I can’t stop thinking about this novella. “Liking it” doesn’t make much sense here as most books don’t offer lingering dread like this once it is finished. It’s not a comfortable read and it’s skillfully designed that way with a surprising ending that solidifies the desperation within the entire narrative. Recommended.

From the first page I wondered how it would end.

Twists and turns, unexpected delights and heartbreaks.

Then, the ending. Delightfully unexpected! Fabulous! Daring!

I thoroughly enjoyed this book.

Thanks to NetGalley and Titan Books for the ARC!

I was instantly hooked. I felt for the main character and the journey element helped explain some of the more haunting aspects of the human existence, pain and loneliness. I thought the choose your own adventure element at the end was fun.

I enjoyed the narrative style and how it added to understanding Vicken's mental state as things progressed. The choose your own adventure segments were quite fun! I think there are parts near the end where things get a little confusing, but it contributes to Vicken being perhaps an unreliable narrator and blurring the edges of reality and potentially psychosis. I think the sensitive topics covered in the book were well done; it was gritty and realistic without being too over-dramatic or painting people with depression and suicidal ideation in a negative light or further stigmatizing them. Overall, thoroughly enjoyed it, and will be purchasing a copy once it is released!

Coup de Grâce is a horror novella about a man trapped in an impossible subway station. Vicken is on the subway, planning a one way trip to the Saint Lawrence River, but when he gets off, he's in a huge, Brutalist station. A station with no exit and no return line. A station that changes as he explores. And suddenly things aren't as certain as they seemed when he stepped onto the train.

This novella combines some fantastic horror elements: liminal spaces, fourth wall breaking, body horror, and the kind of terrifying impossibility of space you get in House of Leaves. It is also a dark look at depression, suicide, and self-harm, and the warning at the start is important to note because it does make up a lot of the book. What you end up with is something visceral and weird, almost absurdly funny in the way it paints hopelessness and lack of control by its ending, and a book that never quite offers a reprieve. The ending might be a bit divisive, leaving a lot up to the reader, but it is exciting to see this kind of horror, that isn't afraid to be unrelenting, and I loved the creepypasta and liminal space elements (the book itself feels like it could be a creepypasta even as it refers to them).

Upfront: this book is incredible and one of my favorite reads of the year. So highly recommended I can hardly see the ground while I sing its praises. Read it!

Deeper down: I’ve been struggling for a week to put my thoughts in order enough to write this review. Not because I’m trying to be kind or politic or looking for nice things to say…no, I VERY much loved this book and have no problem announcing that. It affected me deeply. The questions are how, and in what way, and will I ever be the same again. Coup de Grâce is dedicated to those who know—the assumption being those who know are those who have personal connection to suicide or suicidal ideation. But I think the real magic Sofia Ajram has conjured here is that EVERYONE knows what she’s talking about in these pages. Maybe not specifically to the circumstance, but CERTAINLY to the feeling, the isolation, the trap, the gray, the GRAY, the bloody battle between knowing better and feeling less, the struggle, and the struggle to even put up a struggle. This is an ugly book. But it’s so beautiful, too. It shines so bright from within the confines of its drab concrete exterior. There’s horror here, unimaginable horror, but also hope. And the acceptance of hope’s loss. Surety in the unsolvability of life’s labyrinth.

Coup de Grâce is short, but it casts a leviathan’s shadow. And it’s a dark shadow. And it’s cold. But sometimes, dark and cold is just right. This is an all-timer, and while it may not be for everyone, it is certainly for anyone. I count myself among them. And I’ll forever recommend it to anyone in the future.

Phenomenal work. Highest recommendation.

I had difficulty getting into this book, it was quite jarring for the main character to announce that Virginia Woolf died in Leeds, which is nowhere close, but then the story was also a jumbled mess that revealed elements too quickly, and often left me confused as to what was happening.

This is a beautifully written excursion into a hellish place where the surroundings act as antagonist and the mind betrays you.

A man on a subway is going to end his life. But when he exits at a certain station, he finds himself completely alone with no way out. Nothing but endless bleak halls and rooms which defy reality.

Filled with monstrous imagery and a truly unsettling claustrophobic atmosphere, this novella will make you feel uneasy as the man slowly succumbs to this never ending environment both physically and mentally. The almost poetic prose adds to the fear. The author's sparce sharp phrasing paints a horrifying picture as it plays out in your head. It's beautifully grotesque and sticks with you.

It's also about life choices and we get to see from the perspective of this man just how life can be gloriously vibrant and endlessly harrowing at the same time. This is a fantastic novella and I highly recommend it.

Caustic and bleak Coup de Grace, is a mindbending story of a suicidal man trapped in a limbo of an endless Montreal subway station. Its lyrical and dismal, at both time humorous and horrifying and will leave you wanting to run outside and scream into the sun.

For fans of (or feared readers of?) I'm Thinking of Ending Things and House of Leaves.

This was such an interesting ride from start to finish. It was a very quick read, but if you love a good horror book, this is definitely for you. I am not normally super squeamish, but this was definitely something that made me squeamish. Beware the trigger warnings at the beginning, as they are definitely needed in this book. However, it was so well written and creepy/crawly I would highly recommend it if you want something to creep you out. The parallels being drawn between this book and House of Leaves is apt, but different. House of Leaves was a slog, and this is much more approachable and definitely easier to follow. I would recommend this book if you're looking for something to start the spooky season early!

This ebook was provided by NetGalley and the publisher in exchange for an honest review.

