Tommy Orange does it again. Simultaneously creating a prequel and sequel surrounding beloved characters from There, There. I am so grateful for receiving this ARC and will continue to read anything and promote work by Orange in the future.

Thank you to Knopf and Net Galley for an early review copy of Tommy Orange's novel, "Wandering Stars". I'm glad to see that other people enjoyed what seems to be the telling of an important time in American history, but I was put off by the extraordinarily long and run-on sentences. For example, in the prologue, one was 140 words long! Such writing took me out of the story. I felt the writer was trying too hard to make a literary masterpiece that the telling of the story itself took second place. The characters were confusing and the timelines went back and forth. What was needed was more signposting along the way for the reader and the addition of far more periods instead of semicolons. Finished reading at 30% but skimmed quickly through the rest. This wasn't for me.

After reading There, There, Orange's breakout bestseller, I was eager to read this follow-up. Wandering Stars proves worth the wait and appropriately titled—seeming like a prequel and a sequel all at once—and one that covers quite a bit of territory. I read another review that likened this book to Orange pulling off a "Godfather II", and I think that's a perfect analogy. Orange's prose sparkles, exposing the light and the horror with equal ferocity, making this a compelling and necessary read. A master of his craft, Orange offers so many beautiful passages, that, while I am not typically a note-taking type, I found myself savoring them and writing them down. As Orange puts it, "Anything is a story we tell ourselves about a silence." And in this case, Orange does his best to give powerful voice to those silences.

tommy orange if the kind of author that has you instantly reading his books once they're released, orange's writing is captivating and consistently connects you with the story and its characters. orange has a way of writing multiple point of views for multiple characters that doesn't distract a reader or make them less invested, if anything it makes you as a reader even more invested because you want to see where he takes them. I've always enjoyed tommy orange's stories and this was definitely a book that soldifies his role as a writer.

Powerful read. Exceptional. Masterfully narrated, it pulls you into an emotional turmoil. This book is a great addition to any high school curriculum.

I received an ARC of this book from Knopf and Netgalley. Thank you so much for the opportunity to read this book.

The Sand Creek massacre was a massacre of Cheyenne and Arapaho people by the U.S. Army in the American Indian Wars in 1864. Wandering Stars follows generations of a Native American family, starting with Jude Star, survivor of the massacre. Jude Star was forced to learn English and practice Christianity. His son goes to a school that was designed to eradicate Native American culture and force Native Americans to change everything about themselves. The book goes through several generations of the Star family, written in the past and present. 

I thought this book was beautifully written. It focuses on the generational trauma that Native Americans experience, as well as issues of identity, alcohol/substance abuse, and family. I definitely recommend this book to everyone.

This was one of those novels that was difficult to read but so important to read. It’s very introspective and touches on generational trauma of Native American people in a beautifully written way.

I will be thinking about this one for some time to come.

My thanks to NetGalley and the publisher for the opportunity to read and review this book.

Wandering Stars is one of those books that left me thinking about it for days. One I will probably think about for years to come. It is a heavy story giving voice to the horrors faced by Indigenous children in boarding schools, the erasure of identity, addiction, poverty and loss. But there is also a sense of hope in sensing connecting to the past, overcoming and love. It is hard to put this book into words. You feel it while reading.

Orange is an incredible storyteller and masterful at weaving so many different voices across time together to show the impact of the past on the present. Wandering Stars does connect to There, There including some familiar faces but I do not feel you have to read There, There first to appreciate this book. Though you should.

This poignant tale weaves through generations, picking up threads from Tommy Orange's "There, There," to delve into the enduring impacts of trauma and addiction within the Star family. Orange's narrative is both beautiful and heart-wrenching, showcasing his distinct, poetic yet distant writing style. As a significant voice in sharing the Native American experience, Orange masterfully incorporates well-researched facts into this richly fictional narrative.

The story stretches across time, starting with the harrowing events of the Sand Creek Massacre in 1864, and traces the life of Charles Star as he endures the brutal assimilation tactics of the Carlisle School. This backdrop sets the stage for a deeply personal exploration of each generation within the Star family, highlighting their battles with addiction, the joy and sorrow of births and deaths, and their quest for identity and belonging.

Narrated through a mix of first, second, and third-person perspectives, Orange crafts a multifaceted narrative that resembles a complex mosaic, offering a vivid portrayal of the family's struggle and resilience. The narrative arcs back to Orville, a character from "There, There," as he grapples with his recovery from a shooting incident and his search for a sense of place alongside his brothers and grandmothers.

