This was a very twisty and fun thriller! It was definitely a "slow burn" thriller, at least for me. However, the unreliable narrator and the constant twists and reveals kept me interested. I started out reading the e-ARC but found it to be moving quite slow. It definitely got better when I switched to audio. I really liked the narrator and thought they were a great fit for this book. This will be a great thriller and audiobook to recommend to patrons.

Throughly enjoyed the narrator talking as if the reader was sitting next to him, giving a blow by blow of the tale or “ The Greek Tragedy” account of what happened. Was he really that bad or did fate play a part? I did read the authors others books and took in to account ho “ Theo” was. Justice was served!

I liked the silent patient but did not think this brought the same twists and turns that, that book did. It felt chaotic and drawn out and then twists hastily thrown out definitely not something I would recommend.

AUDIOBOOK ARC REVIEW
Rating: ⭐️⭐️⭐️
Read How: 🎧
Narrator: Alex Jennings
Setting: Greece


This is definitely different. I don’t think I have read a book in that order before and I did enjoy it. The story is mainly told by Elliot who thinks he is not a narcissist. The way this book is written is as if two friends sitting down with coffee and discussing an event that happened. However, the friend who is telling the story is providing how that event should have gone but didn’t.
In the beginning, it was a bit boring and to be honest I didn’t like any of the characters. I know Elliot gave the sad story of his childhood but it didn’t change that he was a big manipulator.
Even though I did enjoy some of the twists after a while it was like enough is enough.
My feelings for this book are all over the place.


Thank you @netgalley , @celadonbooks and @macmillan.audio for a copy of this book/audiobook in exchange for an honest review

LOVED the audio version of this book! The narrator reminds me a bit of Anthony Hopkins. Lovely voice to draw you in and keep you entertained.

The story has A LOT going on! There are so many twists and I did find myself having to go back and relisten to make sure I heard what I thought I heard correctly. I’m only giving 3 stars, though, for the story as it did drag a bit in the beginning, but did pick up to really knock you down. 5/5 for the narration!

I liked the cast of characters and the duplicity, but something about this one always felt a bit off. It was a fun, mystery story, but I can’t see this one being one of my favorites. 3 stars. Thanks to the publisher and Netgalley.

WOW! The Fury was a wild ride and unlike anything I've read before. If you do decide to read I recommend you go into this one blind.

This was my first read by Alex Michaelides but it won't be my last. I want to go back and read The Silent Patient now. The reviews and feedback I've seen for this one so far is so divided, but I think that adds to the allure. It's a slow start for sure, but stick it out because it picks up and you won't see what's coming. The way Michaelides crafted the narrator to break the fourth wall and speak directly to the reader was a storytelling tool that isn't often used.

Alex Jennings was the perfect choice as narrator and did a fantastic job keeping up with the writing and keeping the listener on track with the story. This was no easy feat as the The Fury does jump around across timelines.

Thank you to NetGalley, Macmillan Audio and Alex Michaelides for an advance copy. These are my honest thoughts.

A special shout out to the Celedon Books and Macmillan Audio marketing teams for the coordinated Little Free Library drops. That was a great campaign!

This was such an interesting book. On the surface, it’s a closed door mystery recounted by Elliot Chase, a writer and friend of reclusive ex-movie star, Lana Farrar. But Elliot tells you from the beginning that this won’t be like one of Agatha Christie’s whodunnit’s. It will be a whydunit, really a character study. It’s about a weekend seven people spend on Lana Farrar’s private Greek island and the murder that happens.

I know this one has been all over Instagram, but I’m having trouble figuring out what to say that isn’t too much of a spoiler. I found the handling of POV to be a little jarring, but I’m sure it was meant to be that way. There are moments when I’m reflecting on it where I think it was absolutely brilliant. Elliot is telling the story—or writing it—but he doesn’t stick to his own point of view or writing things that he would actually know. He writes as if he was an omniscient narrator who knew what was going on in everyone else’s head. And I do think ultimately that structure serves the story. It’s a clever way to let the reader learn a little more about Elliot.

I loved Elliot’s conversational tone. I loved the way he played with readers expectations and twisted them. This starts right from the beginning with the book’s opening lines saying how you should never open a book talking about the weather, then proceeds to talk about the weather. The writing throughout had that funny, brash quality that I really enjoyed. And the audiobook narrator did a wonderful job bringing that quality into their performance. I definitely enjoyed listening, although I was happy to have a physical copy to refer back to. Not so much for plot reasons, but to look at the way the author turned something on its head.

