I thought this was very good and I will have to add this to the shop shelves. Thank you for the chance for us to review.

At a certain point I ended up DNFing this because trying to get through more than three chapters was torture and by that point I'd been trying to get through it for months.

Gül is too pretentious for his own good and it really shows. She tries to build an impression of flowery, poetic language, but the delivery is just so very clearly someone who's a non-native speaker feeling a desperate need to show off all the big words they found in the thesaurus. Been there, done that. It wasn't as egregious in the beginning but with each page it becomes more and more insufferable. The breaking point for me was "His seafoam orbs gyred, vulturous." Like come the fuck on. It's hard to even say if it's ironic or not considering how for years "orbs" was a meme of fanfic writers trying to do Too Much. The pompous, overdone language was crying for an editor, but it's unlikely Gül would ever budge to any suggestions that would improve readability even a tiny bit. Considering the obsessive use of big words, the use o certain terminology was jarring. The world is supposed to give a sense of dark fantasy Venice but the casual swearing and modern political terms took me out of it completely. Despite all these attempts of worldbuilding and the boasting of fanciful vocabulary, no actual thought was given to etymology or the historical implications of how the words were used.

The so-called grimdark violence is dull to the level of feeling like A Little Life. Injury after injury, Giorgianna is far from the feminine rage example Gül wants her to be. It just feels like she's brutalised because Gül has picked her as the designated torture OC. Giorgianna's POV was incredibly boring. It wasn't even that confusing, it was just pointless. After a few chapters I was tempted to just start skipping any chapter with her POV because the plot would completely stop and nothing of value was gained. Cesare had a bit more life to his chapters, at least.

Gül has a full list of every ethnicity the book supposes to represent, which is ironic considering her frequent Instagram rants about how she'd rather read a basic book with straight characters than a queer book with empty representation, considering her book is exactly that. Her characters are shells with no personality but covering the full ethnicity bingo. Considering Gül himself claims to be of at least 15 different ethnicities - a likely thing for a ruzzian to do - it's unsurprising. Usurp as much as you can and do nothing with it.

Gül once stated this book was started in his teens and it shows. It has the overblown pseudointellectualism and the "I'm wiser and more mature than my peers" sense to it. Worst of all, at the end of the day, it's a time-waster that neither does nor says anything of value. Not about feminism, not about oppression. Not about anything.

I tried really hard, more than once, to get into this one. I really, really tried. I just couldn't do it.

The switch between 2nd and 3rd person, the switch between italics and not understanding why, not being able to keep track of the characters. To me, it just came across as a jumbled mess.

I know some people will love it, but for me, it tried too hard to be too clever, and it fell short.

I'm afraid to say this was a DNF for me. I tried but I just couldn't get into it, and the world building, in some respects very good, swiftly became confusing with the number of characters. The writing style also switched perspective at random, which I found interrupted the enjoyment of reading.
3 stars from me, I'm sure this will be someones cup of tea but it wasn't mine.

Expressing emotion is prohibited by law in the city-state of Vencenza. Beneath its tyrannical shadow, Giorgianna, a deranged former playwright turned political fugitive, flees a brothel to seek justice for the murder of a beloved friend.

This was very weird but very good. I didn't know what to expect and still I was surprised. Well done!

Thank you NetGalley and Lacrimosity and Righteous Rage Press for this ARC Copy!

This book was a challeng to get into but once I pushed through the beginning, only because it was nothing like anything I had ever read before.
Once I was used to the unique writing style I was hoked. It is a gothic, visceral, and grimdark world that is unique in every way.
The politics of this world are so unique and the world is built well and it was unique, but also at times seemed like it was pushing too hard in parts and the characters are hard to love, but all in all it is a unique and interesting story.

Listen, this might not be for you. This book is not for the faint of heart.

When these book tour sign ups went out, I heard 'weird' and 'experimental' and immediately jumped at the chance. This is a literary tour de force that reads like a piece of performance art committed to the page. This highly experimental novel blurs the lines between poetry and prose, challenging readers with its intricate, elevated language and shifting perspectives. The writing is drenched in purple prose, demanding an expansive vocabulary and a willingness to engage deeply with the text. You are going to have to look up words. It is like poetry and a novel had a baby and it is smarter than you are. I have a pretty good vocabulary, but this really challenged me. It's like a philosopher's thesaurus wrote a book. Or if classic literature was written today.

