Alright folks, I took the plunge into the wild, historical depths of Stephen Graham Jones' 'The Buffalo Hunter Hunter', and let me tell you, it was a blood-soaked rollercoaster!

First off, historical fiction isn't usually my go-to, but how could I resist a vampire tale with a twist? Arthur, our pastor, and Good Stab, the Blackfeet vampire, took me on a slow, eerie journey through 1912 that had me highly interested, despite my usual resistance to time-travel in books. Yes, it was a bit of a slow burn for me, and I did have to nudge myself along the dusty historical roads a few times, but the payoff was worth it.

The gory bits? Absolutely loved them! Jones has this knack for making you squirm with delight and horror at the same time. Plus, the way he blends real Native American history with supernatural horror is nothing short of genius. Good Stab is a character that'll haunt you long after you've turned the last page.

So, if you're into a mix of rich historical detail and blood-curdling vampire lore, this is your next read. Just be ready for a bit of a slow start, but trust me, once the fangs come out, you won't want to put it down!

Can't wait to see what Jones conjures up next. This was my first read of his, but definitely not my last.

a five star read. This man is a genius and anything he writes is a work of art and I can't wait to read whatever comes next because this book was 5 fucking stars.

Stephen Graham Jones does it again. I love every single book I've read from this person and this one is no different. Thank you so much netgalley for this ARC.

I am not so sure where I stand with The Buffalo Hunter Hunter. Overall, it was a solid 3.75 star read for me. I thought the characters were really intriguing and very distinct, I enjoyed Jones’ fresh take on vampires and I thought the dual POVs were done so well. Each character’s voice was so distinct, which is what made the dual perspectives so fun to jump back and forth between.

This book is LONG and SLOW and that isn’t necessarily a bad thing. I was surprised by my desire to stick it out and finish it because I usually DNF’d just on pacing alone. Im not sure I’m better off for sticking it out though, as much as I enjoyed the depth of Arthur and Good Stab’s stories there were a multitude of issues I had with the story outside of the pacing.

The first and biggest issue for me is Etsy’s character and the flimsy wrappings of her story that contained the deeper narrative. Honestly could have done without the entire Etsy storyline. It felt so jarring to jump back into her perspective after such a sweeping saga that it practically killed the vibe for me. Her character wasn’t funny (even though she was desperately trying to be) or clever. The book would easily be 4.5 stars if her part wasn’t in it. I struggled with understanding the necessity of her story. It felt like Jones couldn’t let go of this characters and needed to just drag out their existence a little bit more. I could have done without it.

The rest of my gripes are small and probably insignificant. Trying to understand what the hell a “dirty-face” was or what they meant when referring to items or other food sources was confusing and took me out of the story often. Jones would follow up with a definition or clarity later in the chapter, but it was so far past the new phrase or word that you’d then spend multiple pages wondering what the hell this thing meant. Again a small gripe, and I get that these are historically accurate words and names for things like cows and prairie dogs, it was just a bit tough to navigate.

All in all, I probably won’t read this again but I would recommend it for a horror lover who wants a fresh take on vampire and the Wild West. There are some significant potential content triggers in here so please read content warnings if you need.

5 Stars: A Chilling, Blood-Soaked Diary You’ll Never Forget

This story is an absolute nightmare in the best way possible. It all kicks off with a diary—because nothing good ever comes from finding old stuff hidden in walls. This one? Oh, it’s packed with secrets, horrors, and just enough mystery to make you forget to eat, sleep, or respond to texts.

The diary format is pure genius. It pulls you in so deeply, you feel like you’re the one scratching down each word by candlelight, hoping nothing in the dark is breathing too close. It’s eerie, it’s intimate, and it’s the perfect way to unravel a story that refuses to let you relax for even a second.

Set in the early 1900s with an atmosphere so heavy you’ll want to crack a window, this tale masterfully balances tension, historical weight, and some seriously haunting vibes. Every page feels like turning over a rock, knowing full well there’s something slimy—and probably dangerous—underneath.

But here’s the kicker: the horror doesn’t rely on jump scares or gore for the sake of it. It’s smart, deliberate, and absolutely unsettling in a way that’ll have you side-eyeing your own walls, just in case. It’s the kind of book that sticks with you, like a creepy shadow that doesn’t always match your movements.

This story? A masterpiece. The diary? A cursed treasure. You? Fully unprepared for what’s coming. Read it, but maybe leave your walls alone.

I have read a good chunk of Stephen Graham Jones’ books and they are always so interesting. This one included. Although the entire time reading this, I kept telling myself “this is so weird” but I kept reading. Overall it is a great book weaving Native American culture and history together along with horror for a fantastic read.

I received a free advanced copy of this book through NetGalley in exchange for an honest review.

Stephen Graham Jones tells a very good story and this one is no different. The pacing is a little slow and the writing style takes some getting used to but the story is great. Give this story a chance and you won’t regret it.

