I loved this book. It is my first Grady Hendrix. Check your content warnings. 4.5 stars. This book should be viewed as historical fiction with some magic. Neva is our FMC, she is 15 years old and pregnant when her father drops her off at a home for unwed mothers. There she is assigned the name Fern, and told not to share her real name, where she is from, or anything about the baby’s father. Fern becomes fast friends with Rose, Zinnia, and Holly. The girls make a plan to get books from the mobile library that they can share. The librarian ends up giving Fern a book about a Groovy Witch. Fern is disappointed but begins to read the book. Zinnia suffers from horrible morning sickness- she is sick all the time. Fern finds a spell that will transfer her sickness to someone else and they decide to transfer her morning sickness to the doctor. They sneak out of the house one night and perform the spell and it works. These girls are such well drawn characters and you are completely invested in what happens to them. It is 1970. Pre-Roe. These girls have no rights and no agency. It is their body but they are not afforded a choice. This is a feminist story. Am I surprised to find such a strong feminist story written by a man? Yes. Yes I am. There is one negative - two women, sisters, Hagar and Miriam are not given the time and character development their story deserves. I would read an entire book telling the story of Hagar and Miriam. This trope you will recognize when you read it and it is why this story is 4.5 stars and not more. Thank you to #netgalley and Berkley Publishing, Penguin Random House for my e-ARC.

I really tried with this one but it was a DNF at 35%. It was a very slow burn to witchcraft & then it just got a little weird for me. Naked in the woods, the bloody bathroom. Thank you for the opportunity for me to read this early. 3-stars because it clearly is a book that someone will enjoy, the writing is good & clearly very well researched.

I've read every new Grady Hendrix book for the last several years. I've like them all but honestly some are better than others. This one gripped me from the beginning pages. The little details like Neva's father using saliva to remove his wedding ring, so she could wear it while walking the parking lot of a gas station on their road trip made the world Neva lived in ominous. These people were strangers -- never to be seen again. Yet, he felt compelled to keep up appearances. It brought Neva's predicament and the societal pressure front and center. There's Grady's trademark humor and some gnarly body horror -- not surprising when the characters are pregnant. This one was right up my alley. I can't wait to read it again.

Hendrix has a knack of writing about horrific circumstances that seem to be both unbelievable and totally accurate. It's 1970 and a home for pregnant teenagers is the backdrop. The group of girls rely on each other as their families have shunned them and most adults in the story treat them as fallen women. The horror comes in the package of a bookmobile librarian who offers reading materials to the pregnant girls but is actually a witch looking for recruits to her coven. The witchy scenes bring to mind Stephen King's writing but the gruesome scenes are what happens to the girls during childbirth. Since it's 1970, abortion is not an option and the girls must give the baby up for adoption, usually without even seeing the child. Although Hendrix has a horror writer's reputation, I feel he has authored a warning editorial about what can happen if abortion rights are denied to young women.

I loved the history and magical realism elements of this book. The witches were just the right level of spooky., but not cheesy or corny. I would have loved more information on Hagar and her sister, and how they knew so much about witches. Overall, I very much enjoyed this book and will definitely purchase it for my store!

3.5 ⭐️ Rounded-up

~

💉 F*ck the Patriarchy
🩸 An Important Message
💉 Devastating
🩸 Historical Fiction Vibe
💉 Slow-Building


I'll be honest, I really wasn't sure about this one for a long time. It's a very slow-building story. However - and this is a big - however - by the end, I felt such a profound mix of heartache and undeniable burning rage.

We start out in the year 1970 with the story following Neva, who is brought to a home for pregnant teenage girls, where she can hide from the public eye, have her baby and then return to a "normal" life. We quickly see the injustice of this situation. The manipulation, lies, and deceit that they used on these children is horrific.

Then, there is the witchcraft. I'm still confused about how Grady Hendrix used witchcraft as a plot device because he uses a lot of stereotypical explanations of witches - which is rooted in misogyny - and the witches are meant to help, but they are also deceitful. This portion of the story didn't feel refined, and while ultimately playing a part, it wasn't the part I was anticipating.

Which brings me to: I'm not sure if this story was a story that should've been told through the words of a man. While Hendrix does a wonderful job of delicately handling the actual injustices that these girls faced, I'm still hung up on the witchcraft. The witchcraft is the only part of this story that is supernatural and horrific, so it feels like it's used to keep the story under the horror umbrella vs. historical fiction... and it misses the mark.

