Thank you to NetGalley for the ARC of this book. This collection takes us on a fairy tale journey of retellings of some popular tales, like Little Red Riding Hood, Rumpelstiltskin and Beauty and the Beast, to name a few. It is well written and provides a new, modern take on these fairy tale classics, allowing girls to be their own heroes. I enjoyed them all.

A girl who employed a strange, short man with a funny name to spin gold from wheat is forced to put her firstborn child up as a wage for the task, unless she can find a way to counteract the contract. A girl in red tries to take some grocery deliveries to her nan, but there is a wolf in the way – or there would be, but there is also a tag on its back and a wire fence in the way. Hanna and Greta are forced to traverse their city, leaving bits of biscuit at every junction, in search of their workaholic father – until lo and behold, more and more biscuits get offered to them. A lass with a golden ball and a frog for a partner just cannot get him to turn into a Prince – perhaps life really isn't a fairy tale. Two girls fight to get a job as housemaid to a reverend – a reverend who insists a certain room stays private and locked.

The whole issue with these books is – how different, how twisted, how Tangled, have the fairy tales become? Is it just a predictable gender swap? Is it a complaint about princes kissing sleeping girls and lack of consent etc etc yadda yadda? Is it something interesting – that one of a countless number of quick kids' picture books hasn't actually already done? Well, here, as we can see, things have been doctored in quite different ways. And things have still changed the same – in the Bluebeard variant, it's the "ugly" sister who is goading the opening of the room, and the "pretty" one reluctant to break the rules. And throughout there is still the sense that this could well be a kids' read – what if Sleeping Beauty has a sister guardienne?

That being one of the more fun-to-read entries here is indicative of what I thought of it all. It was fine, and I was certainly glad it lacked the "sistas! What you doing thinking about princes for?!" diatribes one might have feared. But was this different enough – did it really gain by putting Little Red Riding Hood in a red safety jacket and the wolf in a kind of rewilding programme, complete with tracking tag? Does Bluebeard gain by having a second girl to do the wicked persuading that the door needs opening?

This is thoroughly readable, and nicely illustrated in a quiet way – a lot of the images are almost cameos swimming in a full page, showing a visual motto for the story as opposed to illustrating an actual event or scene. But I think you get the most out of it the least you've read these books – if you know how wickedly inventive some picture books can be at doing this kind of thing, then some of this is merely pleasantly diverting.

Best for me were the Sleeping Beauty, and the final piece, which seems so much more like an original – although it could be based on something that is yet to cross my path in classic form. It certainly gained by playing for humour, and not comedy against any of the characters either, just the situation. Worst – well, there could be a couple of candidates, but nothing that was exactly bad. It's just I'm loathe, with my experience, to give this volume four stars just because it's a more literary, adult, Angela Carter style of thing when compared to many of its peers. It's certainly no woven gold thread, and it's certainly no emperor's new clothes. But it is definitely a three and a half star middle ground, where five stars would really have had to be something genre re-defining and startling.

My obsession with “girls” by Anne schaap knows no bounds. I needed it the second I saw the cover and now I know I need it on my shelf, along with the other publications in this group. This collection so so fun and full of whimsy, I’m obsessed with it.

This is basically just all those old fairytale but with a sharper edge. Mainly a more feminist take on all those old fairytales. Kind of written different and was hard to keep my focus but still an enjoyable read if you like the classics and want a fun and dark turn.

Publishing date: 04.03.2025
Thank you to NetGalley and Pushkin Press for the ARC. My opinions are my own.

This is a wonderful collection of girls finding out that life isn't a fairy tale. Every story is femme-centered and most have semi-feminist themes. I am a little reluctant to call them feminist as the story is usually: Here is a fairy tale setting, oh guess life isn't that fantastical, at least I am alive. A lot of the stories have open endings. Like it doesn't feel like an ending, or resolved per say, more like the start of something different.

Every story has a few illustrations to go along with them. These are so nice and add a lot of flavor. Sometimes the illustration appeared in the middle of a sentence and I had to read a little back and forth to remember what I was actually reading. This is a miniscule nitpick.

All in all, sweet, short, and exactly what I was looking for. My personal favorites were: Rumplestilskin, the Frog one, and the Cookies story.

Final ranking and star rating?
5 stars, S tier. Once again I prove to myself that retellings are my jam. I adored these stories and munched up at least one a day. Perfect to cleanse my palate and recharge for more books for 2025.

I would have loved to have a book like this to read when I was a little girl. While I'm not sure I would describe this as explicitly feminist, the author does a fantastic job at turning some traditional fairy tales into more truly female-centred stories. It reads a bit like The Bloody Chamber for middle graders, which is definitely intended as a compliment!

The book starts off very promisingly, rich with metaphors that are relevant to the world that we live in. But when I got to the ending of each short story, I felt a bit let down as the deeper message is not fully developed. I am really sorry for leaving a not-so-positive feedback and I know how so many others love it. But I just wish that each story were a bit longer so that the message could be developed further.