This compelling book promises to enrich the reader's understanding of a storied past and present, marking Tommy Orange as a gifted storyteller whose future works are eagerly anticipated.

When I read There, There by Tommy Orange I read it in one sitting on a car ride to Washington and I couldn’t put it down. I read it in one sitting despite probably needing more breaks (hello car sickness my old friend 😂). I then got to see Orange give an incredible talk and it kinda cemented him as an artist I will read whatever he writes.

That has not changed at all. There are brilliant, beautiful, heart rending moments in this book. It’s about the genetic disease of addiction. It addresses the erasure of indigenous people in a way that affects even their identities within their family unit. One of my favorite parts is when Lony talks with Opal (maybe Jackie) about being from the past, present and future all at once and I felt like I understood this experience better because of this writing.

I am so glad I got to know Jackie, Opal, Orvil, Lony and Loother more. The end of There, There felt so abrupt and like a loss so knowing them again was a gift. I also found this section the most compelling. It may have been that I knew the characters and were already invested in them but the perspective and writing here felt the most cohesive and fully developed.

What didn’t work for me was the first half of the book. I really loved Jude’s section and felt like this beginning worked to lead into the why of what was happening in the present. It set us up with the title and Orange’s thesis or compelling thought of the novel, this was going to be a wandering in more ways than one. I also felt like it laid the foundation for the idea that we are all more connected on this earth in our suffering and in our humanity than we are not.

The other stories of Charles, Opal Victoria Bear Shield, and Victoria felt really disconnected and almost experimental. I do not like 2nd person omniscient. It’s just not something I like and I found myself irritated with the shifting perspectives. It didn’t feel purposeful or cohesive enough and when the last half stayed in the same perspective pretty much the whole time I was left wondering why. I think it could have used stronger editing and there were long, wandering (maybe on purpose) sentences that made some of the writing in these sections feel unclear.

If you loved There,There you will enjoy this which felt like a companion piece to the first novel, but had I not had a relationship with these characters and an investment in the author I would have struggled more. I do think there is a lot of good here. I had a lot of highlights of beautiful and compelling thoughts on life, addiction, humanity, and connectedness. It was still a gift to read.

I'm usually not into period pieces, even when they have intertwining timelines with the present, but this one was really good!
I didnt read There There but didnt feel like I needed to before reading this book. Although I did feel like that was a requirement before hand LOL.

Thank you for this advanced copy!

Tommy Orange's new novel Wandering Stars is a follow up to his critically acclaimed novel There There. In this installment, readers learn how events long before There There's explosive climax influenced, and continue to influence, the Red Feather and Bear Shield families.

This constellation of narratives spans time, beginning on the morning of the Sand Creek Massacre and continuing into present day. Readers see the buildup of intergenerational trauma, but also how being split from community is temporary. Each generation learns and decides what it means for them to be Indian, to be Native, to be Cheyenne.

Orange confronts head on the repercussions of what has been done to Native peoples again and again, as massacres, prison, Indian boarding schools, and restrictive laws work to force assimilation on Native peoples.

By focusing in on one family, Orange demonstrates how each generation grapples with similar themes of cultural disconnect, reconnection, addiction, and healing.

Both a prequel and a sequel, this work weaves together with There There to give readers deep insight into the characters. The character development and voice are absolutely incredible, each thoroughly developed and changing over time as the three brothers grow and the two grandmothers age.
The pacing is also incredible, as Orange takes readers from the mid-1800s through time to present day, with each time period being equally riveting and character-focused.

Orange examines themes of addiction and sobriety intertwined with history, intergenerational trauma, and healing, it is also full of heart. Readers see how love is expressed, how healing happens, and witnessing these healing journeys is a gift. This novel deals with so many hard topics yet maintains a hopeful tone.

Healing is sacred, and witnessing this family heal, person by person, through the generations is healing in itself for the reader. As a mixed heritage Native woman with mixed heritage Native kids, books by Native authors discussing Native experiences are close to my heart. Tommy Orange's work is meaningful, and takes an unflinching look at what has been done to Native peoples, how we've persevered and continued on, in a fictitious realm. I especially appreciate how Orange shows Orvil learning the names of all the Native Nations, federally recognized and otherwise, on his healing journey. Each Nation has its own culture, language, and ways of being. And of course, all of this is done with incredible writing.
Wado, Tommy Orange, for another beautiful and important work.

Thank you to the author, Knopf, and NetGalley for an advanced digital ARC such that I could share my honest opinion. All thoughts and opinions are my own.