The last 20% or so? Brilliant. I'm getting personal here - but as someone who became a young(er) mom (at 22), there is still SO MUCH misogyny in the labour & delivery ward. A lot of the treatment our FMC experiences is very authentic to how I was treated, and it made me rage. It also brings about this important message: that we can NOT go backward. The trauma and heartache that was thrust upon these young girls, who were often victims already, is devastating.

Overall, this was an important story, but I did find the delivery a little bit murky.

~

This is definitely NOT the story for anyone squeamish about pregnancy, medical intervention, labour, delivery, and loss. ⚠️

𝓣𝓱𝓪𝓷𝓴 𝔂𝓸𝓾 𝓽𝓸 𝓝𝓮𝓽𝓰𝓪𝓵𝓵𝓮𝔂 𝓪𝓷𝓭 𝓑𝓮𝓻𝓴𝓵𝓮𝔂 𝓯𝓸𝓻 𝓪𝓷 𝓐𝓡𝓒 𝓸𝓯 𝓽𝓱𝓲𝓼 𝓫𝓸𝓸𝓴 𝓲𝓷 𝓮𝔁𝓬𝓱𝓪𝓷𝓰𝓮 𝓯𝓸𝓻 𝓶𝔂 𝓱𝓸𝓷𝓮𝓼𝓽 𝓻𝓮𝓿𝓲𝓮𝔀.

‘Witchcraft for Wayward Girls’ may be in my top three favorite Hendrix books. Well paced, socially relevant and terrifying, and some body horror moments that made me wince.

Fern is whisked away to a home to deal with her “situation;” that situation being she is pregnant and an unwed high school girl who clearly can’t make any decisions on her own. (Sarcasm.) But when she is taken to Wellwood Home, in St Augustine, FL, she meets other girls who have also wound up in the same type of situation. While there, she meets a number of girls who are curious about challenging authority, going against the norms of society, and wanting to reclaim their body autonomy. Set in 1970, you can feel the shame weaponized by the adults like the sticky, humid Florida air - inescapable and heavy. But, when the girls are given a book about witchcraft, they decide to try their hand at making their own paths forward and learn that certain choices will have severe consequences.

This is my first Grady Hendrix book and I was a skeptical to read a story about pregnant girls on the 70s written by a MAN, but I really really enjoyed it! I felt connected to so many of the characters and my heart with sit with them FOREVER! I will definitely be adding more books from this author to my tbr!

Read If You Like:
- Historical fiction
- Supernatural/ Magical Realism Elements
- Feminist horror narratives
- Stories set in the 1970s
- Tales of female empowerment and rebellion
- Atmospheric Reads
- Some Gore

Witchcraft for Wayward Girls is my first by Grady Hendrix and it was such an unexpected and easy 5⭐️ read for me! It is a compelling blend of historical fiction and supernatural horror that delves into the lives of teenage girls confined in a 1970s Floridian home for unwed mothers. The novel centers around Fern & her account of her time at the home as a 15-year-old girl navigating the oppressive environment of Wellwood Home, where societal expectations and personal freedoms clash heavily & brutally.

Fern, Rose, Zinnia, and Holly—the four young girls we spend the most time with are forced to confront the harsh realities of their situation as the clock ticks down closer and closer to their due dates— especially as they question do they want to give up their babies and go back to the lives they were living as if nothing happened here at the home.

Then introduction of a mysterious spell book, provided by a traveling librarian, offers them a means to reclaim their power through spells and witchcraft, as they push back at the social pressures and expectations of them to give up their babies and forget.

The descriptions throughout the story are so atmospheric making you feel you are right then with their girls as they race against the clocks of their due dates and dabble in magic and try to decide what will they do, especially when the magic is much darker than they initially thought. The Immersive aspect truly sucks you in, especially with the narrative around the societal norms and challenges of the 1970’s era.

The horror elements are subtle at times, and others very much punch you in the face with the descriptions. This element intertwines the real-life horrors faced by the girls with the dark allure of witchcraft.

. This story a must-read for those that love feminist narratives, horror, and historical timelines that somehow don’t feel far off from where we are now…

Thank you so much to Berkley for my gifted ARC and Finished Copy! & to PRHA for my gifted audiobook copy too!