It's dark, complex, and unapologetically intellectual, pushing the boundaries of conventional storytelling. The narrative weaves through various viewpoints, each contributing to a tapestry that is as confusing as it is mesmerizing.

It requires time, patience, and a sharp mind to fully appreciate its depth and nuance. Yet, for those who dare to venture into its pages, Non Serviam offers a richly rewarding experience. It is extravagant in every sense, and its self-assuredness in its unique identity is both refreshing and exhilarating. If you relish the challenge of experimental literature, this book will captivate and enthrall you with every sentence.

I gave up on this book relatively quickly as I lost track of what it was even about. It felt so overwritten that I couldn't follow half the sentences (and I'm not daft) to the point where I completely lost the point of the plot. The random sections written in the second person were equally off-putting. Perhaps this one was just far too high-brow for me! I have had to give it one star to submit the review but would not usually give a rating at all to a book that I had not finished.

Today, I have another book from NetGalley to share with you. It’s interesting to note that Latin is still taught as a compulsory subject in Romania, even though it is never actually used. I find it fun when I stumble upon a Latin term or book title that I can easily translate. I’ve always considered Latin as useless knowledge until now. The last time I came across a Latin term in books was in Devri Walls’ Venators series, which means hunters. I’ll end my rant on Latin by saying the title translates to “I will not serve”.

“Non Serviam,” the debut novel by Sfarda L. Gül, is the beginning of a grimdark gothic fantasy series that transports you to a Venetian inspired world. Set in the city of Vencenza, a dark and intricate version of Venice, this book offers a lush world-building experience combined with political intrigue, all told through the eyes of its three main characters.

What I Loved
Lush World-Building
The world of Vencenza is a marvel of gothic fantasy. Sfarda L. Gül’s prose paints a vivid picture of a city steeped in history and political complexity. The setting, with its dark alleys and grand canals, is beautifully crafted and immerses the reader in a place both familiar and fantastical. The intricate details of the city, combined with the rich political landscape, create a backdrop that is as captivating as it is foreboding.

Engaging Protagonists
The story follows three main characters: Giorgianna, Cesare, and Lucrezia. Giorgianna, a budding actor, finds her quiet life upended as she becomes entangled in the revolution. Her journey from a timid artist to a fierce revolutionary is compelling and emotionally charged. Cesare, the Machiavellian mastermind, brings a cunning and strategic depth to the narrative, orchestrating the rebellion with calculated precision. While Lucrezia’s character didn’t leave as strong an impression, the dynamic between the protagonists keeps the plot engaging and multifaceted.

Dark Twists and Political Intrigue
The novel’s dark twists and turns will keep you on your toes. The political intrigue is a highlight, with secret plots and betrayals that add layers of suspense and tension. The revolution against the tyrannical ruler, who has banned all forms of emotional expression, serves as a powerful backdrop for the characters’ struggles and triumphs.

What Didn’t Resonate With Me
Purple Prose
The writing style, characterized by elaborate and ornate prose, often felt like a double-edged sword. While it added to the atmospheric quality of the story, it also made the narrative feel cumbersome at times. The long, run-on sentences and convoluted structure could be exhausting, making it tempting to put the book down. However, keep in mind that the book description contains a note on this. So, if this bothers you, this book may not be for you. While the writing wasn’t my cup of tea, I went into this story knowingly.

Multiple Narrative Voices
This is another thing I knew right off the bat because it was in the book description. However, since I hadn’t read anything like this before, I wasn’t sure if I’d like it or not. Now I know it’s not my cup of tea, but maybe it won’t bother you as much.

The use of multiple narrative voices—first person for Giorgianna, second person for her flashbacks, and third person for Cesare and Lucrezia—felt disjointed. While this approach aimed to add depth, for me, it instead disrupted the flow and coherence of the story. The shifts in perspective required constant adjustment, which detracted from the overall reading experience.

Overwhelming Complexity
The dense world-building and intricate plot can be overwhelming. The novel does not ease you into its elaborate setting and extensive history, leaving you to navigate a flood of information. This approach, while ambitious, might alienate readers who prefer a more gradual immersion into a complex fantasy world.

