I decided to experience The Chronicles of DOOM in both e-book and audiobook formats, and I’m glad I did. Leon Nixon’s narration does a fantastic job capturing the author’s passion, criticism, and appreciation for MF DOOM, adding an extra layer to the experience. Nixon’s tone reflects the admiration and complexity that DOOM’s fans have come to cherish.

As most DOOM fans know, he was a highly private individual, so I appreciated the insights we received, though some aspects, particularly around his death, felt a bit intrusive. This book is ultimately a tribute to DOOM’s impact—not just in music during his time, but in shaping today’s hip-hop through his creativity and unique presence. It also emphasizes the importance he placed on privacy and his artistic process, with detailed analyses of his production choices and lyrics.

One of the highlights for me was the exploration of DOOM’s connections with other artists, illustrating the crossover between hip-hop and other art forms. It was fascinating to see various interviews, though there were moments where the author’s perspective felt a bit ambiguous. Even so, these recollections from those who worked with DOOM directly provide a deeper look into the kind of artist he was.

A key takeaway from this book is the importance of growth for a musician to have a lasting influence. DOOM took on many personas, continuously pushing his listeners and challenging the boundaries of what hip-hop could look like. The author, though clearly a fan, doesn’t shy away from critiquing DOOM, providing an account of the enigmatic villain he portrayed and the underrated hero he became.

If you’re an MF DOOM fan, this book is a must-read. But even if you’re just a fan of hip-hop or music in general, there’s a wealth of information here that can deepen your appreciation for an artist who defied convention and left an indelible mark on the genre.

Huge thanks to RBMedia and Netgalley for this audio galley.

MF DOOM is easily one of my favorite rappers, and most likely your favorite rapper’s rapper. This book looks at DOOMs life, from where he grew up, to his impact in in Long Beach/NY, his rise to fame and then his attempt to grow using Hanna Barbera/Adult Swim snippets, and in turn using his songs to advertise on AS. DOOM was one of the best wordsmiths, his poetry so catchy, fun, creative.

This book was extremely well written and detailed in the right way. I highly recommend this for any MF DOOM fan, or anyone who wants to learn about an amazing artist that they should then go listen to and be in awe of his excellence.

JUST REMEMBER ALL CAPS WHEN YA SPELL THE MAN NAME

Born in '95, I wasn't sure how relevant this would be for my age. From a neighborhood in Indiana that was almost exclusively rich white people, when we moved not far from Lansing, MI I'd certainly entered a different atmosphere - one I actually enjoyed <i>more</i>. My introduction to rap came in 5th grade, and I've been the weird white girl blasting Wale, Juicy J and Young Thug at stoplights ever since. So imagine my surprise at the mention of LL Cool J or Jay-Z, both of whom I've seen live. Then to find out that, little did I know, I've been hearing the artists I love sample DOOM's music this whole time. Gorillaz, Busta Rhymes, Joey Bada$$, Logic, DigDug, Ghostface Killah, Cassius Cain, and Asher Roth (what the heck?) are just a handful of the names you'll come across. DOOM's unmatched talent and creativity still pervades the rap we have now, whether you've recognized it or not.

The word "Chronicles" in the title, is not an exaggeration. This is a very long, expansive biography. Wonderful if you're interested enough, hard to get through if you're not. There were spans of a few minutes here and there that I found myself zoning out as the information didn't seem important enough. Eventually it hit me that that's kinda what you're signing up for with a biography, so from there I made a conscious effort to only pick up the audiobook when I knew I was able to pay better attention.

I'd recommend this for fans of DOOM himself, or any of the big name, OG rappers from his time. I <i>am</i> curious how the print edition compares to the audiobook though, as the audiobook was extremely well produced, with a vibe that could be missed via print. It may come off more educational only hearing the words in your head.

{Thank you bunches to NetGalley, S.H. Fernando, RB Media and Astra House for the ALC in exchange for my honest review!}

I grew up listening to this era of hip hop/rap music. It was interesting to hear the book played out. I do have an issue with the fact that he was a private person and we really don’t know a ton about him. I think it was a bit exaggerated. The interviews were on point.

The opinions expressed are my own. This was an #ARC sent by #NetGalley and #RBmedia. Publication date: October 29, 2024.