You can never go wrong reading a Fiona Davis book! I thoroughly enjoyed her newest historical fiction book set in New York during the 1970s and Egypt in the late 1930s. Her characters, Charlotte and Annie, are well developed, slightly "flawed" and you will fall in love with both or them. Thanks for the advanced read!

I really enjoyed this dual time story set in NYC and Egypt. I was engrossed by Charlotte's story, especially her time in Egypt on an archelogical dig. It was pretty fast paced with lots off great descriptions of the Met museum in NYC and the Egyptian department. I also enjoyed the second POV of a young woman trying to find her place in the world.
Highlyy recommend.

When a previously stolen ancient artifact arrives at the Museum, Charlotte Cross, Egyptologist, must face the truth about her past life and loves. Charlotte and her assistant, Annie Jenkins, attempt to solve the mystery of the broad collar. They learn about a female pharaoh’s legacy and discover their own strengths. Their search puts them in more danger than expected while the truth about the pharaoh and themselves comes into focus. Highly recommended for fans of Fiona Davis, ancient civilizations and strong women characters.

A heartwarming and sweeping epic about secrets embedded in forgotten tombs and in everyday lives. Fiona Davis again does a fantastic job describing place and time so by the end of the story you feel like you’re ending an actual journey to the Met and to the Valley of the Kings. I think fans of Davis’s other novels will be very happy with her latest.

Thank you to Netgalley and Penguin group Dutton for the arc. The cover art is beautiful and the historical premise really captured me. The first half of the book was extremely strong, I was immediately hooked. Charlotte was a strong lead character, and Annie’s softness was admirable and sweet. They both had strong story lines and it was interesting to see their different perspectives from the same events, and how their stories intertwined initially without them noticing.

I love Egyptian history, and enjoyed the back and forth of the two different periods of time. I loved the heart breaking storyline of Charlotte’s past and seeing how it stuck with her into her later life. Annie’s story felt real and personal, and made me feel for her, easily wanting to root for her happiness and success.

Despite these initial thoughts, the middle half and ending of the book brought down the rating for me. I found it rather anticlimactic, and everything was wrapped up in a bow too quickly, and perfectly. I got to a point where I only continued because the beginning had been so capturing and I wanted to have the answers. I think that too many lose ends were tied up all at once so it didn’t give the reader the time to really sit with each revelation. They were also rather lacklustre and so convenient it didn’t feel realistic enough. The revelation of who was behind everything came out of no where, they weren’t characters that gave me the shock value I wanted. I would argue that some characters had more reason to have been behind it, and would of been shocking if it were someone we had seen more of.

Overall, I would recommend this book still but am disappointed and wish it kept the energy I initially felt toward the beginning as I had very high hopes for the rest of the story.

Met galas, queens, and Egypt all rolled up into a story that continues to put Davis at the top of my TBR pile. What an utterly charming read, couldn’t put it down.

Egypt, 1936: When anthropology student Charlotte Cross is offered a coveted spot on an archaeological dig in Egypt’s Valley of the Kings, she leaps at the opportunity. But after an unbearable tragedy strikes, Charlotte knows her future will never be the same.

New York City, 1978: Eighteen-year-old Annie Jenkins is thrilled when she lands an opportunity to work for iconic former Vogue fashion editor Diana Vreeland, who’s in the midst of organizing the famous Met Gala, hosted at the museum and known across the city as the “party of the year.” Though Annie soon realizes she’ll have her work cut out for her, scrambling to meet Diana’s capricious demands and exacting standards.

Meanwhile, Charlotte, now leading a quiet life as the associate curator of the Met’s celebrated Department of Egyptian Art, wants little to do with the upcoming gala. She’s consumed with her research on Hathorkare—a rare female pharaoh dismissed by most other Egyptologists as unimportant. That is, until the night of the gala. When one of the Egyptian art collection’s most valuable artifacts goes missing . . . and there are signs Hathorkare’s legendary curse might be reawakening.

Fiona Davis is brilliant at creating realistic characters, and I fell in love with both Annie and Charlotte in this gem of a story. The plot revolves around some sticky topics, and I loved how the author dealt with this as the story was revealed. This book made me feel like I was there. Highly recommended!

Thanks to Netgalley and the publisher for the advanced digital reader's copy (ARC) in exchange for an honest review!

