Review: Oh boy. This novel insists upon itself. Can a writer try too hard? Everyone wants to be inventive with prose thereby setting the visual stage to enhance whatever may follow. Yet, sometimes it can become so grandiose that interest is lost when perfidy vies with attempts to glean true meaning. "Really Viking, deceitful?". Why yes, as all fiction novels are predicated on a web of lies.

This novel is faintly steampunkian with a dash of the olde English Oliver Twist. This alternate reality has Bull worship referents among other religious denigrations. Not really my cup of joe, that.

I get that there was a huge amount of the ol' weft and weave of creative backlogging, INITIALLY. Yet this story line grows on you like the varied characters that ride the line. The gobs of flowery descriptions and inner-ruminations begin to take shape upon a disparate landscape as awareness unfolds. I now see why the review sycophants are quick to pile on the heap of rutting praise. This was a masterful presentation.

4.4/5

This eARC was provided by Netgalley.com and I am giving an unbiased review.

Saintcrow has done a wonderful job in creating this new world scenario. It is like modern Europe, but kind of like if the Romans had actually conquered it all, and held sway for hundreds of years. The story is a bit historical, as many names that are somewhat recognized have a 'Latin-ish' sound to them, and they use wood/coal for fires with no autos in the story. So like the 1800s I guess.

This brings us to our two main characters: Miss Dove, a pseudonym for the rich daughter of some married bureaucrats who seeks revenge, and Avery Black, the Rook, a local sort-of Crime boss of the area of London called Hell's Acre. The Rook is actually a man of morals, and is trying to help the Acre, even if violence is necessary. Miss Dove, who has an "uncle" at a type of monastery in the Acre, manages with his help to get a job as a school mistress for an orphanage. I know I am skipping some parts (for you to enjoy) but the interest between Dove and Rook build throughout the story, which leaves us hanging a bit for a future installment.

The world-building in this novel is spectacular. I really liked the idea of a conquered Roman'ish Europe, and love how the names have that Latin quality. My history may not be the best, but there are several religions and deities Romans worshipped, and they have their part in the tale as well. The intrigue as to what is really going on keeps one reading. Dove does find the man responsible for her parents deaths (per the information she had received) but is that really the one. And how is it Rook's interests and Dove's coincide with each other, without the other knowing? Really looking forward to more in this series!

Hell’s Acre was a really different book from what I presumed by the description, cover, and previous books by the author I’ve read. I expected a fast-paced alt-world urban fantasy told in first person narrative. But it’s an alt-Victorian gaslamp fantasy told in third person by multiple point of view characters, with an overly florid narrative style that is incredibly slow to read, as every sentence is packed full in a convoluted fashion that forces the reader to go back several times.

The world isn’t what I thought either, based on the description: a country that has refused to accept Christianity and where Rome never fell. I presumed it would be based on Roman gods and traditions, or since this takes place in England, Anglo-Saxon ones, or a combination of both. Mithraism, for example, in the temple of which the book starts, would’ve had rich, distinct rituals and interesting underground architecture that would’ve immediately made this world unique.

What we have is a very traditional Christian setting, like convents structured like Christian ones and organised by gender, and Priories and Abbeys, with a few token words of other religions and cultures in the mix to make it seem something else. Character names are based on Bible. Even the name of the book directs thoughts to Christianity, even if the concept of hell isn’t solely Christian. The world feels half thought out and is a great disappointment.

It took a long time to get a hang of the characters too, as the narrative doesn’t really dwell on their inner thoughts, and reader is more observing them from the outside. Yet, for all the floridity, characters are very sparsely described, and long after the reader has already formed their own image of them.

The story emerges slowly and in a roundabout way, with every character’s POV chapter opening mid-action with little or nothing to orient the reader. Beth, going by Gemma Dove, an orphan, has been living in this world’s version of France to hide her from powers who want her for something that isn’t specified. But her guardian has died and she’s returned to England (Albion) to revenge her parents’ death. She’s well trained in self-defence and believes in her abilities, but it isn’t easy to go after her prey even with powerful backers.

She takes a job as a teacher of boys in an orphanage near the bad part of town, Hell’s Acre, and that fills most of her days, with some adventures in the mix. She catches the attention of Avery Black, who leads a group of vigilantes (or something, I never quite figured out) in Hell’s Acre. Reader doesn’t learn much about him, or Hellions, the organisation he belongs to (but not the vigilantes?), but he’s after the same man as Gemma.

The book description gives to understand that the two team up. However, while their paths cross from time to time, the two don’t realise their mutual goal before the book ends. The ending is a cliffhanger. There’s a hint of interest, but no romance. I’m not sure I need to read more to find out what happens next. The story wasn’t interesting enough, and it was too much work to read, with too little given in return. I’m giving it three stars though, because I did finish it and it doesn’t quite feel like a two-star book despite everything I found lacking.

There is definitely a lot of detailed world building. You almost feel like you're standing on the sidelines amongst the characters. Overall I'd rate this moreso 3.5. There's a bit of an information dump in the first quarter. Interesting plot of revenge/vengeance.

An interesting mix of Victorian England and Fantasy Rome combined with a secret society and a quest for revenge and a thief.