Fiona Davis again features a New York institution – The Metropolitan Museum of Art – as a main character in her book. I love the way she weaves the history of the Met with a story about one of their important Egyptian treasures. Davis is a master at deeply researching her topics and then creating an intriguing story with some mystery, romance, history, tragedy and hope. I enjoyed the sections about Charlotte Cross, a Met curator, in her early years as an Egyptian archaeologist. That story is intertwined with her present role as an associate Egyptian curator. Unfortunately, this time, Davis’s ending isn’t quite so satisfying. It seems a bit forced as though she had a great story but didn’t quite get how to logically bring about the end. It was still a very enjoyable read, especially for anyone who is intrigued by ancient Egypt. Thanks to NetGalley and Penguin Group Dutton for an advanced readers copy of this book. The opinions expressed in this review are entirely my own.

The Stolen Queen was part mystery, part historical and all interesting. The story is set in two different time periods; both of which center around Ancient Egypt. I completely enjoyed this book and found it wildly entertaining. If used in school, would be best for 11th or 12th grade.
Highly recommend!

Fiona Davis rarely disappoints. Any book with Egyptian antiquities is a must read for me, as is any book Davis writes!

I am a huge fan of Fiona Davis, and *Stolen Queen* is her best book yet. This is a seamless dual timeline story. In 1936, Charlotte Cross is a young student on her first Egyptian archaeological dig when tragedy strikes. Forty-two years later, Charlotte is an associate curator at the Metropolitan Museum of Art's Department of Egyptian Art. Someone has stolen a valuable Egyptian artifact. To find the artifact, Charlotte must face her past and revisit the one place she does not want to return to—Egypt.

This is classic Fiona Davis—a brilliant tale of twisting and turning facts with danger along the way. I loved the story and read it in a few days. In this book, you’ll travel to Egypt, New York City, and back, and meet Diana Vreeland along the way.

I loved this book and highly recommend it—5 stars!

Thank you to Penguin Random House – Dutton for an early read in exchange for a fair review.

Content warnings: loss of a child, loss of a spouse, toxic parent

Fiona Davis' novels always center around a NYC building, and this one is no exception. This novel is based around the Met in the 1970s, where curator Charlotte Cross is working on an upcoming Egyptian exhibition. Teenager Annie Jenkins is working for Vogue's Diana Vreeland on the upcoming Met Gala. Charlotte and Annie's paths cross when an artifact goes missing on the night of the famous gala.

Charlotte and Annie go to Egypt to solve the mystery of the missing artifact. Charlotte suffered a devastating tragedy on an expedition to Egypt in the 1930s and vowed never to return. The past doesn't stay buried, and Charlotte ends up seeking answers about more than the missing artifact and its thief.

Recommended for readers of historical fiction, especially those with an interest in Egyptology, New York City, or the Met Gala.

In the 1970's, Charlotte was the assistant curator of the Egyptian exhibits at the Metropolitan Museum of Art in New York. Her internship in the '30s left her with an enormous fear of ever returning to the Egypt of her past. Annie supported herself and her selfish, feckless mother by cleaning her landlady's apartment so they can live in the downstairs unit. She came to the Met almost every day to bask in the beauty of its art and treasures, but concealed her talent with a needle and thread. They were brought together when Annie gets the unlikely opportunity to assist Diana Vreeland, costume consultant to The Institute, who is putting together the finishing touches on this year's Met Gala. A new exhibit of an almost intact broad collar was loaned to the Met for a year by anonymous donors. While Annie sees it as a wonderful addition to a mannequin's costume, Charlotte recognizes that it was last in the tomb of a woman pharaoh, and that she was the one who unearthed it forty years ago. How did it end up in her museum, and what did this mean for the life that she so carefully reconstructed?
Whenever a Fiona Davis novel is released, I say this is the best she's ever written-then the next one comes along and tops it. Her brand is the combination of an iconic New York building and a strong woman character from the past who has an important story to tell, based on that building. In her new book, Davis mines the beauty and mystery of the Met's Egyptian holdings, while tying in the Temple of Dendur and the pageantry of the Gala. Her plot was flawless, and it kept you guessing to the end. I think another trip to the Met is in my near future.

This fast-paced novel blends adventure, mystery, and history in a page-turner that I couldn’t put down. Anthropologist Charlotte Cross’s mission to uncover the truth behind female pharaoh Hathorkare’s reign and legacy propels a plot full of secrets and surprises. All the elements of adventure are here, too—expeditions into ancient tombs, chases through the streets of Cairo, a treacherous journey on the Nile. The settings in both Egypt and New York City are finely-drawn and impeccably researched. Davis’s characters are well-drawn and authentic, with complex family dynamics and motivations. The behind-the-scenes glimpses into the Met’s inner workings and the Met Gala preparations are as fascinating as they are delightful. The characters’ thoughtful and organic discussions about how best to honor and preserve important artifacts are an added bonus. Fiona Davis has written another fantastic book to add to her impressive repertoire, and readers will be eager to add THE STOLEN QUEEN to their bookshelves and must-read piles.

