Fiona Fenn’s debut novel, "The Crack at the Heart of Everything," immediately captivates with its multifaceted narrative and richly imagined world. From the moment the nickname ‘Fifi’ is introduced, readers are drawn into a story that deftly intertwines fantasy adventure with profound character development and tender romance.


In a genre often dominated by expansive series, Fenn achieves the remarkable by delivering a standalone fantasy novel that brims with intricate world-building, a compelling historical backdrop, and a cast of well-rounded characters. The story is a quintessential fantasy adventure, complete with magic, quests, and the classic dichotomy of heroes and villains. Yet, Fenn turns the trope on its head by telling the story from the perspective of Orpheus, a dark mage whose magic once secured an empire.

The use of ‘interludes’ to provide glimpses into Orpheus’ past enriches the narrative, allowing readers to understand the complex motivations and manipulations that have shaped him. As Orpheus embarks on a journey of redemption after his exile, the novel delves into themes of self-discovery and the impact of one's actions on the world.

The dynamic between Orpheus and his cheery, albeit begrudged, companion Fenrir, is a highlight of the novel. Their evolving relationship, from reluctant allies to deep emotional partners, provides some of the most touching and often humorous moments in the story. Fenn’s ability to slowly peel away Orpheus’ grumpy exterior reveals a character of surprising vulnerability and tenderness, creating a cosy yet adventurous atmosphere.

The romance between Orpheus and Fenrir is a slow burn, filled with angst, pining, and ultimately, deep care. Their interactions are a beautiful study in contrasts—the grumpy mage and the sunny soldier—and Fenn skillfully balances their developing relationship with the overarching fantasy plot. The novel’s focus on enthusiastic consent and emotional vulnerability is refreshing, and the romance feels both organic and deeply satisfying.

Orpheus’ journey is not just one of external adventure but also of internal healing. The flashbacks to his manipulation and trauma evoke deep empathy, and his struggle to trust and open up to Fenrir is poignantly portrayed. The moments of self-harm as a trauma response are written with a raw honesty that is both painful and validating, making Orpheus’ eventual healing and acceptance all the more powerful.

While the novel excels in many areas, the epilogue might leave some readers wanting more. The ending, though heartfelt, could have provided a deeper glimpse into the future of Orpheus and Fenrir’s relationship. Additionally, Orpheus’ occasional juvenile behavior may seem at odds with his otherwise complex character, but it does serve to highlight his growth and the impact of his past traumas.

"The Crack at the Heart of Everything" is a stunning debut that combines the best elements of fantasy adventure with a heartfelt and beautifully crafted romance. Fenn’s ability to weave a narrative that is both epic in scope and intimate in its character study is commendable. This novel is a must-read for fans of queer fantasy, grumpy-sunshine dynamics, and stories of redemption and love.

“He refused to look at Fenrir again. Refused to confront his stupid blush and his stupider grin and all those stupid muscles.”

This book. This book! Ah my poor heart is in pieces over Orpheus, Fenrir and their beautiful, tender, silly, sassy, WONDERFUL romance.

Orpheus (Fifi), our villain and MMC, is a broken man who is cast out of the only home he’s ever known by the only friend he’s ever had. Followed by Fenrir for reasons unbeknownst to Orpheus (that become gently clearer as time goes on), Fifi is faced with the cruel reality of what he has unleashed on the world and is startled to find that it doesn’t sit well with him. Hot on the heels of wanting to help heal the earth, he realizes that he might literally be the only person who can. But can he put aside his own selfish desire - the simple, peaceful love of a good man - for the greater good?

This book was a joy to read - Fenn is able to weave an emotionally complex story into something that slips effortlessly off the page. The way they have written Orpheus’ inner monologue is incredibly nuanced and so descriptive that I didn’t realise until far into the story that there are actually very few characters and very little dialogue.

While I would have liked a little bit more explicit world building (and perhaps a map) at the beginning of the story, I absolutely devoured this book as I cheered (and teared up) over the heart of this story - a man’s quiet support & adoration for one who deems himself too broken to be loved.

