4.5 stars. This book is astoundingly good. It starts off a little bit slow but once the story starts moving I could not stop reading. I read about 90% of this book in one sitting (which I was not expecting.)
All the Water in the World tells the story of a small group of survivors who have to leave their safe haven at the American Museum of Natural History after the last remaining sea wall is breached and the city is completely flooded and destroyed. This is an intense story of survival but also a quieter story told in flashbacks about the people they loved and left behind. This is a story of loss and love, of destruction and building, of injury and repair. This book is being compared to Station Eleven and while I will say it’s not quite on that level I haven’t read a dystopian survival story as good as this one in a very long time.
Thank you to Netgalley and St. Martins Press for an advanced copy in exchange for an honest review.

This was the first dystopian book I've read in a while, and I found it very interesting. Biz and Nonie had great growth as characters. They fought very hard and endured so much heartbreak throughout the book. I found the writing to be amazing, which kept me hooked from the very beginning.

Thanks to NetGalley and the publisher for this advance reader copy in exchange for a review. All opinions are my own.
Phew.
I had high hopes for this book and immediately downloaded it when offered. It even skipped the TBR line I had. I am a big fan of The Light Pirate (which you should read) and this is in the same vain. Ice caps have melted and the country is flooded and now we watch the survival of a family in New York.
But this is not Light Pirate or Day After Tomorrow (for the movie reference). It started really well and the author builds the setting and characters really well. You can clearly envision the people, the museum, and the area around. The story works with flashbacks and with the family utilizing their resources to find shelter and safety.
Sadly, the story really drags after getting going. It ends well enough, but I found it quite hard to get there.
3* for the premise and the beginning, but if I didn’t promise a review I might not have gotten through to the end.

I really liked a lot here, the story was pretty interesting and for the most part kept my interest. I like the idea of it being 'Day After Tomorrow' like with them hiding away in a museum, I wish that we had stayed there a little more though, even though there were a good amount of flashbacks. I enjoyed the detail that went into the story that helped the world seem well fleshed out.

I was drawn to this book because the description referenced Station Eleven, one of the post-apocalyptic books I really enjoyed. The similarity is that in Station Eleven, a traveling performing troupe tours what used to be Michigan, sharing their belief that the arts must survive. In All the Water in the World, our characters start out sheltering in the American Museum of Natural History (which they call Amen, a play on the initials of the name as well as a prayer for their safety). The publisher's description mentioned that the people who took shelter there after the glaciers melted and New York City was flooded were concerned about saving the artifacts for future generations. Unfortunately, a super-hurricane forces them out of Amen, and onto the Hudson River in the hope that an upstate farm they know about might still be livable, so very little of the book was actually spent in the museum..

I was further encouraged when the first humans they encounter after leaving Amen were staying at the Cloisters, a part of the Metropolitan Museum of Art, and caring for the medieval manuscripts in the collection. What a wonderful thing it would have been if they encountered more people on their travels who were working to save the great works of art and literature endangered by the climate crisis! But alas, this is the last time they encounter people like this, and the remainder of the book is a standard-issue post-apocalyptic tale of refugees seeking a new home. They continue to encounter humans - some good, some not so good - and so instead of a story about preserving culture, this is a story about finding high ground (at least there are no zombies. I hate zombies).

The author makes an interesting choice to tell the story through the eyes of an adolescent girl, who was very young when the climate crisis started and therefore cannot reliably tell us what life was like before the flood, or how the way they are forced to live compared with what they call The Life Before. This makes the first third of the book confusing at times, until we get used to Nonie's voice and have enough information from the others to piece together a context. Nonie represents the hope of all of them; she keeps a logbook describing what is happening, and even names the periods they experience the way scientists named the prehistoric ages. If someone in the future finds this book and saves it as they attempted to save the artifacts in Amen, then perhaps humanity has a future that is more than mere survival.

Thanks to the publisher and NetGalley for the opportunity to read this eARC in exchange for my honest review.

