
Member Reviews

This book was good! I liked it but didn’t love it. I definitely see potential in it and look forward to seeing what else the author does.

This is a really solid book. It's clear Griffis expended a lot of time and effort on researching the historical events that inspired this story, which I appreciated. The characters are all compelling, and I enjoyed the societal critiques offered. My only note would be that the main character's love story kind of came out of nowhere, and I don't think it was totally necessary/made very much sense.

First, big thanks to NetGalley for this ARC.
Since the first time I heard about the Beast of Gévaudan, I've been fascinated by this very real creature that terrorized the people of France in the 1760s. When I read the premise for "We Are the Beasts" by Gigi Griffis, I was excited - the premise was new, interesting and based on something that has captivated me for years.
I really enjoyed "We Are the Beasts," despite some of the dialogue feeling more ... present than it should. ("Not today, Satan" ... really? I mean, I guess that might have been something they would have said.)
Griffis creates vivid characters who feel very present - again, in part, thanks to their dialogue. But also because they are strong young women who face difficult odds growing up in a world that is designed to advance the interests of men. When they realize that they can blame the real beast for the fake deaths of girls, they begin to plot how to get victims of abuse away from their abusers.
The girls - teens and younger - struggle to make their plans a reality as they not only face the wrath of the drunk and disturbed men they hope to flee, but also the violence of the actual Beast of Gévaudan, which stalks their village. The themes are feminist and empowering, the plot moves at a nice clip once you get past the first couple of chapters, and the characters are reasonably well-rounded, though some left me wanting a little more development.
Ultimately, this was a good, fairly quick read that would be great for people who enjoy historical fiction, tales about strong women and stories where queer love is normalized, though anger about it is discussed.
I'll return to the first few chapters: I really got stuck there. Normally, this is where I would stop reading a book. But the premise was so good, I decided to put down "We Are the Beasts," walk away, read something else for a few weeks and then return. I'm glad that I did. This was a truly good read with a satisfying ending.

Thank you so much to netgalley and the publisher for the arc of this one in exchange for an honest review!
Unfortunately, this book was not for me. I did not connect with any of the characters and I just didn't really care for the plot. I also felt like it was too slow and I just got bored throughout.
I hope others love this one.

This incredible tale kicks off with numerous deaths occurring all over a French countryside. A “beast” has been stalking and killing townspeople. We follow Josephine our protagonist, and her best friend Clara. They stage a little girl’s death supposedly by the beast in order to save her from abuse. While the threat of the beast is evident and real, it ultimately takes a backseat to the struggles these girls have with the patriarchal society they live in. In the end the revelation of the beast is both surprising, sad and expected.
This is a achingly beautiful and immersive story of unlikely heroes, women's empowerment, and found family. I enjoyed it immensely!
**This story is inspired by real events, We Are the Beasts examines the historical enigma of the “Beast of Gévaudan”, a creature that once instilled fear in the French region of Gévaudan in t

As a French teacher, I was super stoked to read an advanced copy of We are the Beasts by Gigi Griffis. Like the French TV series Murder In, this book has an intriguing tie-in to a real-life legend from 18th century France. Full of rich descriptions, the dialogue of this Y.A. novel feels modern and accessible. Themes of sisterhood and women's empowerment intertwine to make this mystery resonate with today's readers.

We are the Beasts by Gigi Griffin is the first book I've read by this author and it certainly won't be the last. I generally don't reach at much young adult and middle grade as I used to be something about a younger horror story is so enjoyable for me. This was eerie and atmospheric. The slow pace combined with the foreboding tone set the stage for a chilling and emotional story. The ending of the story was incredibly thought provoking.
Thank you to the publishers and netgalley for this arc in exchange for an honest review

We Are The Beasts is a young adult historical horror set in France in the 1700s. Based on a true story, it follows two girls in a poor village who fall prey to a series of animal attacks. The girls discover that not everything in the village is as it seems, and some monsters don't wear an animal skin.
The atmosphere of this book is spectacular. I would highly recommend it for dreary weather, rainy days, or the Fall. It's perfect for those who love spine-tingling, unsettling mysteries as well as feminist re-tellings.

It's a good premise and I was excited to read it. I wasn't a fan of the anachronisms including language that doesn't fit for the period. I did expect historical horror which I did not get. I'll definitely shelve the author to try again with another later though.