Wandering Stars is now available.

This follow up to “There There” did not disappoint. It starts off with similar historical base stories from Native American history, then goes back into the storylines of some of the characters from There There, particularly continuing Orville Redfeather’s fall into opioid addiction following the shooting at the Pow Wow. Dealing with similar themes of addiction, trauma, self-harm, family connections, and identity within culture and as individuals, Wandering Stars is beautifully writing and gripping. I enjoyed a few of the flashback stories from Jackie and Opal’s childhood and the characters only became more real to me by the end of this. I was able to soar through it easily, soaking in the beautiful prose and connecting with the intimate details of these lives of these characters. One wouldn’t necessarily need to read There There first but I would highly recommend it.

Thank you to the author Tommy Orange, publishers Alfred A. Knopf, and NetGalley for an advance digital copy of WANDERING STARS. All views are mine.

Trigger warning: on-page su*c*de attempt

...𝙞𝙩 𝙬𝙖𝙨 𝙨𝙖𝙞𝙙 𝙩𝙝𝙖𝙩 𝙄𝙣𝙙𝙞𝙖𝙣 𝙘𝙝𝙞𝙡𝙙𝙧𝙚𝙣 𝙞𝙣 𝙗𝙤𝙖𝙧𝙙𝙞𝙣𝙜 𝙨𝙘𝙝𝙤𝙤𝙡𝙨 𝙝𝙖𝙙 𝙩𝙝𝙚 𝙨𝙖𝙢𝙚 𝙘𝙝𝙖𝙣𝙘𝙚 𝙤𝙛 𝙙𝙮𝙞𝙣𝙜 𝙖𝙨 𝙨𝙤𝙡𝙙𝙞𝙚𝙧𝙨 𝙞𝙣 𝙤𝙣𝙚 𝙤𝙛 𝙩𝙝𝙚 𝙬𝙤𝙧𝙡𝙙 𝙬𝙖𝙧𝙨. Loc.74

[...𝙒]𝙝𝙞𝙩𝙚 𝙢𝙚𝙣 𝙞𝙣 𝙩𝙝𝙞𝙨 𝙘𝙤𝙪𝙣𝙩𝙧𝙮, 𝙩𝙝𝙚𝙮 𝙘𝙤𝙢𝙚 𝙩𝙤 𝙩𝙖𝙠𝙚 𝙚𝙫𝙚𝙧𝙮𝙩𝙝𝙞𝙣𝙜 , 𝙚𝙫𝙚𝙣 𝙩𝙝𝙚𝙢𝙨𝙚𝙡𝙫𝙚𝙨, 𝙩𝙝𝙚𝙮 𝙝𝙖𝙫𝙚 𝙩𝙖𝙠𝙚𝙣 𝙨𝙤 𝙢𝙪𝙘𝙝 𝙩𝙝𝙚𝙮 𝙝𝙖𝙫𝙚 𝙡𝙤𝙨𝙩 𝙩𝙝𝙚𝙢𝙨𝙚𝙡𝙫𝙚𝙨 𝙞𝙣 𝙩𝙝𝙚 𝙩𝙖𝙠𝙞𝙣𝙜, 𝙖𝙣𝙙 𝙬𝙝𝙖𝙩 𝙬𝙞𝙡𝙡 𝙗𝙚 𝙡𝙚𝙛𝙩 𝙤𝙛 𝙨𝙪𝙘𝙝 𝙖 𝙣𝙖𝙩𝙞𝙤𝙣 𝙤𝙣𝙘𝙚 𝙩𝙝𝙚𝙮 𝙖𝙧𝙚 𝙙𝙤𝙣𝙚? Loc.992

WANDERING STARS by Tommy Orange is the follow-up book to his Pulitzer-nominated THERE, THERE. It is both prequel and sequel to the first book, and the jumps in time serve well as technique in this jarring story about lives and families disrupted by addiction. This book is not a thriller or suspense novel in any sense, but it burns from start to finish with conflict originating from within the characters' themselves, among the characters and the world they share, and between the character's and the social forces the encounter in one another.

Unquestionably Orange possesses a singular style and a mastery of technique, but WANDERING STARS is also a harrowing read. It addresses genocide, racism, institutional child abuse, poverty, and kidnapping. It expresses a rather absurd ableism I find perplexing. I encourage readers to go into this one with all the warnings. This book also showcases great friendship, redemption, and hope. It's a good read and I recommend it. (I do recommend reading THERE, THERE first.)

