Story of three generations of women.Lila and her two siblings are raised by an abusive father after he has their
mother committed to an asylum and later told she has died, The loss of her mother affects how Lila deals with
relationships. When she has childrem, she leaves their raising to her husband, more focused on her career.
Her daughter Grace has a complicated relationship with her mother. Grace has mixed feelings when she
writes a book loosely based on family. The latter part of the book reveals what really happened tp Lila's
mother Zelda and the changes and challenges the information presents.
Character driven novel, compelling read.
#LikeMotherLikeMother #RandomHouse #NetGalley

Simply an incredible multi-generational family saga. It's riveting from start to finish, from stories told over generations and how we interpret them today. As mothers, we do what we think is best in every situation including relationships with husbands and children. These mothers, sisters and daughters are intelligent, coy and full of wonder as they unearth long held secrets.

Thank you, Random House Publishing Group - Random House | The Dial Press

𝗕𝗼𝗼𝗸𝘀𝘁𝗮𝗰𝗸 𝗥𝗲𝘃𝗶𝗲𝘄: #𝟳𝟭
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Fans of Claire Lombardo or Catherine Newman would feel right at home in Susan Rieger’s compelling new novel, a multigenerational story of three strong, driven women, and what is passed through the years in a robust combination of nature and nurture.
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At the center of this is Lila Pereira, a brilliant and powerful executive editor of the Washington Globe, who feels like a cross between Katherine Graham and Martha Stewart. A woman who loves her children but acknowledges she’s not the mothering type. Her own childhood was marred by abuse and violence culminating in her father committing her mother to an institution and Lila and her siblings never seeing her again.
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Lila, now has three daughters of her own, and it’s the youngest, Grace who is the other focus of the narrative, an ambitious journalist who struggles to capture her mother’s attention. Rieger’s characters are witty and smart with dialogue that crackles between them. Both funny and moving, the book’s spine threads in a mystery that ties these generations together to a satisfying conclusion, and it’s no surprise the book has been optioned for television by Universal Content Productions.
“Like Mother, Like Mother” will be out Tuesday, 10/29

A wonderful book about the power of family, love and sibling rivalry. Also about the power of misunderstanding another person.

3.5 stars rounded up to 4.*

It took me a while to get into this book, I'm not sure why. But once I did, I was into it.

Like Mother, Like Mother is the a family saga - it looks at abandonment, self sacrifice, and selfishness versus self-preservation. It is the story of two a family marked by abandonment/disappearance of one mother and the subsequent steely non-presence of another.

The writing style of this novel isn't like anything I've read before but I'm not sure I know how to describe it other than it was told in almost a factual way instead of emotional. That's not to say that it's void of emotion but it's just not upfront. This novel unravels by telling the story of the Periera/Meier family. Lila is a force to be reckoned with from the time she was young until she retires from her job. She was ahead of her time in being honest about what she wanted out of motherhood and what she could handle. Thank goodness she found Joe and he was more than happy to be her partner. Together they raise a family but for one of their daughters, Grace, Lila choosing work always rubs her the wrong way. What she doesn't realize is that she's a lot like Lila. There's also a family mystery that Grace choses to investigate, which rounds out the story.

When I started the book and saw the list of characters, I had an uh-oh moment and wondered how I would remember everyone without constantly referring to the list. Surprisingly, I rarely had to look at the list and most of the characters were well-developed that I recognized them each time they were brought up. I also found the latter half of the book spoke to me more than the beginning – especially when Grace tris to uncover the truth about her grandmother, Zelda.

The focus of the book is three generations of women. Lila Pereira, an executive editor of a major Washington newspaper. Zelda is the mother of Lila Peria. Zelda was committed to an asylum by her abusive husband when Lila is just two years old. The environment that Lila grew up in is heartbreaking, having to constantly deal with her father’s abuse. Lila grows up thinking her mother died in the institution. The third main character is Grace. Grace is the third child of Lila. Lila was never a true mother to Grace and primarily focused on her career. Grace grew up being raised by her father and a series of nannies.

Grace has spent most of her life feeling neglected and resentful towards her mother and is driven to write a “fictionalized” book about her mother, that may be closer to the truth than others may realize. Grace also indicates in her fictional account that Zelda is still alive, especially since no one has ever been able to confirm her death beyond her abusive husband.

Grace’s relationship with her mother is very different from anything I ever experienced. It makes you wonder about the impact of trauma and its ability to carry over to future generations.

I received a complimentary copy of this book in exchange for and honest review. All thoughts and opinions expressed in this review are my own.

