Set in the desolate, fictional town of Cocuán, A Carnival of Atrocities unravels like a haunting legend passed down through generations. After the death of her mother, Mildred loses everything—her home, her animals, and the life she once knew. But her story doesn’t end there. Whispers of her return, seeking revenge and death, grip the town in fear. Has she truly come back, or is this just another tale spun by a place steeped in mystery? You’ll have to read to find out.

Told through the perspectives of nine different characters, this novel might seem overwhelming at first, especially for those who usually shy away from multiple POVs. Yet, the author weaves them together seamlessly, never losing sight of the core story. Instead of feeling disjointed, these perspectives add depth, each revealing a new layer of Cocuán’s eerie history.

What makes this book so captivating is how it blurs the lines between reality and dream. The atmosphere is hypnotic, drawing you into a world where truth and illusion bleed into each other. Some characters naturally feel more fleshed out than others, and you might find yourself favoring certain narratives, but that only adds to the book’s complexity.

If you're looking for something dark, immersive, and emotionally charged—especially a story where reality feels like a shifting mirage—this one is worth picking up.

Many thanks to NetGalley and the publisher for the ARC!

I was not clear going into this book that it would be quite so disturbing. However, in spite of that, I found the book to be well- and beautifully written. I love the connection to nature and the supernatural. It is definitely unlike anything I have read previously.

Rating: ⭐⭐⭐⭐
Genre: Literary Fiction + Magical Realism

This is the story of a desolate, fictitious town called Cocuán. After her mother’s death, Mildred loses everything she cherished in this town: her home, animals, and life. Her story becomes a legend that will haunt this town and its residents. Has Mildred returned to bring revenge and death? To know this, you have to explore the book yourself.

The story is told from the perspective of nine characters! Yes, at first I thought this number was a big one for such a short book, but honestly, I didn’t feel it was a problematic thing despite disliking multiple POVs in general. Somehow the author was successful in implementing all these perspectives without creating lots of distractions from the main theme of the story.

The beautiful thing about this book is that everything is blurred between reality and dream. It becomes difficult to know what is true and what is not. This quality made the atmosphere of the story very hypnotic and deeply immersive at the same time.

With nine characters involved, you can’t avoid feeling that some characters have better character growth than others, or you might prefer some character’s narratives more than others. So comparison and favoritism are something you cannot avoid.

Give this book a try if you're in the mood for something a little dark and emotional. If you enjoy stories in which the line between reality and imagination is blurred, this one is definitely one to check out.

Many thanks to NetGalley and the publisher for providing me with the ARC of this book.

I’m not sure I fully understood this book but I really enjoyed it. I’ve noticed for quite some time now that Asian and Latine books in translation are always under rated and I feel that is the case with this book as well. The imagery is really powerful. This is classified first as a fantasy book but while it is loaded with fantastic elements, it felt very much like a horror to me.

This story is told from the perspective of 9 different people from the town during its demise years after the town took Mildred away from her mother’s beloved home. At the end I felt like this was ultimately a story about feminine rage and I can’t get enough of that.

When I first started reading the book I was really excited. It felt like I was about to experience something really special. Unfortunately the pace was too slow and I thought having a different character do each chapter and not repeat themselves was a little confusing at times. I didn’t finish the book. It seemed like something I would love, but the pacing could be improved and so could the defining of characters.

I never really get the chance to read novels and books from Ecuador, so I was excited to receive this advance copy! It's a bit of a shorter book than I expected, and while I do wish we got a bit more time with each of the characters whose perspectives we landed in each chapter, I generally enjoyed the myth making that's created through this tale, albeit how tragic and cruel it can be. I'd recommend this book for those who find themselves interested in the synopsis--it can be quite the interesting read.

I have somehow completely missed Natalia García Freire's first English translation, This World Does Not Belong to Us, which I shall rectify as soon as possible after reading this novel. I'm not sure exactly what happens in it, but I'm sure it reads like the offspring of Fernanda Melchor and Agustina Bazterrica (and there's even a character called Agustina). And that is as high as my praise can go, as both Melchor and Bazterrica have written some of my favourite novels of the last decade. So if you are ready for otherworldly, more-than-human, chthonic encounters that challenge the very foundations of common sense, then sit down and open this book. It's disgustingly pleasurable or pleasurably disgusting, binaries don't really apply here.

This short novel felt like a fever dream. It is a series of chapters from different people in the same Ecuadorian village. Each of them is at once insightful, symbolic, and sometimes brutally realistic. The writing is beautiful and grotesque all at once. I've never read anything quite like it before.

A short and, generally, beautifully written book, however it requires the reader’s attention to connect the multiple POVs.
I have read little Ecuadorian literature, and I am glad to have read this one.
The author’s writing is poetic, and I enjoyed the myth-like elements in the story.
Solid 3 stars.

This was a short novel but still very good. I do hope to read something longer by this author soon. Very talented.

A heavy, gristly read, despite its short length. The prose is lyrical, often beautiful, but the content can be brutal. The unfortunate residents of a godforsaken town venture into the woods in search of a party of townsfolk who have gone missing. I liked how each chapter followed someone new, but I did find there were too many side characters and too little time to get to grips with who they were.

At first, I was very invested in the story, wanting to know about Mildred and her otherwordly effects on the town. I was curious about the town itself and the odd people that lived there. However, my attention was rather quickly lost and by the half-way point I’d more or less lost interest. The style of the writing made it easy to get lost and I had a hard time keeping the different characters in order as not only were there so many of them, but there was so little information about what was actually happening that even if I remembered everyone’s name, there’s little chance I remembered who in the hell they even were. Plot wise, it was a challenge to decypher what was going on. Moments were highly disturbing in a way that I normally would enjoy but the imbalance of the style took away from the few elements I did like.

I love travelling through books and read voices I normally wouldn’t, and I feel like I got that feel with this book even if I maybe didn’t connect to the story, I can appreciate reading something completely different from what I usually read.

Set in the Ecuadorian Andes gave this a pretty unique feel to me, and one could tell there is a clear thought behind the book.

A Carnival of Atrocities by Natalia García Freire
Rating: 4/5

This book swept me into its haunting world in the Ecuadorian Andes, where the town of Cocuán pulses with myths, madness, and old wounds. Freire’s writing is mesmerizing, mixing earthy imagery with surreal, almost mythical tones as the story of Mildred—ostracized and wronged—unfolds. The voices of the nine narrators weave together a tale of eerie beauty and tragic weight, reminding me of the poetic intensity of Shirley Jackson or Gabriel García Márquez. It’s not a light read, but if you enjoy dark, atmospheric fiction where reality and folklore blur, this will stick with you long after you close the book.

It’s definitely one of those novels where the language and vibe steal the show over plot. If you’re okay with that, dive in—you won’t regret it!