[𝙔]𝙤𝙪𝙧 𝙝𝙞𝙜𝙝𝙚𝙧 𝙥𝙤𝙬𝙚𝙧 𝙘𝙤𝙪𝙡𝙙 𝙟𝙪𝙨𝙩 𝙧𝙚𝙢𝙖𝙞𝙣 𝙪𝙣𝙣𝙖𝙢𝙚𝙙 𝙗𝙚𝙘𝙖𝙪𝙨𝙚 𝙣𝙖𝙢𝙞𝙣𝙜 𝙬𝙖𝙨 𝙥𝙧𝙚𝙨𝙪𝙢𝙥𝙩𝙪𝙤𝙪𝙨 𝙬𝙝𝙚𝙣 𝙞𝙩 𝙘𝙖𝙢𝙚 𝙩𝙤 𝙩𝙝𝙚 𝙥𝙤𝙬𝙚𝙧 𝙝𝙞𝙜𝙝𝙚𝙧 𝙩𝙝𝙖𝙣 𝙝𝙞𝙜𝙝, 𝙩𝙝𝙚 𝙢𝙤𝙨𝙩 𝙝𝙞𝙜𝙝. 𝙄𝙩 𝙬𝙖𝙨 𝙜𝙤𝙤𝙙 𝙩𝙝𝙚𝙧𝙚. 𝙄𝙩 𝙘𝙤𝙪𝙡𝙙 𝙧𝙚𝙢𝙖𝙞𝙣 𝙬𝙝𝙖𝙩 𝙞𝙩’𝙙 𝙖𝙡𝙬𝙖𝙮𝙨 𝙗𝙚𝙚𝙣, 𝙞𝙩 𝙘𝙤𝙪𝙡𝙙 𝙠𝙚𝙚𝙥 𝙞𝙩𝙨 𝙢𝙮𝙨𝙩𝙚𝙧𝙮, 𝙖𝙣𝙙 𝙮𝙤𝙪 𝙙𝙞𝙙𝙣’𝙩 𝙝𝙖𝙫𝙚 𝙩𝙤 𝙬𝙤𝙧𝙧𝙮 𝙖𝙗𝙤𝙪𝙩 𝙖 𝙜𝙧𝙤𝙪𝙥 𝙬𝙤𝙧𝙧𝙮𝙞𝙣𝙜 𝙖𝙧𝙤𝙪𝙣𝙙 𝙞𝙩𝙨 𝙗𝙚𝙡𝙞𝙚𝙫𝙖𝙗𝙞𝙡𝙞𝙩𝙮, 𝙞𝙩𝙨 𝙨𝙚𝙘𝙩𝙨, 𝙤𝙧 𝙙𝙤𝙜𝙢𝙖𝙨, 𝙤𝙧 𝙖𝙣𝙮𝙩𝙝𝙞𝙣𝙜 𝙚𝙡𝙨𝙚 𝙧𝙚𝙦𝙪𝙞𝙧𝙚𝙙 𝙤𝙛 𝙖 𝙜𝙧𝙤𝙪𝙥 𝙙𝙚𝙘𝙞𝙙𝙞𝙣𝙜 𝙩𝙤𝙜𝙚𝙩𝙝𝙚𝙧 𝙤𝙣 𝙬𝙝𝙖𝙩 𝙞𝙩 𝙖𝙡𝙡 𝙪𝙡𝙩𝙞𝙢𝙖𝙩𝙚𝙡𝙮 𝙢𝙚𝙖𝙣𝙨. 𝙄 𝙠𝙣𝙤𝙬 𝙩𝙝𝙚𝙧𝙚 𝙞𝙨𝙣’𝙩 𝙖 𝙬𝙖𝙮 𝙩𝙤 𝙠𝙣𝙤𝙬 𝙖𝙣𝙙 𝙩𝙝𝙖𝙩 𝙩𝙝𝙚 𝙣𝙚𝙚𝙙 𝙩𝙤 𝙠𝙣𝙤𝙬 𝙘𝙤𝙢𝙚𝙨 𝙛𝙧𝙤𝙢 𝙬𝙖𝙣𝙩𝙞𝙣𝙜 𝙘𝙤𝙣𝙩𝙧𝙤𝙡, 𝙬𝙝𝙞𝙘𝙝 𝙞𝙨 𝙨𝙤 𝙢𝙪𝙘𝙝 𝙤𝙛 𝙬𝙝𝙖𝙩 𝙖𝙙𝙙𝙞𝙘𝙩𝙞𝙤𝙣 𝙞𝙨 𝙖𝙗𝙤𝙪𝙩, 𝙘𝙤𝙣𝙩𝙧𝙤𝙡. Loc.3732