#NetGalley #LikeMotherLikeMother, #SusanRieger

Mother daughter relationships are complicated in so many ways. This book demonstrates the struggle of working women, and the challenging relationships between mothers and daughters.

LIKE MOTHER, LIKE MOTHER takes a complicated idea, and then tangles it up further by adding in so many characters that even a list doesn’t help sort them out. The idea: that generations of exceptionally bright women are incapable of maternal love despite having no real contact between them. The suggestion is that somehow DNA carries this trait that fails to nurture children or abandons them. The plot is fascinating but so very hard to follow because of all the siblings, cousins, daughters, almost-twins and who-all tossed in the mix. There were times I just wanted to give up. So, yes, the story is good but very hard to follow. I received my copy from the publisher through NetGalley.

Like Mother, Like Mother is a story about relationships and people who are unapologetically themselves even if it makes them unlikable to the reader. Motherhood features a lot in the story, but more in an emotionally distant sense and not so much in the traditional sense.

The novel tackles some heavy, difficult topics, so it’s not a light or easy read by any means. But the depth of the story is gripping. It’s divided into three parts, each focusing on Lila, Grace, and Zelda, with Grace’s pseudo tell-all acting as one of the catalysts that sets the plot in motion. Each woman brings her own perspective and baggage, giving us a layered look at how their choices and secrets reverberate across generations.

What makes this story so compelling is how it explores identity and ambition within the context of family secrets. Everyone is chasing something, whether it's success, freedom, or their own sense of self, and they are willing to make difficult decisions, even if it means breaking away from the roles they’re supposed to play. The message is clear: everyone has choices, and sometimes, those choices are about survival, even when they come at a cost to the people closest to you.

It’s a rich, emotionally charged novel that won’t be for everyone, but one that for me is unique.

Thank you to NetGalley and Penguin Random House/The Dial Press for the ARC

Brilliant, resilient Lila Pereira, whose father beat her and her siblings and whose mother was committed to a psychiatric institution where she supposedly died when Lila was two, meets wealthy, smart, kind Joe in college. They fall in love, marry, and have three children. Lila leaves the parenting to Joe, a successful attorney, while she runs the fictional Washington Globe and brings down a corrupt U.S., President. Grace, her youngest daughter, writes a best-selling fictional account of their family that surmises that Lila’s mother didn't die. After Lila’s death, Grace investigates her grandmother. This is a clever, fast-paced, nuanced family tale with winning, well-developed characters. Each character’s flaws as well as their strengths invigorate the novel's focus on family dynamics, friendship, and love.

Like Mother, Like Mother is an enjoyable family saga with interesting characters that took a while to get into. It focuses on three generations of women: Lila, a powerful career woman who neglects her youngest daughter Grace, and Zelda, Lila's own mother. I found the portrayal of Lila to be very good, Grace less so and Zelda barely there. The story begins with Lila's death and Grace's decision to find out about Zelda, her missing grandmother who was placed in an asylum when Lila was a very young child.

This novel is about mothers and their relationships with their daughters and how a parent's own childhood affects the parenting of their children.
If you enjoy generational family sagas, especially dysfunctional ones, Like Mother, Like Mother is a good read. Many thanks to NetGalley and Random House for the opportunity to read and review this book.

This was just a no for me. Chords were struck, and I just had a hard time finishing this one. That is why this is a 2 star read.

I had a hard time getting into this one at first but liked the characters. They have a lot to them; like real people. I liked the Jewish culture in it. We need more. books like that.

Like Mother, Like Mother, the latest book by Susan Rieger, is a family saga spanning three generations of women and the pain that each left in her wake. Equal parts drama, intrigue and strong female characters, Like Mother, Like Mother is an engaging read about what happens to families of absentee mothers by choice (as was the case with Grace, the daughter of workaholic Lila) or by mental illness and circumstance (as was the case with Lila's mother who was committed to an asylum when Lila was a small child). Either way, clearly the family suffers greatly from any-such situation. Although a sad state of affairs for a real family with a similar dynamic, when fictionalized, it makes for a fascinating story that is difficult to put down.

This is a five-star read and one of my top ten books of the year. A huge thank you to the publishing team and PRH Audio for the review copies. As a reader who loves literary fiction—especially intergenerational family dramas—this book is a master class in everything I adore about the genre.

Susan Rieger has crafted a masterpiece that illuminates the complexity of women's lives, exploring the delicate balance between success and motherhood, the lingering impact of past decisions on the present, and our universal yearning to be understood, wanted, and loved. Rieger’s writing is bold and unflinching, offering a raw and brave narrative about mothers, daughters, and the ties that bind generations.

