I really loved reading this and seeing the women writers before me and how their stories have inspired me to be a writer. Being a woman writer is powerful and reading these stories is something I greatly loved and can't wait to explore more of the works from the authors I knew but most importantly the authors I haven't read from the ones spoken about in this book

Before I submitted my review, I had to go back and recheck the page count, because the copy I read was under 300 pages (268 to be precise) and I felt like having read a large encyclopaedia.
First of all, thank you to the author, and everyone involved in the publication of this book as well as those who studied women writers before and provided some of the source materials of this book.
This is a strong and thorough non-fiction book about women writers’ and their writing in the aftermath of WWI until 1950s.
While I said encyclopaedia above, that was to refer to the compact robustness of this book. I was glad to see analyses and opinion by the author.
A great addition to the literature, a beginning and continuation, and an inspiring read.
If I must add some constructive criticism, in a few cases, the paragraph switches can be made to flow better. Minor editing out of personal preferences.
Also, I am not a fan of the cover page.

So interesting! This book covers an interesting period of transition for women seeking to be published as writers. It is a social history as well as a strong analytical piece. It is also entertaining, so ideal for people who like their history with a sense of story telling.

Stephen Wade, The Women Writers’ Revolution: More than Bloomsbury The Success of Female Authors during the Interwar Years, Pen & Sword | Pen & Sword History, January 2025.

Thank you NetGalley and Pen & Sword for providing me with this uncorrected proof for review.

Although a heavier read than many Pen & Sword publications this one carried me along because of the detailed and exciting material. This is a wonderful book, revealing so much about women writers in the interwar years, well known and lesser-known women, and even those who seemed to have disappeared. There is so much context, and there are also detailed references to male writers, as well as the Bloomsbury writers. However, the real legends of the book, the women writers about some of whom we know little, those who performed the revolution of Wade’s title, are there in full force. This is an exciting read, and one I relished from beginning to end.

Networking and the role of women’s clubs (one providing access to less wealthy women through lower fees) and providing commentary to newspapers, and women seeking reviews of their writing, is an intriguing topic. Networking, it becomes clear, is not an innovation at all! Magazines edited by women provided another source of access for women writers, and these are given a place in the narrative. Following the first chapter is one that resonates with domestic stories becoming professional success – or a series of rejections. ‘Becoming a Woman Writer’ includes such stories, the rise of Mills and Boon publishing, what publishers wanted – and what they received, readership and the types of publishing companies that encouraged women writers, how women learnt to write and have their manuscripts accepted.

The scene is set with a discussion of Edith Nesbit, Beatrix Potter and the amazing Charlotte Perkins Gilman’s works, establishing them in the period and amongst the work of male authors. The titles of the following chapters, ‘Discover Yourself’, ‘The Other Englands’, and ‘The Poets’ provide a flavour of further themes. ‘Influential Americans: Wharton to Parker’ is a whole chapter. Other topics are given an appendix – ‘Other Women Writers of the Period’; ‘The Bloomsbury Group’; and ‘Women Writers and Changes to the Law’. There is a fine bibliography and an index. Delightful graphics, including newspaper reports and letters, book and magazine covers and photographs accompany the text. The cover of ‘Come Out of the Kitchen!’ A Romance by Alice Duer Miller, featuring an emerging woman, and a full escapee, a black cat, is one of the graphics that stands out.

What a marvellous read – informative, lively, analytical in parts, introducing new writers and dealing well with the more well known – this is a real accomplishment. The Women Writers’ Revolution: More than Bloomsbury The Success of Female Authors during the Interwar Years is yet another book to which I shall eagerly return. I loved it.