Life is rough in the 18th century French countryside—even more so if you're being hunted by a legendary beast.
Joséphine and her best friend, Clara, are shepherdesses in the small French hamlet, Mende, which has recently been haunted by the repeated and mysterious deaths of its denizens. Most folks blame a wolf-like mythic beast that targets its prey when they are alone and helpless, but for Joséphine and many of the other village women, the dangers are much closer to home. Abuse and mistreatment by the men in town are so common a spectacle that new bruises are barely remarked upon even among the abused. After saving the life of a young girl, Joséphine decides the beast itself is the perfect cover to finally gain the freedom they all yearn for.
This is based on a true story from 18th century France, and in that way, it reminded me of The Glutton, though the historical retelling was more poorly done here. It was hard to get past the anachronism in both language and subject. Otherwise, it was an easy read, generally empowering in the way this sort of historical fiction is meant to be, with simple, morally black and white characters. I didn't expect, but did enjoy the sapphic elements between Joséphine and Clara. However, if it weren't for the fact that I learned an interesting piece of history, I wouldn't say this story was particularly remarkable.

I loved this powerful rage book. It’s violent and heartbreaking and beautiful. Goodness, do I love these girls. And Louis. The two main girls are lesbians, and Louis and Pascal are gay. Then there’s the platonic love between all the abused girls, the fierce, fiery protection and bond between them. And the sheep are great too, honestly. And the parrot. It’s the fierceness of this love, this protectiveness, that makes this book so powerful and beautiful. Violence out of love. But not pointless violence, just protective violence. Self defense and defense of others. There’s plenty of diversity as well, since the village is mixed between white French peasants, Ethiopian French peasants, and a few rich jerks who are of course white. Plus there are straight girls, lesbian girls, and gay boys. Also Meme is suffering from dementia/Alzheimer’s, so there’s another kind of diversity. This book is fierce, raw beauty. I did keep wondering if anything was going to come of one of the girls being named Belle in this small French town with a beast prowling around, but no, no hints of beauty and the beast. Which is fine. It would not have fit at all. It's just a thing that I found amusing. Back to the point though, this book is exactly the kind of story people need today, and it's one I could re-read over and over. An essential addition to the queer canon, and one of my top books of 2024.

In the 1660s, something is stalking the poor region of Gevaudon, hunting shepherds and shepherdesses instead of the sheep. But for young shepherdesses Josephine and Clara and the other women of their village, the terror is also in their own homes; the men of their village are often violent and the threat of starvation is always one bad winter away. A monster really isn't that bad of a concern. So when the pair find a young girl who watched her father kill her older brother and pin it on the beast, they fake her death and hide her away from the violent man. They use this scheme to try and save other girls, but as soldiers close in on the monster and the beast seems to get closer, problems just keep multiplying.
The sensibilities veered pretty modern, but since this is a YA book, I can let it slide. Josephine's character growth was satisfying to watch, and the crew of side characters were delightful. It was really fun to see a YA take on the Beast of Gevaudon, and Griffis's balance of the horror of the beast and the horror of their daily lives. This is a really satisfying tale of female rage. All in all, I really enjoyed it.

A historical feminist fiction. As a woman, I loved the feminist aspect. As a horror lover, I was intrigued about the historical part of the beast of Le Gevaduan as a secondary plot. I did want more of that brought to the forefront but not everyone will have that complaint, and I should probably take a break from horror every now and then anyway. While I found it really good, it wasn't a page turner for me. Thanks to net galley for providing a review copy.

