Member Reviews
I took a course in college entitled: Man's Inhumanity to Man, which dealt with the literature of genocide. This collection of powerful poetry could easily fit within that course syllabus. It almost feels like trivializing the topic to leave a review, but I will say that Toha's words are haunting.
Many thanks to the author, publisher, and NetGalley for sharing this book with me.
5/5 ☆
If someone asks me to describe this poetry collection in two words, I would call it a survivor’s testimony.
This is the kind of book that would shake you with the realisation that while your part of the world might be comfortable to live in, there are people in other parts of it that are constantly surviving — the colonisation, the dehumanisation, their occupation. Every single poem was painful to read, because it’s impossible to read them without remembering that this is a harrowing reality for millions of people in Gaza. In Palestine.
This is a book that should be on everyone’s shelves.
A powerful voice out of Palestine, Mosab Abu Toha details the realities of living in an occupied Gaza in stark and staggering language. While the horrors of genocide are detailed in ways a reader far removed from war might begin to imagine (descriptions of bombs, violence, destruction), it is perhaps the poetic vignettes of day-to-day life that are more haunting: the description of a photo of a grandfather beneath the rubble of a home, two children sleeping side by side, razed cemeteries. In this way, the author reminds us of the individual lives, the families, the homes destroyed by genocide. While poetry is often so abstract, Mosab Abu Toha could not be more clear.
Thank you to NetGalley for my advanced reader copy.
Beautifully written and urgently moving this poetry collection is a time capsule of the current occupation of Gaza. It is equal parts lovely and horrible in it's portrayal of the raw pain and suffering that is still playing out everyday. Forest of Noise is a visceral reminder of the human toll of this genocide and the everyday people losing everything. I would recommend this to everyone, especially those having a hard time grasping the individual suffering taking place.
If you like poetry that reads like music, books that are raw, honest, pull no punches and carry equal amounts of love, Forest of Noise is the book for you. Not to mention, it's always important to read books by Palestinian people but more so now.
Note: The audiobook is also an incredible experience.
There have been recent debates on platforms like TikTok about “leaving politics out of literature,” but that is impossible, especially with a medium like poetry, which is a reflection of the times. Mosab Abu Toha is a Palestinian poet from the Gaza, and this collection gives us a glimpse into his lived experiences. These poems are filled with an aching grief, a loneliness, a loss of sense of self when you’re from somewhere but it’s also a place of fear and war-torn ruins. Maybe my favorite stanza is: “Even your shadow will abandon you / when there is no light. / So just keep things that require only you: / the book of poems that only you can decipher, / the blank map of a country / whose cities and villages only you can recognize.”
Mosab Abu Toha’s Forest of Noise is a searing poetry collection that lays bare the brutal realities of life in Gaza. With clear, unflinching language, Toha documents the scarcity, displacement, and grief endured by generations of Palestinians under Israeli occupation and bombardment, while capturing the humanity that persists amidst the horrors. The poetry in this collection resonates as vital testimony to an ongoing crisis. Both heartbreaking and essential, this collection forces readers to confront the suffering and resilience of a people often ignored. We cannot afford to look away. From the river to the sea, Palestine will be free.
A must read book!!! What Mosab Abu Toha accomplishes in this book is worth all readers considering. The world always needs poets, and we, especially need Mosab Abu Toha. If you only read one book published in 2024, let it be this book.
Abu Toha's poems in this collection are strong, moving, and confronting especially in this moment. Worth a read for all lof us.
I've been struggling to review this collection of poems. Abu Toha knows a grief I'll only ever (hopefully) know peripherally. His words are searing. He grabs you by the shoulders, shakes you, and demands you look at the truth of what's happening (and has been happening) in Palestine. I'm forever grateful for his art.
This is a heartbreaking and powerful collection that really brings to life the struggles of living in Gaza. Through his raw and emotional poems, Mosab Abu Toha shows both the pain of constant violence and the small moments of love and resilience, making it a really important read that hits hard.
The marrow of Mosab Abu Toha’s experiences, especially since the Israeli-Hamas War began in October of 2023, spills throughout every poem and phrase in “Forest of Noise: Poems” (Alfred A. Knopf, 2024).
Palestinian poet and founder of the Edward Said Library Abu Toha’s first poetry collection, “Things You May Find Hidden in My Ear” (2022), won the Palestinian Book Award and the American Book Award. With “Forest of Noise,” there is no divide between his poetry and struggles on the frontlines with his family in Gaza. The stark and everlasting generational and environmental horrors are all laid bare on the page.
“My Son Throws a Blanket Over My Daughter: Gaza, May 2021,” Abu Toha takes us on a nighttime journey with his family through bombings in Gaza. Away from the windows. Huddled together for shelter and support. Terror juxtaposes with uncertain happiness for any time they remain safe. But the poem title says it all. It’s his five-and-a-half-year-old son who now knows if a bomb explodes and scares his younger sister enough; he should cover her with a blanket for a semblance of temporary safety.