Three (or more) things I loved:

1. The details are visceral and draw me into the story: 𝘛𝘩𝘦 𝘥𝘰𝘨 𝘴𝘵𝘢𝘺𝘦𝘥 𝘸𝘪𝘵𝘩 𝘶𝘴 𝘧𝘰𝘳 𝘢 𝘸𝘩𝘪𝘭𝘦. 𝘉𝘶𝘵 𝘸𝘩𝘦𝘯 𝘵𝘩𝘦𝘳𝘦 𝘸𝘢𝘴 𝘯𝘰𝘵𝘩𝘪𝘯𝘨 𝘭𝘦𝘧𝘵 𝘵𝘰 𝘩𝘶𝘯𝘵, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘩𝘶𝘯𝘨𝘦𝘳 𝘩𝘶𝘳𝘵 𝘵𝘰𝘰 𝘮𝘶𝘤𝘩, 𝘵𝘩𝘦 𝘥𝘰𝘨 —𝘭𝘪𝘬𝘦 𝘴𝘰 𝘮𝘢𝘯𝘺 𝘰𝘵𝘩𝘦𝘳 𝘥𝘰𝘨𝘴— 𝘸𝘢𝘴 𝘦𝘢𝘵𝘦𝘯. Loc.162

2. I love stories that offer such insights on books and reading: 𝘞𝘢𝘭𝘵 𝘞𝘩𝘪𝘵𝘮𝘢𝘯, 𝘸𝘩𝘰 𝘣𝘦𝘭𝘪𝘦𝘷𝘦𝘥 𝘩𝘪𝘮𝘴𝘦𝘭𝘧 𝘵𝘰 𝘩𝘢𝘷𝘦 𝘸𝘳𝘪𝘵𝘵𝘦𝘯 𝘢 𝘬𝘪𝘯𝘥 𝘰𝘧 𝘉𝘪𝘣𝘭𝘦 𝘩𝘦 𝘤𝘢𝘭𝘭𝘦𝘥 𝘓𝘦𝘢𝘷𝘦𝘴 𝘰𝘧 𝘎𝘳𝘢𝘴𝘴, 𝘸𝘩𝘪𝘤𝘩 𝘐 𝘥𝘪𝘥 𝘯𝘰𝘵 𝘱𝘢𝘳𝘵𝘪𝘤𝘶𝘭𝘢𝘳𝘭𝘺 𝘭𝘪𝘬𝘦, 𝘣𝘶𝘵 𝘐 𝘢𝘭𝘸𝘢𝘺𝘴 𝘳𝘦𝘮𝘦𝘮𝘣𝘦𝘳𝘦𝘥 𝘵𝘩𝘪𝘴 𝘭𝘪𝘯𝘦, “𝘛𝘩𝘪𝘴 𝘪𝘴 𝘯𝘰 𝘣𝘰𝘰𝘬, 𝘸𝘩𝘰 𝘵𝘰𝘶𝘤𝘩𝘦𝘴 𝘵𝘩𝘪𝘴, 𝘵𝘰𝘶𝘤𝘩𝘦𝘴 𝘢 𝘮𝘢𝘯!,” 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘐’𝘥 𝘴𝘵𝘢𝘳𝘵𝘦𝘥 𝘵𝘰 𝘵𝘩𝘪𝘯𝘬 𝘰𝘧 𝘣𝘰𝘰𝘬𝘴 𝘢𝘴 𝘣𝘦𝘪𝘯𝘨𝘴. 𝘈𝘴 𝘵𝘩𝘪𝘯𝘨𝘴 𝘶𝘯𝘵𝘰 𝘵𝘩𝘦𝘮𝘴𝘦𝘭𝘷𝘦𝘴, 𝘸𝘩𝘦𝘵𝘩𝘦𝘳 𝘵𝘩𝘦𝘺 𝘸𝘦𝘳𝘦 𝘸𝘳𝘪𝘵𝘵𝘦𝘯 𝘣𝘺 𝘤𝘰𝘶𝘯𝘵𝘭𝘦𝘴𝘴 𝘱𝘦𝘰𝘱𝘭𝘦 𝘤𝘰𝘶𝘯𝘵𝘭𝘦𝘴𝘴 𝘺𝘦𝘢𝘳𝘴 𝘢𝘨𝘰, 𝘰𝘳 𝘸𝘳𝘪𝘵𝘵𝘦𝘯 𝘫𝘶𝘴𝘵 𝘳𝘦𝘤𝘦𝘯𝘵𝘭𝘺 𝘣𝘺 𝘴𝘵𝘳𝘢𝘯𝘨𝘦 𝘰𝘭𝘥 𝘸𝘩𝘪𝘵𝘦 𝘮𝘦𝘯, 𝘵𝘩𝘦 𝘣𝘰𝘰𝘬𝘴 𝘵𝘩𝘦𝘮𝘴𝘦𝘭𝘷𝘦𝘴 𝘧𝘦𝘭𝘵 𝘵𝘰 𝘮𝘦 𝘢𝘴 𝘪𝘧 𝘵𝘩𝘦𝘺 𝘸𝘦𝘳𝘦 𝘵𝘩𝘦𝘪𝘳 𝘰𝘸𝘯 𝘭𝘪𝘷𝘦𝘴, 𝘴𝘦𝘱𝘢𝘳𝘢𝘵𝘦 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘣𝘰𝘥𝘪𝘦𝘴 𝘢𝘯𝘥 𝘮𝘪𝘯𝘥𝘴 𝘵𝘩𝘢𝘵 𝘤𝘳𝘦𝘢𝘵𝘦𝘥 𝘵𝘩𝘦𝘮. Loc.316

