Look it's a great premise I'll give it that- Lullabelle creates a clone of herself to kill the other 12 versions of herself- sounds a bit black mirror to me as someone who has never seen black mirror.

I do love the lil moral crisis that clone 13 Lullabelle has and the characters were well developed. The tarot card bit was interesting to read as someone with a strong interest in tarot. Bubble City- what a name!

I wanted to love this so much after reading the blurb. However the execution didn’t match up my expectations and it was DNF at 43%

Well-known celebrity socialite and actress Lulabelle Rock lives in the near future, where people can create clones of themselves, called Portraits, to live different aspects of their lives for them. In Lulabelle's case, she has thirteen. The thirteenth Portrait has only one task: to eliminate the other twelve. Lulabelle has tired of them all, and wants them gone. So begins a sci-fi adventure about a hitwoman whose only victim is herself - over and over again.

Some are easier to take out than others , and as the thirteenth Portrait slowly makes her way through the bunch, she begins to wonder if she's doing the right thing. They were all created for different reasons, so was she really just created as a killing machine? Or could she have another purpose?

I liked the overall concept of this. I found it really unique and interesting, and I liked the idea that everyone could have multiple selves (be it inside or outside of ourselves). All of Lulabelle's Portraits were so different, but they were all still part of her - it was a nice reminder that we should embrace all the different parts that make us one whole person.

In saying that, I found it took me ages to read despite the fact that it's not a long book (under 300 pages). Some parts I felt weren't explained very well, and I struggled to understand exactly how the Portraits were created. I would have liked a resolution with Simon, and I wanted more from Craig. I liked that the chapters were named and themed after different Tarot cards, that was really clever. I did like the ending, but I'm still not 100% sure how we got there so fast.

If you like sci-fi, give it a go.

In a near-future world where the elite can create copies of themselves known as Portraits, Thirteen Ways to Kill Lulabelle Rock offers a unique twist on the sci-fi genre. Lulabelle Rock, a struggling actress, decides to generate publicity by having her Portraits killed off, enlisting the help of one of her own copies to carry out the grim task.

This novel is a fast-paced, imaginative read that explores the intricacies of identity through its inventive premise. Despite the potential confusion of having fourteen characters all named Lulabelle Rock, Woolf skillfully distinguishes each Portrait with creative touches. One Portrait uses tarot cards to mark her targets, adding a layer of intrigue and helping readers keep track of the various characters. Additionally, Woolf presents each Portrait as a distinct individual shaped by their unique life experiences, offering a thought-provoking look at how different paths can diverge from a single origin.

While the novel excels in showcasing the inventive deaths and varying lives of Lulabelle's Portraits, its strength lies in its exploration of identity and choice. The character Prudence, for instance, leads a life of domesticity and contrasts sharply with the more glamorous Lulabelle Rock. This tension between different versions of Lulabelle Rock highlights the theme of self-worth and the inherent value of one's choices, even as the narrative's focus occasionally shifts to the mechanics of each Portrait's demise.

One intriguing aspect of the novel is its lack of detailed explanation regarding the nature of Portraits. This ambiguity—whether they are organic, robotic, or something in between—does not detract from the story but rather underscores the emphasis on the human elements of the tale. Woolf's choice to avoid heavy pseudoscience in favor of a more character-driven narrative enriches the reading experience.

Overall, Thirteen Ways to Kill Lulabelle Rock is a compelling, original read that combines dark humor with a deep philosophical inquiry into identity. The diverse portrayals of Lulabelle Rock and their varying experiences make for a captivating journey through a futuristic world. This novel is a fun romp with thought-provoking undertones, making it a recommended read for fans of inventive science fiction.

This book imagines a near future where the elite are able to create copies of themselves called Portraits. Lulabelle Rock has a movie that is struggling to get noticed so she decides that the best way to create some publicity is to have all of her Portraits killed in a very short span of time. The best person to kill her Portraits? One of her Portraits.


This was a fast-paced and enjoyable read. Theoretically having 14 characters all with the same name could have been confusing however Woolf creates little ways to differentiate them from the fact that the assassin Portrait encounters a deck of tarot cards early on in the narrative and so assigns each of her victims a tarot card, to the way that we see the ways that each of the Portraits have been changed by the life they have been given.


