Gokurakugai, Vol. 3 takes readers deep into the labyrinthine streets of Alma and Tao’s chaotic world, where justice is not just a profession but a calling with complex moral stakes. Yuto Sano masterfully weaves action and emotional depth, particularly through Alma’s unlikely friendship with Kanata—a relationship that feels both tender and tragic. As Alma learns of Kanata’s secret as a maga, we see his struggle between his bond with her and his role as a protector of humanity. This emotional tug-of-war adds a fresh dimension to his character, exploring how even hardened troubleshooters are not immune to the weight of empathy.

Sano’s artwork is a standout, especially in its stark contrasts between the desolate, shadowed streets and the explosive, brutal action sequences. Every panel is alive with tension, whether it’s the fierce, visceral fights or Alma’s desperate race to find Kanata. The horror elements are exceptionally well done, depicting the maga in all their terrifying glory, reminding us that the monsters in Gokurakugai are not just physical—they also embody the lingering trauma and the difficult choices Alma and Tao must face.

The series shines in how it balances high-stakes battles with genuine emotional stakes, pushing readers to question what it means to truly be a "monster." Gokurakugai, Vol. 3 is an unforgettable entry in the series, perfectly blending dark fantasy with pulse-pounding action and a story that lingers long after the final page.

I liked this volume even though it got a lot darker than I was anticipating. The introduction of Ryu and some training was perfect timing to give Alma more character depth, and I really liked seeing even more interactions within the team. I'm still confused about the world/monsters, but I assume more information will be given in time. There were a lot of elements that seemed familiar/inspired by other popular shonen, but the art was consistently good and I think there's been a lot of improvement since volume 1.

After reading vol. 2 of Gokurakugai I was concerned about where exactly the story was going. Apparently Sano's editors also had the same concern because my interest definitely bounced back with volume 3. They've moved away from the monster-of-the-week pacing of volume 1 and in volume 3 we're getting the big picture for where the story can go. The first half of the book actually starts with a bit of a downer for Alma, but we are rewarded with character development. "You can't grow unless you're self-aware," indeed. I am very much looking forward to volume 4.