Themes
Revolution and Tyranny
At its core, “Non Serviam” is a story of revolution against a despotic regime. The tyrant’s outlawing of emotional expression and the protagonists’ roles as banned artists create a stark contrast between oppression and the human spirit’s resilience. The novel delves into the sacrifices and moral dilemmas inherent in such a struggle, questioning what one must forfeit for the sake of freedom.

Art and Expression
Art as a form of resistance is a prominent theme. The protagonists, being artists in various forms, use their craft to defy the oppressive regime. This theme underscores the power of creativity and expression in the face of tyranny, highlighting how art can inspire change and challenge the status quo.

The Cost of Hatred and Violence
The novel also explores the toll that hatred and violence take on individuals. It raises poignant questions about the price of revolution: Can victory be achieved without losing one’s humanity? What are the personal costs of pursuing vengeance and justice? These reflections add a philosophical layer to the grimdark narrative, making it a thought-provoking read.

Conclusion
“Non Serviam” by Sfarda Gul is a grimdark gothic fantasy that offers a richly detailed world and an emotionally charged story. While its lush purple prose and intricate plot may not appeal to everyone, those who enjoy a dense and immersive reading experience will find much to appreciate. The themes of revolution, art, and the human cost of defiance are woven into a narrative that is as thought-provoking as it is darkly captivating. If you’re prepared to dive into a complex and challenging world, “Non Serviam” has a lot to offer.

Advanced Review Copy provided by the author in exchange for a review. Thank you to NetGalley, BookSirens, and Lacrimosity and Righteous Rage publishing.

Non Servium is the beginning of a grim-dark gothic fantasy series set in a Ventian-inspired world. The world-building is lush, with gorgeous prose and political intrigue. We follow Giorgianna, along with a found family of sorts, as she navigates the complex social structures around her. The setting is unique and the dark twists had me invested.

However, I struggled to get through this book more than a chapter or two at a time. It is very dense and while the writing is beautiful, the number of flashbacks and flowery language, made it a tad bit confusing to put the complete narrative together in my head.

Still enjoyable and worth picking up, but took me a while to work through.

Gül has created such a complex world in this novel. The gothic elements, fantasy, and political aspects of the novel all create a captivating, complex world with equally complex characters that take us through it. I loved this book and how Gül constructed this world and characters

Non Serviam is for all the people looking for a true feminine rage tale. It is the book with stunning, elegant prose that makes you feel as if you got transported into the vicious, ruthless world of Vencenza. It is the sort of novel with characters you will love like our protagonist Giorgianna or our rebel, Cesare and a love story that unfolds like a true slow burn in a world where emotions cannot be expressed and doing so will lead to death.

With a full cast of queer characters, villains you will hate with a burning passion and witty and sharp dialogue that will send you on a rollercoaster, this is one of the books everyone should consider reading. It also has plenty of beautiful quotes that stick with you long after the book has ended and it is such a pleasure to be able to see this beautiful, gritty political fantasy soon be out in the world!

Thank you to Net Galley and the publisher for the ARC. I was excited to read this. I like purple prose. I also love good worldbuilding and politics. Unfortunately, the prose was dense and really slowed down the pace of the story, such that I just couldn't get invested enough to complete the ARC.

DNF. I found the prose as a whole to be very overwritten and clunky and often felt that it got in the way of the story. I’m no stranger to fancy or embellished writing, but I just found it here to be painful and didn’t think that the writing had a good flow. I do think there were some really nice lines and imagery in places, but as a whole I was not a fan of the writing. Beyond that, I didn’t find the story or characters to be anything that special or compelling enough to want to continue reading despite my dislike of the writing. I think that there was too much time in the beginning that was just spent meandering around with flashbacks that didn’t seem to add enough to the overall plot line to warrant how many of them there was. Cesare and Giorgianna were clearly the two stand out characters in my opinion, and while overall I felt that they were decent enough characters, I found that the writing style got in the way of me feeling like I truly knew them and erased any sort of character voice that either of them might’ve had. I didn’t get far enough to see how the story played out or how the characters ended up developing, but I didn’t feel compelled to.

Thank you to Netgalley and the publisher for the advanced reader copy in exchange for an honest review.

DNF 12%

I desperately wanted to love this book. From what I could tell of the plot, it would have been right up my alley.

