Thank you to Netgalley and the publisher for granting me free access to the advanced digital copy of this book.

Most middle grade fiction actually centers on a single message: how important is it to fit in? When you add in characters from other cultures, especially refugees, this question escalates. This novel adds some nuance by doing more than just presenting us with the culture clash. Its asking good questions about who has the right to be involved in a situation, the difference between being a good friend and being completely honest, and where our loyalties lie. With a timely topic its a good book to get kids thinking more globally as well.

This 282 page OWN voice middle grade book weaves together two points of view that shed light on the recent events in Syria and life as a Syrian American without self-othering or over-explaining.  The characters are Muslim and while yes, I wish there was more Islam woven in,  when it did present itself in more than just a passing "inshaAllah" or "ya rab" it was heartfelt and sincere.  The book has a few plot holes, a plethora of underdeveloped characters, and the religion and cultural components take a backseat to the tropey MG themes of finding your voice, friendships, crushes, fitting in, and having hope. Despite my critiques though, I still found the book focused around graffiti and spirit squad engaging and hard to put down.  The pacing makes for an easy read, and while the adult reviewer in me wishes there was more depth, insight, consequences, and Islamic references, I definitely appreciated the emotion and framing of this story.  The book does contain a lot of lying, crushes, sneaking out, "vandalism," breaking laws, and mentions bombings, disappearing, and fear.  The connection though of what has been left behind and experienced in Syria is moving, and I'm glad that a book so relatable to western kids is widely available to be shared with them.
SYNOPSIS:
The chapters alternate between Kareem and his cousin Samira, aka Sam. At the beginning of the book Kareem is in Syria, spending time with his friends graffitiing in protest of Bashar al-Assad and in support of the boys from Dara'a.  They are covering their tracks, sneaking out to join rallies and finding their strength in their art, common goals, and the change that is taking over the country.  Unfortunately, his parents don't see it that way and decide he needs to be sent to live with his uncle's family in Massachusetts for his own safety. 
Sam is Kareem's cousin, she is great at reciting Quran, she has a best friend Eleanor who lives across the street, and is an amazing artist.  She sees people as fonts, and dreams of being a part of the school spirit squad.  Her only real problem is Cat, a girl that has bullied her for years and spread rumors about her in the past.  It is never quite articulated what was done and how bad it was, but the fact that Cat is the head of spirit squad, the daughter of influential parents, and the twin sister of Sam's crush Dylan, has Sam trying desperately to fit in.
When Kareem arrives, he is not happy to be in America.  He calls Sam out for her inability to speak up and with Sam and her bff Ellie on the outs, Sam heads off to her new friends that have allowed her into spirit squad, and Kareem and Ellie start sharing their art around town.
Kareem's character arc is more subtle, but Sam/Samira, finds herself with the help of her cousin as she channels the yearning of Syrians to set her free in America.
WHY I LIKE IT:I love that it is Syrian American OWN voice MG, the news cycle has moved on, but stories are so critical to reminding the privileged outsiders what has occurred and continues to endure, so just that this book exists, is a positive for me.  I like that the code switching of being Samira and speaking Arabic at home is so clearly contrasted with Sam at school.  I struggle with the idea of dating not being a religious, but rather a cultural no-no, and her being so obsessed in the beginning with Dylan and then Amari is a bit of flag. By the end they feel like friends, but it is definitely a big part of the first half of the book that could have used some context, same with when she goes out in a tank top.  I wish there was a Muslim conscience that enters the story, to see Sam grappling with who she is from a faith perspective would have been nice.  
I love that Kareem comes to America and starts school, it doesn't have him being meek, or struggling to transition, it really is empowering that he breaks that stereotype just by allowing him to be seen from the very first day as strong and fully fleshed out.  Yes, in real life and in some books the adjustment is a plot point, but in this book it is not, and the author seems to not indulge in it deliberately.  
I struggled with a few plot holes. I get that Kareem was frustrated and wanted to educate and be heard, and when Sam can't stick up for herself and he calls her out, they are both annoyed, but to go from that to graffitiing is a big step.  A few instances of maybe trying to talk about Syria being shut down by teachers, or friends, would have made it a more logical leap.  I worry a little that there wasn't enough hand holding regarding graffiti as a whole seeing as it is an MG book.  I understand it is expression and art, but there is some element of vandalism to it as well, and because it didn't connect the dots that street art was the only way to be heard, I bring it up for awareness.  
I needed closure on Cat, I didn't like that we didn't know more specifics about her torment or her thoughts at the end.  I know the story is not about her, but she was important for much of the story and to have her fade seemed a little short sighted.  I liked Ellie, but I her wanting to sticker everything seemed in contradiction to her environmental activism.  Sam's parents are barely a blip on the radar, and even some details about the supporting cast, really would have made the story that much better.
FLAGS:
Crushes, immodest clothing, lying, sneaking out, boy/girl friendships, boy/girl hugging, vandalism, breaking the law. Hearing about bombings, being taken away by the police, death.
TOOLS FOR LEADING THE DISCUSSION:
I don't think I would use this for book club, but I would have it on the library and classroom shelf.

Tagging Freedom begins in Damascus, Syria where Kareem Haddad and his friends starts loudly announcing their resistance against the oppressive regime using graffiti activism after boys from a town named Dara’a were arrested for doing the same. When the situation in Syria worsens, he is sent to America to live with his aunt, uncle and his cousin Samira(who calls herself Sam).


Samira Sukkari, Kareem’s cousin, lived a completely different life. After facing isolation and bullying due to her religion and ethnicity for years, she jumps on the first chance to better fit in even if that meant having to work with someone who bullied her. Kareem’s arrival changed a lot, making her question things that she’d been avoiding. Her change, the way she built up the confidence to stand up for herself and follow her heart, was portrayed well.


At first, Samira and Kareem each struggled with their own problems and worries and ideals but they were brought together by their love for Syria—and their artistic talents. A series of events grouped them to use the graffiti art that became a form of protest to educate the people in Allansdale, a place where most people probably wouldn’t be able to point out Syria on the map, of their country and what’s happening there.


It’s been a while since a book hooked me the way this one did. It jumped straight into action. The writing was engaging and the bits of creativity strewn across the story—especially how Samira sees people as fonts—was really nice to see. The characters felt so real. So did the story. And then I saw that it was mentioned in the author’s note that the author wove some real life incidents into the story. It was absolutely heartbreaking.


One of the saddest parts about Muslim rep is we usually get it in scraps or it’s so bad that it leaves me wishing we don’t get represented at all. But not with this one. This book spoke to me as a Muslim. The part about finding solace in prayers was especially so familiar. The constant Arabic words/terms further cemented this as unapologetic and loud rep.


If you’re interested in a dual pov, fast-paced Middle Grade book about Syria and Syrians and creative resistance, don’t miss this.