Just finished. I pretty much love everything about this book. It was suspenseful, it was emotional and it had witches and librarians!

This is a quick-moving story that had me hooked from the beginning right through to the end. It takes place in 1970, so it is an interesting cultural point where unmarried teens were often sent away to have their babies in secret and then put them up for adoption but new attitudes to sexual liberation and equality are springing up.

The depictions of medical practices that were in place at that time are not greatly exaggerated, unfortunately some of these practices are still common today.

Throughout the book, real-world horror competed with the supernatural and characters had to figure out which was the lesser of two evils.

This is folk-horror at its best.

I will definitely be buying for my library and recommending this one!

Witchcraft for Wayward Girls is not what I expected. I enjoyed reading it. It is not horror. It is historical fiction with witches. And the ending wasn’t as strong as the rest of the book.

First and foremost, this book is about trauma. Physical trauma, emotional trauma, psychic, and sexual trauma…and a society that expects young ladies to remain silent about it.

It is a book describing a society where men sleep soundly in their beds while the young women deal with the consequences of the actions that BOTH willing (or not) participated in, while leaving only ONE to carry the shame, guilt, and scorn.

What I wanted from Witchcraft for Wayward Girls was a book that empowered those young women to destroy that society, to rip those men from their beds and force some kind of reckoning upon them.

I do not feel like I got that book.

What I wanted from Witchcraft for Wayward Girls was a book full of the heart, humor, and horror that has made Grady Hendrix one of my favorite authors.

I do not feel like I got that book either.

What I got was a book that feels, well, heartless. And perhaps it is a reflection of the society in which it takes place and perhaps it is a reflection of the American society that we seem to be flirting with returning. How different is 2024 America from 1970 America? In some ways, not different enough.

I wanted retribution and empowerment. I wanted a coven of bad-ass women to rise up against a patriarchal society and make it tremble in fear. I wanted castration and male tears filling up bathtubs for these witches to bathe in. Instead, there was angst and snide remarks and back-stabbing and girls fighting girls and women fighting women and all the stereotypes of the “fairer sex” while the men enjoy their lives and their power and their privilege.

In other words, Witchcraft for Wayward Girls has left me unsatisfied.

Did I enjoy reading it? Of course, it’s Grady Hendrix. Are there some memorable scenes? Of course.

But it wasn’t…the book I wanted it to be. My fault, perhaps, for having my own vision in mind.

Please read and enjoy!

Neva is a fallen girl. Pregnant, 15, unmarried, her parents ship her off to Wellwood House in Florida- far away from her home, her family and friends. There, she is stripped of her identity, placed in a box with the other girls in the home. Girls just like her. Girls without a voice, girls without options or a say or agency. Their diets and lives are strictly regimented. Have your baby, give it away, return to your old life like nothing happened. That's the motto, that's the inevitable. But what if there was another way? When the local librarian gives Neva (now Fern) a book of magic, suddenly, the girls don't feel quite so hopeless. In it, there's a promise of power, of choice. How far are they willing to go to take back their lives? And what are they willing to sacrifice in order to gain that power?

With a glimpse into the "homes" that girls were sent to have their babies in secret. Through each girl, we get a different tragedy. All of these girls represent a different tragedy in the ways in which girls become pregnant. Left by the boy who they thought they would marry, thrown away to not get in the way of his success, sexual assault/rape, etc. None of these girls bear the full responsibility for their "condition", it does take two after all, and yet we're thrust back into a society where women did take all the responsibility, and blame, shame, etc. Hendrix doesn't shy away from it either. The girls represent different backgrounds, ages, races all put into the same helpless position based on the one thing they share-- pregnancy. As someone who has lived their entire life with Roe in place, this was a stark warning of how easily the world could shift back to this, and how in ways in different areas it already has.

When the girls get access to a magical book, and start to explore witchcraft, they are given an alternative way out. They don't have to be helpless, they don't have to accept the way things are. But that's just trading one prison for another.

I just finished "Witchcraft for Wayward Girls" by Grady Hendrix. I received an eARC through NetGalley.

Neva is a fallen girl. Pregnant, 15, unmarried, her parents ship her off to Wellwood House in Florida- far away from her home, her family and friends. There, she is stripped of her identity, placed in a box with the other girls in the home. Girls just like her. Girls without a voice, girls without options or a say or agency. Their diets and lives are strictly regimented. Have your baby, give it away, return to your old life like nothing happened. That's the motto, that's the inevitable. But what if there was another way? When the local librarian gives Neva (now Fern) a book of magic, suddenly, the girls don't feel quite so hopeless. In it, there's a promise of power, of choice. How far are they willing to go to take back their lives? And what are they willing to sacrifice in order to gain that power?