3. This book is 𝘣𝘭𝘦𝘢𝘬. And yet, it strives for something lighter and greater than the evils of which humankind is collectively and individually capable. 𝘐 𝘵𝘢𝘬𝘦 𝘴𝘰𝘭𝘢𝘤𝘦 𝘪𝘯 𝘬𝘯𝘰𝘸𝘪𝘯𝘨 𝘮𝘺 𝘩𝘦𝘢𝘳𝘵 𝘪𝘴 𝘴𝘵𝘪𝘭𝘭 𝘪𝘯 𝘮𝘺 𝘤𝘩𝘦𝘴𝘵, 𝘵𝘩𝘢𝘵 𝘺𝘰𝘶𝘳𝘴 𝘪𝘴 𝘪𝘯 𝘵𝘩𝘦𝘳𝘦 𝘵𝘰𝘰, 𝘣𝘦𝘢𝘵𝘪𝘯𝘨 𝘭𝘪𝘬𝘦 𝘢 𝘥𝘳𝘶𝘮 𝘸𝘢𝘪𝘵𝘪𝘯𝘨 𝘧𝘰𝘳 𝘪𝘵𝘴 𝘥𝘢𝘯𝘤𝘦𝘳, 𝘬𝘦𝘦𝘱𝘪𝘯𝘨 𝘮𝘦 𝘰𝘯 𝘮𝘺 𝘧𝘦𝘦𝘵, 𝘳𝘦𝘢𝘥𝘺 𝘧𝘰𝘳 𝘢 𝘳𝘩𝘺𝘵𝘩𝘮, 𝘳𝘦𝘢𝘥𝘺 𝘧𝘰𝘳 𝘸𝘩𝘢𝘵’𝘴 𝘯𝘦𝘹𝘵, 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘸𝘩𝘢𝘵’𝘴 𝘯𝘦𝘹𝘵 𝘪𝘴 𝘢𝘭𝘸𝘢𝘺𝘴 𝘤𝘰𝘮𝘪𝘯𝘨. Loc.996

4. Orange brilliantly displays in this book how trauma is the root of addiction. Not only does Sean experience a terrible injury that leaves him in great pain, he has also recently lost a close family member. During treatment, he hallucinate her; she promises they can both heal. He believes her when he believes nothing, and it gives him faith he can heal. That they both can. Importantly though, the trauma of losing this person becomes intrinsically tied to how he relates to his pain, recovery, and whole life.