Stephen Graham Jones' newest novel comes out in March, and it may be his best (so far) -- a huge, shaggy epic that reimagines the vampire and the Marias massacre of a Piikani Blackfeet camp, each story "point[ing its] guns" at the other. It is shot through with dark humor, and thrilling and horrific, and deeply sad -- and hits as hard as anything Jones as done, which is saying something.

I have been teaching this class about monsters, and I could easily just reboot the whole thing with fiction by Jones. _Mongrels_ has been on a good half-dozen of my syllabi, and always hits, energizing conversations about how we use stories (and how they use us). I am now anxiously thinking about how to shape space for this novel.

2024 has been a heckuva year for fiction, and I'm thankful to NetGalley for an advance copy, giving me a sneak preview of the peaks to come in '25.

Big thanks to Saga Press for the review copy.

My goodness. Let me say this up front, this starts out slow and moves slow, but hang in there. This book is a masterpiece of storytelling. I love this style of writing so this was perfect for me. Even if you don’t like epistolary, stick with this book. You will not regret it.

This feels like a modern masterpiece of horror, though fans of the genre may be thrown off by the slower pacing typical of historical fiction. However, I think this book will be a hit and bring in the literary fiction crowd, too.;

5 stars

This may be the most impactful book I've read this year. Brillaint, heavy, and important.

After two slasher novels released in 2024, both of which were 5 star reads for me, SGJ turns to historical fiction through the lens of a vampire story like no other. Told in three timelines and in a confessional style, we hear from indigenous person and vampire Good Stab as he "confesses" to a Luteran pastor with secrets of his own. The story takes place in the American West from the late 1800's into 2013.

We learn about Good Stab and his people, how they lived, how they died, and how they were impacted by the attempted eradication of themselves and the American buffalo by white settlers. The story of how Good Stab became and lived as a vampire is the thread through which the rest of the story is told.

As a longtime fan of vampire stories, I don't come across a unique take on this lore very often, but SGJ came up with a truly horrifying picture of the blood-drinking immortals. I absolutely love his take on this aspect as it shows that living forever is not the romantic, flowery existence that other vampire stories convey. I will never think of immortality the same way again.

The characters in this story, both human and "other", were so compelling. I was drawn in and repelled in equal measure. Good Stab and Weasel Plume have my heart, along with Kills In Water.

Early on, I found the prose reminded me of Cormac McCarthy but SGJ's singular voice sang through and I was carried along on his horrific journey. I highly recommend this to fans of SGJ, Cormac McCarthy, and original vampire fiction.

Thank you to Saga Press and NetGalley for the eArc of this book in exchange for an honest review.

[exhales] Whew. This latest entry from Stephen Graham Jones is a searing indictment of America’s settler colonialism. And perhaps there’s no better way to explore America’s history of wanton violence than through a book that throws the genres of vampire horror, the western, and American Indian epistolary (similar to a work like “Black Elk Speaks”) into a blender.

The book is challenging to read with a plot that is somewhat slow to get into at first. To me, the Nachzerer’s Dark Gospel sections seem repetitious early on, but I suppose that is perhaps the point. The redundant violence that Good Stab commits against nameless and faceless napikwanis perhaps serves as social and historical commentary in how the standard American history textbook is typically filled with the stories of “settler heroes” of the West committing acts of violence against nameless and faceless indigenous peoples under the guise of “nation-building.” Jones, perhaps in a work reminiscent of blaxploitation, thus creates the story of a vampire seeking revenge, not just against American trappers who are mass murdering buffalo as “war” policy, but also a personal revenge for the personal and spiritual isolation that Good Stab’s vampirism has created. I also loved the “you are what you drink” twist that forms the center of this vampire lore.

For me, the book really hits a high note in a climactic confrontation about 2/3rds of the way through between Good Stab and Arthur Beaucarne regarding owing up to past transgressions. The dialogue of this scene is searing, cinematic, devastating, and utterly engrossing.

If there’s one part of the book that I felt could have been better integrated, it perhaps would have liked for Etsy Beaucarne’s own modern-day letters to be more developed, and sprinkled and integrated throughout rather than serving just as a framing device. It perhaps could have helped with some of the exposition challenges that I personally faced in trying to follow the plot, but also it was her modern day story that allowed for the narrative tension to build that is needed for an epistolary work.

But overall, if you enjoy the works of Stephen Graham Jones, you can add another hit to his lengthy list. The area where he truly shines as a writer is in providing each of his character’s with authentic voices. The epistolary genre is a tough genre to create propulsive momentum within a plot, and there are some struggles here. But the book creates compelling and unique characters, and it really comes together for a fantastic ending.

A vampire who kills for justice?? The description heavily reminded me of Hellsing and I LOVED that manga.