What a timely novel. Grady Hendrix explores a time right before the passing of Roe v. Wade with a glimpse into the "homes" that girls were sent to to have their babies in secret. Through each girl, we get a different tragedy. All of these girls represent a different tragedy in the ways in which girls become pregnant. Left by the boy who they thought they would marry, thrown away to not get in the way of his success, sexual assault/rape, etc. None of these girls bear the full responsibility for their "condition", it does take two after all, and yet we're thrust back into a society where women did take all the responsibility, and blame, shame, etc. Hendrix doesn't shy away from it either. The girls represent different backgrounds, ages, races all put into the same helpless position based on the one thing they share-- pregnancy. As someone who has lived their entire life with Roe in place, this was a stark warning of how easily the world could shift back to this, and how in ways in different areas it already has.

When the girls get access to a magical book, and start to explore witchcraft, they are given an alternative way out. They don't have to be helpless, they don't have to accept the way things are. But that's just trading one prison for another.

The real horror is how non of these choices leave the women's bodies as their own. Whether is oppression from the state, the witches, or the babies growing inside of them-- before Roe, there was never a choice for a woman's body to be her own. Excellent examination of this. Horrific in it's unflinching look at this issue. Maybe my favorite one of Grady's yet.

This was not at all what I expected, and I really enjoyed it! I've read all of Hendrix's books, and this one is very different from the rest. This was less about supernatural horror and more about the horrors of everyday life, especially as a young woman. There are some supernatural elements to the book, don't get me wrong, but the real horror of the book lies in these girls' trials while going through pregnancy and being forced to give up their babies. Although this is set in 1970, the challenges the girls face are not completely foreign in this day and age. Hendrix is one of the only male authors who I trust to write female characters - he must consult the women in his life heavily when writing his characters. Overall, not scary in the traditional sense, but plenty horrific.

It's incredibly difficult to believe, at times, that this book was written by a man. The (extremely) realistic depictions and descriptions of pregnancy, birth, and the treatment of young pregnant women (girls, really) were so believable that at times I literally thought "This woman gets it.... surely she's had several kids, maybe even prior to 1970".... and then I'd remember what I was actually reading, and whom it was written by. That's a lot of words to say that I appreciated how REAL everything felt. As far as this being a horror book, sure there were some creepy moments, and witches and all that, but the real horror lies within how the pregnant girls were treated, even by people who loved them and swore to "protect" them. Having no say in whether or not you get to keep your child- that's horror. Being fifteen, and going through pregnancy without your family- THAT'S horror. By extension, the real magic is found within each girl- their innate power and strength doesn't come from a book or a spell, but from deep within themselves.
This, like most of Grady Hendrix's books, was extremely hard to put down. I felt so much deep sympathy for Fern-for most of the "flowers", that I just HAD to know what was going to happen to the characters next. Hendrix definitely did his research for this novel, pulling from different religions, mythologies, and astrological texts. Even names had a deeper meaning (Decima, one of the Fates; Parcae, Diana, etc). It would probably serve me well to reread this at a later date to pick up on all the incredible details I might have missed the first time. That last sentence alone speaks volumes for this book, as I rarely, if ever, reread anything. I don't want to give too much more away, but I don't think I could recommend reading this enough. Although I have made a point to read most of Hendrix's books, as I do truly enjoy them, I have to say this is by far my favorite. A must read, for sure.

This is, without a doubt, Hendrix's best work. I am sobbing like a baby as I write this. Absolutely incredible and easily making the short list for my favorite book this year. Hendrix takes everything we love about gory, dark and scary horror and makes it MEAN SOMETHING. My copy is riddled with highlights, some of the strongest sentences and thoughts put to paper in a horror novel. I am SO excited for people to read this.

A home for young women pregnant out of wedlock also dabbles in witchcraft in 1970s Florida.

This is my plea to all authors everywhere: please stop writing 500 page books simply because you can write 500 page books. The overarching storyline: abandoned teen mothers find friendship and support in one another and strength and a voice via witchcraft-was beaten into my skull so many times I started to feel whiplash. This book could have told the story it told in 250 to 300 pages and been far more effective. Also, this novel did not read like Grady Hendrix to me. I felt like I was reading another literary fantasy novel by Kelly Barnhill and had to keep checking the title page to make sure...Going into this I wanted creepy and entertaining and ended up with heartfelt and dull. Definitely a disappointment.