I think this collection started off strong - I really enjoyed Mr Stiltskin and Wolf. I loved the twist on the name guessing that came from Mr Stiltskin and how a modern setting impacted the dynamic between the wolf and red riding hood in Wolf.

I also enjoyed how a modern setting was used in Biscuits - a Hansel & Gretel retelling - and how the father, though still incompetent/neglectful, was more well-meaning than most iterations. The twist of the gingerbread house being a bakery/sweet shop was very clever.

I loved Frog - I just found the story of the girl realising the frog was good to her, even if he was no prince, compared to other men.

Blue and Sleeper were definitely the darkest stories. As a fan of Bluebeard as a fairytale, I enjoyed Blue and thought it was a nice twist on the original whilst still retaining the key elements of the story. Sleeper was just a tragedy, that made the hope of the ending's realisation all the more heartening.

Monster Girl was interesting, it was a very unique take and felt like a merging of Beauty & the Beast, Rapunzel and another tale that I can't quite recall the name of but remember studying in a fairytales module at university (it might be Straparola's Pig King I'm thinking of, but not completely certain). I liked it, and though I feel that Belle and the sailor could have bonded more, I understand fairytales often don't cover anything. I also may have missed some parts as whenever Belle spoke the text read ' '. ' and I'm not certain whether the lack of words in her speech was deliberate or a formatting issue of the eARC.

Regardless of possible formatting issues (e.g. 'fi' was missing from a lot of words as 'fine' became 'ne' and so on), I would recommend this collection to fans of fairytales - it feels very true to the genre and fits nicely amongst all the versions I read at uni.

Annet Schaap’s Girls is a spellbinding collection that breathes new life into seven classic fairy tales, transforming them into modern, darkly humorous narratives that resonate deeply with today’s young adult readers. These aren’t the familiar tales of passive princesses waiting for salvation; instead, Schaap’s heroines are bold, flawed, and undeniably real, navigating a world of relatable challenges with courage and wit.

Each retelling is a triumph of creativity. From the miller’s daughter questioning her happily ever after to the maid uncovering a sinister secret in a reverend's locked room, every story feels fresh and relevant. Schaap doesn’t just twist the tales; she uses them to explore themes of agency, independence, and self-discovery. The characters’ struggles and triumphs reflect the complexities of life, making their journeys both fantastical and achingly human.

The tone balances dark humor and emotional depth, capturing the rawness of facing fears and finding one's voice. Schaap’s prose, beautifully translated by Laura Watkinson, is enchanting—rich with vivid imagery and laced with poignant truths. Each story leaves a lingering impact, urging readers to question the roles we play and the narratives we accept.

Girls is more than a collection of fairy tale retellings. Perfect for readers who crave thought-provoking tales with a feminist edge, this book reminds us that sometimes the greatest magic lies in forging our own paths

Very interesting concept!! The stories were a bit forgettable to me and the writing was a bit too juvenile for me, but they will work well for a young audience

3.5

A few really interesting pieces and some quite unexpected. I did find pacing a bit off in places and some stories feel almost incomplete. But neither the less an interesting and enjoyable collection

Girls by Annet Schaap is a mesmerizing collection that breathes new life into classic fairy tales. With modern, thought-provoking twists, each story feels fresh and engaging while still capturing the magic of the originals.

Here’s a breakdown of each tale in the collection:

Wolf (Little Red Riding Hood)

In Schaap’s version of Little Red Riding Hood, the wolf isn’t the terrifying predator we know. Instead, he’s restrained by a collar that keeps him in designated areas. Red, on the other hand, takes on a more dominant role, turning the original power dynamic on its head.

Frog (The Princess and the Frog)

What if turning a frog into a prince wasn’t the upgrade it’s made out to be? That’s exactly the question Schaap explores in this witty retelling. With sharp humor and a touch of cynicism, this story pokes fun at the idea of romantic transformations and happily-ever-afters.

It’s clever, funny, and leaves you questioning those perfect fairy-tale endings.


Blue (Bluebeard)

This retelling of Bluebeard moves the spotlight from a dangerous marriage to the complex and messy relationship between two sisters. Schaap weaves a story full of jealousy, love, and betrayal that feels emotionally raw and incredibly real.

Sleeper (Sleeping Beauty)

This take on Sleeping Beauty isn’t about a prince waking a princess with true love’s kiss. Instead, it’s about twin siblings, one of whom falls sick and is placed into an eternal sleep. It’s a heartbreaking exploration of grief, sacrifice, and what it means to hold on to someone who’s no longer fully present.

Bittersweet and deeply emotional, this story hits all the right notes.

Golden Threads (Rumpelstiltskin)

In this retelling of Rumpelstiltskin, a girl must spin straw into gold to meet impossible expectations. Unable to do so, she turns to a magical being who demands increasingly personal sacrifices in exchange for his help.

This tale is a sharp critique of the pressures to be perfect and productive at any cost. It’s a reminder that relying too much on others to solve our problems can come back to haunt us.

