I couldn't even finish this. I was really interested in the beginning but I couldn't stand the break in the 4th wall. It might just be me but I don't like this in books.

This was neither my favorite nor least favorite by Michaelides. I think what he does well here is an unreliable narrator that you’re not sure if you like or not (not unlike my favorite of his, The Silent Patient-which frankly set my bar for the author incredibly high). I think where this book lacks is in pacing and I found one of the main characters a bit insufferable insofar as the fickleness she was portrayed to have-but perhaps that was just a choice I didn’t love. Overall I thought the twist was pulled off decently (I had a feeling the narrator had done a bad deed but not the one he did).

This is not a whodunit.

This is a story of love.

The Fury follows the retelling of a murder, narrated by an erratic character who was close to the victim. Alex Michaelides created a cast of characters fitting for this outlandish tale you won't believe until you reach the end. From page one, you are guessing who murdered whom. Everyone has a motive. Everyone has a secret.

In true Michaelides fashion, the reader is kept guessing and mentally maneuvering plot twists and turns. And again you will find how he weaves in characters from his prior works. Truly, another suspenseful masterpiece.


Thank you to Caledon Books and NetGalley for the advanced reader copy. It was a pleasure to read and review another thrilling masterpiece from Michael Michaelides.

Alex Michaelides has the trippiest, twistiest writing. Once again I don’t know how I feel or what just happened after finishing one of his books. I’m just over here like 🤯

This book is a murder mystery set on an island. But not the fun whodunnit kind, more like the kind that dives into the inner workings of the characters minds and lives and uncovers their twisted pasts little by little. The plot jumps between the current happenings on the island and the characters’ lives on different parts of the timeline. It does still have a murder that you need to figure out, but as Elliot, the narrator, takes us through the story, the characters’ lives outside of the island gain a big part of the focus. It’s hard to describe the plot, but that’s the best I’ve got.

This is not a traditional thriller, and it’s mostly slowly paced, but it’s definitely not a mild story, especially as it progresses. There are triggers of alcoholism, cheating, stalking, bullying, mental illness, and child abuse.

Overall, this was a very well-written book, with plot twists that you don’t expect, and even a vibe twist if that’s a thing. I recommend it to anyone who’s a fan of a slow psychological thriller, especially fans of The Silent Patient. It’s a completely different book, but there is a connection.

Thank you to NetGalley and Celadon books for the ARC in exchange for my honest review.

The drama!! I’m not just talking about the plot, but the characters too. This book is truly unique starting from the first character interaction, who is also the narrator. It felt like the beginning of Aladdin in which the narrator is trying to bring you into the story almost conversationally. Making you an ally or a conspirator to the madness he’s about to drop on you. What could possibly go wrong when a reclusive but very famous movie star and her friends go to a private Greek Island on holiday?! Turns out quite a bit!
I could not put the book down mainly because I wanted to get to the excitement. It took quite a bit to get there (at least 2/3 of the way through the book). Given such a slow start, the end was twisted, fast paced, and shocking. I loved it and my jaw was on the floor by the end! I don’t know how I can simultaneously like and admonish a character so much all at the same time.
I liked reading the book in ‘Acts’ seeing as our narrator is a playwright. The characters were vibrant and the setting was mysterious and beautiful. I really enjoyed this story! I voluntarily reviewed this after receiving a free copy.

Thank you Celadon Books and NetGalley for the ARC!

I was so excited to pick this book up because of how much I enjoyed The Silent Patient by this author. There are some similarities between TSP and this book, namely: the unreliable narrator & the multiple plot twists. Much like TSP, I saw some of the plot twists coming but not all of them.

The Fury is told from the POV of our unreliable narrator, Elliot Chase, as he is recounting the story of how Lana Farrars was murdered. I understand that it was intentional, but not a single character in this book is likeable (likely because we are looking through Elliot’s lense) and while that typically doesn’t bother me, these characters were a bit grating to me at times.

This timeline jumping murder mystery is probably the slowest ‘thriller’ I have ever read. That isn’t necessarily a bad thing, but you, future reader, should know this is not an action packed book.

All in all, I’d land on a 3.5 stars, but since that isn’t an option on NetGalley/Goodreads I will round up to 4.