My 99th book this year, and a new favorite.
TLDR; <i>Yellowjackets</i> meets <i>Girl, Interrupted</i>.
I'm not generally a fan of horror, so Hendrix hasn't been top of my list, but this book is pitch perfect, from start to finish. First, Hendrix transports you to 1969, St. Augustine, FL, his descriptions so rich you can feel your thighs sticking to the beige pleather seat of Neva's father as she's driven from Alabama to Ms. Wellwood's Home for Wayward Girls. Then, the characters come alive off the page; a garden of girls given new, floral-inspired names to protect their futures. The language Hendrix uses and how he constructs the novel is a perfect balance of atmospheric and pacy, literary and accessible, character-based interiority and plot-based action. It's so fully grounded in reality that the witchy elements never feel supernatural or schlocky. It is a testament to the writer's skill that never once did I, a female reader, feel a sense of inauthenticity or male gaze as he spins his almost entirely female cast of characters. The only time I ever hesitated was to question how the hell he knew so many intricate details about the female experience of pregnancy and childbirth.
Why this book worked so well for me is that the horror comes not from some mythical bogeyman or heinous killer, but from the real life horror that is the inequality and oppression of women, a patriarchal society which polices the female body, forcing women and girls to have babies when and how and under whatever circumstances they see fit. It comes from the sexual violence many girls have endured on their journey to giving birth, the social isolation and judgement they experience, and the inherent brutality of pregnancy and delivering babies, as well as the emotional toll of having your baby wrested from your body and your possession, given to someone else. There are a few moments of betrayal and physical violence that occur as a result of the witchcraft, but the supernatural pales in comparison to the real (and metaphorical) experiences these girls have to undergo.
If you're looking for traditional horror, for blood, gore, and violence, this may not be your speed. But <b>if you're a fan of elevated psychological horror, this is a *must read*</b>.

Anytime an author writes about a sad and heartbreaking tale of the sordid history of our country it is so hard to believe we could have treated our youth so horrifically. The way the author used a desperate attempt of magic to beat the system was a great twist but also showed what lengths people will go to have control of their own body and destiny. 5 stars. Keep them coming Grady Hendrix!!! Love your unique style!!

Phenomenal book. I think this may finally be the book that unites The Final Girls Support Group fans and the Hendrix's other fans. The characters were well-constructed and the story evenly paced. There were tense and emotional moments and I can't wait to recommend this to everyone.

I loved this book.

Set in a home for teenage unwed mothers, the characters are very well rounded. I thought the plot of the Home was just as compelling as the plot with the witches. I had hard time putting down this book, because I wanted to constantly find out what would happen next.

There were a few truly creepy scenes. I might look twice before I walk through the woods again.

Grady Hendrix has been a long time favorite of mine and while I have already pre ordered a signed copy I was ecstatic to have the opportunity to read it early. He has done it again in creating a perfect balance of creepy and un-put-down-able fiction. I ate it up and really hope we get more from this author for years to come. Thank you so much for the opportunity to read and review it!

I really enjoyed this book! It was definitely a little weird and more an acquired taste but also pretty gripping! I could not put it down - the characters were so interesting and the way the story was woven made you really think. I will be adding this to our library and recommending 100%!

I have loved every book written so far by Grady Hendrix. I love how perfectly he captures his southern settings (no shocker, considering he grew up here) and I’m consistently impressed by how well he writes women. His protagonists are usually southern women, and none of the creepy, leering, obsessed-with-her-looks kind of characterization here. Did he grow up with five sisters or something? Because he is SPOT ON, every time. These characters feel like women I know, women I grew up with.

This is even more impressive in Witchcraft for Wayward Girls. It’s 1970, and teenage girls who’re unwed and pregnant are sent by their ashamed families to group homes far away, to bear their children in secret before coming home to pretend nothing ever happened. (Thanks, complete lack of sex education!) Fern is one such unlucky girl, but she finds far more that summer at Wellwood House than she expected. She comes into possession of a book of witchcraft, and in a place where every hour of their day is tightly controlled, where every bite of food is strictly watched, the girls jump at the chance to claw back some semblance of control. But power is never free.

This is a different kind of horror than we usually get from Hendrix. It’s dark and occult, but I feel like the horror is more psychological and emotional. (Although there’s an element of physical terror that goes along with pregnancy, especially for an unprepared teenager, and how did a man capture that fear so well?!) This book is about betrayal, power, isolation, loss and grief, love, and found family. It was powerful, the ending was so perfect, and it’s a fantastic witchy horror just in time for the spooky season.

Thank you NetGalley and Berkley Publishing Group for an advanced copy in exchange for my honest review!

What a perfect balance of feminist horror and grounded realism. I loved the character arcs and had visceral, emotional reactions to their plights and dreams.

I went into this book not knowing anything about it. I was surprised, pleasantly. 1970s home for pregnant young girls who dabble in witchcraft? Yes please! It seemed to be a little more serious that Hendrix's previous books, but maybe that was just my impression.

5 stars

Another banger for Hendrix! This one is a bit different from what we’re used to, a bit darker, but oh so delicious. I blew through this and cannot wait to have this title on my shelf proudly displayed with the rest.

I tore through this ARC in three days and I'm already planning to buy copies for my work and my personal collection when it's published. Grady Hendrix brings another tight, powerful story about finding freedom, and another group of girls who felt as real to me as my own friends.