Whilst it was fun to see the creative ways that all of the different versions of Lulabelle Rock die throughout this story, the really compelling part of the narrative was the feeling that you were seeing the way that a life can branch and divide based on the path that a person takes. One of the Portraits goes by the name Prudence (which whilst I don’t think is explicitly stated in the narrative, the reader is lead to believe was Lulabelle’s name before she became famous) and hers is a life of domestic bliss as she married her childhood sweetheart and had children with him. Prudence is particularly despised by the original Lulabelle. The why is left up to the reader but there is clearly a tension present between these two characters that they both think their path was the superior choice. There is also a Portrait who mostly gets referred to as the Artist or the Hierophant and her sole purpose seems to be, as the name might suggest, create art. In the Artist, I feel like we got a glimpse at possibly the most well-adjusted of all the Portraits. The Artist is not truly good at any of her creative pursuits but she is very fulfilled by her life. I appreciated the subtle undercurrent of thought-provoking philosophy layered under this story.


It was only when I came to write this review that I realised that I am not sure we ever truly got an explanation of what a Portrait is. I always got the impression that they were neither truly organic nor robots. I don’t mind that there is this question and it definitely didn’t distract from the narrative. I kinda respect that this is not a book that gets bogged-down in pseudoscience and decides to focus on the humanity of the tale.


This is a fun romp of a book and I can thoroughly recommend it.

Thank you to Netgalley and the publisher for my copy of this e-arc!

This book was a really unique and individual concept but I feel like it took a long time to get into the meat of the story and I felt like I lost my way with it a little bit!

Wearing its influences proudly on its sleeve, Thirteen Ways... is an enjoyable sci-fi romp that eschews deeper character study and emotion for a sandbox-style exploration of identity and self through designer clones (think The Island meets Orphan Black). Perfectly fine and plenty diverting, it's an easy read for fiction readers looking for something Black Mirror-adjacent but not as relentlessly bleak.

An original, snarky, and darkly funny sci-fi read! I really enjoyed the way Woolf played with the idea of purpose and consciousness - what do you do if your only purpose in your short life is murder? Watching the 13th portrait grow and change as she meets each previous portrait was fascinating to see and created an incredibly fun and fast-paced story.

The creative premise of this book was what originally drew me in, and that part did not disappoint. It was pretty fast-paced, the world building was fun but felt realistic even in the more out-there parts, and the overarching mystery was (mostly) satisfying. The biggest issue was that as much as I thought the main character was really well-done, and had a strong story progression, the rest of the cast felt like a vessel for the character's development. Relationships between the clone we follow and the other 13 Lulabelles felt like they should have been explored deeper, but a lot of them were two-dimensional, even those who have been around a long time and were presented as unique individuals. A lot of the connections felt forced, as if they only existed for the MC to learn something about the world. It was especially unfortunate because we saw a few glimpses of other clones interacting, and it was infinitely more interesting than the dynamic between them and the MC. I think there was a lot of potential to make the characters stand out more, and in doing so make the story feel more realistic. However, the creativity and writing style really worked for me, and I think especially given that this is (I think) Maud Woolf's first book, I would definitely read whatever she published next.

Loved this! It's funny, original and sassy. Each character-clone is fab. Will definitely be recommending it.

First of all a big thank you to the author, Netgalley and the publisher for sending me a copy of this book to read and review.

I enjoyed the concept of this. It’s been a while since I picked up a sci fi and I found this one really intriguing. In this world celebrities make clones of themselves so that they can get more done in their lifetime. In this Lulabelle Rock makes her thirteenth and final clone. Her purpose is to dispose of the other clones. This was a really quick and enjoyable read.

Everyone wants a piece of Lulabelle Rock. She needs to be at parties. Showing off the latest fashions. Trying any number of hobbies. Jet setting about taking care of international business. Even spending time with her friends. It is, frankly, far too much for one actress to handle by her lonesome. But she has been leaning on her portraits too heavily for too long and, after an absolute snooze of a starring role, it might be a good thing if Lulabelle Rock was in limited supply. So she decants one more Lulabelle, lucky number thirteen. Her only purpose is to kill the other portraits, she knows her targets as well as she knows herself, but how well does this final portrait know herself and how well can her purpose last in the face of twelve more of herself?

I find myself fascinated by both the idea and execution of Maud Woolf’s Thirteen Ways to Kill Lulabelle Rock. This is an exploration of a character becoming themself, not a coming-of-age story but the story of a character with a full suite of someone else’s memories splitting off into her own person. Also, murder.