Thank you to NetGalley, Tiny Fox Press & Fiona Fenn for the opportunity to read this book and offer an early review.

i received an e-ARC in exchange for a review

holy. shit. i am absolutely in love with this entire book. fenrir and orpheus, the use of greek myths, the story itself and how everything connected. i have so many good things to say about this book, i don’t know where to start.
i really loved fenrir and orpheus’ story. the ebb and flow of it. kept me interested and curious how they’d end up the whole time, not having them get together too early but still giving plenty of romantically tense scenes!!! so well done and hard to do.
i’m quite sleepy, to be completely honest, but i truly adored this book. everything connecting and making sense the way it did, so well done and so well construed. everything made sense, each character was well introduced. i honestly just loved how most of the book was just fenrir and orpheus. them together, their dynamic and chemistry, with little else. i hope that doesn’t sound sarcastic because it isn’t, it’s rare to find a book like that and i LOVED it. the journey orpheus goes through, of him accepting himself. i adore this book so much

Like always, I want to start my review with the positives: the main character and the arc said main character goes through over the course of THE CRACK AT THE HEART OF EVERYTHING (henceforth referred to as TCATHOE) is truly near and dear to my heart, and has earned the book a good two-point-five stars all on its own. Unfortunately, the rest of it—worldbuilding, love interest, general plot, antagonist—only earns itself another point five.

I didn’t expect to like the main character, Orpheus, as much as I did, partly because he didn’t seem like a well fleshed-out character for the first third of the book, but by the halfway point I felt I’d gotten to know him enough to understand that that was the point—his whole journey begins with the fact that he’s never been allowed to be more than a cardboard cutout of a person, the stereotypical “dark wizard” holed up in their tower, and so, initially, he reads as exactly that. But as the story progresses, so does the complexity of his character, and I found him being written in this way quite genius and very fun to read! He is a very different character by the end of the book than he was at the beginning, in the best and most well-done sense possible, and his arc being his realizing he wants to be more than just useful, he wants to live was just very satisfying, heartfelt, and well-written.

However, I find the rest of TCATHOE to be fairly poorly-executed compared to that main character’s story, and as it is meant to be a romance, that means that not everything can be ignored. The world-building could be a bit better—I think that some of the exposition we get in the final third-or-so of the book could’ve been included in the first third instead to provide readers with a bit more context of what Orpheus is already aware of versus what we’re finding out along with him—and the limits of the magic system I find to be fairly vaguely defined. The plot itself is fairly simplistic—find a cure to a mysterious death curse—which isn’t a bad thing! But the “death curse” itself I had a lot of initial questions about that I think could’ve been answered by just a smidgen more worldbuilding before the discovery of said death curse so that its reveal actually holds weight for the reader, rather than TCATHOE just telling us that it’s a bad thing. As much as I hate saying it, because there are instances when you should tell rather than show, in TCATHOE’s case I do think it would have benefited immensely from some more showing instead of telling. Outside of Orpheus and his internal character arc, I felt like I wasn’t actually getting to form any of my own opinions or come to any of my own conclusions about people or events; I was just being told who they were, what that meant, and how I should feel about it.

However, the antagonist was one of TCATHOE’s redeeming qualities; I really liked Lore’s character, and I wish we got more of her. Not necessarily as an active character in the story—I think her level of involvement was pretty much perfect, honestly—but in that sort of “haunting the narrative” sense. This was still fairly well done through the flashbacks and how often Orpheus thinks of her, so I suppose this critique could be considered more personal preference than genuine criticism, but what else are reviews for? And on that topic, here’s a potentially unpopular opinion: I think TCATHOE would have benefitted from not being a romance.

I think it would’ve been much more impactful as a story focusing on Orpheus and Lore’s relationship—which it already is in many ways—rather than trying to do both that and Orpheus’s romance. This belief is mainly rooted in the fact that I just really, really believe that Fenrir’s character was written incredibly poorly, and adds nothing to TCATHOE. While Orpheus reading as two-dimensional seems to be an intentional choice—one that I love, and one that doesn’t persist as Orpheus develops as a character—Fenrir is absolutely just a cardboard cutout of “hunk of a man.” He has no personality outside of inexplicably (sorry, but inexplicably) having been pining for Orpheus for several years (me, forgetting exactly how many years it’s been since they met … so sorry) without having made any advances beyond shooting crossbow bolts at his head and calling him by an awful nickname. His presence in the story could’ve allowed it to delve deeper into the horrors of Lore’s war and the atrocities committed in her name, many of which committed by Fenrir himself, and have had his own arc be his grappling with this—all things that are hinted at or implied in TCATHOE but, as Orpheus had little to no knowledge of them, aren’t as pertinent to his arc. And there are brief moments of all this being done throughout TCATHOE, but not enough to even justify Fenrir’s existence as part of the main plot. Nothing explored through him goes beyond the surface enough that it couldn’t have just been explored through Orpheus (and then that lack of depth would’ve made a lot more sense!). Orpheus’s aforementioned arc—of wanting to live for himself rather than anyone else—would’ve been that much more impactful without Fenrir’s presence in the story. If he’d truly been “alone” leaving the castle at the beginning of TCATHOE and then gone through this arc of discovering himself along with the reality of the world outside the castle and its people—now Lore’s people, with every implication—any criticism I may have had would’ve been very minor.