Lost Sisters (Hansel and Gretel)

Schaap reimagines Hansel and Gretel as two sisters whose father is so consumed by his work that he neglects them entirely. Left alone for weeks with no food, they set out to find him and face danger along the way, crossing paths with people who aren’t exactly kind.

It’s a story about survival and resilience, as well as the emotional scars of neglect. Dark, gritty, and powerful, this retelling offers a fresh perspective on a classic tale.

Monster Girl

The final story, Monster Girl, follows a princess who doesn’t look or act like the ones in traditional fairy tales. Banished to an island with her governess to wait for a prince who may never come, her life takes a turn when a shipwrecked sailor arrives.


This story is all about breaking free from expectations and learning to define yourself on your own terms. It’s bold, empowering, and the perfect way to end the collection.


Girls isn’t your typical fairy-tale retelling. It’s a smart, thoughtful deconstruction of the stories we all grew up with, showing us how much more there is beneath the surface. Schaap’s characters are complex, flawed, and deeply human, making each story feel grounded despite its magical elements.

If you love fairy tales but crave something fresh and meaningful, this collection is a must-read.

Rating: 4.5/5 stars

In this new, English translation of the Dutch anthology of reimagined fairy tales, we see seven short stories of GIRLS - they may be young but they are not in need of a hero to come save them. This is a fun twist on the tales you grew up with, and I had fun figuring out which tale was being retold. We had Rumpelstiltskin, Little Red Riding Hood, Hansel and Gretel, The Frog Prince, Sleeping Beauty and Beauty and the Beast (I was not familiar with the story in the middle).
I enjoyed the modern elements that were added as well as how the tales had a different outcome than you were expecting, while still having a good message. The stories were dark without being morbid and each ending left you feeling better.

Thank you to Pushkin Press and NetGalley for the ARC in exchange for an honest review.

This collection of dark, funny updated retellings of 7 classic and familiar fairy tales with a more female focus is a fantastic collection for young adult readers giving them a new perspective for navigating everyday challenges without being too dissimilar to the original tales.

I really enjoyed how each story had a little twist to its ending and how its heroines weren't the traditional dainty girls of yore but were a little rough around the edges with foibles and quirks that most young readers will be able to identify with.

Not all the stories are truly memorable but the collection is more hit than miss and the Rumpelstiltskin and Hansel and Gretel tales were favourites as they felt truly fresh and with endings that really stuck with me.

A great option for that younger reader in your life!

Thank you to Netgalley and Pushkin Press | Pushkin Children's Books for this digital review copy of "Girls" in exchange for my honest and voluntary review.

ARC Review: Dark retellings of famous fairy tales with a feminist spin on them. These include: Rumpelstiltskin, Red Riding Hood, Hansel and Gretel, Sleeping Beauty, The Frog Prince and Beauty and the Beast.

These were engaging and easy to follow. I found them to be a little too similar to the original Grimm tales to keep me excited, though. Although, I do think that was the point! Maybe I am just not the target audience for such a thing.

I think this could be fun for pre-teens and young teenagers.

Thank you to NetGalley and Pushkin Press, Pushkin Children's Books for my arc in exchange for my unbiased opinion.

"Girls" by Annet Schaap is a collection of seven dark fairy tale retellings. Each retelling ends with a twist you may not expect and in doing so, subverting your expectations. Instead of the dainty and traditionally "feminine" fairy tale girls, we get girls who are rough around the edges, selfish, and no longer waiting around to be rescued. There was one or two stories that I felt didn't work as well, but for the most part, I really enjoyed this collection. Each story felt fresh and new despite the familiar story beats and fairy tale traits, but Schaap's vivid imagery and handling of writing really does kind of take you somewhere else.

I would definitely recommend this since it is quick read and each story has something fun and new to offer a reader.

This a collection of short stories that are turned on their head. The retellings include: Rumpelstiltskin, Red Riding Hood, Hansel and Gretel, Sleeping Beauty, The Frog Prince and Beauty and the Beast. The stories were simple but the ways the stories were retold to modernize them had an interesting feminist and decidedly unfairytale-like spin. A solid collection but a bit forgettable.

This was a great collection of fairy tales with an alternate perspective than the ones we may be used to. I really enjoyed the narrative voice and the way each one was told. It made the collection really readable and quite a quick read with I like. My favourite had to be Mr Stiltskin. The way that Stiltskin and the King were described, and behaved, only to have the story turned on its head as soon as they, and the reader, realise that we were never told her name. That was a wonderful twist, and something I will think about for a long time. It made me think about how female characters in fairy tales are often portrayed.

A brilliant collection of updated fairy tales! I speed though this book hoping it would never end!
Every story offered a new perspective with a modern twists that I adored!

The cover is stunning! I really liked these retellings of famous fairy tales. My favorite was the one based on Hansel and Gretel. The pacing is nice and it's easy to follow the plot. Nicely done!

Thanks to NetGalley, the author and the publisher for the free eARC in exchange for my honest opinion.