I also understood going in that the prose was deliberately overdone, which I can get behind as a feature.

However, something about it made it incredibly difficult to get through. I spent more time going back and forth to figure out who was who and what was happening than I have in any other book. It's the kind of book that makes you feel dumb, and not in a good way. My eyes and brain glossed over Cesare's dialogue, I have no idea what the other characters plot was, and kept waiting for it to click, and ultimately I put the book down in favor of something else to read.

Several weeks later I have yet to muster the energy to pick it back up.

For now, I leave it as it is. 2/5 stars for potential. Maybe I'll come back to it at a later time.

The hyperstylized GrimDark debut by author Sfarda Gul, Non Serviam positions itself as literary political GrimDark. It is equal parts a visceral and cerebral experience. Their approach to telling a familiar dark fantasy tale of revolution under the crushing fist of tyranny both serves as the greatest strength and biggest weakness of the first part of The Hypostasis of Dissent duology.

Non Serviam (Latin for “I Will Not Serve”) is a tale not entirely unheard of in the GrimDark ecosystem. Set in the city of Vencenza, a fantasy version of Venice (among other related locales), the story revolves around the budding revolution of the common folk long oppressed under a tyrannical ruler. In this iteration of the Dark Overlord tale, the tyrant has outlawed all forms of emotional expression. As a counterfoil, our protagonists are artists of various forms — playwright, musician, thespian, all of which are banned by the powers that be, with extreme and violent prejudice.

Central to the narrative are the three POV characters, Georgianna, a budding actor who has her quiet life thrown into turmoil as she is thrown into the misery vortex as a stand-in for the obscene governance till she becomes the pinnacle of rage, channeled outwards and within her own self. Following which we have Cesare, the cunning Machiavellian insert who is the brains behind the revolution orchestrated to erupt forming the central motif of the Non Serviam. Lastly, we have Lucrezia, who, well, I kinda forget what her whole schtick was, because she paled compared to the other two archetypes.

What Sfarda Gul (pseudonym) gets right, to an extent, is the effort put into worldbuilding. They have created expansive mythos borrowing from medieval Latin and Middle-Eastern cultures, as well as drawing influences from African subcultures as well as Indian and East-Asian flavors. There is a clear sense of effort being put into creating an in-universe language for the narrative as well as creating extensive ancillary documentation for all the terminology including detailed appendices, pronunciation guides, and even some nifty pictorial guides to the masks (which form a central motif in the story further into the Venetian Theater vibe).

Unfortunately, there is something vaguely vacuous about both her characters and worldbuilding. The author sets out to create archetypes that we have seen before, and better versions of in other works of GrimDark fantasy. Georgianna comes across as a petulant rage-first-think-later version of the much more maniacally savant Baru Cormorant (The Masquerade series by Seth Dickinson), Cesare feels like a downgraded version of Locke Lamora (The Gentleman Bastards series by Scott Lynch) which also explores the Mediterranean Theater aesthetic, in a more sunny approach.

The tyrannical lord is a tired trope by this point, and the author’s motif of the outlawing of expression, while an intriguing premise, is not really dug into in a way which feels expansive. One of the keystone aspects of GrimDark is that it is a bleak world, and while there is plenty of violence and oppression in Non Serviam the sense of general misery is not really well painted, best done through the eyes of the non-protagonist characters.

But by far, the biggest aspect which will divide the readers of this series, and will decide whether this series will succeed or not, is Gul’s stylistic choice of prose.

<Deep Breath>

GrimDark has always been a genre that has given authors a wider leeway of flexing their stylistic prose, from the brutalist Sanderson approach to the black-comedy of Abercrombie, the bloodthirsty mania of Fletcher, the poetic repetition of Anna Smith Spark, or the academic leanings of Mark Lawrence and Tchaikovsky. There is even the tumblr-esque edgelord purple prose of Jay Kristoff, which has also been divisive among fantasy readers as being overly edgy. You can read a review of Kristoff’s latest offering here.

Then there’s whatever the hell Sfarda S. Gul decided to throw at us in Non Serviam.