5. Again, deep insights into addiction mindset, like the illusion of control over the habit that an addiction often holds. This illusion of control functions simultaneously to prevent to addict from acknowledging the existence of a problem as well as encourages an increase in consumption. [𝘖𝘳𝘷𝘪𝘭 𝘩𝘢𝘥] 𝘤𝘰𝘮𝘦 𝘵𝘰 𝘢 𝘱𝘭𝘢𝘤𝘦 𝘸𝘩𝘦𝘳𝘦 𝘩𝘦’𝘥 𝘣𝘦𝘦𝘯 𝘵𝘳𝘺𝘪𝘯𝘨 𝘵𝘰 𝘳𝘦𝘨𝘶𝘭𝘢𝘵𝘦 𝘵𝘩𝘦 𝘥𝘰𝘴𝘢𝘨𝘦, 𝘢𝘯𝘥 𝘵𝘩𝘰𝘶𝘨𝘩 𝘩𝘦 𝘸𝘢𝘴 𝘳𝘢𝘳𝘦𝘭𝘺 𝘴𝘶𝘤𝘤𝘦𝘴𝘴𝘧𝘶𝘭 𝘢𝘵 𝘵𝘩𝘪𝘴 𝘭𝘦𝘷𝘦𝘭 𝘰𝘧 𝘤𝘰𝘯𝘵𝘳𝘰𝘭, 𝘵𝘩𝘢𝘵 𝘩𝘦 𝘤𝘰𝘶𝘭𝘥 𝘢𝘤𝘩𝘪𝘦𝘷𝘦 𝘪𝘵 𝘴𝘰𝘮𝘦𝘵𝘪𝘮𝘦𝘴 𝘨𝘢𝘷𝘦 𝘩𝘪𝘮 𝘢 𝘴𝘦𝘯𝘴𝘦 𝘵𝘩𝘢𝘵 𝘩𝘦 𝘸𝘢𝘴 𝘯𝘰𝘵 𝘦𝘯𝘵𝘪𝘳𝘦𝘭𝘺 𝘧𝘶𝘤𝘬𝘦𝘥 𝘪𝘯 𝘵𝘦𝘳𝘮𝘴 𝘰𝘧 𝘯𝘰𝘵 𝘣𝘦𝘪𝘯𝘨 𝘢𝘣𝘭𝘦 𝘵𝘰 𝘱𝘶𝘭𝘭 𝘩𝘪𝘮𝘴𝘦𝘭𝘧 𝘢𝘸𝘢𝘺 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘵𝘢𝘪𝘭 𝘩𝘦 𝘬𝘦𝘱𝘵 𝘤𝘩𝘢𝘴𝘪𝘯𝘨 𝘪𝘯 𝘤𝘪𝘳𝘤𝘭𝘦𝘴—𝘴𝘱𝘪𝘳𝘢𝘭𝘪𝘯𝘨. Loc.2918

Three (or less) things I didn't love:

This section isn't only for criticisms. It's merely for items that I felt something for other than "love" or some interpretation thereof.

1. The introduction before the book starts is a real gut punch. It's not an efficient content warning, though.

2. 12.25% isn't a quarter of a quarter. It's almost half a quarter. Is this a statement about education? Fairness? White gaze? I'm not sure why the math is so weird here. Loc.1728

3. Not a fan of this book's dismissal of the plight of disabled people. Addiction can be a disability and this entire book is about how addiction defines the character's life. Addicts are spurned by society, which does not give one wit about the addict's plight. Do addicts really not deserve our regard to the fact they receive little to no regard? Do not all disabled people?

4. On-page descriptions of suicide border on gratuitous under the best of circumstances, but especially when the author gives vague content warnings or none at all in the front matter. Given my last point, I'm not very surprised to find myself writing this one.

Rating: 🪶🪶🪶.5 / 5 family feathers
Recommend? Yes, with THERE, THERE
Finished: Mar 7 '24
Format: Digital, Kindle, NetGalley
Read this book if you like:
📠 contemporary fiction
📚 prequels & sequels
👨‍👩‍👧‍👦 family stories, family drama
💊 addiction stories
🪶 stories about indigenous peoples

I’m grateful to Netgalley and Knopf for an advanced copy of Wandering Stars.

Reading the introduction to Tommy Orange’s first book There There, which Wandering Stars serves as a prequel and a sequel to, was an experience I will never forget. It puts the reader right in the historical context Tommy Orange wants you to be in before he introduces you to his present day characters in Oakland who are descendants of Native people, who carry their legacy and trauma.

Wandering Stars goes back in this family tree and begins with the stories of the There There characters’ ancestors. It shows us who came before and then traces the family forward to the present day, after the powwow when we last saw Opal, and Orvil.

As in There There, Orange’s writing is beautiful. In Wandering Stars, there is a dreamlike quality to it. The theme of dreams is strong, with characters feeling like they’re reliving dreams or experiencing de ja vu as the history of their ancestors seems to repeat itself in modern day.

The writing in Wandering Stars is reflective, rich with symbolism and there is a lot to dig in to the text. Orange’s sentences are delicately refined, emotional and so vividly depict the spiritual struggles of his characters as they grapple with their personal and family histories and addictions.