The thirteenth portrait of Lulabelle Rock spends a lot of the book insistent on the fact that she is Lulabelle Rock, not the original of course but still Lulabelle Rock, despite all the little places where she diverges from the original and her fellow portraits. She holds on to that idea like a protective charm at points. She is Thirteen. She is Death, the assassin. She is Lulabelle Rock. But it feels like the book is continually asking her what that means. Is the fashion plate portrait less Lulabelle Rock than she is? The exhausted party girl? The secretary working for her manager? Each portrait is Lulabelle, just like she is. None of the portraits have stayed just Lulabelle, so what does that mean for her? The idea that each of these women started with the same set of memories and developed away from the original in as radical a way as some of them did is fascinating to me, from the simplicity of liking polka dots enough to fight to be allowed to wear them to being made to be radically different and hating Lulabelle for it while still loving that life. And our protagonist, the Thirteenth, finds herself dealing with this divide. Finds herself becoming attached to some of the other portraits, empathizing with them where she should just kill them and move on.

The sheer variety across the different portraits is delightful, even the ones that are only given a loose sketch of characterization are fascinating. The idea that in this setting a celebrity can have a bunch of, essentially, clones of themself made to do whatever they cannot or do not want to do regardless of what that might be. The first portrait killed is listed as having been made to go to a brunch with Lulabelle’s friends because Lulabelle herself was too depressed to go. Another is made to try out all of the hobbies that Lulabelle just does not have time to try out. And it is fascinating and a bit sad, the idea of trying to have it all by making a bunch of copies of yourself to do the things you want to do but cannot and then never experiencing anything they do. The hobbies portrait takes joy in trying out different things, but Lulabelle herself never gets to try anything herself because, it would be a waste of time if she was not good at something and she cannot be allowed to fail. It feels isolating, like the most extreme extension of the idea of a person as a product, like having to pour out more and more of yourself well after your cup is empty but never being able to connect with others despite all the work. Lulabelle seems almost entirely isolated throughout the novel, we see her having employees and the Thirteenth meets her manager, but not her friends or anyone she cares about. The various connections our protagonist makes throughout the novel makes it feel like she is becoming more human than the Lulabelle who sent her out to kill all of the other Lulabelles.

Our protagonist learns empathy. Is informed early on that it is best to be kind, yes even to the people you plan on killing. She inadvertently makes connections with other people, both human and her fellow portraits, that affect her perceptions of the world. It works well and Woolf has built a light tarot themed framework into the story, with the chapters ranging in order from the Fool, card zero, to Temperance, the fourteenth card, one step past the Death card our protagonist identifies with. That framework is important in its own right to the story and our protagonist’s development as a person. It is the gift of a tarot deck from a hitch hiker that gives her something to hold her attention while the car drives her to her first kill, the first thing that she has that the original Lulabelle does not also possess even before she is told to be kind or develops any attachment to anyone beyond Lulabelle. Through the Death card she is given something of an identity of her own, though more literal than the card actually indicates. An identity that serves her differently than being Lulabelle Rock does, one that allows her to do the job she was distilled for, that reminds her of what she is meant to do and be. But also one that, by its nature, also hinders her as she clings to it while she changes around it due to her growing connections to others.

I really want to read more of Maud Woolf’s work. Thirteen Ways to Kill Lulabelle Rock is a fantastic journey through a character growing away from her origins and all the points that affect her path along the way. Our protagonist is such a ball of contradictions that it makes her just the right level of frustrating. The other portraits are allowed to be characters in their own right enough that there is room to wonder who they might be, from the bare sketches to the ones who shake the protagonist’s idea of who she might be and what she is doing. And I feel like I could go on talking about it for another thousand words at least. Thirteen Ways to Kill Lulabelle Rock earns a five out of five. Well worth reading.

