Member Reviews
Playing the Changes: Jazz at an African University and on the Road by Darius and Catherine Brubeck is a captivating and deeply insightful memoir that chronicles the couple's transformative journey in South Africa during the apartheid era. This book blends biography, history, and personal storytelling to recount the Brubecks' pioneering efforts in establishing a groundbreaking jazz program at the University of KwaZulu-Natal and their contributions to the vibrant South African jazz scene.
The Brubecks' story begins with their move to South Africa in 1983, a time of intense political and social upheaval. Despite the challenges posed by apartheid and the scarcity of resources, they were determined to create a multicultural environment where black and white musicians could collaborate and expand the boundaries of jazz. Their efforts not only enriched the academic landscape but also played a vital role in nurturing a new generation of South African jazz musicians.
The book is filled with vivid anecdotes that highlight the resilience and creativity required to build a jazz program in such a fraught environment. The Brubecks recount the difficulties of organizing concerts and tours amidst apartheid restrictions, the resourcefulness needed to secure instruments and facilities, and the camaraderie that developed among musicians from diverse backgrounds united by their love of jazz.
One of the most compelling aspects of Playing the Changes is its portrayal of the South African jazz scene as a reflection of the broader freedom struggle. Jazz, with its improvisational spirit and capacity for expression, became a powerful tool for resisting the oppression of apartheid. The Brubecks' narrative provides a rich tapestry of stories about South African jazz players who used their music to challenge the status quo and inspire change.
The book also offers intimate portraits of the musicians who were central to this movement, capturing their struggles, triumphs, and the unique ways in which they contributed to the evolution of jazz in South Africa. The Brubecks' deep respect and admiration for these artists are evident throughout the book, making it not just a memoir of their experiences but also a tribute to the musicians who played a pivotal role in the nation's history.
Playing the Changes is a must-read for jazz enthusiasts, educators, and anyone interested in the intersection of music, culture, and social justice. The Brubecks' story is a testament to the transformative power of music and the enduring spirit of those who use it to fight for freedom and equality. Through their candid and richly detailed accounts, readers gain a deeper understanding of how jazz became both a soundtrack and a catalyst for change in apartheid-era South Africa.
This book is not just a historical account; it is an inspiring reminder of the impact that dedicated individuals can have on society through their passion and commitment to the arts. Playing the Changes is a beautifully written, deeply moving exploration of jazz, education, and the power of music to transcend boundaries and unite people in the pursuit of a more just and equitable world.