All in all, I did genuinely enjoy reading this book and I loved its main character, but I really believe it would’ve been a much more cohesive, impactful book either without the romance aspect entirely, or with the romance actually being between two three-dimensional characters rather than Orpheus and a cardboard cutout of a man. That being said, I would still recommend it.

This was everything to me. Sorry for not being eloquent and articulate but my gay little heart is just experience so much joy. This book means the world to me and receiving this arc was such a moment. thank you Fiona for writing this masterpiece.

Wow, where do I even start? Orpheus is like my favorite main character of the year and Fenrir..Fenrir… when is it my turn???? When is my Fenrir going to appear. God everything about that man is perfect and I’m not settling for anything less after reading this book. The slow burn between these two was perfect, Orpheus having to come to terms with his feelings was perfect and also somehow super funny, but also so angsty and it made me want to HUG him so bad. Speaking of angst, thank you for taking years off my life span with the climax of this book. You will pay for that. But seriously, you had me stressed out in the best way. I’d give your brain a kiss if I could. What an evil little mind you have.

It was cinematic it was something I could visualize, all of the settings and adventure in this book felt like I was reading on the big screen. What an insanely well crafted fantasy world, had such a sense of both gloom but also grandeur. Also the tie in with the title and what it was actually alluding to blew my mind. Just everything was so well thought out I can’t get over it. The magic system, the world building, the background lore introduced with the interludes…I’m obsessed truly.

Also, Red was such a standout character for me. I’m so glad for her existence, I worship the ground she walks on. She was the highlight of the book for me other than the relationship between Orpheus and Fenrir. I don’t know how I feel about Lore, and I think that in itself is a success. What a complex character, I applaud you for it. This story had great characters and heavy stakes without making me too overwhelmed. It hit that sweet spot of inescapable dread but not in a way that felt suffocating, but it also had its funny and light hearted moments that brought a pick me up that was necessary.

Also Achates the lovely amazing companion that you are, I won’t say too much because I do not want to spoil but thank you for everything you brought to the story. Never did I think an animal sidekick would bring me such joy. Also that silly little dragon, thank you as well. There would be a profound loss if you weren’t part of this tale. Once thought of as an enemy…I now consider you my friend.

Overall, this was a 5 star read for me. Dare I even say this was my favorite read of the year so far? It’s gonna be really hard for another book to clear that bar, but it’s in my top 3 at least. I had a blast reading this, I also had a few cries. I had moments where my jaw was on the floor and I had moments where I blushed and cheered for Orpheus. Thank you for the rollercoaster that was this story, and you have definitely cemented yourself as an author I’ll be following the progress of.

Thank you Netgalley and Tiny Fox Press for this arc copy. It was truly my honor to get to read this amazing story.

I have mixed feelings about this. the MC is supposed to be a villain but he really isn't and his "redemption arc" was poorly done. The characters felt surface level and the world building was really confusing. I was like 40% in when i realized this was dystopian and not fantasy.

I think this is probably the first thing I read in a long time that has some steampunk vibes to it and, I got to say, it was a pleasant surprise.

This book... How would I put it? It´s not what I thought it would be. But not in a bad way, I actually found myself enjoying it quite a bit, starting with the two main characters, Orpheus and Fenrir: Their dynamic, specially at the beginning, felt very funny and YA. It´s the classic troupe of a protagonist who hates the other for some random reason, while the other character is actually a nice person and actually has a crush on him (we say yes to missunderstandments here).
The story begins with Orpheus being cursed by his own hand (apparently) and having been thrown out of palace by his best friend Lore (I pause here to say that I loved the flashbacks with Lore; I think it were all perfect to understand her character, since she didn´t appear that much in the present overall). Fenrir goes with him... for some unknown reason (though it´s pretty obvious it is for protection).
Anyway, I won´t say how the curse thing was solved, but I was satisfied. This book has its own found family (or found place, more like), some epic fights with dragons and a cozy plot where the protagonists need to close a crack in Hell so no one else dies.
I recommend if you like reading fantasy / sci fi and like the dinamic of idiots to lovers. Cause that´s what we really got here, not really enemies.