Book Review
Title: Thirteen Ways to Kill Lulabelle Rock by Maud Woolf
Genre: Science Fiction, Dystopia, LGBT
Rating: 3 Stars
All I knew about this before going into it was it is a sci-fi set in a world where famous people can have clones of themselves called Portraits created and this is following a clone of Lulabelle Rock who has been ordered to kill all the other existing clones but things aren’t going to be easy. The opening introduces us to the thirteenth Portrait of Lulabelle Rock, an actress, only 20 minutes after she has been “born”. She talks with the true Lulabelle Rock about why she has been created which is to kill the other portraits of her in order to create interest around her and her new movies which is extremely shallow and I already dislike her as a character.
As we approach the ¼ mark in the novel, we get to see this new Portrait heading into Bubble City which is both very dystopian and futuristic at the same time. There she manages to dispatch two of the other Portraits she has been sent to kill. Neither of these deaths were overly dramatic or entertaining but this new clone has thought about her orders and wants to be kinder to the Portraits she is doing away with. At this point I wasn’t super invested int he story since the main characters doesn’t have that much of a personality and the executions aren’t really focused on, for example, she literally shot a Portrait at a bus stop before driving off, it lasted for only a sentence or two.the second had a bit more depth but was essentially Portrait enters shop and gets shot. If the rest of the book is like this I might have to DNF the book.
As we cross the ¼ mark in the novel, portrait number 13 is picking off the others but gets the sense that something isn’t right with them. One is a party version of Lulabelle as she has been forced to party with little sleep for months on end and is ready to face death making extra dramatic. However, the next two are different, one an artist is at peace with dying but 13 doesn’t want to kill and leaves saying she will return later. Another is the version of Lulabelle that never became an actress and married her childhood sweetheart but this one isn’t willing to die peacefully even going as far as attacking 13.
As we approach the halfway mark in the novel, there seems to be something completely off about the portraits in general. At first when they are new like 13 the seem like carbon copies of the person they are made to represent but others who have been around a long time seem to have develop their own personalities that are completely different to their original. This makes me think that the lifespan of a portrait is meant to be short otherwise they wake up and develop their own thoughts and ideas that would set them apart from their original. Despite this 13 doesn’t really seem to have any guilt about picking off other versions of Lulabelle that came before her. She is currently at 5 meaning there are eight more to go. That being said I don’t have any idea what is going to happen from here if it’s the same old, kill portrait and move on like it has been this is going to be a very disappointing read when stand-alone fantasy and science fiction is rare enough to begin with.
As we cross into the second half of the novel, things were getting more interesting as 13 is coming up against some portraits that have been around for close to a decade and are aware that she is coming for them. Some are eager to end it taking matters into their own hands while others fight her until the very end. 13 is also changing whether it is her conscious or gradually awakening to the idea that she is more than the purpose she was created for but it doesn’t really matter since she continues to do what she has been made to do. Despite this I was still unaware what the purpose of the book is and the romance between 13 and the artist made me gag since they are essentially the same person despite their differences from the original so I couldn’t get onboard with that. It would have been better for her to have a romance with Simon, the hitchhiker since at least he is a completely different person and doesn’t judge her either.
As we approach the ¾ mark in the novel, there were some more surreal elements being brought in like the idea of tarot and how the portraits play into their roles within the major arcana like 10 aka “Belle” being extremely strong as she is the Strength card and 13 being an assassin as the death card. Even so, I was still struggling to see the point of the book especially since there are only a few chapters left and 3 portraits remaining including the artist. Then there is the question of what is going to happen to 13, I honestly don’t think she is going to run away with the artist because it hasn’t been brought up at all and if she dies then there was no point to the book in general. While I am not excited about how the book is going to end I want to see what direction Woolf is going to take the book in.
As we cross into the final section of the novel, I definitely didn’t get the resolution I was hoping for but there was a twist at the end that I didn’t expect. Overall, Thirteen Ways to Kill Lulabelle Rock wasn’t my favourite novel but I didn’t hate it either. If you’re looking for a soft sci-fi with some interesting concepts that definitely check this one out but it wasn’t for me personally.

I'm grateful to the publisher and NetGalley for granting me the opportunity to read an advanced copy of this captivating book. From the first page to the last, I was thoroughly engrossed in the story, unable to put it down. The characters were well-developed, the plot was gripping, and the writing was superb. Overall, I immensely enjoyed this book and highly recommend it to fellow readers. Thank you to the publisher and NetGalley for this wonderful reading experience.

Devoured this book in just a few hours, really enjoyed the characters, the setting, the story. Unique, funny, philosophical and daring.

This is Woolf’s debut, and this is a real solid debut novella! We get “clone created to take out other clones” mixed with the mythos of the tarot and the hellscape of the entertainment industry. The ending isn’t entirely there, but it still is solid. Definitely interested in more from her!