Their prose is hyperstylized purple (reaching for a more extreme color here) to the point of tedium. With incredibly long run-on sentences, convoluted structure, and purposefully obtuse vocabulary, their writing style hits you like a sledgehammer and exhausts you before you get to the end of the first chapter. I would like to think of myself that likes the elevated approach and even likes getting stumped by words that I have not read before, and looking up their meanings.

I cannot comment on the realistic control over the English language that the author possesses. The overall appearance of the prose feels so hamfisted, so contrived, so dragged out with broken teeth out of the cavernous darkness into the blinding and bloodsoaked sunlight of a dying world (now they have ME doing it too!) that it feels as if they took their first draft and pushed it through the thesaurus meatgrinder.

The overall appearance of the prose feels so hamfisted, so contrived, so dragged out with broken teeth out of the cavernous darkness into the blinding and bloodsoaked sunlight of a dying world (now they have ME doing it too!) that it feels as if they took their first draft and pushed it through the thesaurus meatgrinder.

For those who watched the entirety of the Spartcaus TV show, you will know exactly just how exaggerated prose can lead to comedic tedium.

To further complicate matters, Non Serviam is told in both First, Second, AND Third person voices. Georgianna’s POV is told in the first person, the Second person voice is thankfully sparse and is only reserved for her flashbacks, and Cesare and Lucrecia’s POVs are narrated in the standard third person. Phew! Furthermore, even the chapter titles come across less as well-thought-out and impressive, and more as a “look how smart I am” self-congratulation. The titles are either drawn from medical or psychological terminology, or genuinely feel like regular sentences pushed through an English-to-Latin translator. This is NOT commentary on the author’s command over Latin (which is seemingly considerable along with several other languages as per the footnotes), but when piled on the rest of their prose’s critique veers deeply into “Im14AndThisIsDeep” territory.

Non Serviam is a textbook example of “style over substance”. What lies beneath all the claustrophobically complex prose and elaborate yet vacuous worldbuilding is a sadly anemic plot carried forward by characters that feel like caricatures of exaggeration, and vehicles of poorly concealed messaging rather than fleshed-out characters with distinct voices. The amateur nature of the prose is stark in that for all the effort the author put into their prose, all the characters spoke with exactly the same voice, leading the reader to be extremely confused and unable to form mental anchors via speech mannerisms or delivery. This problem is further exacerbated when both the narration and dialog suffer from nearly identical bloat, making even the most ardent of readers unable to distinguish between the two. The total of which is a dense mess of overly compressed yet overly fatty slab covering very little meat over a weak skeleton of a memorable tale.

Non Serviam also highlights the aspects of GrimDark that makes the genre the most inaccessible to newcomers. This story lacked the blase meta commentary towards its own bleak universe or the nuanced morally grey diverse characters that fill out the world. For as much as the author has written essays about the pitfalls of GrimDark on other forums …

Non Serviam is misery-porn, the weakest form of GrimDark

Every character is so broken down by past mental, physical, and sexual abuse that they become paragons of self-loathing. While this is a staple within many GrimDark characters, Gul treats her characters with the subtlety of a bulldozer. Both Georgianna and Cesare get more and more unbelievable as they are both subjected to the maligned trope known as the Conga Line of Trauma, to the point of reader nausea.

Feminine Rage is also a central motif in Non Serviam, and Georgianna feels channels it to a hyperbolic degree. I will fully admit that I am no expert in trauma representation and I can empathize with their author’s effort to shed light on real-world issues through their chosen artform, but they do so without intelligent restraint.

There IS a good story within Non Serviam but it is held back by the author’s own stylistic choices, which I feel will drive more readers away than towards their future efforts.

This novel is, well, a lot. But it also shows its cards right from the beginning, in the book’s summary/blurb, which references its “lush purple prose” and “vividly complex setting.” If you’re onboard with that then there is a lot to chew on in this story. The writing is really dense and filled with (invented) non-English terms and names, so much so that there are numerous footnotes explaining not just pronunciation but also grammatical rules. And while the setting is easy to fall into, in the big picture, it is wildly complex and intricate, eons of other-worldly histories are contained within, and it is easy to be overwhelmed. Neither the world-building nor the (somewhat) profligate language are eased into, the reader is thrown into the canal and expected to swim, gasping short breaths of information and details enough to keep you afloat long enough to read land. Don’t go into the book expecting your hand to be held.