**Review of *We Are the Beasts* by Gigi Griffis**
*We Are the Beasts* by Gigi Griffis is a chilling and evocative historical horror novel that draws inspiration from the infamous and unsolved mystery of the Beast of Gévaudan. Set against the backdrop of 18th-century France, this dark and atmospheric tale blends historical fiction with a gripping narrative of survival, friendship, and the desperate desire to escape a life of cruelty and oppression.
The story revolves around sixteen-year-old Joséphine and her best friend, Clara, who live in the small French village of Mende. The town is shaken by a series of brutal, mysterious deaths, and the whispers of a monstrous beast stalking the countryside become impossible to ignore. While most of the villagers see the beast as a divine punishment, the girls see it as a rare opportunity to escape their grim lives. Both are trapped in abusive, oppressive environments—facing alcoholic fathers, violent brothers, and homes that feel like prisons. They hatch a dangerous plan to use the beast’s attacks as cover for faking their friends' deaths and hiding them away until they can escape to safety.
What makes *We Are the Beasts* so compelling is its mix of historical realism and gut-wrenching emotional depth. Griffis expertly brings to life the harsh realities of life in rural France during the 18th century, showing the girls’ determination to break free from the stranglehold of their circumstances. The novel’s sense of dread is palpable, and Griffis crafts an atmosphere of looming threat, where danger isn’t just from the mysterious beast, but from the villagers themselves and the bitter winter they must endure with little food.
Joséphine and Clara are multi-dimensional characters, both sympathetic and resourceful. Their bond is the emotional heart of the story, and the way they cling to each other in the face of unimaginable terror and hardship is deeply moving. However, the perilousness of their plan keeps readers on edge as the stakes grow higher with each chapter. The tension is unrelenting, and the line between survival and death becomes thinner and thinner as the girls’ scheme begins to unravel.
The beast itself is almost secondary to the real horror at the novel’s core—what humans are capable of in the name of survival and freedom. The suspense builds as Joséphine and Clara navigate their dangerous game of deception, knowing that their faked deaths could become all too real if they’re not careful. The ominous presence of the beast lurking in the mountains only adds to the sense of urgency, making each step they take fraught with danger.
Griffis' prose is atmospheric and haunting, perfectly capturing the tension of a world on the brink of collapse. She doesn’t shy away from the rawness of the girls' experiences, which makes their quest for freedom all the more powerful. The blend of supernatural mystery with the brutal realities of human cruelty is done in such a way that it will leave readers questioning not just the nature of the beast, but also the monsters that lurk within the human soul.
*We Are the Beasts* is a novel that will keep readers hooked with its mix of historical horror, dark mystery, and the fierce desire for escape. It’s a gripping tale about the cost of survival, the power of friendship, and the terrifying lengths people will go to in order to reclaim their freedom. If you enjoy historical fiction with a strong dose of horror and emotional depth, this book will haunt you long after you’ve turned the last page.

I had such high hopes for this book but couldn’t get through it with how it’s set so far in the past but the characters say things and have mannerisms from current times.

Many thanks to NetGalley and Delacorte Press for providing me with an eARC of We Are the Beasts in exchange for my honest review!
While I wouldn't say this stands out to me overtly compared to other books, it remains compelling enough with the supernatural and tense atmosphere that it builds up on top of its familiar YA fantasy-horror formula. It uses a feminist foundation to draw inspiration from the real-life mystery of the Beast of Gévaudan, which I hadn't even been aware of before picking up this book. I'm definitely glad to learn that new piece of history. I have some issues with the pacing that keep me from being fully locked in the whole time, but this can get balanced out by the investment I grow in Joséphine and Clara's relationship as well as the dynamics they form with other girls in the town. It all makes for a found-family sort of sphere that solidly charms me. I also appreciate Gigi Griffis's personal idea of what the beast was, and you know what, I do think it makes some sense.
Overall, I'm officially rating We Are the Beasts 3.25 out of 5 stars, which I'm rounding down to 3 stars. I'll look out for more of Griffis's work, including The Wicked Unseen.

I read another novel by this author, Wicked Unseen, and enjoyed it, so I was anxious to dive into We Are the Beasts. That fact that it's historical horror set in France appealed to me even more. Although the year is 1765, other than occasional mentions of houses and clothing this novel could take place present day. The modern character dialogue disappointed me. It's a great premise, but I think this would have worked better as a short story instead of a full length novel. This book didn't work for me like I'd hoped, but it won't prevent me from checking out this author's future releases.

This is one of my favorite ARCs that I’ve gotten the opportunity to read prior to release. I had a really good time reading this one, and I thought the plot, writing, and characters were extremely likeable and solid. The themes of feminism and female empowerment and strength were some of my favorite aspects of this book and I am looking forward to hearing more from this author in the future

I didn't want to put this book down!
I picked it up because I like reading about darker, more mysterious parts of history like the Beast of Gévaudan. But I fell in love with it because of the way it portrayed girls and women standing up for and protecting each other in a world that abandons and hurts them. While the action/inaction of the men was infuriating, I actually found a lot of hope through the way the women helped each other.
I want to read more from this author now.
Thank you to NetGalley and Random House Children's for the ARC.

beautiful historical fiction with feminine rage? absolutely glorious. it pulls you in and keeps you captivated