This novel was probably the most dreamy and magical story I’ve read all year. From the walled-in city and unicorns to the untethered shadows, I can’t recall one moment where I wasn’t entirely mesmerized.

What at first felt to me like a love story quickly became a beautiful discovery of one’s self and the willingness to let go of the past and stay present.

Written with a commanding voice and strong detail in the surreal landscape, I felt as if I could step into the pages of this dreamscape and forever lose my shadow.

Overall, this is a wonderful novel that will take you on a magical journey into a made-up world. Escape your reality for a bit and savor this one.

The publisher provided ARC via Netgalley in exchange for an honest review.

I have had a long history with Murakami's work and was worried that this novel wouldn't hit me the same way now that I am older. His novels strike me as YA although they aren't intended that way. They are almost always about searching for yourself, which I guess isn't exclusive to the YA genre. The City and Its Uncertain Walls is beautiful. The first part is told in a beautiful second person narration that reads like a love letter to a lost love. I was enthralled with the emotions and memories of my own past loves that the prose evoked. What a powerful skill Murakami has to take readers back into their own pasts to relive emotions. I felt that the second part wandered a bit as the narration changed I found I missed the intimacy of the first part, but of course that is the point. I wish I could explain the plot of even the characters in greater depth, but this isn't that sort of book. There isn't a destination or even a climax just a pure journey of feelings.

I am a huge fan of Haruki Murakami. He is one of my three favorite authors, and I have read everything he has written. So, I might be coming from this book from a different perspective than the casual reader. I really enjoyed this book, and I appreciated it much more after finishing it. This is classic Murakami. However, I would not recommend this book if this is the first time you’re reading Murakami as the writing and themes may be too subtle for the casual reader. I would suggest reading some of his other books first before reading “The City and Its Uncertain Walls.”

Another great book by Murakami, hopefully it won’t be his last.

I have not read Murakami before (I know, I know) - and now I am reminded why. Having not read his previous works, I had no experience of the worlds he's describing/revisiting here, or of how, exactly, to read him. I was so intrigued by the concept he laid out here, but just could not for the life of me feel connected to it. I have picked his books up, drawn time and again to the fabulous and evocative covers, the brilliant titles and the compelling blurbs, only to find that a quick flip never grabs me, so I put it back down for "a better time". Unfortunately, I'm starting to think there is no "better time" for me, and that his writing style - brilliantly clever and lyrical though it is - just isn't a good fit for me as a reader. I'm wondering if audiobooks may be the way to go here - that way I could let myself fall into the music of his language and descriptions, without feeling compelled to try so hard to follow what's going on...

I read a little about this book before requesting an early copy, and found that much was said about it's similarity to the author's novel "Hard Boiled Wonderland and the End of the World". There were also mentioned comparisons to Gabriel Garcia Marquez due to the amount of magical realism in the novel.
I just want to say, without re-hashing the plot or giving a synopsis, which is readily available in other reviews, that I thought it was difficult to find something that I did NOT like about Murakami's latest novel "The City and Its Uncertain Walls'". What is there not to like about a story that is much like an eloquently told fable, complete with unicorns, and libraries; only one of which includes books. The other; peoples unread dreams. A city where you have to leave your shadow at the door, permanently, then your shadow becoming an entity that may never forgive you this betrayal!
Part love story, part fairy tale, part mystery, this has become my favorite novel of his. This having originally been a short story he wrote almost 40 years ago, is a testament to his maturation as a writer over the years. Brilliant!
Thanks to NetGalley and Knopf for the advance reading copy!

First, things I did like: This is certainly a strange little book, and it challenged me to think about what was truly happening and what that meant for the story overall. There are many oddball plot points and weird little details included, which mimics how life truly is, since you never really know what's going to be important until you get past something and have the hindsight to go, Oh, that's what that meant! I also really enjoyed having the context from Murakami's note at the end that he worked on this story basically his entire career. I'm sure if I had read more Murakami, I would really appreciate how this work meshes with his entire library. I also think if you're just in the mood for a Weird Story, this would work for you.