Eiren Caffell’s climate thriller opens in New York City with a group of people surviving climate change on the American Museum of Natural History’s roof. Even before the main character, Nonie was born, melting glaciers and storms had flooded and taken cities and islands--places such as Miami, Mumbai, Bangkok, and even island countries—the Philippines and New Zealand. Crops failed, forests burned, and people were forced from their homes, many becoming known as “the Lost,” lone or small groups wanderers foraging for survival in the World That Is.

Long ago, back in the World That Was, New York City had constructed floodgates, protecting inhabitants from total annihilation. In the World That Is, cars have become obsolete, useless on flooded streets. Electricity is a thing of the past, and food and medications nearly impossible to find. Stores, pharmacies, and hospitals had shut down, and museum employees with keys have brought their families to take shelter in the American Museum of Natural History, naming their rooftop shelter Amen after the sound of the museum’s abbreviation, AMNH. There construct make-shift shelters, hunt in Central Park when they can, and assiduously create logbooks of museum holdings, records that can preserve knowledge even if the artifacts are lost forever. A mosquito-borne illness takes many lives. Other members of Amen vanished one by one due to other causes. Then the hypercane hits, a super-charged hurricane, blowing out parts of the museum and other buildings. As the waters rise, Amen’s four survivors—a father, his two teenage daughters, and the museum entomologist--find a way to escape and stay afloat. Setting out with a bare minimum of supplies, they attempt a hazardous voyage to the inland farm where the girls’ deceased mother had grown up. Facing natural and human dangers as they travel, they slowly advance, hoping that the farm might have survived.

Chapters skip back and forth in time, sometimes moving forward along the foursome’s journey and other times filling in the travelers’ backstories and those of lost family members during their years at Amen and even earlier in the World As It Was. Filled with vivid descriptions of life in each of these worlds, the book paints a bleak picture of the direction the world is heading as it largely ignores signs of climate change.

Thanks to NetGalley and St. Martin’s Press for an advance reader egalley of this important and suspenseful look at the dystopian world ahead if climate change worsens.

This is a book that will stick with me for some time. Climate change has warmed the planet, melted glacial ice, and created superstorms. Low lying areas are flooded and there is no real infrastructure remaining. A small group has stayed in NY and live atop the Museum of Natural History. When even that location becomes dangerous, they have to travel outward to try and find somewhere safe. The story moves back and forth between the present and the past as the main character, Nonie, takes us along on her journey forward and her journey to date. This book is not an easy read and terrible things happen to people in this apocalyptic world. This is the first book of this genre that has actually gotten me thinking about developing specific skills and hording certain supplies (and I've read a lot of book in this genre).

There are many fascinating themes in this book. How do you decide to stay or leave when safety isn't guaranteed in either scenario? Who do you help when helping them could deplete your own scarce resources and how do old prejudices impact this decision? What defines a family? How do you maintain order in a chaotic world? This book would be great for a book club discussion or just to contemplate on your own.

My thanks to NetGalley and St. Martin's Press for an advance copy. My opinion is my own.

I had taken a break from dystopian fiction for a while, but this book was a great reintroduction to the genre. Caffall imagines a world where climate change and glacier melt has led to superstorms and rising ocean levels. Nonie and her family have been living in a small settlement on the roof of the American Museum of Natural History in a mostly-deserted New York City, trying to protect the collection and human records while scrabbling for survival. When a particularly bad storm breaches the city's flood walls, Nonie, her sister, her father, and a family friend are the only survivors and are forced to flee with hardly any supplies. I loved Caffall's writing and the way she told the story - both past and present - through Nonie's eyes. Caffall is definitely an author I will read again. Thank you to NetGalley and St. Martin's Press for a digital review copy.

This was like the perfect mix of Station Eleven and All the Light We Cannot See, I loved it. I haven't read a solid dystopian book in ages, and this was exactly what I needed (plus it's always fun when a dystopian book takes place where you live).

Thank you to NetGalley and St. Martin's Press for sending me this book!

