Member Reviews
The Wood at Midwinter is a quiet winter tale that reminds me of Roald Dahl. The illustrations and tone are both unadorned and yet not simple, mirroring the quiet outdoor winter wood setting. There is great delight in the anthropomorphic animals and woods conversing with the saintly Merowdis about her desires, worries, and ultimately her future. I enjoyed this short story very much, but I do think it would have been better accompanied in a collection of similar tales from the world of Jonathan Strange and Mr. Norrell. Perhaps that is more wishful thinking than a need.
Thanks to NetGalley and Bloomsbury USA for his ARC!
“The Wood at Midwinter” is an enchanting and beautifully illustrated short story by Susanna Clarke. A girl named Merowdis (who can talk to nature and animals) is walking through the snowy woods with her dogs and pig when she comes across a blackbird and fox. Her life is changed forever when she encounters a mysterious figure in the woodland shadows. This will be for fans of fairytales and folklore looking for a wintery read! There is definitely a “Piranesi ” vibe to the work. The afterward was a nice touch and I enjoyed reading Susanna’s thoughts about the story.
Thank you to Netgalley and Bloomsbury for sending me this digital ARC in exchange for an honest review.
A beautifully done short story with great artworks worked into it. Definitely worth it if you are looking for something to read in less than an hour and enjoy Susanna Clark’s other works.
Thank you Netgalley and Bloomsbury for the ARC.
A short and sweet fairy tale that brings the reader back into the ethereal world of Piranesi. I could stand a longer follow up to Piranesi, but this does scratch the same itch.
I had originally requested this book after finishing Piranesi and hoping that Susanna Clarke would gift me with another book of the same caliber. What I received was a shorter book that I enjoyed, but I am genuinely not too sure if I understood what was meant to be told.
I loved the illustrations throughout the book, however I wish that I was privileged enough to comprehend and fully get out of the story what Susanna Clarke intended for me to.
Thank you very much Netgalley, Susanna Clarke, and the publishing company behind this title for allowing me to read this before the release date.
From the author of Piranesi and Jonathan Strange & Mr. Norrell comes a short, wintery story about a girl who doesn’t feel she fits in and who ultimately forges her own path despite it looking unfamillar or scary to those around her. For fans of folklore and fairy tales.
Although this is a short little nugget of a story, it did have an emotional impact. I felt instantly connected to Merowdis, not least because I also prefer the company of animals. The simple black and white, line drawing-style artwork is well crafted, feeling intentionally sparse to reflect the feeling of winter.
Don’t come for me, but I haven’t read Jonathan Strange & Mr. Norrell. (I **did** read Piranesi, and was obviously obsessed with it like all the people of taste.) But this story apparently exists in that same universe. I’m not sure how much that frame of reference would impact the reading experience here.
I know that some will balk at the price, especially considering the reduced number of pages, but if you consider it a children’s book and disconnect it from the adult literature relationship, I think it would make a creditable addition to any collection.
Well, that's lovely. As is the cover, as is the afterword: Snow (quite my favorite part, actually). Do you know, there really ought to be more pigs in books.
An interesting writing interlude for Clarke, though I can't say I loved it. The story is not only very short but also lacks the magic found in her other works, notably Piranesi. Initially, I thought it might be intended for children; however, some of the text would not be suitable for young kids, nor is it complex enough for teens. I would say this short story is better suited to a folklore anthology, as it would comfortably sit among other tales of its kind. As a standalone story though... it definitely leaves something to be desired. The afterword was good; you can hear Clarke's voice again, but this is not a nonfiction book. That being said, the illustrations were very beautiful, even on my old Kindle.