“𝑨𝒍𝒍 𝒕𝒉𝒆 𝒘𝒐𝒓𝒍𝒅’𝒔 𝒂 𝒔𝒕𝒂𝒈𝒆,
𝑨𝒏𝒅 𝒂𝒍𝒍 𝒕𝒉𝒆 𝒎𝒆𝒏 𝒂𝒏𝒅 𝒘𝒐𝒎𝒆𝒏 𝒎𝒆𝒓𝒆𝒍𝒚 𝒑𝒍𝒂𝒚𝒆𝒓𝒔”
𝑾𝑰𝑳𝑳𝑰𝑨𝑴 𝑺𝑯𝑨𝑲𝑬𝑺𝑷𝑬𝑨𝑹𝑬

I bet you have been seeing this book everywhere lately, it is one of the most anticipated 2024 releases and oh boy, it lives up to expectations.

If you are looking for an average fast-paced whodunnit thriller, keep looking because this is not it. If you are anticipating the return of “Silent Patient”, you are bound to be disappointed. This book is a masterfully written, clever tale of love and maybe murder. What makes it unique is the way the story is told. We have a narrator with strong personality that walks us through the plot from his POV and he might just become the most hated book character of 2024. This book is different from other Alex Michaelides’s books but it carries along his signature style and I would still recognize this prose and setting among other copy and paste thrillers.

Despite the fact that I found myself disengaged at times when the story kept going back and forth between the past and the present, the ending was rewarding enough to add this to my pile of worthy thrillers. Not many authors are brave enough to step away from standard thriller/mystery book formula and I sure appreciate the ones that do.

Is it a murder mystery or love story? You decide.

Lana Farrar, a famous ex-movie star, finds her Greek island trip with her friends uprooted by a recent murder. With an added twist, she isn’t the narrator.

I haven’t read The Silent Patient, but I read so many good reviews, I just had to get this author’s ARC. It is unfortunate that this book was a bit of a miss for me. The narrative is slow, and the meta commentary made my reading experience unenjoyable. It’s just not my taste. The mystery itself is solid, but I would have enjoyed it more if it was written differently. Thankfully, I will still give The Silent Patient a try. Take my review with a grain of salt, it’s purely personal preference.

Thank you to NetGalley and Celadon Books for this ARC.

In The Fury by Alex Michaelides, I found the plot to be intriguing, but the execution lacked depth. The characters felt one-dimensional, making it difficult to connect with their struggles. The pacing was inconsistent, leading to moments of confusion. Additionally, the resolution felt rushed and left loose ends, leaving me unsatisfied. While the premise had potential, the overall experience fell short of my expectations, resulting in a two-star rating.

thank you to @celadonbooks for the gifted arc of @alex.michaelides’s latest!

lana farrar needs a vacation. desperately. enter her best friends, elliot & kate, ready at stage left to join her & her family on their island in the aegean. all’s well… until someone dies.

as most thrillers do, this story starts with death. where it diverges is the way that it all unravels. told from elliot’s perspective, the story is told quickly but it’s contextualized slowly & steadily. told in layers, this story leaves the readers constantly questioning who did it & why. the twists have twists & i was left wondering almost until the very end. i enjoyed the unique narration style & appreciated the callbacks to michaelides’s previous work. if you’re on the fence, i recommend giving it a shot!

and if this review left you wondering what the vibes are/if it’s worth the read, here are some photos from my trip to mykonos in 2017. greece remains one of my favorite places i’ve ever traveled to 🥰

the fury is out now!!

**4.5-stars**

The Fury, the latest from Alex Michaelides, is a unique and unsettling Tragedy from which I couldn't look away. This kept my head spinning all the way through. We love that!

I've thoroughly enjoyed this author's previous novels, so had been highly anticipating this. I started to see some early reviews though that made question if I would like it. Luckily, I found this to be engaging and intriguing from the very start. Our narrator, Elliot, addresses the fact that he is our narrator. It's like we are sitting with him, having some drinks, and he is telling us a story from his life.

I absolutely adore that kind of narrative. It always makes me feel like I am actually a part of the action, or more fittingly in this case, of the friend group.

Elliott relates to us the details of an ill-fated trip he took with his best friend, Lana, a retired movie star, her husband, Jason, their mutual friend, Kate, also an actress, Lana's son Leo, an aspiring actor, and Lana's assistant, to a remote Greek island for a weekend getaway.

We know what starts out as a beautiful holiday, ends up to be anything but. The group gets trapped on the island due to high winds. Emotions and tensions are running high. The claustrophobic nature of their excursion becomes palpable. This strain could be blamed for the violence and death that ultimately occurs, couldn't it? Or is something much deeper lurking under the surface that leads to the bloody and chaotic conclusion?