WOW! Fiona Davis, the author of “The Stolen Queen” has written a spectacular masterpiece, that is a memorable treasure. Fiona Davis is one of my favorite authors, and I am thrilled to have the opportunity to read an early copy from NetGalley. The Genres for this story are: Historical Fiction, Literary Fiction, Crime, Mystery, and Suspense, and Adult Fantasy. The locations for this story take place in Egypt, and the Metropolitan Museum in New York City. The timelines for this story are 1936 and 1978. I love how Fiona Davis writes about the power, struggles, courage and triumphs of women. I appreciate how the author discusses mother and daughter relationships, and the sisterhood of women. The author vividly describes the landscapes, scenery, plot, and dramatic and colorful characters.

Charlotte Cross, is on an archaeological dig in Egypt in 1936 and discovers historical significant finds. At the same time Charlotte, meets with disaster and tragedy, which will stay with her forever. In 1978, Charlotte is an assistant curator for the Met. For several years, Charlotte has been researching Hathorkare, “a rare female Pharaoh” to prove that she was significant to other Egyptologists.There is also speculation that Hathorkare has a legendary curse.

In 1978, 18 year old Annie Jenkins gets the amazing opportunity to help with the Met Gala. Annie comes from a dysfunctional family, and is very creative. Annie and Charlotte meet when an important artifact is missing the night of the Met Gala. Both team up to search and discover the disappearance of this.

This is a book with secrets, deceptions, mystery, sabotage, and deadly danger. Fiona Davis takes the reader on an adventurous journey for answers, truth and justice. I highly recommend this impressive and captivating novel.

Fiona Davis outdid herself again with her newest novel The Stolen Queen. The story takes place between Egypt in the late 1930’s and NYC in 1978. Charlotte Cross is the associate curator for the Met in the department of Egyptian Art in 1978. In 1936 at 19, she was given the opportunity to go to Egypt and work with archeologists on digs. She marries, has a child, and is suddenly forced by her husband to leave the country. While fleeing, tragedy strikes and she winds up alone at her parents home in NYC. She is not sure what happened or what became of her husband or daughter.

Annie Jenkins is 18 and and taking care of her mother who at 38 is still trying to get modeling jobs even though she is past her prime. Annie is waitressing and cleaning to help support them. She lands a job at the Met as assistant to Diana Vreeland, previous fashion editor, who is now responsible for organizing the Met Gala. Things go wrong at the Gala, Egyptian art is stolen, and Annie is thought responsible. Charlotte’s research into the ancient Pharaoh Hathorkare is also stolen. Somehow Annie acquaints herself with Charlotte and forces herself on her. She departs to Egypt uninvited to help track down what happened to the art, clear her name, and help Charlotte find out what happened in her previous life.

As with all of her books, the story is well written and suspenseful. I like the back and forth between past and present, giving us inside into what happened in the past and how her life has changed in the present. Knowing both brings everything together, although done in bits and pieces. Only confusing part to me was why Charlotte so readily took Annie under her wing although as is shown, Annie was needed, useful and it certainly helped develop character in her.

Being a fan of Fiona Davis, and having read most of her books, I want to thank Net Galley for giving me the opportunity to read her new pre-release.

4+ stars!

“She’d wanted to give Hathorkare the acclaim she deserved, show the world what a woman could do when she was given a chance.”

I have read and enjoyed every title in Fiona Davis’s catalogue of historical fiction works based on New York City landmarks, and this might be my favorite to date! Her latest features The Metropolitan Museum of Art and a narrative filled with stolen antiquities, personal heartbreak and a movie worthy scene of the famous Met Gala.

Two timelines are shared by main character Charlotte Cross, a young anthropology student in Egypt in 1936, and a curator at New York’s Met Museum in 1978. Annie Jenkins, a young women struggling to find her place in the world crosses paths with Charlotte in the seventy’s timeline and the two set off on an adventure of a lifetime. Settings including Egypt’s Valley of the Kings added a richness to the plot about a woman trying to right wrongs and give an ancient female pharaoh her due. Cameos small and large were noted and appreciated by this reader - Mikhail Baryshnikov, Bill Cunningham, George Balanchine and Diana Vreeland are sprinkled throughout the pages. Throw in the possibility of an ancient curse and you most certainly have my attention! Davis fans will be intrigued and enamored by The Stolen Queen.

Many thanks to Net Galley and Penguin / Dutton for the advance copy in exchange for my honest review!