Now, things I struggled with: I was never sure what storyline to follow — the perspective changed a few times, going from first to second then back to first. It felt like the story ended up coming to a good circular conclusion, but again, there were so many loose ends and unanswered questions and (ba dum tsh) *uncertain* elements. I think part of these loose threads might be the fact that Murakami, like I said, originally wrote only a small part of this and published it in a little journal, but decided it wasn’t right and worked on it his whole career, seriously committing to it during the pandemic. And in typical Murakami fashion, the women in the story were all considerably younger than our main character and consistently sexualized for no apparent reason/bearing on the plot (so if you are sensitive to this, just know that). Even after talking through the whole plot, I’m not sure what the message/point of the story was, other than being entertaining and strange. Some of that I suppose I can chalk up to things being lost in translation, but I also think this is just a Weird Story. I’m glad he was finally able to get this book over the finish line, even though I can’t say it was my personal cup of tea.

I have read everything Murakami has had translated into English and I must admit this is the first one that didn't really capture my imagination. I think it's because he's retreading older works - hardboiled wonderland and the end of the world takes place in the same location - but it didn't capture my imagination the way his other works do - and the whimsy was lacking.

I may try it again later but for now it just wasn't for me.

I absolutely love it. I look forward to seeing the finished product and what may change. I only took .25 stars off because of a couple of small issues that I believe are because of it being an ARC and not a finished product

Thank to NetGalley for the ARC of this beautifully written novel. A tale within a tale within a tale - woven together masterfully.

I'd been impatiently awaiting this novel's November release since hearing about it late last year, so imagine my delight when I was invited to read an ARC provided by NetGalley and the publisher!

The City and Its Uncertain Walls is a subdued reintroduction to a world familiar to those who've read Hard-boiled Wonderland & the End of the World (yet not inaccessible to those who have not). Reading this felt like a dream, at times meandering & intangible, while eventually arriving at an inevitably enigmatic conclusion.
The feeling tone dovetails nicely with other Murakami novels, not unlike the individual characters' unique experiences within the city walls.

Not surprisingly, I was pleased to find several of Murakami's typical mentions - you'll be able to mark off quite a few squares on your Murakami Bingo card.

Several brief passages felt reminiscent of reading The Chronicles of Narnia for the first time.
One character, in particular, brings a gentle Sage/Shaman energy (much like C.S. Lewis' professor/guide). These two similarities plus my love for Murakami were enough to win me over, & there is still much to discover within the pages of The City and Its Uncertain Walls.

Many thanks to NetGalley and Knopf!

I absolutely loved the fantasy world in this book. I feel deeply connected to Boku and got emotional when he befriended a boy who has autism. Another poignant, beautiful work by Murakami!

This was my first book by Murakami, I've always been curious but haven't picked one up yet. This book has magical realism and a dreamlike quality. It had me connected to the characters even though they weren't named. To me that makes it easier to insert myself into the narrative. It was a touching and thought provoking novel.

It is a slow-burn book but it also got a bit boring in the middle. I found myself losing interest, but it did finish beautifully. I plan to read other works by Murakami.

Thank you Knopf, Pantheon, Vintage, and Anchor |and Netgalley for allowing me to read an early copy of this book for an honest review.

Can we truly become our authentic self?

This is the question Haruki Murakami attempts to answer in his latest novel, The City and its Uncertain Walls. It was already released in Japan in April 2023 and will be released in the United States this November.

Murakami tells the story of an unnamed protagonist that is chronicling his life from his lovesick teenage years until middle age. Throughout the story, the main character grapples with the disappearance of his true love and embarks on a quest to locate her in an imagined city. However, in that process, our protagonist gets separated from his shadow and has to find a new life for himself as a head librarian in a small town far away from his birthplace of Tokyo.

The first part of the novel focuses on the teenage relationship between the protagonist and his true love. Murakami ponders the agony of a first love and becomes overly fixated on it, which I find excessive. However, he lays the groundwork for where the novel truly takes off in the second and third parts of the story.

The remaining parts of the novel focus on the protagonist taking a job as a small town head librarian. He was recruited by an enigmatic individual who had a sole interest in hiring him. The protagonist and the man develop a relationship which adds to clues of about the imagined city and how one can reconnect with their lost shadow. Also, the protagonist connects to a young boy that loves to read and comes to the library often. The boy doesn’t speak and has no social skills, but adds another layer to the protagonist’s search for his true love.