Nonie doesn't have very many memories of The World As It Was. All she knows is she has a connection to water that helps her know when a storm is coming, and how bad it will be. This knowledge is a blessing and a curse, because just knowing it's coming doesn't always help prepare you for the consequences. When a mega storm hits she must flee the community they have built with her Dad, sister, and her Dad's friend. As they travel with the hope of a sanctuary, they will have to come to terms with The World As It Is.
This is a post apocalyptic book about the struggles of humans after civilization has collapsed after huge storms, flooding, and loss of civilization as we know it. It's not a pretty book. There are some serious hard struggles and situations the characters have to deal with. It was a bit spooky reading this book while on a cruise surrounded by water!
I struggled a bit with just how dark this one was. Not that I expect post apocalyptic to be happy and sunny, but I don't think I was in the right mindset for this. I was on vacation and wanted something lighter. I do think some parts will stick with me for a while.
This is set to be published 7 Jan 25, so if you're a fan of post apocalyptic and thinking about how people will continue to survive and thrive (or not) in that type of environment, similar to Station Eleven, then add this one to your TBR!
Thank you to @netgalley for the free advanced copy in exchange for my review.
#NetGalley #AllTheWaterInTheWorld

What a beautifully written apocalyptic book. It lagged a bit for me on the journey North, but overall I thought this was great.

The book kicks off with an action sequence as a hypercane (basically a "super hurricane"--a new breed a storm system created by climate change) hits and floods New York, forcing our small band of heroes out of the American Museum of Natural History where they've been squatting, into a devastated world.

At first, I was bummed that we left the museum so quickly in the book (but man, is that a great action sequence). But I was happy to learn that their life in the museum--and their attempts to preserve history for whoever comes next--is explored extensively through alternating flashbacks.

I think it's in these sections that the book really shines, and help to contrast our "modern" world" (that is slowly being destroyed) with our past and nature itself. This book does a nice job of presenting the effects of climate change without being preachy or educational. It's just simply facts that scientists are already modeling. (I never thought about New Zealand sinking!)

The travel sections were less of a favorite, but they were strong. At this point, the book gave me less of a "Station Eleven" vibe than "The Road." We see the journey and the world through the eyes of a young girl, Nonie, who has never really known much more than water flooding everywhere and destroying everything that came before. Like a child, she just rolls with the changes along her journey, but as adults reading her story we are able to truly appreciate the danger she is in.

Overall, this is an outstanding outing that the author worked on for eleven years. The hard work shows. Thank you to the author and NetGalley for granting me the opportunity to read this in exchange for an honest review.

This is really enthralling book. I love the look at what could happen in the future if all the ice has melted and water has consumed the world.
These characters are strong and do what it takes to survive.
I enjoyed watching Nonie, how smart she is and how brave she is throughout the journey. She protects her sister Bix and helps her along the way.
This is a fast paced book, that keeps you reading, as you want to see what will hair to these characters.

Thank NetGalley for this ARC.

I loved this book so much! As a native New Yorker; all of the details felt very relevant and true. The story is heartbreaking but hopeful.

I liked the concept of a sort of apocalyptic-catastrophe ridden world, but I think the delivery with this just fell a little short for me.

The book is made up of the current situation of a flooded and weather-catastrophe world but with a lot of flashbacks as the only way for you to decipher how the characters got here. The flashbacks were sometimes alternating chapters and other times mid-stream in a current-status chapter. It made it super confusing to wade thru what was what, especially since even the flashbacks weren’t linear - they were more scattered memories of Nonie’s.

The writing was also slow and scattered in and of itself, lacking a lot of description especially in transitions. I kept going back over and reading sentences multiple times either because I lost focus in some of the rabbit trails or because of the gaps in describing what was happening. I wasn’t even sure the status of flooding overall because that wasn’t clear either and was never really painted well enough for me to consistently envision.

I really liked the concept and overall thought, the idea of helping others that the characters grew into eventually, and thoughts on hope. But overall, I struggled in the way it went there.

Thanks to Betgalley for the advanced copy of this book. All opinions are mine.

Thank you to NetGalley and St. Martin’s Press for the arc of this book.