Overall, I think I admired this book more than I enjoyed it, but it’s one that I’ve thought about a lot since I finished it. I would absolutely recommend it to fans of a closed room mystery and anyone who’s looking for twist on that trope.

This was really good! I have heard a lot about this author during the past couple of years and have wanted to give his books a try, so I was excited to pick this one up. I was almost instantly drawn into this story as it was told to us by our narrator, Elliot. I did not see the twists and turns coming in this book and I loved that it kept me guessing until the very end. I found this to be a very entertaining read.

Elliot is part of a group of people spending some time at a friend’s house on a Greek Island. We learn a lot about each of these characters. I felt a sense of dread as I worked my way through this story because I knew that things were going to go sideways but I had no idea exactly what would happen. The story does meander at times but once I hit the mid-point, I did not want to stop reading.

I listened to the audiobook and thought that the narrator was simply outstanding, which only added to my enjoyment of the story. Alex Jennings is a narrator that is new to me but I was very impressed by his performance. He did a fantastic job of bringing this colorful cast of characters to life which helped to pull me into the story. I found his voice to be very pleasant and I found myself wanting to listen to this book for hours at a time.

I wouldn’t hesitate to recommend this book to others. I had a great time trying to figure out this mystery and I was rather surprised by some of the turns the story took. I hope to pick up more of this talented author’s work very soon.

I received a digital review copy of this book from Celadon Books and Macmillan Audio.

I received this as an ARC from netgalley in exchange for an honest review.

I’ve determined I just don’t like this author. I’ve tried every book he’s put out, hoping it’s just a fluke that I didn’t like the last. All of his plots are predictable and his lead characters always seem to be the culprit. And mentally unstable.

The plot is decent enough to keep you interested, even though I did see almost every plot twist coming. Only one caught me off guard. It’s a fairly short plot line rehashed from different points of view, which I actually enjoy. My main issue is that his plot lines are very similar through all of his books; I felt as though I was simply rereading another of his books. It’s a shame, I enjoy most novels with a Greek influence.

The characters are a bit flat and overdramatic at the same time. When they’re the main focus, you see the character shine, but when they’re in the background, you hardly notice them in the story. Since this is dramatized and written as a play, that checks out as intentional. I also have to say I didn’t like the main character Elliot from the get go. He struck me as pompous and playing the victim card, which I really just don’t enjoy. None of these characters are meant to be likable, but the author does a good job of giving you the backstory on each to let you perceive why they act how they do. There’s almost no character development to speak of.

The writing is easy to follow (or listen, as I had the audiobook) and the language isn’t too advanced or pretentious. I listened to this in two sittings easily enough.

The narrator is perfect as he gives off pompous vibes as well. Truly embodies the characters as best as he can as half of them are female.

All in all, it made for an easy read, but not my favorite. 3.5⭐️ overall.

Y'all this one just wasn't for me. I went in blind and hopeful but it just wasn't it.
The format was different which at first I liked but that quickly fizzled out. Most definitely a super slow burn with an unreliable narrator. The plot and pace was all over the place. I just couldn't connect and wasn't really worried about what happened to the characters in the end.

There are many others who have enjoyed this one though so maybe go read some of their reviews or just jump on into it lol

Thank you to Netgalley, Celadon books, and MacMillan audio for the ARC and ALC and allowing me to read and give my honest review.

2.5 Stars
This was just an okay listen. The author brings back characters from The Silent Patient and The Maidens (his other works) and I'm not sure I liked that he did that (especially since I didn't read The Silent Patient and was not expecting this to have any ties with that book). I wish I got so much more from this book than I did and I can't spoil anything because it's an ARC, but I definitely was left disappointed by the twists and reveals - I just feel like there was so much missing for me. I didn't care for any of these characters at all and I found the first half of this book was slow. I also wasn't a fan of the narrator in the audiobook version so I had to switch between the physical and audio versions to finish this. I really hated the way this ended as well and overall, I'm underwhelmed by this story.

Thank you NetGalley and Macmillan Audio for the ARC!

I have read all of this authors work, and I am a fan. His newest offering is The Fury and this was a super quick and fun listen. There was an unreliable narrator and plenty of morally gray characters to keep the story interesting to its completion.
I wouldn't classify this as a thriller, but more of a literary mystery. It flowed nicely and was interesting, however, this is my least favorite so far. That isn't to say it's not good, because it is, but I wasn't as invested in the characters in this one.
I would recommend this to those who enjoy a good mystery. The audio version was nice to have someone tell you the story. Overall, a good listen!

