Stunning short novel about art and ageing, about memory, creativity and the artistic process. But be warned – the book doesn’t really work on the Kindle. Read either in hard copy or on the Kindle app. I read it on my IPad which was perfect. The illustrations are an integral part of the narrative and they don’t translate well for Kindle. Or you can keep Google open beside you as you read – there is a lot available online about the references, thankfully, as this is definitely a rabbit hole book which will almost certainly make you want to find out more. Essentially it is a fictionalised account of the last work of Scottish artist Alan Smith (1941-2019) entitled The New World, which Smith was inspired to make following his discovery of Tiepolo’s Il Mondo Nuovo. Author Douglas Bruton met Alan Smith and discovered his work shortly before the artist’s death. He didn’t originally plan to publish his account but was encouraged to do so by Smith’s widow. In the novel the old artist is ailing and no longer able to paint. He turns to photography and hires an assistant to help him translate his ideas into photomontages. The book is not an attempt to portray the real artist in a biographical sense, Bruton explains, (in fact the old artist and his wife are not named in the narrative) but reflects his own response to the work. I found the book fascinating and compelling. The writing is pitch perfect, insightful and empathetic, and packs a lot into just a few pages. Highly recommended.

with or without angels follows an artist coming to terms with age and illness while embarking on a spectacular final piece. Thank you so much @fairlightbooks for letting me read an advance copy in exchange for an honest review!
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I was absolutely blown away by this book. Not only the visuals (some of my favorites are on slide 2), but the poetic short-form storytelling, the fluid movement through different time periods, the heart-wrenching truths it shares about love and mortality. This book is barely over 100 pages, but easily five stars. It packs a punch to say the least.
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I highly, highly recommend this book to literally anyone, but especially anyone who likes reading about art (like I do). Seeing the world through this artist’s eyes as he constructs his breathtaking project is a special experience I’m privileged to share with you all :)

My review is live on my Instagram @blondeandabook now https://www.instagram.com/p/CofvOejP_M6/?igshid=YmMyMTA2M2Y=
https://www.instagram.com/p/CofvOejP_M6/?igshid=YmMyMTA2M2Y=

a heartbreaking story about an old man trying to create his last piece of art after a particularly grueling battle with cancer, “with or without angels” is an excellently and otherworldly crafted short novel. there is something so poignant about the way burton writes about this process that it borders on pure ekphrasis. yet, the emotion capacity of the characters shines through. each chapter ends with a gorgeous work of art, showing the progression of the artist as well as the growth and spread of cancer. this is a fantastic, short read i would recommend to anybody. the prose is simply brilliant and you can tell just how invested burton is in his characters.

thank you to netgalley and the publisher for this arc in exchange for an honest review!

This beautiful story was inspired by the work of Alan Smith, a Scottish artist who created a series of photo collages based on an eighteenth-century fresco by Giandomenico Tiepolo. Smith was ill when he made the collages, and the protagonist of this book will follow that path. Aging and terminally ill but creating works of art that will live beyond him. What comes after is a theme in this book, explored through what came before. Youth, fresh love, relationships, time, and decline. Angels revealed through love. The narrative is incisive, soulful, and precious. Douglas Bruton is a master of language and mood and has done a marvelous job rendering a perspective from which Smith might have created his own version of The New World.

Many thanks to Fairlight Books and NetGalley for allowing me to read this ARC.

Beautifully written sketches in response to art by the late Alan Smith with the works included in the text. I prefer a more fully realised story but interesting if you like something experimental - and short.

A novella about art, inspiration, memory, love and ageing. The author in his afterword says that it was inspired by artist Alan Smith and his series of photos The New World which was in its turn a response to the fresco Il Mondo Nuevo by Giandomenico Tiepolo (all the artworks are shown in the book). I read it in two sessions, the writing is lovely. It is written from the point of view of the ageing artist as his memory drifts, as his mind tries to makes sense of reality and dreams or stories. A moving and unusual read.

This short novella, 46 pages, has great charm. An artist nearing the end of his life muses on a painting by Tiepolo and though he has lost the use of his hands engages a young woman to help him recreate the feelings and composition using a camera. Knowing that this will be his last work it triggers many feelings and thoughts.

I first came across the name of Douglas Bruton in connection with his short story titled “Thirteen Wedding Dresses”, featured in the Fiction Desk anthology And Nothing Remains. That wistful, lyrical piece had made a good impression on me but did not prepare me for the brilliance of last year’s Blue Postcards, a novella published by Fairlight Books as part of its “Fairlight Moderns” series. Weaving together three storylines, chief of which is a Sebaldian retelling of the life of artist Yves Kelin, Bruton skilfully managed to combine an experimental structure with heart-warming storytelling.

Bruton returns to Fairlight with an equally striking and interesting novella – With or Without Angels. There are parallels with Blue Postcards in the work’s artistic inspiration and its weaving of fact and fiction. The author describes the novella as a “response through fiction” to “The New World”, a set of photo collages by the late Scottish artist Alan Smith, which is itself a tribute to or meditation on “Il Mondo Nuovo”, a fresco by 18th century artist Giandomenico Tiepolo. In an afterword which doubles as an acknowledgments section, Bruton describes learning of this work after meeting Smith’s widow. Browsing the artist’s online pages, Bruton came across a video in which Smith described the genesis of The New World, a work he devised and created while seriously ill with cancer.

Tiepolo’s Il Mondo Nuovo is an enigmatic work, showing a diverse crowd with their backs to the viewer. Smith’s response is equally mysterious, the photo collages combining figures from Tiepolo’s original with contemprary images and elusive symbolism. Bruton’s novella incorporates each of the pictures in Smith’s series as a pictorial conclusion to each chapter, which reimagines Smith as an unnamed “old artist” who creates art with the help of young photographer Livvy, and the encouragement of his loving wife. The artist is aware that he is losing grip on his life and his cherished memories. The images which he conjures up with Livvy’s support are his way of surviving and possible injecting vitality into the images which have marked his life and which now seem to be slipping his grasp.

With or Without Angels is a lyrical ode to art, life and love. It is at once elegiac yet hopeful, understated yet poignant, experimental yet perfectly accessible. I am often wary of using hackneyed adjective “haunting”, but it seems perfectly fitting for this novella.

https://endsoftheword.blogspot.com/2022/11/with-or-without-angels-by-douglas-bruton.html

The blurb for With or Without Angels describes it as ‘a response through fiction’ to ‘The New World’ an artwork by the late artist Alan Smith, itself a response to the 18th century artist Giandomenico Tiepolo's 'Il Mondo Nuovo’. In his acknowledgements, Bruton explains that after meeting Smith’s widow and examining the work online, he felt impelled to write his own response. The result is a the most original piece of fiction I’ve read in quite some time.
In remission from cancer, an artist leaves the house each day, taking with him a camera. He takes a picture of them himself and his wife at the entrance to Tate Modern, a mirrored surface reflecting their images back at the camera. prompting him to create a response to the painting that has most influenced him through a series of photographs, digitally manipulated with the help of a young photographer. As he thinks about each image and how it will be achieved, he’s flooded with memories and reflections.

Bruton structures his novel around Smith’s eleven pictures, beginning with the artist and his wife, each one reproduced at the end of a brief chapter. Through the artist’s narrative, Bruton explores many themes while asking what will remain when he dies? Will it be the work or love? This is such an impressive piece of fiction: thoughtful, imaginative, erudite, and beautifully written. Bruton explains that it was Smith’s widow who encouraged him to look for a publisher and gives ‘special thanks to the late Alan Smith for this “collaboration”’. If I could give it six stars, I would.