4 ⭐️
Loovved!! I loved the world built in this book and the journey we was taken on! The mc is likeable and the love interest is just as great. I love that lgbt+ relationships are being incorporated more into books and this one was well done!!

#NetGalley

Thank you to NetGalley and Tiny Fox Press for this ARC in exchange for an honest review.

The Crack at the Heart of Everything is a book that bounced around in my brain for a while as I tried to decided how to rate it, and ultimately I landed at about the 3 star mark.

Overall, I did enjoy this book. It was a fun read, but it also had a lot of emotional depth to it. If you are looking for a misunderstood villain in a LGBTQ+ romance with adventure, action, some hell-beasts - you found it, I would recommend it.

Orpheus has accidentally cursed himself when he raised an army of hell-beasts, endangering those in the palace. Orpheus finds himself banished to a life outside of palace walls. His rival - the palace's general, follows him into his banishment, and steps between him and certain doom constantly. Orpheus begins to warm to the general and his persistent need to help, all while he struggles with understanding the world and making better choices.

When I picked up this review, I was promised a villain on a journey of redemption and love. However, Orpheus is not truly the villain he is made out to be in the marketing. Is he the best person? No. Is he a villain? No, he is far from it. He is a man who made some bad decisions that haunted his life, and was then labeled a villain in other people eyes because of it. Orpheus, in all honesty, was just a naive boy making choices without understanding the butterfly effect. If that makes him a villain, than so be it.

The writing itself was good. I felt that it had the correct amount of banter, and a bit of humor that made it enjoyable to read. I like a book that can give me a good giggle, and this one did.

There was an extreme depth to all of the emotions that occurred in this book, making me sad when needed, making me feel for the character at exactly the right moments. However, what did not work for me, was that I never felt like I understood the love interest as a character. I couldn't understand his motivations. When his motivations became clear, I still felt like I had needed more to fall in love with his character, as charismatic as he was. I wanted to care for him, and I didn't.

The world was also set in a very dystopian, post apocalyptic version of our own - something I wish I had known before picking the book up. It raised a lot of questions for me, and that could have been solved with just a slight bit more world building.

As a debut novel goes, this is a good one.

4.5/5 stars
After a bit of a slow start, this novel grabbed me at about 10% in after some world building, character introduction, and story setting. Orpheus is a mage with a dark history that is alluded to thru the flashback interludes and Fenrir seems to be the sunniest hero. There is a lot of tension between the main characters (there is a nickname) and some friendships earned along the way. I have a soft spot for animal companions, especially when you get to know them along the way.

The Crack at the Heart of Everything is a futuristic fantasy with a journey that begins with Orpheus’s banishment, has some monsters including a dragon, and builds upon the meaning of heroes and self-sacrifice.

I was given a copy by the publisher via NetGalley (thank you!) and all opinions are my own.

Have you ever found yourself feeling empathy for the villian of a story? Did you ever wonder what their backstory is? If they were given the opportunity to do things differently, would they redeem themselves? Fiona Fenn explores these questions in this book, with heartfelt compassion and love.

Written in Orpheus's POV, this book is a solid character driven story. You as a reader, are bringing the pieces together alongside Orpheus in understanding the timeline and setting of the story. This is a book you do have to buckle-up and stick-to-it if you're confused about things at first, the author does write with intention and a plan. Things do fall in place as you continue to read, be patient!

I felt like Orpheus himself is a wonderfully crafted character. His backstory, his journey through the book, is done very well. I found myself growing in empathy for this character, and was rooting for him as the story progressed. There were moments I found myself misty-eyed when I was reading. The romance in this book is a slow burn, rivals-to-lovers situation. And it complements Orpheus growth as a character.

The Crack at the Heart of Everything is a wonderful story unlike anything I've read before. I haven't been able to stop thinking about it since reading it and I highly recommend it!

It's a great debut novel with likable characters, significant worldbuilding, nice pairing and an interesting plot.

I really like the worldbuilding in this book and especially love that the side characters are not just npcs but actually have their own "soul" in the story making them interesting (though I would've like to get to know them better). The romance between Orpheus and Fenrir was really heart warming and I really enjoyed how it was shown in the story. That being said, I guess I just wanted it where Orpheus is shown as more of a monster and how terrible of a villain he was which would've made more of an impact in his redemption and I think having that contrast of bad and good would have given it more depth to the story. Overall, it was a great quick read and would definitely recommend.