🧿 𝔸𝕣𝕔 ℝ𝕖𝕧𝕚𝕖𝕨 🧿

Title: Witchcraft for Wayward Girls
Author: @gradyhendrix
Pub Date: January 14, 2025
Rating: ⭐️⭐️⭐️⭐️⭐️♾️

"𝓕𝓸𝓻 𝓰𝓲𝓻𝓵𝓼 𝓵𝓲𝓴𝓮 𝓾𝓼, 𝓭𝓸𝔀𝓷 𝓱𝓮𝓻𝓮 𝓪𝓽 𝓽𝓱𝓮 𝓗𝓸𝓶𝓮, 𝓽𝓱𝓮 𝓭𝓮𝓿𝓲𝓵 𝓽𝓾𝓻𝓷𝓮𝓭 𝓸𝓾𝓽 𝓽𝓸 𝓫𝓮 𝓸𝓾𝓻 𝓸𝓷𝓵𝔂 𝓯𝓻𝓲𝓮𝓷𝓭."

"𝓨𝓸𝓾 𝓵𝓲𝓴𝓮 𝓳𝓲𝓰 𝓼𝓪𝔀 𝓹𝓾𝔃𝔃𝓵𝓮𝓼? 𝓑𝓮𝓬𝓪𝓾𝓼𝓮 𝔂𝓸𝓾 𝓬𝓸𝓾𝓵𝓭 𝓳𝓲𝓰 𝓪𝓷𝓭 𝓼𝓪𝔀 𝔂𝓸𝓾𝓻 𝓵𝓲𝓯𝓮 𝓪𝔀𝓪𝔂 𝓲𝓷 𝓱𝓮𝓻𝓮."

"𝓨𝓸𝓾 𝓷𝓮𝓮𝓭 𝓽𝓸 𝓾𝓷𝓭𝓮𝓻𝓼𝓽𝓪𝓷𝓭, 𝔂𝓸𝓾 𝓷𝓮𝓮𝓭 𝓽𝓸 𝓴𝓷𝓸𝔀 𝔀𝓱𝓪𝓽 𝔀𝓮 𝓭𝓲𝓭 𝓫𝓮𝓬𝓪𝓾𝓼𝓮 𝓷𝓸 𝓶𝓪𝓽𝓽𝓮𝓻 𝓱𝓸𝔀 𝔂𝓸𝓾𝓷𝓰 𝔀𝓮 𝔀𝓮𝓻𝓮, 𝔀𝓮 𝔀𝓮𝓻𝓮𝓷'𝓽 𝓰𝓲𝓻𝓵𝓼. 𝓦𝓮 𝔀𝓮𝓻𝓮 𝓷𝓮𝓿𝓮𝓻 𝓰𝓲𝓻𝓵𝓼. 𝓦𝓮 𝔀𝓮𝓻𝓮 𝔀𝓲𝓽𝓬𝓱𝓮𝓼. 𝓐𝓷𝓭 𝓷𝓸𝔀 𝓘'𝓶 𝓯𝓻𝓮𝓮."

Thank you so much to @gradyhendrix, @berkleypub, and @netgalley for the eARC copy of Witchcraft for Wayward Girls.

Wow. Just wow. This book was incredible! From start to finish, I was hooked! This book had me in its grasp ! I had to stop reading at night at one point as I got a tad scared, lol.

I went through such a range of emotions during this read. Grady Hendrix can honestly do no wrong, and I am addicted to his writing. Absolutely mesmerizing.

This story is gut-wrenching, incredibly raw, absolutely horrifying, and perfection. Add this to your tbr, stat! You will not regret it.

Yet another book about girls and women having their bodily autonomy taken away from them and their babies being torn from their arms against their wills. This was good on audio and if at times a bit gory, will appeal to fans of books like Heather Marshall's Looking for Jane or Bianca Marais's The witches of Moonshyne Manor. Many thanks to NetGalley and the publisher for an early digital copy and @prhaudio for a complimentary ALC in exchange for my honest review!

This turned out to be the first novel I've read by Grady Hendrix, although when I picked it up I thought I recognized the author and thought I had read books he had written with a co-author. Apparently I was wrong, but no matter because I enjoyed the book.

Description:
They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to the Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, give them up for adoption, and most important of all, to forget any of it ever happened.

Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. There, she meets a dozen other girls in the same predicament. Rose, a hippie who insists she’s going to keep her baby and escape to a commune. Zinnia, a budding musician who plans to marry her baby’s father. And Holly, barely fourteen, mute and pregnant by no-one-knows-who.

Every moment of their waking day is strictly controlled by adults who claim they know what’s best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it’s never given freely. There’s always a price to be paid . . . and it’s usually paid in blood.

My Thoughts:
There has always been a stigma about unwed mothers. Socitey doesn't play fair and even more so when the pregnant woman is young and only in her teens. My heart went out to all the characters in the book who were in this situation. The women always suffer and the men just go their merry way. This book has a paranormal twist with witchcraft being brought into the mix. But there is always a price to pay for magic - and these girls learn that.