Y'all, I was absolutely swept up into this story. I know that some Reviewers have mentioned that it was slow for them, but I didn't have the same experience with it. I had the audiobook and listened to the first 70% just while adulting, doing my cleaning and other errands, one Saturday.

I was obsessed with learning all I could about the characters and couldn't help but continuing on. The narrative structure is out of the ordinary, but I loved how it was done. Michaelides kept me guessing. It also should be noted that I am a huge fan of unreliable narrators and Elliott fits that moniker to a tee.

I wouldn't say this is a simple story to read, and I can see how it wouldn't be for everyone. I can also see how some may find it slow. There is quite a bit of develop in the beginning, building out our group and their relationships.However, for those who enjoy some mental gymnastics, mixed with great character work, an unreliable narrator and tension so thick you could cut it with a knife, this is sure to be a success.

If any of these descriptors are buzzwords for you, give it a go. You may like it, you may not, but either way, it's sure to be a memorable experience.

A few other aspects of this book that worked for my tastes were the remote location, particularly the fact that it is set on an island, I live on an island, so tend to love to see that, the cast of unlikable characters and the teeny bit of character crossover from The Maidens and The Silent Patient. No, you don't need to read either of those novels prior to reading this, but for those who have, those little name drops can be a lot of fun.

While this doesn't have the same level of mystery as The 7 1/2 Deaths of Evelyn Hardcastle, it did sort of remind me of that in some ways. I think the vibe of mild confusion mixed with enjoyment is quite similar. If you enjoyed that one, you may enjoy this as well. Overall, I think this is just so fun. It's clever and engaging and yes, also a tad confusing at times. I'd definitely read it again, maybe try and pick up some subtleties I might have missed this time around.

Thank you so much to the publisher, Macmillan Audio and Celadon Books, for providing me with a copy to read and review. This was a great reading experience for me and I'm happy to have a copy on my shelves.
I can't wait to see what Michaelides comes up with next!!

Alex Michaelides does it again. A remarkable mystery of human relationships and tragedy. Rightfully one of the most anticipated books of the year, Michaelides does not disappoint.

An unreliable narrator sidles up to you at a bar and wants to tell you a story. He conveys his character's shortcomings throughout that story, which has movie stars, a beautiful Greek island, lots of drugs and booze, jealousy, and *murder*. Oh yeah and it's by Alex Michaelides, the wizard behind The Silent Patient. Yes please and thank you.

The story zigs and zags, loops forward and back and forward again. It's dishy, it's salacious, it's gossipy. Elliot (our narrator) is debauched. He's a playwright, and it's unclear how successful or well known he is. He does get himself invited to the island getaway. The island setting is over the top - isolated, luxurious, well-appointed, desolate. It was fun to be on the island with Elliot and the rest of the cast: Lana the movie star siren, her husband, her son, Kate her frenemy the stage actress, and Agathi and Nikos, the locals who become part of the small circle.

The Fury kept me guessing, and delivered. I like being in this eerie and strange universe that Michaelides has created.

My thanks to NetGalley and Celadon Books for the ARC. The Fury is available now!

The Fury, written by Alex Michaelides, is a theatrical mystery about a group of friends (ish) who go off to a Greek island one weekend to get some sun…or so we think. It is told from the point-of-view of Elliot Chase who is a playwright, meaning we get a lot of description of characters and events and also dramatics. It is definitely not your typical mystery or thriller, but there are twists and turns throughout that I often didn’t see coming. I would recommend this is you like a lighter mystery with a good storyline!

(Received an Advanced Reader Copy through Net Galley)

I wasn’t a huge fan of this particular style of narration, and I found the characters a bit obnoxious! The story was slow and then when it picked up it was just a bit too overdone with the twists.
Not a horrible book but not one of my faves

This is the third book that this author has written. My favorite was the Silent Patient and my least favorite is the Maidens. This was solidly in the middle. It was missing that extra something that made the Silent Patient so good but not as dull as The Maidens. I did like the setting and think the author does a good job setting the scene. I wasn’t expecting how the ending ruined a major plot from his other book.

The Fury is NOT the psychological mind(expletive) that The Silent Patient was. It’s a cozy mystery with an unreliable narrator that remains utterly entertaining from start to finish. A Greek Tragedy that’s fun and comical. Whydunit might be my new favorite genre. I loved it! Thank you to NetGalley and Celadon Books for providing an Advanced Readers Copy of this book in exchange for an honest review.