The Stolen Queen by Fiona Davis
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It’s 1978 and Charlotte Cross is helping to organize the King Tut exhibit at the Met. A new valuable artifact is loaned, an Egyptian broad collar. Charlotte has seen this collar before forty years ago in Egypt, the night she lost everything.
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What I liked:
-I loved that this story centered around a female archaeologist who was obsessed with Egypt.
-I loved both Charlotte and Annie. They really needed each other and I’m glad they were able to work and bond together through this book. Female friendships are awesome in stories and I particularly enjoyed that their was a significant age gap in their friendship.
-All the mysteries in the this story really made it intriguing. I was definitely in it to find out about Charlotte’s family!
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4⭐️⭐️⭐️⭐️ Another captivating story from Fiona Davis. This is my third read from her and it won’t be my last, I’m positive.

I loved reading about Egyptian archeology and the Met. I also liked the characters of Charlotte and Annie. I felt like some of the lesser characters should have gotten more attention because of their impact on the main characters. The dual timelines were okay but the present-day adventures were my favorite part. Sort of reminded me of the TV show Bones.

I would like to thank NetGalley and Penguin Group Dutton for the ARC.

Thanks Netgalley for allowing me to read this book. Charlotte enjoys her job at the met. They have never been this busy. When an priceless item goes missing, Charlotte is not sure where to turn. A must read.

I think that The Stolen Queen is the first Fiona Davis novel that I have read. I love historical fiction, and so I kept wondering why this author was new to me. The Stolen Queen raises several important questions. Who owns the past? How important is a mentor to escape one's social class? What is the obligation in caring for a parent? Is creating a life free of obligation really the ideal? The actual stolen queen doesn't show up until most of the way through The Stolen Queen, which made the title seem less important than it should have been. By the end of Davis' novel, the opportunity to start over, to rewrite one's life seems to be what matters far more than the stolen queen of the title.

The Stolen Queen is set in two timelines, two locations, and two POV. Because the chapters are titled with name and date, keeping the two lives straight is actually easy. The locales in Egypt work best, since they are simply the most interesting. The streets and venders are nicely described. I have been to the Met many times and so could easily visualize the locations. Charlotte and Annie are likable characters. The actual history is fine, although the dates are inaccurate.

What doesn't work as well? The pacing is off. The Stolen Queen is slow to start and and too fast and far too contrived at the finish. Davis ties up every point, but life isn't like that. As a result, the end feels unbelievable and false. Even a novel needs truth. The possibilities in The Stolen Queen need to feel real. Unfortunately, much of the bias and discrimination described in the novel might be true, but it is off-putting. Museums in Egypt might be less wealthy than the Met, but that doesn't make them worthless. Everyone and everything in The Stolen Queen is categorized in some way, but to have archivists at the Met seem to embrace that notion is problematic. I doubt they will appreciate that view in The Stolen Queen.

For Davis fans, The Stolen Queen will likely be perfectly fine. I did enjoy this novel but with caveats, as noted above. I just wanted there to be more. Thank you to Penguin and NetGalley for providing me with this ARC. This review includes my honest assessment of the strengths and weaknesses.

3.75 stars

This book follows two timelines; an Egyptian archaeological dig in the 30’s and a theft of an important artifact in the 70’s. This story had a lot of fun “historical” elements to it (based on real history but fictionalized to fit into the narrative) and I liked all the museum details and Egyptian locations. It had a little bit of an Indiana Jones meets heist movie vibe, which I thought was fun. There’s also some family drama/mystery involving some of the characters which added some intrigue to the storyline as well.
The plot just moved a little too slow for my liking. Not much happened in the first half of the book, especially in the 70’s story line. The 30’s plot added some good backstory but other than that I felt like it dragged a little bit. Since the book is called The Stolen Queen, I was expecting that to be a major plot point in the book but it kind of wasn’t. It doesn’t even happen until almost 60% into the book and even then it was overshadowed by other elements. So many things happen in the last half of the book which made the ending feel a little bit rushed and also made the story a little bit hard for me to follow.
However, if you are a fan of slower paced mysteries with lots of historical elements, especially relating to ancient Egypt, you might enjoy this book!

Thank you to NetGalley and PENGUIN GROUP Dutton for the ARC!

I requested this because I'm a fan of Fiona Davis.

I can't get into it. It's been on my nightstand for over a month now and I'm not even 25% of the way through. I'm in a grey area where yaybe it's my mood? Maybe it's just not a book for me. For now, I'm hitting the pause button and moving on without prejudice.

I was excited about this novel. I've been enjoying fiction and non-fiction about ancient Egypt for many years. It started off well with intriguing dual timelines. I liked the settings and the two main women. Challenging relationship dynamics make an impact in the timelines.