Murakami masterfully brings these elements together into a novel that I will consider a minor masterpiece. The City and Its Uncertain Walls have all the classic Murakami themes of loneliness, ache, identity, and surrealism within an urban landscape. This is my fifth Murakami novel I have read and will be my favorite one of them all, just edging out A Wild Sheep Chase. The City and its Uncertain Walls is a love letter to books, reading, and the magic they can provide for someone that does not always fit in with society.

The translation by Philip Gabriel was sublime and made for a great reading experience. Also, I would like to thank NetGalley for this advance copy I received in exchange for an honest review

Thank you for letting me read this book. I have read many of Murakami's novel and greatly enjoy his work. This was everything I expect from him and I would definitely recommend it to others.

I wish I could keep this review short and just say EVERYONE NEEDS TO PICK UP THIS BOOK. However since I can't do that, I'll just talk your ear off about it. Haruki Murakami always finds a way to pull on my heart strings and make me think about my life in such a different way than before I read it. Especially with this one, I felt like I had a whole new outlook on life by the time I was done with it.
To make a long story short, I am OBSESSED with this book.
Thank you so much to Netgalley, Haruki Murakami, and the publishing company behind this title who allowed me to read this book before the release date.

Haruki Murakami is truly a talent. His books are always captivating to me, and I have been waiting for this one to come out in English since it was announced. Murakami has a way of writing his worlds that suck you right into them. Each of his books is different but has that classic Murakami feel to them. This book is a good addition to the Murakami collection. Philip Gabriel is a great translator, and I really like the way he worked with Murakami's story and translated it into English. The characters are interesting, and I enjoyed following them throughout the story.

One of the strangest Murakami novels yet. Although I've seen some reviews saying that this is "classic Murakami" it actually doesn't have, or only ever so briefly includes, a lot of his standard tropes and storytelling devices. It has perhaps the most surreal and dreamlike narrative of any of his novels, the plot is so aimless and the story so "uneventful" it almost makes Killing Commendatore or Kafka look like Michael Bay movies in comparison. I wouldn't even really argue with someone who says this book doesn't have a climax (the closest thing to one happens within the first 1/3 of the book).

Unlike Killing Commendatore, which I found to basically be the "ultimate Murakami," in that it contains essentially every trope Murakami has ever used, The City and Its Uncertain Walls at least feels like something new, probably the first book of his to feel like that since Kafka (even though I like KC more than Kafka to be honest). Which is a bit ironic given just how heavily this borrows from Hard-Boiled Wonderland and the End of the World (which is one aspect of the book I really haven't reconciled with yet).

Anyways, I realize I'm not really giving any real critical assessments or whatever so far, but this is probably the most oblique and open to interpretation novel that Murakami has yet written; and for me personally, that doesn't really bother me at all. There were a lot of moments that created such a vivid picture in my mind and were so striking, and I really enjoyed being back in Murakami's world again. This is definitely one that I'm going to be thinking about in the months to come and one I plan on rereading before the year's over (probably when my hardcover edition arrives). But one thing I'm not unsure of is that I definitely enjoyed this one, and I look forward to how my relationship with the book changes over time (pretty much all of his fiction resonates differently with me now than they did on first read).

This is my first experience with Haruki Murakami and I am enamored. In this book of magical realism we follow the main character, the Dream Reader as he co-creates an imaginary city along with a love interest. This imaginary city becomes the centerpiece of the story; a living, breathing entity that captures the attention of multiple people the Dream Reader encounters in life. As events progress both the Dream Reader and us as the reader find it evermore difficult to differentiate between reality and the dream world.

There are several supporting characters that are well developed. They all had close relationships with the Dream Reader--some romantic, some friendships--that went beyond the surface level. The Dream Reader shares a deep bond with these characters, a bond that develops through.

The weather and seasons are very prominent in this book. While I haven't yet, I intend to reread with the intent to discover how the weather correlates with the phases of the Dream Reader's experiences. After reading this book I have added much of Murakami's work to my TBR, in the process discovering the walled city figures in other books. I highly recommend this book to anyone who enjoys magical realism, themes of identity and the seasons of life.

