I think this book suffered from poor expectation setting. The marketing copy makes it sound dystopian and full of big drama, and it's more like a quiet slice-of-life novel with small interpersonal domestic dramas. Especially after reading The Old Woman with the Knife, I expected more thrills and twists than a little sexual tension in the carpool group. But will continue to read more of Gu Byeong-mo's work in the future.

Yojin moves with her family to the "Dream Future Pilot Communal Apartments," in South Korea she has committed to a national goal. She hopes have at least two more children in addition to 6 year old Siyul. The population rate has fallen sharply and it is hoped this new pilot will help bolster numbers (especially to their neighbor in the North).

The community seems to share much, but Yojin feels uneasy and suspects there is an undercurrent of something else. Through the story we meet many other couples and learn about their fears, loves and obstacles. Please note, this is not a thriller!
#harlequintrade #apartmentwomen #gubyeongmo

The book was kind of slow to read but the cultural band socio-economic aspect of a communal apartment was interesting to read about. It was almost overwhelming to read about all the paperwork that went in just to get accepted to live there.

The social media posts and text messages kind of melted in with everything else written which was a bit confusing. The ending was a bit jumbled up and it wasn’t clear where the epilogue started.

It was interesting to read about all these different families that dealt with different situations within their marriage.

The premise of four families living in a communal space as part of a project to fulfill South Korea's societal need to produce more children was so fascinating. I had received this ARC back in February and must have read the description as being more Thriller or speculative fiction. Being new to NetGalley at the time, I was still figuring out how to use the site, my excitement got the best of me and I requested and received books without really checking what the book was. No problem though. I realigned my expectations and dived in.

First off, I hope the finalized published version does something about the formatting because it was disorienting being thrown into a different POV without much indication that a switch had been made. Despite that, I did enjoy being inside the characters’ heads. Their motivations and frustrations were clear to me and I could empathize with their struggles with the role they were trying to fill and what society expects of them. However, in many ways, the execution fell flat for. I wished the plot went somewhere different (maybe even more speculative actually). I was back and forth about the writing style itself, too. It was straightforward which I can appreciate but in combination with the story not going anywhere, it made for a mechanical and almost boring read. Perhaps a translation issue as I saw some reviews point this out too. I wanted to DNF the book a few times but I pushed through. I’m a little frustrated because I can’t in good faith recommend this book to anyone in my life because (like me) they would be expecting more from the plot and I know it wouldn’t be able to deliver.

I was excited to read this book as its premise was very interesting to me. In order to encourage people to have children, the government opens up subsidized housing and offers a community style living situation so that people have a built in village to help.
I don’t know if something was lost in translation or if I am missing subtle parts of this book that would have added meaning. I didn’t find the characters compelling and the book seemed to skip from some tough situations that seemed typical for strangers living together to an ending that seemed extreme and unexpected. The book almost seemed like a murder mystery/cover-up without the excitement of the actual murder. I feel like the idea of this book was better than the execution.

The premise sounded amazing and like a great study on society but in practice this book felt long and difficult to get through. I'd like to think it was partly due to translation, or that I just don't understand the cultural context as much as I am not living in Korea.

Thank you for allowing me to read this book prior to release. I was interested in this book because it was outside of my normal genre of reading. The story was a great look into how another culture functions and how critical family can be. The storyline did not seem to move in any particular direction and did not provide the reader with closure or a sense of completion after reading the story. I wanted more from the characters and from the story.

On the surface Byeong-Mo’s novel is a fictitious social experiment–testing out the ancient practice of communal living with modern amenities. Once deep within its pages, you will quickly realized this book is a statement– one that transcends borders– about the never ending societal expectations placed on mothers, even in the 21st century.

Byeong-Mo compares the lives of the four matriarchs living in the apartments (Seo Yojin, Hong Danhui, Gang Gyowon, and Jo Hyonae) to highlight their different struggles with motherhood. Yojin is the clearest main character and the only mother to work outside of the apartment complex, while her husband Euno stays home with the other wives. Danhui is the quietest of the women, not really appearing or making a fuss until the very end of the book. (Her husband, however, is another story.) Gyowon is what some may consider the perfect housewife, constantly cooking, cleaning, and finding the best bargains on resale pages on the Internet. She has the least shame out of the four women, while also being the judgiest of the bunch. Hyonae, a freelance children’s book illustrator is learning to balance the life of being a new mother and a career woman, while being thrust into this very unique living situation.

The four woman in this novel are vastly different, but in the end all equally unhappy. Each is faced with a unique shame, guilt, or doubt that they try to contain like a secret. But, living with the many eyes of their neighbors on them creates a metaphorical pressure cooker of judgment that causes each woman to implode in her own way and, by the last page of the novel, only one woman is left standing.

I can honestly say, I was hesitant about this book at the start, but it quickly became a beautiful exploration of the unrealistic expectations women have carried for generations.

Thank you to NetGalley and the publisher for allowing me to read and review this ARC.

This is the story of four families living together in a government-run apartment complex outside Seoul. The process to get into the complex is competitive; ultimately the complex will house four families. The complex is experimental—the families agree to have and raise multiple living in this communal living space. The story centers on the experience of the four women, four mothers, in these families. Who ultimately bears the burden of the communal living? Spoiler alert: it’s the ladies. The story is a quiet but deep look at the interior lives of the women. It’s a quick read but that doesn’t mean you don’t get to know these women and their troubles.

I often wonder what would happen if we changed how we lived with others. Suppose we intentionally interacted and lived with our neighbors, who were deeply entwined in their lives and allowed them into ours. Well, Gu Byeong-mo reminds us it will be exceedingly messy.