The novel is well-researched and Davis presents complex issues in regard to antiquities. The story of a female pharaoh added an appealing layer to the adventure. Multiple mysteries past and present and the stakes for the two women had me hooked.

Unfortunately, the novel’s final third felt rushed and superficial. All the solutions felt too easy, with one thing after another falling into place. The parts that I expected to be the most exciting fell flat, and the main characters became puppets spouting convenient dialogue to get to the next plot point.

The Stolen Queen had potential for greater emotional depth, but over-reliance on far-fetched coincidences and breezy faux closure robbed it. Nonetheless, I cared enough to read it to the end. Overall, it was a fast read with daring women involved in archeology, fashion at the Met, and sleuthing. Their struggles and bravery connect well with the female pharaoh story based on Hatshepsut.

I enjoyed the historical details and immersive initial scenes in the Metropolitan Museum and Egypt in the 1930s. I recommend it for readers who enjoy mysteries and thrillers with great settings and a bit of danger, and for readers who enjoy fiction dealing with ancient Egyptian history. Thank you, Penguin Publishing Group / Dutton and NetGalley for the eARC for consideration. These are solely my own opinions.

Charlotte Cross lives a simple life as a curator at the Metropolitan Museum in the Department of Egyptian Art. She moves through her days proficiently and spends off time conducting research on a lost female Pharoah. Charlotte is putting forth every effort to bring her importance to life. When an artifact from her past is brought into the museum, the tragedy from all those years ago come flooding back.

Annie Jenkins wants to find her place in the world. She finds herself as the assistant to Diana Vreeland for the upcoming Met Gala after a little help from a friend. Annie wants to take on the responsibilities and prove her worth, but when a mishap on her part serves as a distraction for a heist, Charlotte and Annie's worlds will collide.

Together the duo journey to Egypt on a hunt for the missing piece as well as find the truth about what happened the first time Charlotte was there. So much pain and hurt will resurface as the two take on mystery and resistance. Along the way, they even find out what they may really want in life.

The Stolen Queen is told in split timelines, bouncing between 1936 and 1978, as well as from both Annie and Charlotte's point of view. I adored this book from the start. It has a beautiful blend of history, fashion, and mystery while still remaining very character driven. So many fine details are interlaced throughout expanding on Fiona Davis' time spent researching. This was fast paced, heart wrenching at times, and overall a joy to read. Highly recommend to readers of all genres. Thank you Netgalley for the advanced copy of this book as well as the team at Dutton.

I cannot think of the last time I had a chance to read a book for fun, which is saying a lot. I was fortunate enough to land a galley for this one with the promise that I’d write about it just before its official publication, which is January 7, 2005—so go bookmark it on Amazon or wherever you prefer to buy your books. Why am I posting a review about a book that has nothing to do with the guitar? Well, it does have to do with The Met, whose guitar events we’ve covered here many times on this website so I couldn’t help but feel intrigued by the plot line, which feels like a grown-up version of The Mixed Up Files of Mrs. Basil E. Frankweiler.

The Stolen Queen by Fiona Davis (Dutton, 349 pages) is an entertaining novel that deftly weaves together two timelines: the sun-drenched archaeology of 1930s Egypt and the gritty glamour of late 1970s New York. The story follows young anthropologist Charlotte Cross from her early days excavating in the Valley of the Kings to her later role as the Met's Egyptian Art curator, where she crosses paths with Annie Jenkins, a teenage fashion aspirant working alongside the legendary Diana Vreeland on the nascent Costume Gala. When an artifact vanishes and whispers of an ancient pharaoh's curse surface, these two women must navigate both the Met's marble halls and Egyptian sands to uncover the truth.

The novel shines in its meticulous research and vivid sense of place, whether capturing the backstage drama of the Met or the dangerous allure of archaeological digs. While both heroines prove compelling in their respective quests for professional recognition, Charlotte's later-life tendency to over-justify her past decisions occasionally undermines an otherwise self-assured character. Nevertheless, the book transcends simple period drama through its sharp exploration of ambition, mentorship, and the prices women pay for success in male-dominated fields.

Tailor-made for a film adaptation, this atmospheric thriller combines museum politics, fashion history, and archaeological intrigue into a satisfying adventure. Recommended.

THE STOLEN QUEEN is another winner from Fiona Davis! Fans of Davis' prior work know what to expect: an engaging dual timeline historical. The reader is immediately immersed in both storylines and along for the journey. THE STOLEN QUEEN delivers on every front, and I especially enjoyed how the novel explores the issue of stolen art/artifacts. Given the subject matter I was a bit concerned about this issue going in, but I was satisfied with how it was handled. The internal politics/workings of the Met are also fun to read about.

Thank you to the publisher and NetGalley for an advance e-galley; all opinions in my review are 100% my own.