I always look forward to diving into the latest Fiona Davis novel! The Stolen Queen is an epic novel that melds Historical Fiction and Mystery/Suspence genres perfectly! I always feel that Fiona Davis has a magical ability to entertain and educate at the same time and this 5-star novel most definitely did both! This novel centers around Charlotte in 1930’s Egypt and Annie in 1970’s New York City whose stories intertwine when the duo end up working together for an Egyptian-themed Met Gala! From that point, I could not put this novel down! I love how Fiona Davis gives the reader such a full birds eye view and organically builds such a fantastic storyline! If you are a fan of historical fiction mystery/thriller like I am I wholeheartedly recommend this book!

Pharaohs, Egyptology antiquities, 1970s Met Gala themes, theft, missing persons!

I enjoyed the premise of this unique historical mystery which kept me guessing at every twist. Set in 1970s with the opening of the King Tut exhibit at the Met, a museum curator with a history as an Egyptologist, and a Met Gala assistant find themselves in the middle of a theft from the museum. The story follows two women as they search for the missing antiquity to clear their names and uncover the mystery. Inspired by the pharaoh Hatshepsut Davis reimagines a female led Egyptian dynasty, but the “historical” facts often gets lost in the books imaginative plot.

For me the book lost steam when I could never really connect with the characters. I’m not sure if Davis’ writing style but all the characters came across predictable and stilted. Some characters felt more like poorly developed caricatures (the Egyptian Bedouin is cringy and even verges on disrespect). Despite the predictable characters, the ending was a complete surprise! I loved the twist and turns but most of that didn’t come in until the second half. Had the characters been better developed and a few key facts presented sooner in the book I would have rated this higher.

For mystery lovers who like a little bit of culture and history, you’ll enjoy this book. Rounding this book up to a 3 ⭐️s.

Thank you Penguin Random House and NetGalley for the ARC!

I have read a few books by Fiona Davis, and this is my favorite. (The ones I haven't read just got added to my TBR list--at the top.) I connected with both Charlotte and Annie's characters and was thoroughly invested in each of their stories. Additional characters and events, both real and fictional, made it even more entertaining. Fans of Making the Mummies Dance: Inside the Metropolitan Museum of Art will likely enjoy the Met setting.

Thank you to Dutton for supplying this ARC through NetGalley.

I have read several of Fiona Davis’ books and The Stolen Queen is, without a doubt, my favorite. The story unfolds in two plot lines. One, placed in Egypt pre-WWII and the other placed in NYC and Egypt forty one years later. There are several stories to follow within the book, and they meld together evenly. Davis write about deepest human emotions with a depth that guarantees empathy on the part of the reader.
This is a story of love, loss, ancient artifacts, and high fashion. The settings of the MET in NYC and Egypt are equally enchanting.
The plot revolves around two women, one barely out of her teens and one in her 60s, who work at the MET. Through a series of events including a MET gala night (complete with Diana Vreeland) and the upcoming King Tut exhibit, a valuable artifact is stolen. But much more has been lost beforehand. This is one of those books that require Google searches as you read. Entertaining and educational.
Thank you to Netgalley for this prepub opportunity in exchange for an honest review.

From the start, this book pulled me in. I love an older protagonist! Getting Charlotte’s POV both in 1978 and in 1939 gave the reader glimpses into who Charlotte is and how she got to be that way. Annie’s POV also added something. Despite being very different than Charlotte’s early adulthood, there are definite parallels of being young, making mistakes, trussing the wrong people, etc. I really liked Annoe’s growth and wouldn’t mind a follow up book on her life after this book.

Slight spoiler - so pleased Mark was history at the end. He wasn’t a good partner, and even during their break up made me angry. What do you mean you wanted all of Charlotte when you literally put her aside at every occasion for your clearly manipulative adult child? No thanks. Charlotte deserved better.

A mysterious new loan at the Met brings the past into the present for associate curator, Charlotte Cross. The object brings back memories as she struggles to uncover the truth behind a stolen piece of ancient history and how it links to her own tragic past.

4.5/5 ⭐️

The book is from the POV of two characters. We get chapters from Charlotte both as a fresh-faced aspiring archeologist in Egypt in the 1930s and then as an almost 60 year old woman now working at the Met. The other perspective is Annie, a young assistant to a magazine editor who manages to get caught up in the theft.

The pacing of the book was very good. Multiple chapters ended on minor cliffhangers but most didn’t feel forced. I have to say that while I’m very impressed Charlotte figures out the identity mystery in the end, I’m still not sure how. I’ll have to reread some chapters to see if I can find any more clues because right now I can’t really remember anything that would give it away. The theft mystery though I didn’t catch but now looking back can really see the signs.