Thank you Angry Robot and NetGalley for the review copy.

4.5 stars This novella set in a futuristic Hollywoodesque “Bubble City” asks what it means to be human and what we do with the purpose we are given. Our main character is the thirteenth “portrait” (clone) of Lulabelle Rock, an actress. She was created to kill the other 12 portraits and set on her mission with nothing more than a binder of information on the other portraits, an autonomous car, and a gun.
As our Lulabelle progresses through her mission, she meets a variety of characters and begins to question life, who she is, and what she wants.
This story definitely gives Black Mirror vibes and I really enjoyed the tarot aspect to the chapters and characters.

Whack-a-doodle Clone-Noir with some real zing. In "Thirteen Ways to Kill Lulabelle Rock" the clone of a famous actress , on her first day of existence, is thrust into an odyssey of mayhem and murder as she is tasked with eliminating her twelve predecessors. Along the, way she discovers that, clone or not, she has a deeper humanity than she or her creators imagined. This is a fast paced, mildly absurdist and often comedic romp that is recommended for anyone who gets the same hit from "Blade Runner and "Barbie".


4.5 stars out of 5.

Thanks to NetGalley and the publisher, Angry Robot, for providing me with an eARC in exchange for my honest review.

Thanks to Maud Woolf, Angry Robot and Netgalley for access to the advanced review copy of this book in exchange for an honest review.

This book takes a topic – cloning, and challenges us to think about the consequences of what happens when the clone is no longer needed or wanted? What if clones were created to serve a specific purpose but that purpose was boring and unfulfilling?

Lulabelle Rock is a famous person, and she has had clones of herself created to handle various tasks she doesn’t want to do. Trouble is, she doesn’t want them anymore, so she gives the latest clone the task to kill the others. Great exploration of the topic, with twists and turns along the way. Recommended.

Posted to Goodreads manually due to a technical issue.
https://www.goodreads.com/review/show/6249589188

Lulabelle Rock, B- or C-lister star that she is, has a number of commitments, whether places to be seen at, fantastic designer ware to sport, and any number of other things busy celebrities must do regularly to keep their names top of the public's mind, particularly in advance of their new movie.

To manage the heavy demands of many marketing events, Lulabelle had several clones created by the company Mitosis, who can successfully download memories and mannerisms into each clone, or Portrait, as they're called. Each Portrait is expensive, and have one distinguishing feature to tell them apart from the real person: their hands do not have any lines at all.

At the novel's outset, Lulabelle awakens her latest Portrait, and sends her on a mission: kill all of her previous Portraits within three days.

While travelling to her first kill, Portrait 13 meets a young man who is heading to Bubble City, where all the other Portraits are located. He's going there to study divination, and gives her a deck of tarot cards, which she uses to identify the other Portraits, including herself, whom she names Death. Interestingly, author Maud Woolf names each chapter heading after each of the cards Death has designated as her upcoming kill's role.

As Death progresses, she begins to question the point of killing all the Portraits, and by extension, her purpose. Each of the Portraits has begun developing their own personalities, and the more time Death spends doing her job, the more she begins diverging from her stated purpose. It's all a lot of fun, with dark humour with a bit of a noir feel, as Death travels from the secluded and opulent estate Lulabelle lives in to a glitzy party, to a crappy apartment with a busted elevator, to a suburban home. (I was reminded a wee bit of the beginning of "The Big Sleep" even though the main character here is an utter blank slate unlike Philip Marlowe).

As she moves from place to place, Lulabelle calls to berate her for not moving fast enough, even while Death begins to wonder why Lulabelle wants all the Portraits dead, as they're very costly, and just doing what she doesn't have time to do herself. Lulabelle the employer remains a bit of a mystery, beyond coming off as bored, spoiled and demanding, and the longer Death works, the more she chips away at her employer's motivation, the reveal of which is satisfying.

As Death is figuring all this out, her growth is terrific, as well as the relationship she cultivates with the Artist, probably the most interesting of Death's targets. The Artist's many, many efforts at eye paintings and the impetus for each was simultaneously funny, sweet and sad.

For a relatively short novel, this one packed in lots of humour, action, character development, and satire, and was also just a lot of fun to read.

Thank you to Netgalley and to Angry Robot for this ARC in exchange for my review.