Thank you to NetGalley, Celadon Books, MacMillan Audio and Alex Michaelides for both digital and audio galleys of The Fury in exchange for an honest review.

I think everyone was beyond excited when we learned that Alex was releasing a new books & I was right there with them!

The title, the cover, the synopsis - just the fact that it is Alex Michaelides - made this a MUST READ book for me.

This story was full of twists and turns with Elliott Chase as our narrator. The media would lead us to believe that one of Lana Farrar's Easter weekend getaways on her private Greek Island resulted in a tragic death that still gets talked about to this day. Elliott is here to set the record straight and tell us what REALLY happened that weekend on the island.

It was a bit slow for a while, during the character introduction and development stage. I would have liked that to go a bit quicker as slow set-ups usually turn me off quick. But, I refused to give up on Michaelides.

Once the story finally got going, I was fully gripped. I enjoyed the Glass Onion type concept of having a scenario presented, but then going back and presenting the same scenario from a different perspective. Showing us that "what you see is what you get" is not necessarily accurate.

All of the characters were absolutely horrid, as they were intended to be. They were written to perfection.

The second half of the book is definitely the best part of it. The twists just kept coming all the way to the very end and the end was a jaw dropping twist that I did NOT see coming!

Silent Patient fans will love the author's subtle nod to it.

The slow first half of the books is really what kept this from being a 4.5 or 5 Star book for. With that said, if had been any one other than Alex Michaelides, I probably would have DNF'd it well before the halfway mark due to the slow pacing.

Overall, I rate this 4-Stars and will happily recommend this title.

This book was great! Huge fan of the author and his previous books. I was thrilled to get this as an arc. I definitely want to go back and read parts of the book to make sure I understand everything. I love the twists in his books and how they all are interconnected. We have to wait a while in between books, but it is work it! Definitely would recommend.

Thank you to NetGalley and Celadon books for an advanced readers copy in exchange for an honest review.

This book was not for me, even though my college degree was in Classic Greek literature, something this book uses heavily. I've read two of Michaelides books now and, despite being really intrigued by the original premise, I found the execution of both to be lacking. Speaking of the other Michaelides book I’ve read— there’s fully a spoiler for The Silent Patient at the end of this book. Which means that these take place in the same canon, meaning that there is now an official MCU (Michaelides Cinematic Universe). So that’s fun.

If you don’t know, “The Fury” follows the reclusive, retired movie star, Lana Ferrara, and her group of friends as they take off for Lana’s private Greek island for the Easter weekend. By the end of the weekend, one of them will be dead.

This book touts itself as being “like nothing you’ve ever read before,” which is hilarious because even within the book, the author is comparing it to other books. The entire time I was reading it, I was firmly reminded of Glass Onion. So, the book had lied to me before I had even started it.

I had a lot of problems with this book— the characters were two dimensional; the plot lacked substance; and the twists are entirely too predictable. The narrator is far too pretentious for me to ever enjoy reading, and I love unlikeable characters. Unfortunately, the pretentiousness of the narrator gives away a lot of the book. This is a first-person peripheral narrative, that is also framed as being an omniscient narrator for a lot of the book. Because Elliot is acting like this all knowing narrator, you, as a reader, know almost immediately that he does not actually know what’s going on and everything is filtered from his lens of delusional thought.

As for the other characters, they all fall incredibly flat. Literally 90 per cent of the descriptions of Lana are about how beautiful she is, physically. And that’s it. There’s almost no “here’s what she’s like as a person,” almost everything about her is just how attractive she is. This is why nobody likes to read women who were written by men.

The other characters, even after they know about Elliot’s delusions, still leave him completely alone and unsupervised on an island that has way too many guns, honestly. It is an upsetting amount of guns for one island. But they leave him alone anyway, and you’ll never guess what happens…

I really struggle to describe this plot in anything longer than a sentence, which is fine for a thriller like this— you just want to tell people the initial premise without giving too much away so they don’t guess what’s really going on. The problem is more that if I were to describe the entire plot to you, exactly as it happened, it would still only be a couple of sentences. The majority of the novel is paced way too slow for it to build up any sort of tension and whatever little tension it can drum up at points is quickly deflated by the fact that we know we can’t trust anything this narrator is telling us. This is 300 pages of unreliable narratives, given by a character that I can’t stand, about a murder that will eventually occur.