Thanks to Berkley Publishing Group through Netgalley for an advance copy.

While the narrator got pregnant at 15 as Neva in Alabama, once she arrived at Miss Wellwood's home in Florida, she was Fern from Boston. She was supposed to forget about her life from before until she had her baby, gave it away, and went back home like none of this ever happened.

The relationships Fern makes with the other girls in the home are everything. She doesn't know much about who the girls were before they arrived, just like they don't know her. But their personalities are very distinct, and it's easy for them to imagine lives outside for each other.

Soon, the girls end up with a book about witchcraft, and an adult they should be able to trust leads them to believe that maybe, there are solutions to their problems besides what Miss Wellwood, the social worker who practically insists they give away their babies, and the creepy doctor. But sometimes when something seems too good to be true, well, we know how that goes.

I loved this book, and especially the epilogue about the girls in adulthood. This was my first Grady Hendrix book, and it simmered my rage just right. I could imagine a little of myself in each of the characters, and appreciated the treatment of the girls/women in childbirth. The book earned 5 out of 5 stars, and I would recommend it to those who enjoy witch stories, stories from the 1970s or so, and strong female characters.

I love Grady Hendrix. I don’t love witch stuff. The marriage of the two landed about where I thought it might, in the middling recesses of my literary preferences.

Thank you to NetGalley and Berkley Publishing for the ARC, and the opportunity to provide an honest review.

I thought this book was boring. It wasn’t for me. It has many of the archetypal Grady Hendrix imprints, but lacked the charm of his other books I love. I do appreciate the care with which he handled a difficult set of issues. I think he demonstrated a willingness that most male authors wouldn’t to take on an empathetic and authentically female perspective. This is to be commended.

But, this book was not fun in any way, and that’s what I come to Grady Hendrix books for. I want to feel that indescribable, campy, preposterous, funkiness that his stories exude.

The good…
I mean the man can write. There’s no doubt about his mastery of the craft. He somehow manages to put an elegant shape to a story that’s told in an unassuming form. He rarely delves into the interiority of any character, yet you somehow come to know them. He knows how to wrap a B-movie story into blockbuster packaging.

The less good…
I was frustrated by all the indecisiveness by this “coven”. Either witch or get off the pot. I also didn’t need to spend so many pages detailing the spells themselves. Eaaaaowooow wooodooo bollygog. Not necessary for me. This book was 100 pages too long. Way too much time spent on non-propulsive plot events.

And hail. So much hail.

To read, or not to read…
I think this book will hit different for most than it did for me. You should read anything this man puts out. I’m just being grumpy about witches… and hail apparently.

I thought I would like this book more than I did, especially since I LOVED “How to Sell a Haunted House.” Unfortunately, I couldn’t get past the racial stereotypes used to describe the black women in this book- “dark as midnight,” and “dark skinned woman built like a football player.” This is distasteful.

The term “colored” was often used to describe the black characters. I understand the setting is 1970, but by this time, that racial term was still considered derogatory. I would have appreciated if “Black” were used (but that’s just my opinion/preference).

Beyond that, Zinnia was my favorite character. Fern was a close second. I enjoyed the relationship the girls developed throughout the story as they gained power through witchcraft.
Hendrix did a good job portraying how unwed pregnant girls were treated, I just wanted a bit more magic. The childbirth scenes were very graphic/detailed… so be prepared.

Torn between 3-3.5⭐️

Thank you to the publishers and NetGalley for the e-arc in exchange for an honest review.

"Fast girls, loose girls, emotionally immature girls, wayward girls. Whatever you wanted to call us, we were children. And we had to make terrible choices."

Phew, this was heavy one. It is one thing to ‘know’ that pre-Roe American women were treated poorly and shunned for becoming pregnant; but in this novel, Hendrix takes you into Wellwood’s Home for teen mothers and *forces* you to FEEL every horrifying experience of these GIRLS. Every adult in the book from the home owner, the doctor, the nurse, the social worker, and the local townspeople strip these girls of any autonomy, agency, or power. With no empathy or consent the girls are prodded, lied to, and forced to give up their babies. Is there any surprise that amongst their desperation the girls might turn to witchcraft?

There are multiple times when I simply had to set this one aside due to the on page body horror, and graphic depictions of childbirth. Additionally, as a mother to 3, including a 13 year old girl, it nearly broke me that this book is rooted in real occurrences while remaining urgently relevant to current attacks on women’s rights to body autonomy. Please ensure you check all content warnings before reading!