While the story is dark, Wandering Stars leaves room for more hope than There There did. And I think anyone who liked There There will enjoy this novel.

That said, I do feel like there were some disconnects within the story. I think it’s partially the way Orange writes and with that many characters, it requires a different kind of close reading to grasp it all.

Orange’s inspiration to expand on the family tree backward came from learning about the Florida prison that served as the basis for the first boarding school intended to “kill the Indian and save the man” by forbidding Indian language, names and religion. He also writes about the Sand Creek Massacre and then connects it all back to the Oakland characters from There There.

This was a lot to include in one book, and while I appreciate its brevity, it was harder to connect to the ancestors because just as we start to understand and appreciate the severity of what’s happening and who the characters are within the context of the families from the last book, Orange switches stories. I wish I could have had more time with the ancestors.

I still loved it if you can love something so sad….I need to sit with this and process more and am looking forward to rereading with my book club. But even with those cautions, I loved this book and am in awe of Orange’s storytelling.


Update: It's been a few weeks, and I'm still thinking about this story and Tommy Orange's soulful prose. Changed my rating as this is a 5 star book for me!

Many thanks to NetGalley for an ARC of this book! This novel is a wonderful narrative about the experience of Indigenous Americans in a family across time. Oranges uses a multi-generational approach to describe the various experiences that Indigenous folks have had across time in this country. This hits on many concerns we see in this community but also how similar concerns are experienced by individual people in a variety of ways. Admittedly, this novel wasn’t the most comfortable to read and was at times heart-breaking. That being said, Orange’s narrative style draws you in to the character’s story and weaves these family members together in a meaningful way. As a White woman in the US, I found myself considering what I know, think I know, and don’t know about the land we occupy and how we got to present day. Definitely eye opening and interesting to see how this narrative continues to unfold across time.

This is such a hard book to give feedback for. Its quality of beyond question, but it is a brutal read, even in comparison with books like "A Council of Dolls." I'm only sharing this feedback with NetGalley, not on Goodreads, because "Wandering Stars" deserves an audience. Thank you for approving me to review this novel..

If Tommy Orange’s Pulitzer finalist debut, There There, was an earthquake, his follow up, Wandering Stars, is a hurricane. Undoubtedly powerful, deeply impressive, but very difficult to get through and a little chaotic.

Both a prequel and sequel of sorts, Wandering Stars begins with the Sand Creek Massacre of 1864 and (too quickly) moves through the history of displacement, Indian residential schools and socioeconomic oppression of the Native American experience in the 19th and 20th centuries, through the stories of the ancestors of Orvil and Jacquie Red Feather, whose stories are at the heart of There There. Then, for the second two-thirds of the book, it picks up following the former book’s disastrous events, as Orvil and his brothers struggle with addiction, disconnection from family and community and purpose.

Orange is a master of voice and character, the downside to which is that this book felt unrelenting, especially in the present day portions. Orvil, his brothers Lony and Loother, their grandmother Jacquie and her sister Opal, and Orvil’s friend Sean, struggle hard against the hurts in their lives, and while certainly not every story needs to be a feel-good one (and frankly, telling the story this way did feel very honest to what Orange seemingly wanted to convey), as a reader there were few places to catch my breath. More critically, I disliked the pacing - we breezed past Charles Star (Jacquie’s grandfather)’s seemingly harrowing experience in a residential school with the lightest touch, spending more time with the white jailer and later school schoolmaster. I can’t say that felt like pages well spent.

I wished to refrain from giving this a star rating (though NetGalley won’t allow me to), because as difficult as it was to get through, I can’t say I regret the experience. A story like this isn’t meant to be enjoyable. I have quibbles with the pacing but if you’ve read There There and want more (and you should read There There first, I think) than this book may be for you.

Thanks to NetGalley and Knopf for a copy of this book in exchange for an honest review.

Wandering Stars was a highly anticipated read for me this year, but I think it was ultimately a case of “it’s me, not you” with it not working for me. Tommy Orange is a talented writer and Wandering Stars touched on several important topics - history of the treatment of Indians in America, boarding schools, massacres, and addiction.

There were perhaps too many things being covered over a span of time, and I would have enjoyed the book more if it dove deeper into any one or two things. Addiction is the central theme of the second half of the book, and I thought that part was very well done.

I was very excited to read this as I thought There There was powerful. Wandering Stars continued with the same powerful prose and was unrelenting in its viewpoint. Tommy Orange is a force!