"We are all the unreliable narrators of our own lives."

The Fury, by master psychological thriller author Alex Michaelides, leads us to how warped and wild this writer is with his latest fiendishly fun tale of built up resentment, anger, greed and the ultimate act of violence, murder.

Elliot Chase, our cheeky storyteller, narrates his version of what happened on the private Greek Island of movie star Lana Farrar that led to murder and more twists than the windy storms on the island.

In the clever playbill sent by the publishers we are given quick introductions to the players of this unreliable narrated story. Eliot tells us he's a playwright and Lana's best friend. Famed actress Kate Crosby might argue she's Lana's best friend since they met first and she introduced Lana to her current husband, wealthy businessman Jason Miller. Also on the turbulent island is Lana's teenage son, Leo from another relationship. Rounding out the field is long time housekeeper Agathi and caretaker Nikos. Before we are halfway through one of them will be dead and one will have killed them.

Listening to the audiobook in between reading the novel I was blown away by award winning English actor Alex Jennings. His portrayal of Eliot was such a distinctive performance. His subtle confusions, "I am not sure where I am, the present or the past," added to the turmoil felt throughout the book.

The angry winds, known as The Fury, reflects the power of human emotions and how just as we can't control the weather, we often can't control our
feelings nor ability to tell an unbiased story. The first half sets up the perfect storm for a killing. The second half twists and turns every supposed truth into a whirlwind of an unreliable narrator.

I received a free copy of this book/audiobook from the publishers via #NetGalley for a fair and honest review. All opinions are my own.

This was an unusual book. It sort of reads like a play and there is lots of talking directly to the reader which takes some getting used to. It feels like there are stories within stories and while it's a bit of a character study, some of the few characters felt superfluous.

Many of the chapters end on "cliffhangers" - i.e. "and that was the last time we see Lana alive" or "if only I had known then what I know now..." type lines - which I'm not a big fan of when done too often. It often didn't help with the pacing, which I found rather slow.

I had a hard time getting into this book. Much of the first 15-20% was spent telling me that this was going to be unlike anything I've ever read, the next 60% felt like something I've read 10,000 times, and then the last 20% was a fun whirlwind of twists and surprises that I enjoyed but ultimately didn't save it for me.

I listened to this novel on audio and I think that was a great choice. Because of the theater aspect and the second person narration, the audio worked spectacularly. I also really enjoyed the narrator -- Alex Jennings -- and thought he did a fabulous job.

Overall, this ended up being an enjoyable read, but not one that will stick with me or that I'll be likely to recommend to a wider audience.

Thank you to Celadon Books, Macmillan Audio, and NetGalley for the copy.

I teetered on a score with this one, between 3 and 4 but I ended rounding up to 4. The main reason why I teetered is because I was so annoyed with the narrator/main character - but I think that was the point, hence the round up! I normally love an unreliable narrator situation but in this case it got repetitive with the whole, okay noooow I'll tell you the whole the story. Use that once or twice not 6 or 7 times - it got old. I did love the big twist at the end and almost wish the story would have been told from Lana's viewpoint. Didn't live up to Michaelides first novel, The Silent Patient. but that's a hard one to beat. Liked it much more than The Maidens

I’m sorry but this just wasn’t a book for me at all. I didn’t find this story interesting at all until the last chapter of act 3. In fact I had a hard time even focusing to keep the characters straight in my mind up until that point. I thought the ending 4 & 5 acts was going to prove it all worth the dragging out thus far. Things were going to get interesting. Well they sorta did but also sorta overdone too. I was just disappointed in general. This just wasn’t one for me. Moving on but thankful for the opportunity to receive this from Netgalley.

I read this one physically over five days in October and then a second time via the audiobook on pub day. With its short chapters, unreliable narrator, and plot split into five acts, I believe this book is best enjoyed quickly. Although I loved reading this one in October with friends and discussing our thoughts after each section, I found myself much more invested with the characters when I listened to it completely without stopping to guess what happens.

Elliot Chase is our narrator and this book is written as though we (the reader) have met Elliot in a bar and he is regaling us with his story over a glass or three of whiskey. Randomly, the reader is included in the narrative which I thought was a fun twist on the presentation. Elliot is the perfect unreliable narrator because his is the only point of view we receive. He speculates what the other characters were thinking and delivers these thoughts as truths. Unreliable narrators also generally see themselves with rose colored glasses and Elliot is no different.