Coup de Grâce by Sofia Ajram is a thrilling short novel in the Montreal subway station. If you liked Susanna Clarke's Piranesi, you would appreciate how the labyrinth quality of the surroundings becomes a character in the novel. The depressed protagonist is trapped in an unending subway system. This setting creates a feeling of being lost in limbo, reminiscent of life with a mental illness. This sense of being trapped for an undetermined amount of time feels comparable to Sartre's No Exit or Huis Clos.

One of the most intriguing aspects of this novel is the author's decision to involve the reader in shaping the story. This interactive element further immerses the reader in the protagonist's world, contributing to the feeling that the protagonist doesn't have complete control over their fate or decisions.

I enjoyed this story. Readers should be aware that the novel deals with themes of depression, anxiety, and suicidal ideation. The author didn't glamorize these elements; rather, I felt they depicted how those qualities can feel while crafting a suspenseful story.

I would recommend this book to readers. Thank you to Titan Books and NetGalley for the ARC.

I loved Coup de Grâce so much. Coup de Grâce is beautifully written. Yes, it is horror but Ajram's writing is unparalleled - the care and attention that Ajram takes to write about depression and its impact is moving and lyrical. The imagery of Coup de Grâce is unsettling and haunting in every sense of the word. Ajram's descriptions of depression left me asking what is scarier - where Vicken is physically or where Vicken is mentally? The ending is a surprise, that is best left unspoiled but its a unique twist and will have you questioning yourself. Thank you to Titan Books for the advance copy.

Thank you NetGalley and the publishers for this ARC in exchange for my honest review!

I really enjoyed this weird little book. This is a great psychological horror with bits of body horror sprinkled in. The random moments of 4th wall break and choose your own ending threw me off in the best way and made the story a bit funny too. Seeing inside the mind of Vicken was tragic and nightmarish. This world where he is lost is something I could picture in a horror movie. We see him spiraling with his new reality as well as his already established mental illness. While he came to the station to die, he is conflicted with his new sense of survival and will to try to escape.

As this is a novella, it is very short and easy to get through in one sitting. I look forward to more from this author in the future!

Trigger warning: The book starts by letting readers know about triggers for depression and suicide.

Set in Montreal, the book concerns a young man, Vicken, who is contemplating ending his life. From a personal standpoint, one of the reasons I was very excited for this novel, apart from the phenomenal author, Sofia Ajram, is that it’s a horror novel set in Montreal which hasn’t really gotten its due in terms of ‘big city horror’ but also in Canadian horror spaces although the city is home to many wonderful horror creators in different domains. If you’re from Montreal or have visited, you will enjoy the familiarity of the places like the subway stations and other sites.

The novel firmly establishes itself in a Cronenbergian, existential and philosophical horror space which means it’s wonderful for readers who don’t know where the narrative is going because it’s not a straight trajectory from A to B to C.

(Vicken is queer btw; he has sex in a bathroom with a guy named Felix)

He’s looking for an outbound station to exit but he can’t find one. He’s soon joined by another woman who he nicknames Pashmina. She has had the same problem for days. And then together, their days multiply.

What they find is a scene out of a nightmare that would make even Clive Barker terrified.

Vick starts to wonder if he has died and is in purgatory or has he been infected with something causing him to hallucinate this new reality?

It chronicles his descent into madness about what his purpose is and what he is really doing by being trapped here and surviving. It forces the reader to share the terror of Vick with all of life’s unanswered questions like: what does this all mean? Why are we here? And that is as much a part of the terror as wondering if he will survive this hell.

And by the time the elevators enter the chatroom, things get even weirder.

Then the book started to remind me very much of “House of Leaves” where the character’s madness turns into an entity of its own.

And then — this is one of the most interesting aspects of the book — it becomes a Choose Your Own Adventure text in which if you’re reading the eBook, you can click on the links. It leads to at least a few different endings, and all I will say is that it isn’t going to be what you expect!

Overall, definitely one of the most unique and innovative horror novels I’ve read in some time! Very original!

I really wanted to like this book more than I did. The premise was so exciting! But… the prose got in the way.

Don’t get me wrong: there are individual sentences that sing. At times, I was impressed by how vivid the imagery was, and how incisive some of this novella’s statements were. But, these were small islands in a sea of verbiage. If this book had been pruned a little, with unnecessary synonyms removed, and every fifth flourish or so eliminated, it would have been great. But overall, it just lacked control. It’s not that I dislike rich prose. It’s just that this tipped over too often into being pretentious. Reading felt like wading through treacle.

To be clear, there was plenty to like. The body horror was top notch – here, the prose was purposeful, not just purple. It felt as if when something concrete was being described – a broken leg, an elevator journey, a series of half-melted corpses -- suddenly this story took flight. But it kept being weighed down by its own overlong sentences. I think it was at its best when our protagonist had other people to interact with; it kept the abstraction to a minimum, and meant his isolation and depression was brought to the fore. But when he was left to his own devices, things got way too ponderous.

Overall? A near miss that could have been great.

Thank you to Netgalley for the ARC!

Content wise you really feel the dread and misery, and the hopelessness associated with luminal spaces. This is one of the only luminal space books that I really felt transported to and not bored? So that's a plus. It highlights that waking/dreaming feeling.

This Kafkaesque nightmare of a novella is at turns really sad, suspenseful, and even gag inducing. For such a small page count Ajram creates a fully realized world in this never-ending subway station. It’s an experience!

An experimental novel with beautiful prose, this novel was such an experience to read. I really enjoyed the writing and commentary on life and death and finding meaning in the mundane. I also found it claustrophobic and slightly disturbing in certain parts, which only added to the overall experience. The ending especially was creative, I enjoyed the different options presented to the reader to control the narrative. A uniquely creative story!