Wow. That was amazing. Main elements I got from this book
✅ Suspense
✅ Horror
✅ Plot twists
✅ Smooth execution

First, the suspense had me on my toes. I felt nervous at times because I had no idea what would happen next (when your watch tells you there’s a new trend in heart rate haha), which brings me to my next point: horror. Some scenes were definitely horrifying to read, grotesque even. I thought it was really interesting that the vampires would become what they drank from. It aided the plot and definitely provided Jones further opportunities to make the story more scary and unexpected.

I would say the story is well executed. I enjoyed the format and it felt like watching a movie. I was reminded of the movie, Don’t Breathe. Oh, and definitely look up the content warnings because there are PLENTY that might be triggering (i.e. cannibalism, animal abuse, skinning to name a few). The reveal made me realize the events mirror history, so I think this book is also meant to be a call for reflection. Overall, a provocative and horrifying book that I just couldn’t put down!

Thank you to Netgalley, Jones, and Saga for providing me an arc in exchange for an honest review. All opinions are my own.

An outstanding author! Loved the writing style. The voices of Good Stab and the Pastor were very distinct. The story was unique and creative. The horror ripped my heart out. The depth of the history and the setting were woven so well into the terror of the vampire's tale. Highly recommend!

I would like to thank NetGalley and Saga Press for the ARC.

This is unlike any I’ve ever read before. Absolutely fucking heartbreaking because all of this DID happen (well obviously not the you know what but duh) and it just makes it a harrowing experience. As a new to this author, I’m absolutely reading everything else I can.

Truly fantastic.

A historical fiction horror with vampires? Heck yes. A few words that describe this book... riveting, compelling utterly unforgettable. Jones is a master of his craft. Set in 1912 in rugged South Dakota. Good Stab makes a confession to Lutheran pastor, and the story steamrolls ahead. Thank you to Saga Press for the ARC.

5 stars

After each new Stephen Graham Jones novel I tell myself "that is his best yet," and each time he puts out a new book he outdoes himself. The Buffalo Hunter Hunter is no different. A bloody, chilling tale that is a testament to the unparalleled ability of Jones to merge history, horror, and humanity.

A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits.

Stephen Graham Jones continues to tell outstanding horror stories, but molds them using different fantastic techniques such as the tremendous 2024 novel I Was a Teenage Slasher. With The Buffalo Hunter Hunter, Jones uses an epistolary format that breathes authenticity into his storytelling allowing for a more intimate reading experience. This narrative choice not only enriches the storytelling but also sets itself apart from other horror novels alongside it on the shelves. Proving once more that Jones is a master of the horror genre.

While I have been telling myself for years that I am not a fan of vampire stories, but my favorite others are proving me wrong. Stephen's ability to craft his on twisty and unique vampire tale allowed me to find a love for a vampiric tale where I have been most avoiding them in the past. He intertwines these vampiric elements with Native American history in what can only be described as one of his most imaginative works yet. However, Jones' ability to blend Native American culture–the struggles with identity and atrocities faced in real life history–with fictional horror should not surprise fans of Jones.

The Buffalo Hunter Hunter is a bloody, yet elegantly beautiful vampire horror which unfolds like pieces of a puzzle falling perfectly into place. The novel is more than just another read, but an immersive experience that few could accomplish writing. Jones had crafted a visceral yet profoundly moving piece of fictional horror that left a lasting impression that will stay with me long after putting the book down.

With each new release from Stephen Graham Jones comes a renewed excitement for fresh new horrors, The Buffalo Hunter Hunter was just said book. Jones has hooked this fan and while I may say "good luck topping this one," I have to believe he likely will continue to blow me out of the water with each new book.

"The Buffalo Hunter Hunter" is a sprawling, epic, slow-moving story within a story. It tells the tale of a Blackfeet named Good Stab and his transformation into a horrific vampire, and the unending onslaught of cyclical violence. Who is allowed forgiveness? Who is allowed revenge? These big questions are pondered on the page. Those who have read Jones's Jade Daniels stories might expect something pithy and fast-paced, but "The Buffalo Hunter Hunter" takes its time. I recommend this one to fans of Dan Simmons's "The Terror", as it has a similar "horror within historical fiction" vibe and attention to period detail.

I had a hard time getting into this book mostly due to how it was written. It is a slow-burn and took a while to get going. It's told from the POVs and each has its on voice. This made the book feel disjointed quite a bit. There's one POV of someone speaking a modern language, one in an older English which reminded me if reading a classic, and the third with a native American accent. This made it so hard for me to shut my brain off and just enjoy the story because I had to study three different dialects. Once I got the hang of this, I was already frustrated and I had a hard time connecting to the story.

It does get better. It's quite interesting and very gory. The plot is well thought out. It's interesting to learn that some of the events in this story is based on real life occurrence. I do still recommend this but be prepared to put in some work. This isn't something where you can just sit back and enjoy the ride.

Thank you Netgalley and Saga Press for an early release of this book.

I'm starting to think I am the only one in the world not the biggest fan of Jones.
The story is fine, and has a few interesting parts. But I've read several of his stories and again nothing really catches me and keeps me involved.
Could be the style.
This is like all the other Jones books.