I was worried that perhaps this book might be a little boring- does it only take place on the roof of the Natural History Museum? What could possibly happen? But it was so much better than that and it really vibes with a specific niche of books I tend to be specifically drawn to which I think one would call “climate change novels”. Adjacent to Station Eleven and The Light Pirate (both books I adored), Caffall does a beautiful job describing what beauty and horrors humanity could turn into and face in the midst of a changing and drowning world. Loved all the characters so much and couldn’t put the book down.

Thank you St. Martin’s Press for the copy of All the Water in the World by Eiren Caffall. The dystopian story was inventive and good, but a little depressing. The timelines were confusing to me and I never connected to the writing style. This book was not for me, at least not right now.

An end-of-the-ice-bergs dystopian novel that does not disappoint. Wonderful, individualistic characters you grow to care about. The setting on the roof top of the American Natural History Museum is brilliant. With the oceans rising, most of those left in New York City have adapted to living their lives atop buildings, growing what they can in the parks not yet under water, developing skills and learning to develop a new society. The setting is vividly described, and the concern the residents of the AMNH (which they now call "Amen") show for saving the antiquities in the Museum is a positive note in devastated world.
Told in the first person by a ten or eleven year old girl, the trip her family and a friend take to survive the world-destroying tsunami adds to the taut undercurrent flowing through the book. Some very nice lines emphasizing the positive.
The author says in her Acknowledgements it took her eleven years to write this book, her first. So glad she persevered.

All the Water in the World is a post-apocalyptic novel set in a New York that is being engulfed by the ocean and battered by storms, Nonie, her older sister Bix, their father, and entomologist Keller escape the destruction of the American Museum of Natural History in NYC when a fierce "hypercane" kills the rest of the members of their small settlement on the museum's roof.
Fleeing to a family farm in upstate New York that they hope will provide sanctuary, the party must survive dangerous encounters with both nature and the remainders of humanity.

As global climate change causes the world to warm and weather events to intensify, and the United States elects a President who promises to "Drill, baby, drill!" this novel feels especially timely.

Eiren Caffall’s *All the Water in the World* is a hauntingly beautiful memoir that flows like poetry, exploring themes of loss, love, and the unrelenting pull of nature. Written in the first person, Caffall invites readers into her deeply personal journey of grappling with the loss of her mother and her own struggles with illness. Her words are raw and evocative, weaving together memories and reflections with an almost lyrical quality.

The book is as much about water as it is about grief—how it sustains, erodes, and reshapes the world around us, much like sorrow does to the human spirit. Caffall’s connection to the natural world is palpable, and her ability to draw parallels between the fragility of ecosystems and human relationships is stunning. That said, the nonlinear structure can occasionally feel disorienting, and some passages may leave readers longing for more clarity. But it’s this same dreamlike quality that makes the book so poignant and unique. It’s not just a story; it’s an experience, one that lingers long after the final page.

Thank you to NetGalley and St. Martin's Press for providing me with an ARC of this book in return for an honest review.

I was invited to read and review this book and was intrigued by a comparison in the pitch to Station Eleven, one of my all-time favorites. In an unspecified time in the future, global warming has become so severe that glaciers have melted and cities on the East Coast have flooded. Thirteen-year-old Nonie, her parents, and her older sister have taken shelter in the American Museum of Natural History in New York City with a small group of others committed to protecting the museum's collections. But life is precarious, with no medicines, new insect-borne illnesses, and superstorms that threaten all remaining structures. When one of those storms breaches the museum, Nonie, her sister, her father, and a friend -- the sole survivors -- must set out on a boat to try to get to higher ground, and there are plenty of dangers other than the water and the weather to contend with. While I appreciated the warning about our failure to address the threat of climate change and a look at what might happen if we hoard resources rather than work together to help each other, much of this book felt to me like something I had already read. In particular, I kept thinking of Parable of the Sower. I also felt that the writing was a bit lacking and at times confusing, and the editor in me couldn't stop myself from thinking of ways to improve it.

Thank you to NetGalley and St. Martin's Press for providing me with an ARC of this book in return for an honest review. This book will be published January 7, 2025.