I thought this was a fun read!

I thought it blended fantasy and sci-fi really well. It was an exciting adventure full of banter, drama and a cute little slow-burn romance.

Orpheus is quite a captivating main character and I have to say I kind of loved him from very early on. At his very heart, he's just an awkward nerd and that makes him very endearing. His love interest, though... Please Fenrir is so lovable from his very first introduction onwards. He's the sort of cheeky, strong and handsome hero that's fairly typical within the Fantasy and Sci-fi genres, however he's so well written that he had my heart immediately.

Even though I loved the plot as whole, the world building was a lot as first and it took me a while to get into it. I'm so glad I pushed through the set-up, though because the adventure that followed was well worth it!

I loved Orpheus's journey. So sheltered and traumatized, he doesn't even realize that he doesn't know anything and it's rather beautiful to watch him explore not only the world but himself as well. I only wish we had a bit more of a look into Fenrir's story as the romance aspect hinges quite a bit on his feelings and I wish I understood them better. But the overall world-building is fantastic and the parallel unfolding of Orpheus's history and the current predicament is wonderfully crafted. I found myself deeply invested in both aspects. This was an incredibly creative world and premise that I don't want to say too much about since there is so much in the discovery, but I loved what it ultimately has to say about humans and our societies.

"You said, once, that empires aren’t built without bloodshed, and you weren’t wrong. But the people I was fighting... they were trying to escape this. They didn’t want our land or our food or our grid, they were running for their lives, and if we hadn’t been so scared of protecting what we had, we might have seen that. It’s something I’ve thought about every day since."

(This was a review of a free advanced review copy. Thanks to Tiny Fox Press, Fiona Fenn, and NetGalley for that privilege!)

This is both a debut novel and a stand-alone, and it’s a pleasant romp about a chosen one, a queen, a knight and a dragon. There’s a slow romance with a bit of banter, but the focus is on Orpheus as he slowly realizes that the person he gave so much of his life to … never wanted him. That she was using him, and through him caused so much harm. Now he has a chance, with Fenrir, to both do something about the devastation around him as well as to become a different person.

Where Lore wanted obedience and used shame and guilt to keep Orpheus pliant, Fenrir uses food and adventure. Rather than keeping Orpheus to himself, Fenrir introduces him to other people and new experiences, encourages him to be more self-sufficient. Fenrir is there when Orpheus needs him, but he’s not interested in limiting him.

Orpheus is the only point of view in the book and he’s not exactly the best at reading a room. The relationship is mostly Fenrir trying both to court Orpheus and at the same time not pressure him into anything, with Orpheus eventually realizing … hey, are you flirting with me? Am I, am I flirting back? It’s cute.

The pacing suffers, though. By the time Orpheus and Fenrir move on to the plot, there’s less than a third of the book left and they end up racing to the end, and while things do happen, they don’t feel as if they have any real weight or are all that much of a hindrance to the characters.

Still, this was fun. Thank you to Net Galley and the publisher for granting me an ARC!

I love everything sci-fi and lgbtq+, so I ate this book up. I loved Orpheus and Fenrir’s relationship, though it was slightly insta-lovey. I thought Orpheus was going to be more villainous than his character was written, but I’m pleasantly surprised with how everything turned out. This book was the perfect length. I love a good standalone fantasy, where you don’t have to invest in 5-6 books to understand the story. This book is a solid 4 stars for me. I would absolutely read another book by this author.

Oh I did not expect this book to blow me away like it did.

The novel starts and the end of the story: the battle is won, the army is returning victorious, and peace will settle across the land - right? Usually, I'm not a fan of books that start a the typical "end" of the story, because it tends to lead to excessive info dumping, and expose that pulls you right out of the flow. But Fiona Fenn introduces us to this hell-soaked post-apoclyptic world through the narrative of Orpheus, a "dark wizard" who we gradually realise is learning about the reality of the world he lives in along side us as readers.

I <i> loved </i> Orpheus. His relentless love for Lore (and eventually everyone who even shows him a drop of kindness), his spiky exterior, his zippy dialogue. Orpheus and Fenrir had so much chemistry - I can't believe Fiona Fenn has dropped us into the story so late in the development of their rival/enemy dynamic and <i> immediately </i> we can grasp that there is so more to it than Orpheus (poor naive Orpheus) realises. We can feel the years of built up tension, even though we weren't there for it, the reluctance on Orpheus' side, the quiet yearning on Fenrir's. It's tense, snarky, sweet and it ultimately they both made my heart hurt (in a good way...most of the time).