As a Hendrix Stan, I can tell you the humor in this book if far less campy than others. Additionally, besides the body horror, there is also less traditional horror in this book, so level expectations- to me this read more as historical speculative fiction. Readers will completely fall for these girls, their found family/‘coven’, and root for them, weep for them, and mourn with them. Incredible writing will ensure you do not miss one emotions of this book.

Witchcraft for Wayward Girls follows Fern and her friends as they navigate teenage pregnancy, giving birth, witchcraft, abuse, and a society that treats unwed mothers like they are useless.

The beginning of this had me immediately hooked and I was super interested in the trajectory of the story. But, as I got further in, the story became increasingly more tedious and difficult to get through- not only because of the length, but also because some of the scenes were so visceral, descriptive, and disgusting. Most of this book read like historical fiction, but when the horror scenes took place, they were definitely horrifying. The commentary is incredibly interesting and thought provoking. And though the subject matter is sensitive and often times uncomfortable to read, the author handles it with tact.

This is a book that will work for a lot of people, as long as you go in with the right expectations (slow paced, historical setting, very few horror/ witchcraft scenes, etc.).

**Thank you to NetGalley for providing me with a copy of this book. All opinions are my own**

I LOVED this 1970s feminist paranormal fiction book about a group of young unwed mothers who experiment with witchcraft. Sent to hide in shame after becoming pregnant out of wedlock, the main chararcter is given the alias "Fern". To protect their privacy, all the girls are named after plants and flowers. But as Fern's pregnancy progresses and she starts to chafe at the unfairness of her situation, she gets drawn into witchcraft.

This book felt divided in two: it started out as historical fiction, and then transitioned into a paranormal suspense story. But I really enjoyed it!

I want to thank NetGalley and the publishers for giving me an advanced copy of Witchcraft for Wayward Girls by Grady Hendrix in exchange for an honest review.

This story hit many different emotions and feelings! Once I started reading, I could not put it down.
Grady Hendrix takes you on a journey back to the 1970’s. His rich imagery and storytelling transport you into the story and you feel like you are one of the young girls at the Wellwood house in Florida. The Wellwood house is a place where young girls who are pregnant and unwed are forced to go and are wait out their pregnancy in secret to not bring shame to their families. They are forced to give up their babies for adoption to waiting families as compensation for the room and board. The girls are given new names (a name of a flower) as to keep them anonymous. The girls are put on restrictive diets, forced to do chores, and basically have no say in any decision they want to make. One character in particular named “Fern” meets a Librarian witch who gives her a book on spells and along with three of the other girls in the house are introduced to the Occult where they find that this book gives them power and some freedom over their lives that they did not have until then. This new freedom and power unfortunately do come with a cost……
If you were a fan of his other works The Final Girl Support group, and A Southern Book Clubs Guide to Slaying Vampires, you will not be disappointed with this book. There were moments where I laughed out loud and moments where I felt sadness and anger. The horror aspect of the book was more of the daily lives of the girls and their treatment at the house and with their families, restrictions, and lack of decisions then with the supernatural aspect. The witches were not horror inducing and considering the title, I felt there was not a strong witch presence in the book. The witch librarian, Ms. Parcae did not come across as scary or threatening to me nor did I have to read this book with the lights on like I did with his other book “How to Sell a Haunted House”. Grady Hendrix did a great job on making the real world seem more horrific and terrifying than the witches. If books with very descriptive, graphic natural births make you squeamish or you are looking for a true supernatural witch horror book, this might not be the right fit for you.

Run, don't walk, to get this book! This is not your typical offering from Grady Hendrix, but it is a book that every woman should read, and every patriarchal misogynist should fear.
In 1971, Neva is 15 and pregnant. There were no sex-ed classes, no prenatal clinics, and no rights for unwed, underage girls. Instead, they were dirty secrets to be sent to live with an "aunt" for a few months and then return home as if nothing had happened. But in reality, their lives and souls have been broken and bruised, with no support or care offered. So when Neva is secreted off to Wellwood House, it is with the understanding that she can come back when the baby is born and given up for adoption. But in reality, she is given a fake name, forced to work to pay off her room and board, and attends mandatory clinic visits with the resident doctor to make sure the baby stays healthy and she doesn't gain too much weight. But when Neva, aka Fern, meets Rose, Holly, and Zinnia, she finds out that she can be more than an obedient incubator for the next 3 months - she can learn, she can grow, and she can FIGHT! With the help of a resident librarian and two local women with knowledge of root magic, Neva might just be able to survive her time at Wellwood House.