Most of the characters have unlikable traits but end up having redeeming qualities which keep them from being unlikable characters. The tangled relationships that exist between them are what ultimately cause all of the unexpected twists! I was thoroughly entertained the entire time and definitely suggest this book to anyone who loves a twisty whodunnit, secluded setting, and unexpected ending.

Alex Jennings, who narrates the audiobook, is an exceptional actor on stage and screen. His narration is phenomenal and his experience clearly shines through, making this audio a must listen!

I received advanced physical and audio copies. All thoughts are my own.

I was excited for this book and really, really wanted to like it... but after finishing it, I just feel irritated. The longer I think about this the more frustrated I become.

The beginning was promising - the narrator was great, the starting section was really slow but had me intrigued.

This book is told from the perspective of Elliott, who admits in the beginning that he's not the most reliable narrator. This is fine! I love an unreliable narrator. What was NOT fine was the way this was executed, especially toward the end. Elliott frequently addresses the audience, which did pull me out a bit every time it happened - but I was able to (mostly) look past this. He goes on irrelevant tangents that add nothing to the narrative. He has almost no real personality outside of being obsessed with Lana.

The constant back and forth in time wasn't terrible (and was easy to understand and keep track of) but it's frustrating when a narrator intentionally withholds like. All relevant info from the audience. "This is what happened - except now let's rewind and get the context you actually need lol."

I don't like being told how to feel or what to expect - and Elliott kept going "things are going to get CRAZY guys a TWIST IS COMING you WON'T BELIEVE THIS TWIST." Like, okay... get to it??? After building it up that much I had higher expectations.

Some of the "twists" made sense and were interesting, while others felt ridiculous. The ending segment made NO sense and was laughably ridiculous - I was willing to give this a 3 star until we got to the ending. My god. "Here's the twist - just kidding that didn't happen - HERE'S the twist - no no jk - now the ACTUAL twist - now here's ANOTHER twist!!!"

I've read one of this author's other books - come on. I could see the ending to this a mile away based on my experience with his previous book - and there's literally a spoiler for The Silent Patient in the epilogue of this.

Also what is this author's obsession with writing women Like That. What's going on here.

I'm going to stop here before this devolves into a rant that makes me lower this to a 1 star.

Thank you to Macmillan for the audio ARC!

"...the Aegean wind to menos, which means "the fury in English."

So, what is Alex Michaelides latest book, The Fury, about? There is the primary protagonist, Lana Farrar, a reclusive ex-movie star who invites a small party to spend Easter with her on a small Greek Island. They are are rather trapped due to the elements, and it is during this time that secrets. lies and revenge are slowly unravelled. As the story develops, there is the point of view of Elliot Chase, and how he tells this story in the most unusual of ways.

Having received a physical copy of this book from Celadon, I was eager to sit back in my recliner and read it. However, I took the chance that I might be approved for the Audiobook on NetGalley, which I am thankful that I was. It was excellently narrated by Alex Jennings, especially as the unseen character Elliot Chase delivered much of the story from his point of view.

As is quite often the case in any mystery/thriller, our characters in The Fury have secrets, deceit, lies and more that pop up just about on every page. This lends well to fabulous pacing. Factor in the many twists and turns in Alex Michaelides third book (The Silent Patient in 2019 and The Maidens in 2021), I definitely enjoyed it, albeit his first two books performed better for me.

A question that may come up is what does Elliot Chase have to do with Lana Farrar, and also, how does one of the seven guests who were invited to the island end up dead? Just like in his first two books, our Greek author mixes in a bit of Greek mythology, which lends itself no doubt to excellent research that works well to blend the past with the present.

With Elliot's form of narration, it was very easy to feel connected to the story, especially as the locked room trope was the premise. I truly enjoy books that have unreliable narrators and with only so many guests (on the island in this case), so everyone was suspect which left me guessing during much of the book.

Another reviewer compared the style of writing and storytelling to the Netflix movie The Glass Onion, and I definitely agree with that comparison, so I just had to include that thought in this review. Makes me want to re-watch both Knives Out and The Glass Onion.

I look forward to the next book Alex Michaelides writes and hope that I can continue to read his work for years to come. He is a gifted author and I am eager to watching his growth and development as he pens these thrillers for his readers.

Many thanks to Celadon Books and to NetGalley for this ARC in exchange for my honest opinion.