Although perhaps now the most intuitive pairing, the POVs of these two very different women blend well together. Annie does seem like a secondary character to Charlotte’s story but her POV did add interest and insight, and I think now having finished the book, her exclusion would have left the book lacking.

Finally I loved the depictions of 1930s Egypt and I appreciate the nuance in which the author discussed the question of what to do with ancient artifacts. Nowadays too many people think it’s an easy answer, but the reality is that question itself is far more complex than most people ever realize.


• Spoilers Ahead •


In the first half of the book, we learn about Charlotte’s fear about returning to Egypt and how her two previous attempts were sidelined by tragedy. It was surprising then that once Charlotte arrived in Egypt, we didn’t actually get that much insight into her anxiety. It comes later on but only upon uncovering some more secrets. I would’ve expected at least a couple more sentences on her when she literally steps foot in Egypt.

The latest Fiona Davis historical mystery looks at not only the Metropolitan Museum of Art but also Egypt during the time of great archeological excavations and discoveries.

Charlotte works at the Metropolitan Museum of Art in New York City as a curator. The Museum is getting ready for the annual Met Gala when a new artifact is to be added to the collection. Charlotte recognizes the piece and it takes her back to the 1930s when she was part of an archeological team in Egypt. Her time in Egypt was interrupted by the looming war in Europe as well as some personal matters. When the new artifact is stolen during the Gala, Charlotte realizes she must return to Egypt to solve not only that mystery but also the one about what really happened to the people she cared about.

Another nod to an iconic NYC landmark as well as a look into the history of excavations in the Valley of the Kings.

I loved this book. Fiona Davis always hits it out of the park. This time, we get an insider look at the planning of the Met Gala and the way the Met is run. I am fascinated by Egyptologists so this was a double whammy for me. Thank you Netgalley for another spectacular book.

a dual timeline set in Egypt and new York. another great read from Fiona Davis, she never disappoints.

The Stolen Queen by Fiona Davis masterfully intertwines dual timelines set in 1930s Egypt and 1970s New York City, revolving around Charlotte Cross, an Egyptologist scarred by past tragedies, and Annie Jenkins, a young assistant to the iconic Vogue editor Diana Vreeland. As a priceless artifact goes missing during the Met Gala, rumors of an ancient curse resurface, compelling Charlotte and Annie to team up and return to Egypt in search of answers. Through meticulous research and richly developed characters, Davis explores themes of loss, resilience, and the ethical complexities of repatriation. The novel’s blend of historical intrigue, personal growth, and vivid settings makes it a captivating read that seamlessly blends fact and fiction.

Egyptology , antiquities, mummies, artifacts and more make up this novel that cannot be put down. Dual timelines from the 1930's and the 1970's centers around Charlotte who works at the Met. Working behind the scenes as a curator at the Met she encounters theft of an important Egyptian statue and a mystery she is challenged to solve. It has been 40 years since Charlotte was in Egypt working at a site and has no wish to return to the Valley of the Kings fearing a "supposed" curse that has caused her much grief. With Annie, a young assistant to Diana Vreeland at the Met, she puts aside her fears and both go to Egypt to solve the mystery of the missing statue. This book was both a fantastic novel, but educational as well. With her on-point research, this author provided information with facts I've never known. Once again Ms. Davis gave us, her readers, something worthy, interesting and a page turner I couldn't resist. My thanks to NetGalley for this ARC in exchange for an honest review.

I have been reading author Fiona Davis since her 2016 debut novel "The Dollhouse". I love how she centers her historic fiction on an iconic NYC building, great concept! Her latest, "The Stolen Queen" is a bit of a departure for her as it also centers on Egypt, but the Met and its famous Gala are right there front & center. This one also has the dual-timeline she employs so well, but one of the MCs features in both periods. I liked this title - both the Egyptology and the timing in with the Met Gala (and I am old enough to remember with "Tut-mania" swept the country - cue Steve Martin, LOL!) Very well-researched, well written and fascinating - recommend to historic fiction fans. My sincere thank you to the publisher who provided an advance reader copy via NetGalley.

Let me start by saying I am a fan of Fiona Davis. She writes with precision and her research is solid. The Stolen Queen is no different.
Charlotte, an archeologist who was in Egypt on a dig in 1936 encounters a tragedy. She becomes an associated curator at the Met. In 1976 she meets Annie, a model who is coming to an important gala at the Met.
At the gala there is a theft of an important artifact and it is up to Charlotte and Annie to solve the crime.

I really enjoyed the story told in two time periods that then merge. Knowledge is gained about antiquities and high society.
I highly recommend this book