When the backstory does come it always feels natural, and not pushed upon us like "FYI you need to know this now". The interludes made me want to cry for Orpheus and wrap him up in cotton wool.

The world building was established just like the relationships, slowly, as Orpheus began to unpick pieces of the planet's history. The hell-demons were GREAT. They weren't overly described but gave me enough details to get my imagination running wild. And the imagery of a literal CRACK in the earth? Fantastic.

And PRAISE BE this book was not too long! Everything felt necessary, considered, and served the story as it needed to - this could have been spun into a 3 book epic, but I'm much more impressed with the concise and effective story telling. I'm so wowed that this is a debut!

Thank you to NetGalley and Tiny Fox Press for the electronic ARC - I will be keeping an eager eye out for what Fiona Fenn writes next!

Thank you to Netgalley for this ARC in exchange for an honest review.

The Crack at the Heart of Everything is a sweet standalone fantasy with a twist that recontestualizes everything we thought we knew about the story. We follow the main character Orpheus as he attempts to navigate a curse and come to terms with his evil deeds done in service of his queen, while contending with his newfound feelings for his cheerful companion and seeing the world outside for the first time.

It's a story about isolation, betrayal, and the love we can still find, no matter our circumstances. Orpheus is a compelling character, a man who only wants to do what's right, a traumatized person with self-harm tendencies. He cries often, but his tears aren't seen as a weakness, and his search for comfort is a strength. His companion slowly chips at the wall Orpheus has had to build, with his steadfulness and his great heart. This is not a romantasy, but the sweet romance grows organically, alongside with the main plot.

The worldbuilding is intriguing, snippets of the past revealing themselves slowly until the reader pieces together the truth. Some parts are still nebulous - one wonders at a few things - but the story still works. Despite the urgency and the trauma, there's also a strong cozy vibe.

The Crack at the Heart of Everything is a delightful debut.

I receive this book as an ARC

A solid 4-star. I like it and find it compelling and refreshing in both the plot and the setting.
"The Crack at the Heart of Everything" is a simple story, almost quite cosy (if you ignore the apocalypse and the literal hell on earth), with a heavy emphasis on character development and their inner struggle. Or, well, our dear protagonist Orpheus’ inner struggle.
The story is presented as being the redemption arc of a villainous wizard, but that is what Orpheus thinks is happening while in reality, the story is about a traumatized man who made poor choices in his life and his growth now that is no longer in that abusive situation.

Now, I guess, one can find Oprheus a little whiny, but a man having a 200 pages mental breakdown while he’s re-evaluating all his life choices and realizing the multiple ways life traumatized him and how he had tried to not think about them (all of this while being touch-starved) is tailormade for me so I can’t be objective about it.
Fenrir’s characterization doesn’t always work for me (for example is very good at reading Fifi and at communicating but somehow he never noticed that Orpheus was convinced that he sincerely hated him? ) but he’s a big giant sunshine loyal and heroic man so, everything is forgiven.
In general, I found the entire cast well done and on the emotional side of the story, I have very little to complain.

The plot is, in a couple of situations, a little deus-ex-machina solved or with coincidences a little too coincident, but it works and does its job. There are some clever points and some well-done foreshadowings, so while it’s an emotional and character-driven story, it’s not a slow one.
The theme of redemption and the romance would have probably enjoyed some extra scenes in the pre-exile section, but for a standalone book, and one that, for once, isn’t 500 pages, I would say the pacing is ok.

Also, whoever is calling this Insta-love hasn’t read some really famous romantasy, those are insta-love. This is a romance about one of them thinking they’re in an enemies-to-enemies situation bc they don’t have a healthy relationship to compare or any knowledge about people, while the other is already thinking about naming their children yesterday.

Now let us talk about my favourite part: THE SETTING.
Without spoilers, the setting is so interesting and refreshing, and the book is quite good at not showing all its cards right away. You start to pick the weirdness at the start but only after some time, you get the full picture. My only is that the ending of the book makes it very difficult to have more of the setting and I WANTED MORE (XD)

So yeah, I liked it and if you’re in for some hurt/comfort, you’ll be into “The Crack at the Heart of Everything" too.