Throughout Abu Toha's raging and liminal forest of explosive and echoing noises, the impact of war on our loved ones, not just our children but our aging parents, is in the foreground. The detriment to the literary arts and our conceptualization of home (and a homeland) also simmers beneath the surface of this poignant, must-read poetry book.
Thank you to Mosab Abu Toha, Alfred A. Knopf, and NetGalley for the eARC.
"But of all things,
losing the only photo of my grandfather
under the rubble of my house
was a real disaster.'
This is such a heartbreaking and haunting collection of poems about life in Gaza; each one tears the heart out a little bit more. I feel so grateful to the author for sharing his feelings and experiences; I think I ended up highlighting almost every page because it was all so powerful. Highly recommend this one.
Thank you so much to Knopf and Netgalley for this book.
This collection includes poems from the past several years up to the present as Mosab Abu Toha has survived multiple attacks on Gaza. These poems chronicle the poet's life in Gaza showing the horrors of oppression juxtaposed with moments of joy. The poet puts a spotlight on the tragedies happening in Palestine of which we are still actively witnessing. Yet, it also reminds the reader of the enduring legacy of decades of colonial violence and how this has been a continuation of the Nakba. They examine the violence inflicted on Palestine, the anger at those who turn a blind eye, the exhaustion and burnout of experiencing and witnessing continuous tragedy, and the conflicting emotions of knowing this is the life the world has seemingly deemed acceptable for others. There's also the sense of urgency and fear in these poems that this is all Palestinians will be remembered for - the violence enacted upon them. Who will tell their stories? Who will write their books? Who will be their next generation of poets? Who will prevent Palestinians from becoming just a memory? Mosab Abu Toha asks the reader to consider these questions and I wish there was a way to answer it, to ease the suffering and fears of all Palestinians.
Absolutely breathtaking in its impactful and devastating prose. Mosab Abu Toha cuts straight to the bone and does not ever hold back in portraying the suffering of the Palestinian people, or in showcasing the beauty in their resiliency.. I found this to be an incredibly powerful and necessary collection of poetry. A beautiful voice amidst an entirely avoidable and disturbing ongoing tragedy. Anyone reading Toha's words should feel honored to bear witness to the enduring strength and love of all Gazans. I will be recommending this collection to everyone.
WOW. These poems were so incredibly written and heartbreaking. They were easy to read but really packed a punch.
I read Mosab Abu Toha’s first poetry collection, Things You May Find Hidden in My Ear (2022) last year, and absolutely loved it. I admired the Abu Toha’s imagistic precision, how deftly he worked with form—and his craft was the perfect vehicle for dispatches about what it meant to be from Gaza. Since then, I’ve been recommending this collection to poetry lovers and poetry beginners alike, and what it means to be from Gaza has continued to become more of a horror story.
These poems aren’t as form- and craft-forward as those in Abu Toha’s first collection. I kept asking myself, how could they be? This is a book of urgent witness, with poems that seem to have been written and published quickly. This collection doesn’t have things like the long abecedarian from the first. Instead, it’s almost entirely short lyrics that twist the knife with sharp images and painful realizations. A lot of the images in this collection become, devastatingly, the same—bombs, graves. The longest poem recounts when Abu Toha was kidnapped by the IDF as his family tried to leave Gaza—“On your knees!” is a refrain.
I was struck by how many of the poems address or otherwise incorporate family members. Abu Toha’s young children, who grow up, as he has, in the shadow of violence. Elegies for his brother (2000-2016—the dates alone break my heart). These poems are primarily about living under occupation, bombing, constant threat—but also about living—the texture of daily life also includes love and community, memories of oranges.
I’m grateful for Abu Toha’s work, but I hate that it has to exist. I would prefer to live in a world without these poems and with all those, named and nameless, they eulogize.
There is little that can be said to fully capture the emotional impact of Mosab Abu Toha's work. This new collection of poems gives a raw and humanizing look at what has been and is going on in Gaza and all of Palestine. It forces the reader to see beyond the numbers and statistics of genocide, to see the human lives lost, and the ripples of trauma that will carry on through future generations. In this book, Mosab Abu Toha calls on us to witness and to act.
Forest of Noise is filled with immense thoughtfulness, heartache, and near-unimaginable loss. Mosab Abu Toha's singular voice brings an urgency and proximity to Gaza that feels palpable. Though this collection is more experimental than its predecessor, each poem lingers in a way that only the words and imagery of Mosab Abu Toha can linger.
To illustrate, here is one of my favorites from the collection:
"Ramadan 2024
Around that dinner table, missing are the chairs
where my mother, my father,
and my little sister used to sit with us on Fridays,
and where my siblings and their kids
used to drink tea at sunset when they visited.
No one is here anymore. Not even the sunset.
In the kitchen, the table is missing.
In the house, the kitchen is missing.
In the house, the house is missing.
Only rubble stays, waiting for a sunrise."
this was such a breathtaking collection of poetry, each poem tugs at you until you're face to face and can't do anything but keep reading. it's writing and a sense of resistance that gives you hope that there'll be a free palestine in our future.