, or they themselves would get in the way. This book showed family, not idealized, but as it is with all the love, anger, fervor, compromise, stability, uncertainty, and hope that comes with it. I cannot recommend this book enough.

Wow. What a debut! This is beautifully-written multigenerational novel that taught me so much about a history I didn’t know much about - the Indian-Uganda connection and the British colonialism/post therein. The book opens in 1898 when a poor Indian boy trying to help feed his family is tricked into a lifetime of indentured servitude. Decades and decades pass and within this time families grow and are dislocated and reformed. Choices and the complexity of family are explored within this writing that will make you feel like you’re sitting at a family meal with these characters. The author, Janika Oza, has undertaken a tremendous feat in this beautiful novel and I’m so glad I read it. Pick this one up. This one is brilliant.

This sweeping multigenerational, historical fiction novel about an Indian family settled in Uganda will be perfect for fans of the Homegoing, Pachinko, and other great books of the genre. The writing is beautiful and I learned a lot about a time in history and a people I knew little about before, which is why I continue to pick up books like this. Unfortunately I struggled with the pacing and the many shifts in characters' perspectives so it moved very slowly for me. In some ways it read more like a series of interconnected stories than a continuous novel, which will be perfect for many readers, but just isn't exactly for me.

This is a brilliant, complex, multi-generational story. It's beautifully written and engaging. It begins when Pirbhai, barely a teenager and frantically hunting for work to support his mother and sisters, is tricked into leaving India for Kenya to help build the East African railroad. His story begins the family pattern of abrupt departures as he and his family scatter and reconnect and scatter again throughout their lives as they survive the brutality of the railroad, colonialism, multiple countries becoming independent, Partition, and Idi Amin's regime and the expulsion of Asians from Uganda. They repeatedly build, lose, and rebuild their homes through the novel; while some of the stories are devastating, the novel itself is neither bleak or sugar-coated. The narration passes between family members between 1898 and 1992, and each chapter has the resolution of a well-told short story, even when the events themselves are impossible to resolve. I appreciated that we returned to the same characters at multiple key times in their lives, and I found all the characters interesting, complicated, and distinct from each other.

Thanks to Netgalley, the publisher, and the author, for the free earc in exchange for an honest review. My opinions are all my own.

The writing is very solid and beautiful and poetic at times. The author is strong and confident in the writing.

This book is structurally a collection of short stories. They are inter-connected but each chapter reads like a short story--with a punchline (that climax or zinger) that is so iconic of short stories.

There is breadth given that each chapter reflects a specific character's viewpoint across time or generation. This does, however, create a certain start-and-stop effect. The writing itself is affecting but only within the limits of a chapter. The depth can only go so far per chapter, per character.

The book is about trauma, serial occurrences of trauma across generations. Yes, it is about survival and reckoning with loss and regret. Moreso, it is about surviving under oppressive systems, i.e., poverty, colonialism, and racism.

I did not like the ending (before the epilogue). It felt abrupt and "convenient." I also did not like the epilogue for being opaque or vague. It was an attempt at hopefulness but missing the mark, it fell flat...that short story "wrap-up" suddenly absent or unachievable.

Thanks to Grand Central Publishing for this ARC in exchange for an honest review.