If you brave those hurdles, what is there? A core group of characters with complicated and heartfelt histories, torn by warring emotions and violence, and a plot that is fueled by blood and anger. The characters are great, and they make the story worth the trouble, but sometimes they too get lost in the writing. The story itself is, in broad strokes, pretty simple, but it is a strong spine from which numerous subplots are supported, including a few thrilling, bloody action set pieces, and other scenes that are truly heart-wrenching. The plotting and writing feel convoluted at times, like the story is more concerned with its expression than its forward momentum, which is well and good as a vibe, to parallel the writing and the story, but it does cause the story to have a start and stop feel, with the characters’ experiencing an urgency that the reader doesn’t share. There could have been 75-100 pages edited out and the story would have had much more momentum, enough to propel even an easy reader through the complexities of its prose and ideas. It sometimes felt like too many things were layered atop one another, and in a way that doesn’t contribute to the overall experience. For instance, an entire complicated magic system is introduced about three-fourths of the way into the book, with a footnote giving a summary of how the whole magic system works and who can wield it, and it becomes important for events that happen in the last quarter of the book. But there were no seeds of it planted and nurtured from the beginning, it is just thrust into the readers’ laps a few chapters before it becomes necessary. I don’t mind the magic system, it enrichens the world, but the way it is presented is indicative of how this story and world just have so much information that it feels like it inelegantly piles up one atop the next.

However, for all its dense world-building, the ideas are the point, here, and what make these characters’ struggles valuable. They are a ragtag group looking to bring down a cruel dictatorship; that is easy to hold on to. But what toll does that hatred and violence take on the heart? What can be truly won through blood, and what has to be sacrificed in the process? Can a revolution be victorious if you need to forfeit your humanity to see it through? Do personal traumas and vendettas serve as valid stand-ins for state-sponsored violence and oppression, and do we collapse our experiences of pain into such all-encompassing motivations that we lose the capacity for joy and emotional resolution? The story is very intent on contemplating these ideas and more, and while I don’t feel my own personal inclinations lining up with where the novel/our characters find themselves at the end of this first part of an intended duology I have definitely appreciated the unvarnished exploration. This novel isn’t for everyone, given not just its themes but its really--sometimes seemingly unnecessarily--dense, purple prose along with its branching, sometimes wandering plot. But it is filled with revolutionary philosophies and the minds that fuel them, a full meal to sink your teeth into, and has a lot to offer.

The meandering plot and somewhat clumsy world-building (clumsy only insofar as it is remarkably complicated but often rather bluntly introduced) pull down my rating a bit. The characters and ideas and bravado all raise it up. The language, well, it depends on the page. Sometimes the grandiosity of the language felt impressive and appropriate and enveloped me in the complexities of the story, and other times it felt pompous and distracting and unnecessary. So, it kind of balances itself out, but it impressed me more often than not, enough to bring the story up to 3.5 stars from three.

(Rounded up from 3.5 stars).

I want to thank the author, the publisher Lacrimosity and Righteous Rage Press, and NetGalley, who provided a complimentary eARC for review. I am leaving this review voluntarily.

I had a difficult time getting into this book in the beginning. I felt like perhaps I missed another book that should go before it, but that was not the case. It took me a little longer to get into but once I got into it, it was not bad at all.

This book is very uniquely written. If you are looking for something very different from what is on the market today and complex with artistic writing, I recommend the book. Read the description carefully that this is written with poetry and art cinema in mind. Truly is. Thank you for the opportunity to read the ARC and exposing me to a different kind of writing than that exists today.

Unfortunately I had to dnf (did not finish) this book. While I loved the description, and everything seemed like i was going to adore this book, I had trouble getting through the thick prose. The overly flowery language and quantity of words in another language made the reading experience a bit of a slog.

As the first installment in a political fiction, "Non Serviam" promises a thought-provoking journey into a world fraught with peril, challenging readers to reflect on the complexities of power, oppression, and the human spirit.

Set against the backdrop of a vividly complex world inspired by Venice, Sardinia, and Etruscan Civilization, the novel weaves lush purple prose, visceral symbolism, and philosophical pondering. The author's writing style, reminiscent of poetry and art cinema, invites readers into a world where tragedy erodes Giorgianna's psyche, leading her down a path of vengeful bloodlust haunted by cabbalistic visions.