While some may find Lila, one of the central characters, unlikable (a reaction that often stems from the limiting binary we force on women), I found her nuanced and multi-dimensional. Her persistence, pain, and internal conflict as a woman, mother, and daughter were deeply felt. She is a character I won't soon forget, as is her daughter, Grace, whose journey to understand her mother—and herself—is just as compelling.

I couldn’t put this one down. But that should surprise no one given my love for dysfunctional family dramas. This is a fascinating look at generational trauma, an abusive father, absent mothers. I loved Lila, a working mother who made no apologies for who she was and her drive for her career. There were so many layers throughout the story, connections, examinations of responsibility to others and to ourselves. The writing was superb. While this is definitely heavy on character development (my fave!), I think there’s enough going on in the plot that this will appeal to a variety of readers.

Terrific story about three generations of strong, independent women. Great character development and engaging plot, although it did at times move slowly and seemed longer somehow than its 336 pages.

Lila’s mother Zelda was committed to an asylum by her abusive husband when Lila was only two years old, and Lila never saw or heard from her again. Lila’s father told her that Zelda had died in that asylum, and he continued his abusive behavior, directing it toward her and her siblings. Though she marries as an adult, Lila views herself as not the mothering kind, and devotes herself totally to her career, leaving the care of her children completely to her generous husband Joe.

Her youngest daughter Grace both adores and resents her mother, feeling abandoned by her yet always seeking her approval. It’s Grace who eventually decided to learn more about her mother’s background, and through her that we readers come to know Zelda and her story.

I’ll be thinking about these characters for some time, and am glad I had the opportunity to “meet” them. If you enjoy a compelling family saga, check out Like Mother, Like Mother when it’s published on 10/29/24. Thank you to the publisher, The Dial Press, and to #NetGalley for providing a free ARC in exchange for an objective review.

You know how you are so sure that you’re going to love a book based on the synopsis and sometimes your instinct is spot on and sometimes it falls totally flat? Well… this book landed somewhere in the middle of that.

We are first introduced to Lila, then to Grace, and then to Zelda.

Lila Pereira is a true force to be reckoned with. She is a postmodern feminist. She is a powerhouse. She is undeniably headstrong, a career woman through and through, and unapologetically herself every step of the way. She meets Joe, reluctantly fell for him, and they ended up with a family that she wasn’t sure she wanted in the first place. She reminded me of a slightly softer female Logan Roy.

Grace, Lila’s daughter, has so many of Lila’s attributes but at the same time has never felt like she belongs to her mother. She is inquisitive and sardonic and intellectual. She is tenacious and witty and doesn’t settle. She forges her own path, just like her mother. But she struggles into her adulthood with her relationship with Lila.

Zelda, Lila’s mother, has her own interesting story that I won’t get into for spoiler purposes. But the three women’s stories are interwoven very well and I thought we got to know each of them closely over the course of the book.

This is a character drama all the way. There is plot, but not in a structured fashion. It spans lots of time, and jumps around from POV to POV and not always in a way that makes sense. My biggest struggle with this book was that I constantly felt like I was missing something. Checking to see if I accidentally skipped a chapter. I felt like all these characters were talking about things I should have been clued in on, or were acting in a way I should have been able to expect had I been given more information. It felt like I was jumping into conversations halfway through and it was disorienting. Also, the dialogue itself was largely difficult to believe. The conversations verged on formal and didn’t really reflect normal tones. But then again, the Pereiras aren’t your average family, are they?

It reminded me of Succession mixed with Hello Beautiful. Good, but not great. I’d recommend this book to fans of heavy character dramas who don’t need structured plot to see them through.

Thank you to NetGalley and the publisher for the free copy in exchange for an unbiased review!

As the title implies, this is a story about mothers. Mothers and their daughters. The narrative is character-driven and broken down into three parts.

This book really didn’t work for me. There was so much politics in this book, talk about actual politicians and a very obvious heavy-handed political leaning from the author. That is one of my “red flags” in books and will never work for me as a reader. This was the case for the first 70% of this novel.

Let’s move onto characters. As previously mentioned, this is a mostly character driven novel and when this is the case I have to like/enjoy following at least one of the main characters and I couldn’t stand these women. One essentially all but abandons her children for the obsession of her job and the other was boring as cardboard. (Side character Ruth was a GEM and I loved her side story.)

Now, the last 30% (part 3 of the book) I enjoyed! Using DNA and geneology to find missing/ unknown family will always hook me!

But unfortunately overall I will not be recommending this book.