Apartment Women zooms in on four families that enter a pilot communal apartment meant to encourage families to have larger families and build community. Quickly, we see what happens when very different people with differing opinions on how to do family and spouses that don't truly talk end up. This book describes the plight of motherhood and, even more specifically, womanhood. And by the end, you question if a large communal backyard table is worth being the main focal piece of the backyard.

It is easy to want to romanticize everything, but community is complex, and Byeong-mo reminds us that sometimes, the mess behind closed doors will impact the whole apartment. However, I think there is a way to do community well, but maybe not as a government-funded apartment that leads to three kids and cheaper rent. As enticing as affordable living spaces are.

This took me so long to read such a short book. I kept picking it up and putting it down.
Maybe it was the layout of the book or perhaps the translation, but I felt at times it was difficult to read. At times, it seemed characters melded into each other. I’d have to reread sections because characters would switch up. I’d be reading one characters pov then in the switch of a paragraph, I’d be reading another pov.
The book got interesting in the last ¼ of the novel…but even then, I was truly not that invested. I do keep thinking about the characters, which I always attribute to great books, but the effort to get to the end was not what I was thinking it would be.

Thank you to Hanover Square Press and Netgalley for the Advanced Reader Copy.

A decent short read. On one hand, I'm not sure I understand what I was supposed to get out of the book. There's some social commentary on the unseen labor that the women are putting into their relationships and the burdens they're carrying on their shoulders. There's also some commentary on the government housing project and how it forces a community upon these different couples. But in the end, I didn't know what I really got out of it.

I do think that Gu Byeong-mo did a great job of slowly building the tension and setting up these personalities meticulously. In particular, Yojin's inner monologues were often deeply relatable. The struggles that each woman faced in their particular situation was well-articulated. The weaponized incompetence was so real that I could feel myself getting more and more frustrated as I read.

I didn't mind the translation so much, but I do think the flow between stories was sometimes not that smooth. It's unclear whether or not that's related to the original text or the translation.

Received a free copy from Netgalley.

What a delightful, wry, and delicate read Apartment Women is! Gu Byeong-mo spun a masterful tale about the life of one small precarious community. The story is set in a poorly planned and designed government-sponsored project. It is meant to make people’s lives better (in theory), but as it often happens, the execution did not fit the idea, As such, something that is supposed to improve the quality of life of the residents becomes a backdrop to the farce that is apartment living.
While following the lives of the families throughout the book, I couldn’t help but get drawn right into the heart of their lives and feelings, At some point in the book I am Yojin, I am Danhui, I am Gyowon, I am Hyonae. I want to be a perfect mother who feeds her kids organic foods and buys them sustainably produced toys, I want to be warm and welcoming and polite, I want to be a team player and a good cook, and I want to be left alone and not be drawn into the forced sense of community, I want to be a part of something bigger, but not at the expense of my own identity. I weep at the universal truth of the hardships of motherhood, a womanhood, and a neighborhood. This unique little story will stick with me for a while.

The concept of this book drew me in. Being given a place to live in exchange of the promise of having children is a wild idea!
Unfortunately in execution, I found it to be awfully boring.

Thank you Harlequin Trade Publishing | Hanover Square Press and NetGalley for the chance to read this work in exchange for my honest opinion.

I love this author, but this subject matter didn’t quite grab me, and there were a lot of names to keep up with right from the start.

Admittedly only read about 65% of the book. It is difficult to follow partially because of the characters' names are so different, one can hardly determine who is who, male vs female. The book drones on with these characters just discussing rules of the community and who is doing what and following the apartment rules. I could not find fully developed story plotted out to follow. Not exactly the book as described when requesting to read it. I was provided an advanced reader copy and was under no obligation to write a review. The opinions expressed are my own. Thanks to the author,publisher and NetGalley for allowing me to read the book. Sorry it just did not meet my expectations.

I want to thank Netgalley and Harlequin Trade Publishing | Hanover Square Press for the opportunity to read this advanced copy of Gu Byeong-mo's novel Apartment Women.

I felt the author did a fairly good job of introducing the concept and identifying the characters. However, their focusing more on Yojin as the story went on, kind of left the rest of the characters flat for me. While I felt that I got a taste of the other characters personalities, I don't feel I really got to know them. I also feel that as so much of the story was told solely from Yojin's viewpoint, that the author didn't allow us to fully hear the other characters feelings on what was occurring .I really liked the premise of the story.

The idea of bringing total strangers together to live in a communal setting is definitely a recipe that can take the characters in many different directions. It was interesting that in a situation that should have lent itself to providing the women with someone to lean on, it almost did the complete opposite.

Though Apartment Women will not be one of my favorite reads, I did find it interesting.

First off - thank you Net Galley for the arc! I am a huge fan of Korean fiction and was incredibly excited to get this one early

Overall, this is a great little book. It’s not as dystopian as marketed, but provides some really unique insights into motherhood, capitalism, and community

thank you netgalley and the publisher for giving me access to this arc.

the reason for the low rating is due to how this book was formatted and possibly translated.

i dnf’d at 25%, it was a struggle to come to the decision because i enjoyed the story but the lay out and translation made it hard to enjoy.

there’s 4 different women’s povs set inside this book, yet there is no indication when the povs switch. the paragraphs are just smushed together and i had to sit there and decipher who’s pov i was reading.

it’s a shame because other wise from the constant over thinking to figure out what the hell was going on, the story has a great premise. the publisher needs to either get this book reformatted or find a different translator because the book itself just felt so dry and drab.

The idea of the storyline was good but reader definitely needed more to work with, it felt very quick and none of the characters stood out to me. It was just like this happened then poof they moved out and that was that.