Summary
In the city of Navola, Davico DiRegulai is the heir to the quiet power that controls the city and much of the region. But the DiRegulai legacy is one of trickery and violence, and Davico is a poor fit.
Review

For some years, I confused Paolo Bacigalupi and Christopher Paolini – for no reason other than that I knew nothing about either and both had Paol in their names. Gradually, though, it seeped through that they were different people, and that I kept hearing good things about Bacigalupi. So, I took this opportunity to read one of his books. It’s not what I expected. One of the mentions of Bacigalupi that I kept seeing mentioned his book, The Windup Girl. I still haven’t read it, but perhaps I should have started there.

Navola, rather to my surprise, relies heavily on Italianate language and references. On the one hand, that’s great – I can’t think of many other English language books that do this, and it was a fun chance to exercise my long-rusty Italian skills. On the other hand, it’s so heavily Italian inspired that it felt often like a Neapolitan alternate history rather than a third-world speculative story. That’s in part because there’s very little actual magic in this fantasy story; it’s much more on the Mary Stewart Crystal Cave line than, say, J.V. Jones’ Baker’s Boy. That’s fine in itself (sometimes a plus), but I frankly felt that if I knew more of the history of the Italian peninsula, I’d recognize a lot of what was happening. It seemed to me from very early on that there were echoes of Naples, Rome, the Borgias, Leonardo Da Vinci, and a host of other (not always contemporaneous) matters. For me, that real world similarity made the book much less interesting.

Bacigalupi is certainly a skilled writer. The prose is rich and flows smoothly. However, I would also have liked to feel much more engaged by his protagonist and other characters. There was a distance and almost clinical/mechanical feel to things that kept me from really investing as I’d have wanted to. Also, while the Italianate references were fun for me, I felt a non-Italian speaker would have been fairly confused at times.

The base story – person growing up to defy expectations – is a familiar one, but often here felt subsumed to the descriptions of Machiavellian intrigue and manipulations. I wish, honestly, that Bacigalupi had brought this personal element more to the fore. To my mind, that would have made a more engaging and involving story.

Overall, interesting, and obviously a help in properly identifying Bacigalupi. But I’m not sure that I feel a need to go on to his other books. I’m willing, but, on the basis of this one, will likely not search him out. If the opportunity does arise, I’ll look for a book that’s more firmly either fantasy or science fiction, and less alternate history. This one was well written, but not gripping.

I received this book for free in exchange for an honest review.

Dune, but with more of a Renaissance vibe, a young man inherits his family's empire and must rise to the occasion.