3.75 rounded down


The City and Its Uncertain Walls is in typical Murakami fashion, weird events, obsession with love, and your favorite body part—the ear! I think his prose is what makes us love Murakami in the end. However, the book significantly slogged in part two. While the day to day life in a small town was important, it was the least bit interesting at times. I found myself wanting to go back to what we felt and experienced in part one. I wish there was more on the love story between our main character and his girlfriend from high school, but I’m sure if you read in between the lines you can find the answer. I will say, this work of Murakami seems the most complete and straightforward. I’ve read quite a bit of his work, and this one has more of a complete understanding than others. However, he seems to introduce more information during the conclusion of his books which would have been better suited a bit earlier. The ending felt rushed to me.

Overall, if you love Murakami, or wanting to get into him, I think this is a good place to start. It’s a sleepy book, but it’s enjoyable. The way Murakami writes about falling in love is like none other, so I’d just read him for that. I know there’s discourse about him writing women, but it’s also Japanese culture at the end of the day. Is it uncomfortable as a westerner? Sure, but it doesn’t take away from the story for myself personally.

Thanks to Penguin-Random House and NetGalley for the ARC of this novel.

I read my first Murakami novel — A Wild Sheep Chase — as a grad student in English half a lifetime ago. I remember at the time wondering why the professor had assigned the novel because it was so different from anything we’d read before. At the time, I couldn’t quite process what I was reading because we had just read Robert Stone’s Dog Soldiers, a gritty, violent, realistic novel. But now I was reading a book about a guy trying to find a sheep with a star-shaped birthmark somewhere in Japan for reasons that seemed kind of weird and flimsy (it’s been a lifetime, so please excuse the vagueness). Anyway, I gritted my teeth and read on in true English major fashion, convinced that this “novel” would end up back at the campus bookstore along with all the other unwanted texts I planned to sell back.

Well, that copy of A Wild Sheep Chase (AWSC) is still on my bookshelves, happily resting next to nine other Murakami texts that include the biggies The Wind-Up Bird Chronicle (TW-UBC), Kafka on the Shore, and 1Q84. Encountering AWSC, I learned that to read Murakami you have to let go of your internal English major looking for structure, plot, character arcs, subtext; let go of your notions of reality (is any novel, regardless of its “reality,” actually real?) and just climb on board for the ride. For this reason I have hesitated in the past to recommend a Murakami novel to someone who hasn’t read his work. It’s tough to suggest reading a 600+ page book like TW-UBC to someone when the outline of the plot sounds kind of crazy (trust me, it all kinda makes sense in the end). Like whiskey, I tell them, you either like it or you don’t. Point to any bottle on the shelf and try it yourself.

So now I’ve just finished The City and Its Uncertain Walls (TCAIUW). While I don’t think it is Murakami’s best novel, the book will definitely satisfy his readers. As other reviews and articles have mentioned, TCAIUW echoes with elements from other Murakami novels, and these have been expanded to create a world of the seen and unseen, a world of shadows and ghosts. But while there is a definite sense of the familiar — that warm fuzziness you experience when you surrender to the universe of a Murakami novel — I couldn’t help but notice a certain meditative or contemplative tone in TCAIUW that I don’t remember experiencing in the other novels. Perhaps this has something to do with my own life as I’ve entered the home stretch (the turn for home? the final quarter? the two-minute warning?), but I couldn’t help but notice the protagonist’s almost constant questioning of his own motives, actions, thoughts, and reality. So many question marks!

I know Haruki Murakami is 75 years old, and I believe that age can make one reassess life in general: its fundamental purpose, the relationships we’ve nurtured and cast aside, the choices made, the roads taken and not. I think this is what I hear in the protagonist’s voice: the certainties of youth are gone, replaced with the realization of the limited choices still available as we age. And of course that would make one question almost everything they do. Should I move to the small town and become head librarian? Should I leave the city with the uncertain walls? Should I ask out the coffee-shop owner?

In general, it seems this contemplative tone has put a certain restraint on the novel. It’s not as wild and crazy as some of his earlier novels (or maybe I’m just used to it?) that just sparkled with imagination and sights never seen before. But with the contemplative tone, I think this novel asks its readers to think about love, about reality, about human interaction, about what we give up and what we can live with to be “happy.”

Maybe The City and Its Uncertain Walls is the novel I will recommend from now on for someone looking to read Murakami for the first time. The slope is gentle, the terrain recognizable if a little foggy at times. At least there aren’t any strange sheep around.